Hey there! Please consider checking out some of the essays I’ve written:
Schrödinger's box, Pandora's cat, and other mysteries that should remain unsolved - This two-part essay is a rumination on our innate psychological need for closure and, by that metric, certainty in our desperately uncertain world. But beyond that, it is a deep dive into how the pursuit of certainty can yield horrors beyond our imagination, as analyzed through the manga Golden Kamuy, the 2018 film The Mountain, the 1988 film The Vanishing, and The Eff★ect, a play by Lu★cy Preb★ble. (Posted on 10/11/25).
The Fat Ass Kelly Price Episode of Catfish is a Shakespearean Tragedy (and Yes I Can Prove It) - This essay is an interesting rumination on not just Shakespeare but also blackness, misogynoir, and a reality TV moment that gives Iago a run for his money. (Posted 5/18/25)
The Goliad Dilemma - A four-part essay analyzing Donquixote Doflamingo and Donquixote Rocinante from One Piece, Millions Knives and Vash the Stampede from Trigun, Johan and Nina from Naoki Urasawa's Monster, Hyakunosuke Ogata and Yuusaku Hanazawa from Golden Kamuy through the Episode Goliad from Adventure Time. (Posted on 9/15/24)
The Many Apocalypses of Red Dead Redemption 2 - This essay explores the concept of what it means to exist during an age of tragedy and how one can move from being a witness to suffering to actively working to ease the suffering of others. It’s rooted in my experiences playing Red Dead Redemption 2 while the world crumbled apart in front of me. (Posted 12/5/23)
Good or Yourself: A Deconstruction of the Horrors of Identity - This essay explores horror of identity and how the lack of identity can turn everyday people into "monsters" as seen through the 1957 film Fear Strikes Out and the Manga Blood on the Tracks. (Posted 9/18/23)
Narrative Sinkholes - In this essay, I describe a phenomenon I've dubbed Narrative Sinkholes and how it presents itself in Arrested Development, Kidding, and Black Sails. (Posted 4/29/23)
This list will be updated as I continue to publish my essays, but you can stay notified on my next release by subscribing to my substack!
Lastly, here’s a link to my google drive full of resources regarding the entertainment industry! I’ve taken extensive notes during my internships/entertainment jobs and they’ve helped me land interviews at high profile entertainment companies. There’s also a ton of scripts (features and pilots), screenwriting resources, career/internship resources (great for learning how to break in), general info on how TV/Films are made, plus some resources on narrative design/video games! Check it out and I hope it’s helpful to you.
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All posts made by me are tagged: #Static
Media Analysis tag: #Analysis
Webweaving/Comparatives tag: #Web Weaving
Laugh tag: #I cnat breathe
All direct follow up posts to my original Goliad Dilemma essay made by me will be tagged: #Goliad Posting
(posts that are tangentially related to my Goliad essay will be reblogged with the tag: #Goliad)
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hey you guys my friend just told me i have a stain on my shirt (embarrassing) and hes put his finger on the shirt to indicate where it is. Im gonna look down so i can asses the stain situation
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I've been really confused on the fan response to Louis's arc this season because, at least in my eyes, it made perfect sense and is actually one of the best parts of the show.
SPOILERS FOR THE VAMPIRE LESTAT AND EP 7
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I'll analyze Louis's arc below but the TLDR is:
Most of Louis's worst traits exhibited in this season have been highlighted in the last two seasons.
Claudia's racial comments during the seance make more sense when you realize that Louis considers himself a temporarily embarrassed white man and not a black man, a mindset that got her killed.
Louis's apology to Armand was not him groveling to his abuser, it was him taking accountability for his long history of exploiting people for his own lack of self worth, which includes Armand.
It is valid that black fans feel uncomfortable by how graphic ep 7 is.
The scene with Paul and Lestat hit so hard because it was the narrative acknowledging that despite all of the horrible things Louis has done, he still deserves unconditional love, which he receives from Lestat.
Jacob has said that he loved how he got to play a complex black character this season, they were joking around while filming ep 7, and the actors consult on the scripts while they're being written. So the narrative that the black cast is being held hostage by the writers this season is not true and should not be used to harass the writers of the show or be weird on the actors' social media pages. (Also this level of gore has been seen in the show since S1.)
At the beginning of the season, Louis, post-Dubai, has regained his agency and is now acting on his own terms. However, he still lacks full closure over Claudia's death, so he hunts down Bruce, the vampire who raped Claudia. Louis brutally kills Bruce while reading Claudia's diary pages to him as a form of justice for Claudia. But the act is ultimately purposeless because 1. Claudia is dead, 2. Bruce does not care about Claudia's suffering/mentions that Louis also exploited her through the IWTV book being published, and 3. Louis isn't doing this for her he's doing this for himself.
Then Regina, a woman who looks exactly like Claudia, "appears" in Louis's life and he stalks her. Louis learns about her money troubles/her only fans (yes this is a necessary detail), and uses that information to convince her to pretend to be Claudia for money. This ties directly back to Louis being a pimp and exploiting women for the sake of his self worth. He even goes as far as paying another woman to pretend to be Madeline, Claudia's companion. When Regina and fake Madeline kiss in front of him for his "pleasure," Louis is disgusted with himself but does not end the arrangement. Louis then sinks into a codependent relationship with Regina (she mentions he texts her hundreds of times a day). He later has Lestat confirm that she does look like Claudia and he's not hallucinating.
All of this is the foundation to the seance in ep 6, where Claudia tears into Louis. I was shocked and unnerved by some of what Claudia said but when considering the first season again, it clicked for me. Claudia's racial comments during the seance make more sense when you realize that Louis considers himself a temporarily embarrassed white man and not a black man. (Merrick mentions earlier her great grandmother said how Louis's family made their money from selling flesh (slavery)...Louis exploiting sex workers is a continuation of that.)
Because of his desire to sit alongside the white men who were oppressing him and his anger at being continuously undercut by those same men due to his race, he lashes out (putting the no whites sign on the Azeala and killing Fenwick.) He doesn't consider how his actions would reflect on the black populace and causes a race riot that led to Claudia's near death. A near death that Louis took advantage of and made Lestat turn her just to affirm his self worth.
Claudia's forcing Louis to contend with his continued refusal to reconcile with his race in any meaningful way. It's brutal and uncomfortable and so mean spirited because his inability to do so ruined her life and got her killed in the most horrifying way possible. It's supposed to make the audience flinch not because the writers are racist or hate Louis but for the sake of having the only character who can realistically hold a mirror up to Louis and try to make him see himself fully for the first time.
And what does Louis do instead? He not only returns to being Claudia's father but returns to who he was in season one. He attempts to put Claudia in her place, force her to be grateful for what he did for her, inadvertently reiterating the point that Louis has not and will not fully contend with anyone who makes him question his place or his ego. He elevates himself above her not just as a father but racially as well.
In the aftermath of the seance, Louis and Lestat share a tender moment, ignoring the horror they've witnessed. A lot of fans view this as a retcon of Louis being so distraught at Claudia's death being mentioned that he was willing to kill himself in season two, but it actually tracks. Louis could only rationalize Claudia as a perfect victim. He stepped out into the sun because he heard her calling him. The moment Claudia shows him her complexity and reveals how much she hates him, Louis immediately falls back into old patterns as in season two when confronted with her anger over Armand threatening her he views her outburst as a burden on him. Louis only wants Claudia when she demands nothing of him and the moment she does is content to let her go.
This ties into the events of the finale quite seamlessly. Armand has Louis's head on a table so he can 1. apologize to Louis and 2. torture him till he apologizes back but Armand doesn't know what exactly Louis should be apologizing for. (He says it's for wasting a century being together but he could have left at any time.) Armand used Louis like Louis used Claudia as a way to reaffirm his sense of self worth. Louis mentions that he used Armand to hurt Lestat but Armand views this apology as surface level, artifice. Louis then goes on to refuse to apologize for Lestat being the love of his life defying Armand, who makes Regina (Armand's captive) cut her wrist. But as his health declines, Louis does give a genuine apology (Jacob confirmed it was genuine) for exploiting Armand's past as a sex slave for his own purposes.
This scene is Louis finally taking the cotton (another reference to his connection to pimping with slavery from his confession monologue in ep 1) out of his ears to hear the cries of the people he's been exploiting. He even says it himself. Louis saw a lot of what happened to Armand happening in New Orleans and refused to acknowledge Armand's past trauma while they were together. I would even argue he weaponized Armand's trauma in Paris and then threw it back in his face in San Francisco.
Louis mentions that none of what happened in this episode would have happened if Louis had shown empathy to Armand and his history, which is exactly what he should be apologizing for. Louis isn't groveling to Armand by apologizing, he's acknowledging Armand as an equal for the first time which he should have done when they got together romantically in Paris. This isn't a realization Louis would have come to had he not been physically forced to (physical death = ego death in this case) as he ignored Claudia entirely.
The finale is such a good reckoning for all of Louis's worst traits, traits that were set up from the first episode onward. So I'm confused where all the vitriol has been coming from? I can understand that the gore in ep 7 and Claudia's fate is horrific (which hasn't been concluded if I remember correctly), but this is a gothic horror show and they've used this level of gore as early as S1. Jacob has mentioned how he enjoyed playing a complex black character, said that the actors consult on the scripts, and that they were joking around while filming ep 7 so there's no harm being done to the actors themselves. I don't see a reason to hate the writers because their choices make sense.
I also think the scene with Paul and Lestat hit so hard because it was the narrative acknowledging that despite all of the horrible things Louis has done, he still deserves unconditional love, which he receives from Lestat. So it's not that the show posits that Louis is 100% a horrible person that the audience shouldn't empathize with, but that he's a flawed person and now that he's begun to reckon with those flaws he can finally move forward with someone who loves him.
Now I do understand not wanting to see harm being done to black characters and avoiding the show for that. That is 100% your prerogative. But projecting a false narrative that the actors are being tortured and forced to participate in the show and hate the writing is just not true at all.
(Moreover there are a lot of narrative/character choices being made in the context of the show that 1. will likely be expanded upon just like the witches being burned scene was expanded upon and 2. make sense when you realize that this is the Bad People show where Bad People do bad things and that there's a lot that's intentional and not bad writing. Now are the writers perfect angels who never do anything wrong? No of course not! There's a lot to critique the show over. Go ham! Just don't harass people!)
The idea that Naruto or Sasuke's children would accept them cheating on their mothers with each other is laughable at best and foul at worst because Sarada would drop the Uchiha last name the moment she found out and start the Haruno clan right then and there not to mention things would be icy between Boruto and Himawari and Naruto for years afterward there's no way they'd be cool with that shit
every chapter of deltarune has a secret npc who only appears if you leave and re-enter the room 1225 times while you have a bagel in your seventh inventory slot and the npc is a sentient doorknob and when you talk to them the music cuts out and they’re like “who’s that whispering in the trees, it’s two sailors and they’re on leave, pipes and chains and swinging hands, who’s your daddy, yes i am” and then within four hours there’s a thirty minute long video on youtube titled “ASGORE IS FRIEND??? DADDY THEORY EXPLAINED” and it already has 100,000 views and then a year later people call the next chapter disappointing because it was focusing too much on developing the main characters instead of explaining the doorknob guy
seeing news about the fallout remaster announcement feels like cruel irony to me
microsoft games are a bds boycott target, and because both bethesda + obsidian are owned by microsoft, this includes the games published by them.
microsoft is gonna further profit from a new virtual playground of ~post-apocalyptic bombed out towns in the desert~ while contributing to creating bombed out apocalyptic conditions in gazan towns, by collaborating with israel on so many fronts that bds calls microsoft "the most complicit tech company" in palestinian genocide.
and nostalgia-baited fans will still buy it bc playing pretend in a virtual world thats a knockoff of what real life people are currently facing – a virtual world funded by that very suffering of those real life people – is more important to them than simply playing a different game
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Yeah sorry I can't come into work today. I accidentally heard Primadonna by Marina formerly of and the Diamonds. So I need the day to be a primadonna girl. Yeah it's going to be the whole day.
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guarma wasnt that much of a dutch in shining armour moment for javier because he sounded frustrated with what dutch kept saying about next things on the boat back and i wish they kept this dialogue in the game so that it made obvious to people of javier being more aware how much of a scam everything is. instead of getting away he latched onto him harder because thats what he's known for the past 4 years. hes mentally isolated to some degree, nobody's comforting him about how nervous he is about dutch but dutch, that's one of the only times he softens in ch6, he still doesn't have faith in his plans because he knows they should be doing things differently and he brings it up too, he's lashing out on people (john's allies) seeming all jolly and good with their escape plans when he doesn't have any. he is the one who approaches arthur, abigail (before uncle interrupted, he was going straight to her) and charles on faith conversations, but he usually sits silent with john looking at him (cue dutch faith conversation) until john begins the conversation and fails at appealing to javier. i think javier's open hatred for john's family in rdr1 and ch6 tracks to me. and that conversation about "these people ain't your family... who are they" john is aware of javier's actual faith that he masks by telling everyone to lock in on loyalty but john communicates it terribly. "He went crazy. It was like the one thing he'd ever believed in turned out to be a fraud."