overcorrecting
Steve Harrington x reader
Summary: After failing to protect somebody during a fight, Steve quietly develops a habit of keeping you within arm's reach at all times. At first it feels sweet. Then it starts to feel like he can't breathe unless he knows you're safe.
Warnings/tags: 18+ ONLY, minors DNI, no use of y/n, established relationship, angst, hurt/comfort, guilt, overprotectiveness, canon-typical violence (referenced), anxiety, codependence, hypervigilance, fluff (lmk if i missed anything)
W/C: 7.7k
A/N: this one's been sat in my drafts for MONTHS and tonight i finally sat down and edited it. im super proud of this one - i hope you guys enjoy!! (alexa, play matilda by harry styles) xo
Read more of my writing here: [masterlist]
If you want to be added to my taglist, leave a comment to lmk!
The worst part isn't the blood.
Steve thinks it probably should be. Later, when the night has split itself into fragments sharp enough to catch on every thought he tries to have, he will remember the blood with a horrible clarity: the dark smear of it across Robin's sleeve, the crusted red beneath Dustin's nose, the split skin over his own knuckles where he can't tell anymore whether the damage came from teeth or brick or the desperate, blind collision of his hand with somebody else's face. He will remember the copper smell of it too, thick in the back of his throat, and the way it turned tacky on his fingers before he even noticed it was there.
But that isn't the part that keeps repeating.
The part that keeps repeating is half a second.
Not even a whole moment, really. Just a gap. A nothing-space. The kind of narrow, impossible sliver of time nobody else would think to hold against him because nobody else had been living inside his body when it happened.
He had heard you call his name. He had turned. He had seen movement over your shoulder, too quick and too close, and for one stupid, useless heartbeat, he had not understood what he was looking at.
That's the part.
Not the hit itself. Not the sound Robin made when she went down. Not the chaos that followed.
The half-second before it, when Steve had seen danger and failed to become faster than it.
By the time the bathroom light flickers on above him, buzzing faintly in the silence, everyone else is already gone or close enough to it. Hopper has driven Dustin home with a hoodie shoved under the kid's nose to stop the bleeding. Nancy has taken Robin to get her wrist looked at properly, despite Robin insisting with increasingly thin patience that it was fine, no, seriously, Wheeler, she was pretty sure bones were supposed to look like that. Max had stood in the hallway for twenty minutes refusing to leave until she knew everybody else had, arms crossed hard over her chest, mouth set in that stubborn line she wore whenever she was scared and furious about it.
And Steve had let all of it happen around him.
He had nodded when people spoke. Had answered questions when someone needed him to. Had said, yeah, yeah, I'm good, with enough convincing exhaustion that nobody argued with him for long. He had watched the house slowly empty, listened to car doors slam out on the street, heard voices fade into the thick summer night until the only thing left was the hum of the bathroom light and the sound of you turning on the tap.
Now he sits on the closed toilet lid in your bathroom with his jacket still on, one elbow braced against his knee, one hand hanging uselessly between his legs. His shoulders are hunched like he's waiting to be hit again. His hair is a mess, sweat-damp at the roots and pushed back from his forehead in a way that would normally make you tease him, except nothing about him looks funny right now. He looks too still. That is the thing that unsettles you most. Steve is never still like this, not really. Even when he's quiet, there is usually some restless little sign of life in him, fingers tapping against a counter, knee bouncing under the table, mouth pulling into a half-smile before he has even decided whether he means it.
Tonight, he looks as though the smallest movement might make something in him come loose.
You stand in front of him with a clean flannel dampened under warm water, trying to decide where to start.
His knuckles, probably. They are the easiest thing to fix.
"Give me your hand," you say softly.
For a second, you think he hasn't heard you. Then his eyes lift, unfocused, and he looks at you like he's returned from somewhere much further away than the bathroom floor.
"What?"
"Your hand." You repeat gently, holding yours out between you. "Let me clean it."
Steve looks down at his own fingers as if he's only just noticed them. There is dried blood caught in the creases, rust-coloured under his nails, smeared across the back of his hand where he'd wiped it thoughtlessly against his jeans and made everything worse. His mouth tightens.
"It's not mine."
"I know."
Something fast and ugly flickers across his face before he lets you take his hand.
You kneel in front of him because there is nowhere else to sit, settling carefully on the tiled floor between his feet. He doesn't make the joke he might have made on any other night. Doesn't say something stupid about you being on your knees for him, doesn't raise an eyebrow, doesn't reach out to tug fondly at your sleeve. He just watches as you cradle his hand in both of yours and begin wiping the blood away.
The first pass of the flannel turns pink. Steve stares at it.
You work slowly, partly because his skin is split and swollen in places, but mostly because you don't know what else to do with all the silence. It sits heavily around you, filling the bathroom until the room feels too small for the two of you and whatever Steve has brought back with him. You clean between his fingers, then across the bruised rise of his knuckles, then underneath each nail as carefully as you can manage. Every so often his hand twitches, not quite a flinch, but near enough that you pause and glance up at him.
"Sorry," he says automatically.
"You don't have to be sorry."
His eyes drop back to your hands. "Yeah."
The word means nothing. It is just sound. A shape his mouth knows how to make.
You rinse the flannel in the sink and return to him, taking his other hand. This one is cleaner, though his palm is scraped badly near the heel, skin roughened and angry where he'd caught himself against the pavement. You remember seeing him stumble. Remember the horrible jerk in your chest when he went down and the immediate relief, almost painful in its sharpness, when he got back up.
You had thought, then, that the fear would leave once everyone was safe.
It hasn't. It has only changed form.
Steve inhales, slow and uneven. "I should've seen him."
Your fingers still around his wrist. "What?"
His gaze remains fixed somewhere past your shoulder, on the towel rail or the wall behind you or maybe nothing at all. "The guy. The one who grabbed Robin."
"Steve."
"I should've seen him." His voice is quiet. Worse than if he were angry. Worse than if he were shouting. "He came from my left. I knew there was someone there."
"You were trying to get Dustin behind you."
"I know."
"You were trying to keep three different people from getting hit."
"I know."
"Then you couldn't have-"
"I should've."
The interruption is not loud, but it lands hard enough to close your mouth. Steve still doesn't look at you. His jaw works once, a muscle jumping near the hinge, and for the first time all night you realise he is not calm. He is holding himself so tightly that calm is simply the shape it has taken from the outside.
You set the flannel aside. "Robin's going to be okay."
"I know."
"Dustin's okay."
"I know."
"I'm okay."
His eyes move to yours then, and there's something in them that makes your throat tighten before he even speaks.
"You almost weren't."
The bathroom feels suddenly colder despite the heat still trapped in the walls from the day. Outside, a car passes slowly down the street, headlights sliding briefly through the frosted window before disappearing again.
You shift closer on your knees, ignoring the ache beginning to bloom in them against the tile. "But I am."
Steve looks at you for a long moment, and you can see him trying to accept the sentence. You can actually see the effort of it. His eyes move across your face with the same frantic attention he had carried all evening, checking you in pieces: forehead, cheekbone, mouth, throat, shoulders. Looking for damage. Looking for proof. Looking, maybe, for some version of events he can survive remembering.
"Steve," you say softly.
His lashes lower. "I just stood there."
"No, you didn't."
"I froze."
"You turned around."
"Too late."
"You got to us."
"After."
The word comes out scraped raw.
You reach for his face before thinking better of it, your fingers brushing the line of his jaw. He is warm under your touch, too warm, flushed from adrenaline and exhaustion and whatever else is still burning through him. For one brief second he leans into it. Then he seems to realise he has done it and pulls back half an inch, not away from you exactly, but away from comfort, as though he doesn't think he has earned it.
That hurts more than you expect.
"Hey," you whisper.
He shakes his head.
"I keep seeing it." His voice breaks slightly on the last word, and he clears his throat like he can force it back into place. "I keep seeing him reach for you. And I keep thinking, if Robin hadn't-"
"Don't."
"She got hurt because I didn't move fast enough."
"Robin got hurt because some asshole hurt her."
Steve lets out a humourless little laugh. "Yeah, well."
"No." Your hand tightens gently against his cheek, not enough to force him, just enough to ask him to stay with you. "No, listen to me. That is not yours to carry."
He finally looks at you properly, and the expression on his face is so young for a moment that it steals the breath straight from your chest.
Steve Harrington, who has spent years placing himself between other people and whatever wants to hurt them. Steve Harrington, who has turned his body into a shield so often that everyone has almost stopped recognising it as a choice. Steve Harrington, who can take a punch, swing a bat, crack a joke with blood in his mouth, and then sit in your bathroom afterwards looking shattered because somebody else got hurt in the same room as him.
"Feels like it is," he says.
You don't know what to say to that. Not because he's right, but because the feeling in his voice is too old to be argued out of him in one conversation. You understand, suddenly and terribly, that this is not just about tonight. It is about the Demogorgon in the Byers' living room. The tunnels. The junkyard. Starcourt. Every locked door, every scream, every time a child had looked at him like he was supposed to know what to do next. It is about all the years Steve has been terrified and useful at the same time, and how nobody ever told him those were not the same thing as being responsible.
So instead of arguing, you rise onto your knees and wrap your arms around his neck.
For a second, he doesn't move.
Then he folds.
Not in some great collapse. He simply leans forward until his face is pressed against your shoulder and both of his arms have gone around your waist, tight enough that you feel the desperation in it. His breath leaves him in a long, unsteady exhale. One hand fists in the back of your shirt.
You hold him.
The bathroom tile digs into your shins, the tap drips once into the sink, and Steve clings to you like something still might reach through the wall and take you if he loosens his grip.
"I'm right here," you murmur into his hair.
"I know."
"You got me home."
"I know."
"You always do."
His arms tighten.
For a while, neither of you says anything else.
By the time Steve finally lets you pull him up from the bathroom and into bed, the house has settled into the strange quiet that only comes after something frightening has passed and left everything else untouched. The lamp on your bedside table paints the room in low yellow light. His jacket ends up on the floor, his jeans folded badly over the chair because he insists he's fine, he can do it himself, then stands there for nearly thirty seconds holding them without moving until you take them gently from his hands.
He doesn't argue when you give him one of the clean T-shirts he keeps in your drawer. He doesn't make the soft, pleased noise he usually makes about the fact that you have a drawer for him now. He just changes, mechanically, and sits on the edge of the bed with his head bowed while you turn off the overhead light.
When you crawl under the covers, he comes with you, though even then he seems uncertain what to do with himself. Usually, Steve reaches for you first. Usually, he tugs you back against his chest or lets his head fall heavily into your lap until you laugh and tell him he is crushing you. Tonight, he lies on his back with one arm bent over his stomach, eyes open, staring at the ceiling.
You turn onto your side to face him. "Steve."
"Hm?"
"Come here."
He exhales softly through his nose. "I don't want to hurt you."
"You won't."
"You sure?"
It is such a ridiculous question, asked with such quiet sincerity, that your heart almost breaks cleanly in two.
"I'm sure."
Only then does he move. Slowly, carefully, as though your body might be bruised somewhere he has missed, he turns onto his side and lets you fit yourself against him. His arm comes around you, tentative at first, then firmer when you tuck your face beneath his chin and press your hand against his chest.
His heart is still beating too fast. You listen to it for a while.
"Can you sleep?" you ask.
"Yeah."
It's an obvious lie. You let it pass.
His fingers move once against your back, a small restless flex. Then again. Then his hand smooths over your shoulder, down your arm, across your ribs, not sensual, not even especially deliberate. Checking. Making sure. Reassuring himself with the shape and warmth of you.
You close your eyes.
For a little while, you let him.
When his hand travels up again and pauses lightly at the base of your skull, you open them.
"Steve."
He goes still. "Sorry."
"Don't apologise."
"Okay." There's a pause. Then, barely audible, he asks, "Is this annoying?"
You could just say no. It would be easier. Kinder, maybe. But there's something fragile in his voice that makes you careful.
"It's not annoying," you say. "But you don't have to keep checking."
His throat moves against your forehead as he swallows. "I know."
There it is again. The empty answer. The one he gives when knowing something has not made him believe it.
You lift your head just enough to look at him.
In the low light, he looks exhausted. Not just tired, not just shaken, but worn down in some deeper place he has probably been ignoring for too long. There is a bruise beginning near his cheekbone, shadowed purple beneath the skin. A small cut sits at the corner of his mouth. His hair, for once, has given up entirely.
"You're allowed to be scared," you tell him.
His eyes flick over your face. "I'm not scared."
"Steve."
His mouth opens, then closes. You watch the lie die before he can make himself say it.
After a moment, he looks away.
"I hate it," he says quietly.
"What?"
"How fast it happens." His eyes stay on the window, on the thin gap in the curtains where the streetlamp outside bleeds gold into the room. "One second everything's fine, and then it's not. And there's no warning, there's no time to think, you just have to-" He stops, jaw tightening. "You just have to be fast enough."
You slide your hand across his chest until your palm rests over his heart. "And nobody is fast enough every time."
Steve closes his eyes. He doesn't answer. The silence that follows feels less like agreement than defeat.
You wish, with a sudden fierceness that almost frightens you, that you could reach inside him and take the thought out by the root. That you could remove every awful equation he keeps making between love and responsibility, between fear and failure, between being there and being enough.
Instead, you kiss the edge of his jaw.
Steve's eyes open.
"You're here," you whisper. "That's what matters."
His gaze searches yours, desperate and disbelieving.
Then he nods once, because he wants it to be true.
And for that night, wanting will have to be enough.
The first time it happens, you almost don't notice.
A few days later, you leave the house together to pick up milk and coffee and the kind of sugary cereal Steve pretends he's buying for Dustin even though Dustin is not there and has never once asked for it. The afternoon is bright and hot, cicadas buzzing somewhere in the trees, the pavement shimmering faintly where sunlight has spent all day collecting in the concrete.
Steve locks your front door behind you. Then checks it. Then checks it again.
You glance back from the bottom step, amused despite yourself. "You expecting it to unlock itself?"
He looks over his shoulder, keys still in hand. "What?"
"The door."
"Oh." He jiggles the handle once more, then steps away. "No. Just making sure."
You smile faintly. "Okay."
It's nothing. People check locks.
Steve has always been a little fussy after bad nights anyway, prone to checking the back seat of his car before letting you get in, prone to insisting you wait inside until he has pulled into the driveway properly, prone to acting like chivalry is a normal personality trait rather than an ongoing attempt to disguise anxiety as manners.
So you don't think much of it when he walks on the roadside of the pavement either.
He's done that before.
You do notice, maybe, that he switches sides when you turn the corner, his hand settling briefly at the small of your back as he guides you inward, away from the traffic. But the gesture is so smooth, so familiar, so easy to mistake for affection, that you let it become that.
In the shop, he stays close.
Close enough that his shoulder brushes yours near the fridges. Close enough that when somebody reaches across you for a carton of juice, Steve's hand appears at your waist before you have time to register the movement.
The man murmurs an apology. Steve smiles politely. Everything is normal - almost.
You look up at him - he is still watching the man walk away.
"Steve."
His attention snaps back to you immediately. "Yeah?"
"You okay?"
"Yeah." Too quick. Then softer, with an attempt at a smile. "Yeah, I'm fine."
You believe him because you want to. Or maybe because it's easier, in that moment, to believe that fear leaves people simply because danger has.
At the till, Steve pays before you can argue, making some throwaway comment about how you paid last time, which is not true but is also not worth disputing while the bored cashier scans cereal and milk and a packet of plasters he slipped into the basket without asking.
On the walk home, his hand finds yours before you reach the first crossing. Again, nothing. Steve holds your hand all the time.
Only this time, his grip tightens when the light changes. Only this time, he looks left and right twice even after the cars have stopped. Only this time, when you reach the opposite pavement safely, he doesn't let go.
You glance down at your joined hands, then up at his face. Steve is looking ahead, expression carefully neutral, thumb moving over the back of your hand in a slow, repetitive stroke.
You say nothing, and his hand stays around yours all the way home.
The thing about habits is that they never arrive announcing themselves.
If Steve had started insisting you never left the house alone again, you would have argued. If he'd refused to let you out of his sight, if he'd demanded you text him every ten minutes or tried to convince you the world had suddenly become too dangerous for ordinary errands, you would have recognised it for what it was.
Instead, it happens quietly. So quietly, in fact, that for the better part of two weeks you mistake it for affection.
It begins with the car.
Steve has always opened your door before walking round to his own side. It isn't performative - not really. Half the time he does it while complaining about how old-fashioned it makes him look, rolling his eyes whenever you tease him about being born in the wrong decade.
Now, though, he doesn't just open the door. He waits until you've climbed in before closing it. Checks your seatbelt is actually clipped. Waits until you've clicked the lock. Only then does he walk around to the driver's side.
The first time, you smile. The fifth, you start noticing.
Then there are the phone calls.
Not clingy or excessive, per se.
Just, "So you got there okay?"
"...Steve, I texted you ten minutes ago."
"I know."
"So why are you calling?"
"...Just wanted to hear your voice."
It's sweet. It really is.
Until one afternoon, you tell him you're popping to the corner shop while he's at work, and by the time you've picked up milk and bread, there's already a missed call waiting for you.
Then another. Then a voicemail.
"Hey... just checking you're alright. Call me when you get this."
Nothing urgent. But when you ring him back, he answers before the first ring has even finished.
"Hey."
"You okay?"
"...Yeah."
"You sounded worried."
"No." A pause. "Just... hadn't heard from you."
"I've been gone twenty minutes."
"I know."
Three weeks after the fight, you're standing in Family Video trying to decide whether the horror section deserves another chance when Robin finally says it.
Steve disappears into the stockroom to hunt down a copy of The Princess Bride for an elderly customer who insists somebody returned it without the case.
Robin waits until the stockroom door swings shut.
Then she looks at you. "...You've noticed it too."
You glance up. "Noticed what?"
"The hovering."
"What hovering?"
She blinks. "The Steve-shaped cloud permanently hanging about three feet behind you?"
You laugh. "He doesn't hover."
Robin simply stares. You look back. Steve is still in the stockroom.
"...Does he?"
"Oh my God." She pinches the bridge of her nose. "I thought you were pretending not to notice."
"Robin."
"He watches every entrance."
You say nothing.
"He always stands closest to the doors now."
You frown. "He didn't used to."
You think back.
Friday. The diner. Steve had insisted on sitting facing the entrance.
Saturday. The cinema. He'd quietly swapped seats with you halfway through the trailers because he'd wanted the aisle.
Yesterday. Bradley's Big Buy. He'd waited outside the changing rooms instead of browsing.
Not strolling or wandering. Waiting, like he'd been expecting something. Something you'd never questioned.
Robin folds another videotape into its sleeve. "I don't think he even realises he's doing it."
"What?"
"He keeps checking where you are."
You laugh again, only this one doesn't come as easily. "I think you're exaggerating."
Robin's expression softens. "I wish I was."
You try not to think about it.
For approximately six hours.
Then Steve offers to walk you to the post office.
It's raining. The post office is literally visible from your front window.
"...Steve."
"What?"
"It's literally there."
"I know."
"I can see it."
"I know."
"It's a two-minute walk."
"I know."
"So..."
"I'll come."
You stare at him. "...Why?"
He shrugs. "I need stamps."
"You hate buying stamps."
"I've... grown."
You burst out laughing. He smiles too, but it doesn't quite reach his eyes.
It gets harder not to notice after that.
Because once Robin has pointed it out, the pattern is everywhere.
Steve always lets you walk in front of him when you're climbing stairs. Not because he's admiring you, but because he wants to see where you're putting your feet.
Whenever somebody walks past too quickly, his hand appears automatically against the small of your back.
When you stop to tie your shoelace in the supermarket, he turns around completely, placing himself between you and everyone else pushing trolleys down the aisle.
You don't even think he knows he's doing it.
The moment that finally unsettles you happens on a Thursday.
It's busy. School's just finished. Half of Hawkins seems to have decided they desperately need cereal and toilet paper at exactly the same time.
You and Steve are arguing over pasta.
"You absolutely cannot tell me every shape tastes the same."
"It literally does."
"It doesn't."
"It does."
"Steve."
"It's wheat."
"It's architecture."
He laughs. "Architecture?"
"You heard me."
You reach up towards the top shelf.
At that moment, someone brushes past you. Nothing unusual, just another shopper.
Before you've even registered the movement, Steve moves.
Not aggressively. Just instantly.
One second he's beside you.
The next he's standing between you and the stranger, one hand finding your elbow as though he'd done it without asking permission from the rest of his body.
The man mutters an absent-minded "Sorry." Keeps walking.
Steve doesn't answer. His eyes follow him. Not suspiciously. Automatically.
Then, slowly, he looks back at you. Realises where he's standing. Realises his hand is still around your arm.
The colour drains from his face. "...Sorry."
You blink. "What?"
"I..." His hand falls away. "I don't know why I..." The sentence dies halfway through.
For the first time since the fight, Steve looks genuinely frightened. Not of the man. Of himself.
The drive home is unusually quiet. Steve keeps both hands fixed at ten and two on the steering wheel. The radio plays quietly between you, but neither of you is listening.
Eventually, you reach over and rest your hand lightly on his arm.
He startles, only slightly, but just enough for you to notice.
"You alright?"
"Yeah."
"You've said 'yeah' or to every question I've asked for the last month."
"I have?"
"Mhm."
"...Sorry."
"Don't apologise, baby."
That earns the smallest smile. Tiny. Gone almost immediately.
That night, after Steve's fallen asleep beside you for the first time in what feels like weeks without jolting awake every hour to check you're still there, you lie awake staring at the ceiling.
Robin's words won't leave you alone.
He keeps checking where you are.
You think about the supermarket. The post office. The seatbelt. The phone calls. The way he always reaches for your hand before crossing roads now. The way he waits outside every public toilet. The way his eyes flick instinctively towards every doorway whenever you enter somewhere new.
None of it had felt controlling. Not once.
It had all felt careful. Painfully, desperately careful.
As though Steve believed the world only needed one tiny opening, and if he looked away at exactly the wrong second, it might happen again.
You turn your head. Steve is asleep on his side, one hand still loosely curled around your wrist above the duvet. Even unconscious, he's holding on.
Your chest aches. Because suddenly you realise something Robin had understood before you did.
Steve isn't trying to stop anything from happening to you.
He's trying to convince himself that if he pays enough attention, nothing ever will.
It happens on a Tuesday.
Not because anything goes wrong.
Because, for the first time in nearly a month, nothing does.
The afternoon settles over Hawkins in that slow, lazy way late August afternoons always seem to, the worst of the heat finally beginning to bleed from the pavements as the sun drifts lower behind the trees. Steve has the day off. You're both halfway through reorganising the shelves in your spare room, though "reorganising" has quickly become an excuse to sit cross-legged on the floor surrounded by old photo albums and cassette tapes you haven't touched in years.
Steve is reading the back of an ancient Ghostbusters VHS with an expression of complete seriousness.
"This says 'high-octane family fun.'"
"It is."
"They're hunting ghosts."
"Very fun ghosts."
"They kill people."
"They don't, actually."
"They try."
"They're bad at it."
He looks up from the back of the VHS, finally abandoning whatever argument he'd been having with the blurb. "You'll defend any film if I give you long enough."
"I absolutely will."
"I know."
The corner of his mouth lifts, small and unguarded, and you find yourself clinging to it more than you'd like to admit. It's the first smile you've seen from him in days that doesn't look like he had to remember how.
"You know," you say, nudging his knee lightly with yours, "I was thinking..."
Steve hums, still turning the tape over in his hands.
"My mum asked if I'd pop over this evening."
"Okay."
"I thought I'd walk."
The smile disappears so quickly you almost wonder if you'd imagined it.
"So I'll probably head off around six?"
His eyes lift to yours. "I'll drive you."
"You don't have to."
"I know."
"It's literally twenty minutes."
"I know."
"It's still light."
"I know."
You watch him for a moment. He simply watches you back.
"...Steve."
"I'll drive you."
You let out a quiet sigh, setting the VHS carefully beside you. "I wasn't asking."
"I know."
"You've got work tomorrow."
"So?"
"You've got to get back afterwards."
"So?"
"It's completely out of your way."
"So?"
Something twists uncomfortably beneath your ribs.
It's the exact same conversation you've had three times already. Different destinations. Different excuses. Exactly the same ending.
"No."
His eyebrows lift. "No?"
"I'm walking."
"I'll come with you."
"I want to walk on my own."
His jaw tightens almost imperceptibly. "...Why?"
The question catches you off guard, because he doesn't sound offended. He sounds frightened.
"I just do."
"I don't understand."
"You don't have to."
"I do."
The words leave him too quickly this time, sharper than either of you expected. The room falls quiet almost immediately afterwards, and Steve seems to hear it a fraction of a second after you do. He exhales slowly, rubbing a hand across his face.
"I'm sorry."
"It's okay."
"No," he says quietly. "No, it's not."
The silence stretches between you. Somewhere down the street, somebody starts mowing their lawn, the steady drone drifting lazily through the open window as Steve stares at the floor without really seeing it. You don't rush to fill the quiet. Eventually, he does it himself.
"I know what you're going to say."
"Do you?"
"You think I'm hovering."
You don't answer immediately. "I think you're tired."
A tiny, humourless laugh escapes him.
"I've been hovering."
"...A little."
"A little?" He finally looks at you. "I'm suffocating you."
"No."
"I am."
"No, you're not."
"I can see it." His hands are clasped so tightly together his knuckles have turned white. "I keep following you around."
"You've been worried."
"I keep checking where you are."
"I know."
"I don't even realise I'm doing it anymore." He lets out another hollow laugh. "I followed you to the bathroom at Family Video."
"I know."
"I waited outside."
"I know."
"I stood outside the fitting rooms at the mall."
"I know."
"I called you twice because you went to buy milk."
"I know."
Every confession seems to take something out of him. By the end of it he looks smaller somehow, shoulders rounded beneath the weight of words he's clearly been carrying around for weeks.
"I'm sorry."
You shift a little closer across the floor until your knees touch.
"I know."
"No." His voice cracks. "I don't think you do."
He gets to his feet before you can answer, not angrily but restlessly, pacing once across the room before stopping at the window. His hands settle on his hips, leave them again, fold across his chest, then drop uselessly by his sides. He can't seem to find a position that feels comfortable.
"I keep thinking..."
He stops.
Starts again.
"I keep thinking..."
Nothing.
He presses the heels of his palms into his eyes.
"When we were kids..." His voice is quieter now. "My dad used to leave me places."
You blink. "What?"
"He'd forget." One shoulder lifts in a shrug that doesn't quite disguise how much it still hurts. "Country clubs. Golf courses. Hardware stores."
A hollow laugh escapes him.
"I got really good at waiting."
You don't interrupt.
"I used to think..." He stares out through the window. "I used to think if I was... quieter..."
His throat bobs.
"...better..."
Another pause.
"...less annoying..."
Your heart aches.
"...he'd remember."
The room feels impossibly still. Steve has never told you this before. Not like this.
"I know that's stupid."
"It isn't."
"It is." He shakes his head. "Because now every time something bad happens..." His eyes drop to his own hands. "...my brain immediately goes..." He clicks his fingers once. "'You missed something.'" Another click. "'You should've noticed.'" Another. "'You weren't paying attention.'"
His hand falls back to his side.
"So now..." His voice is barely above a whisper. "...I'm trying to notice everything."
You rise quietly to your feet and cross the room until you're standing beside him. Neither of you says anything for a while. Outside, the lawnmower finally falls silent, and somehow the sudden absence of noise feels even louder.
"I know it isn't rational."
"I know."
"I know you can cross roads by yourself."
"I know."
"I know you don't need me to walk you everywhere."
"I know."
"I know."
Each repetition grows quieter, less convincing than the last.
"I know."
He closes his eyes.
"I just..." His shoulders finally cave beneath the weight of it. "...I can't survive watching someone I love get hurt because I wasn't paying attention."
The words leave him in one long breath, as though he's been holding them inside for weeks.
"I can't do it again."
Again.
Not for the first time.
Again.
That's when you finally understand.
This was never just about Robin. Or you. Or the fight.
It's Barb. Bob. Billy. Eddie. Every person Steve has ever watched disappear while wondering if there had been one tiny moment - one tiny thing - he could have done differently.
You step in front of him. He still won't meet your eyes, so you lift your hands and gently cup his face, asking for nothing except somewhere for his gaze to settle. When he finally looks at you, his eyes are already wet.
"I've been trying so hard," he whispers.
"I know."
"I thought if I just..." A broken laugh catches in his throat. "...paid enough attention..." His voice finally gives way. "...maybe nothing bad would happen."
You feel your own eyes sting. "Oh, Steve."
"I know it doesn't make sense."
"It makes perfect sense."
"It does?"
"To me."
He searches your face desperately. "Really?"
You nod. "Because you love people. And loving people means you've convinced yourself it's your job to stop every bad thing that could ever happen to them."
A tear slips free before he can stop it. Steve closes his eyes, resting his forehead against yours, and you feel the faint tremor running through him.
"So when something slips through..." Your thumb brushes gently across his cheek. "...you don't blame the person who hurt them."
Another tear follows.
"You blame yourself."
His breathing catches.
"I was supposed to-"
"No."
"I was supposed to get there."
"You did."
"Too late."
"No."
His eyes open again.
"I don't think the story starts where you think it does."
He frowns. "What?"
"You keep replaying the moment Robin got hurt."
He says nothing.
"But that's not the moment I remember."
His breathing begins to steady.
"I remember looking up..." You smile sadly. "...and seeing you."
He doesn't move.
"I remember you getting to us. Not the shouting. Not the blood. Not the fear. I remember thinking..." Your fingers slip gently into the hair at the nape of his neck. "...Steve's here."
His eyes fill completely.
"And then I knew we'd be okay."
For a long moment neither of you speaks. Steve simply looks at you as though he's trying to reconcile your memory of that night with his own.
Eventually, almost too quietly to hear, he asks, "...You weren't angry?"
You almost laugh. "No."
"You didn't think..." He swallows hard. "...I failed?"
Your heart breaks.
"No, baby." You lean forward and kiss his forehead. "I've never once looked at you and thought you failed me."
Steve finally cries, one quiet, exhausted tear after another, as weeks of vigilance finally begin to loosen their grip.
And for the first time since the fight, when you wrap your arms around him, he doesn't hold you because he's afraid you'll disappear.
He holds you because he needs somewhere safe to fall.
Things don't change overnight.
You know that before Steve does, because healing has never looked particularly spectacular. It rarely arrives in great sweeping gestures or tearful promises that everything will be different from now on. More often, it's embarrassingly ordinary. It lives in the tiny decisions people make over and over again, until eventually those decisions become easier than the fear that first inspired them. Steve still reaches for your hand when you leave the house. He still checks the lock twice before bed. He still glances towards every doorway when you walk into a restaurant. The habits don't disappear. They simply stop deciding everything else.
Three days later, the two of you are wandering through Hawkins' Saturday market. It isn't anything special: a handful of stalls selling vegetables, second-hand books, homemade candles and knitted jumpers despite the fact it's still far too warm for anyone sensible to be thinking about wool. Families drift lazily between them, children chase each other around folding tables, and somewhere nearby somebody plays an acoustic guitar badly enough that nobody quite knows whether to clap when he finishes each song.
Steve buys you strawberries because you stop for half a second too long looking at them.
"They're expensive."
"I know."
"We literally have strawberries at home."
"I know."
"So why are you buying more?"
"They looked at you."
You laugh. "They looked at me?"
"Mhm."
"Steve Harrington."
"They wanted to come home with us."
"That's the stupidest thing you've ever said."
He grins. "I know."
It is the easiest you've seen him smile in weeks.
A few minutes later you stop outside a little stall selling old records. The owner, an elderly man with silver hair tied back into a ponytail, is enthusiastically explaining to a teenage boy why Fleetwood Mac always sounds better on vinyl while Steve wanders a few feet away to look at a display of old film posters hanging from a washing line. Not far - just far enough that, for the first time in weeks, he isn't instinctively keeping pace with you.
You lose yourself amongst the records for a minute. Then two. Then three. They smell faintly of old paper and dust, your fingers trailing across worn cardboard sleeves until you find Rumours tucked neatly between Bowie and Joni Mitchell.
"You found it."
The voice makes you turn.
Steve isn't standing beside you.
He's still over by the posters, crouched slightly to speak to a little girl who's trying very seriously to convince him that The Goonies is actually a horror film because, as she explains with complete certainty, "there's a dead body."
He catches your eye across the market.
Smiles.
Then turns back to the conversation.
Something inside your chest loosens.
Because three weeks ago he would've noticed you'd drifted away before you'd even realised you'd done it yourself. He would've crossed the distance without thinking, apologised afterwards without understanding why, and spent the rest of the afternoon quietly angry with himself for letting you wander three feet out of reach. Instead, he's letting himself stay where he is. He's letting you exist somewhere he isn't. You know it can't be easy for him, and somehow that makes it all the sweeter.
On the walk back to the car, you deliberately slow your pace. Steve is halfway through explaining why Dustin is objectively wrong about Back to the Future Part II when you stop altogether. He takes another three steps before realising, turning almost immediately.
There it is. That tiny flash of panic. Quick. Instinctive. Gone almost as soon as it arrives.
"You okay?"
"I'm fine."
"You stopped."
"I know."
"...Why?"
You smile. "Come here."
His eyebrows knit together, but he walks back without questioning it. "What?"
Instead of answering, you simply slip your hand into his. His fingers close around yours automatically, warm and familiar, and the two of you start walking again.
"I like this," you say quietly.
He glances sideways at you. "What?"
"Holding your hand."
His shoulders relax by almost nothing. "You do?"
"Mhm."
"I thought maybe..."
"I know." You squeeze his hand gently.
"I just don't want you holding it because you're scared."
He doesn't answer straight away.
"I want you holding it because you want to."
Steve looks down at your joined hands, his thumb brushing slowly across your knuckles.
"I think..." A faint smile tugs at the corner of his mouth. "...I'm still figuring out which one it is."
You laugh softly. "I know."
A week later, you tell him you're walking over to Robin's.
He looks up from the sofa. "What time?"
"Now."
"I'll-" The word catches before it ever leaves his mouth.
You watch it happen. You actually watch the thought arrive.
I'll come.
His mouth opens. Then closes again.
He breathes in. Breathes out.
"...Okay."
You blink. "Okay?"
"Yeah."
"You sure?"
He nods once. "I'll... see you later."
There's something painfully vulnerable about it, as though he's handing you something fragile and trusting you not to break it. You cross the room, cup his face, kiss him once, and smile.
"I'll see you later."
His own smile wobbles. "Call me when you get there?"
You grin. "That one I can do."
Robin opens the front door to find you trying not to smile. "...What?"
"He let me leave."
"...Jesus."
"I know."
Robin looks genuinely impressed. "Did he cry afterwards?"
"Not in front of me."
"Hm."
She nods thoughtfully. "Growth."
It's only later that evening, curled together on Steve's sofa with the television humming quietly in the background, that you realise how difficult it had actually been for him. Neither of you is paying attention to whatever's on screen. Steve's head rests comfortably in your lap while your fingers wander absent-mindedly through his hair, and after several long minutes of comfortable silence he says, almost to himself,
"I almost followed you."
Your hand stills. "What?"
"When you left." His eyes remain fixed on the ceiling. "I got as far as putting my shoes on."
Your chest tightens.
"I stood in the hallway for..." He laughs quietly. "Honestly? Maybe five minutes."
"...Steve."
"I kept thinking..." His voice softens. "...if I just happened to be walking the same way..."
You smile sadly. "I know."
"I almost did it."
"But you didn't."
"No." He closes his eyes. "I sat back down."
You run your fingers gently through his hair again. "What changed your mind?"
He's quiet for so long you almost think he's fallen asleep.
Then, finally, "I realised..." He swallows. "...if something happened..." Even now, the words hurt him. You can hear it. "...I'd blame myself anyway."
Your hand stills again. "So..."
He lets out a slow breath before finally looking up at you.
"...Following you wasn't actually protecting you. It was trying to make myself feel less scared."
You smile. "There he is."
"What?"
"The guy I fell in love with."
His forehead creases.
"You've always wanted to protect people," you say, brushing his fringe away from his eyes. "But that's different."
"How?"
"Because protecting someone means being there when they need you." Your thumb traces lightly along his temple. "Not carrying responsibility for every bad thing that could ever happen to them."
Steve simply stares at you, as though he's trying to commit every word to memory. "I don't know if I'll ever stop worrying."
"You won't."
He lets out a small laugh. "You sound very certain."
"I am." You smile. "Because I know you."
His expression softens.
"I don't need you to stop worrying."
"No?"
"I just need you to remember..." You lean down until your forehead rests gently against his. "...that loving me doesn't make you responsible for fate."
The room falls quiet again. Outside, the cicadas have begun singing somewhere beyond the open window, a warm evening breeze carrying with it the smell of cut grass and somebody's barbecue several gardens away. Steve reaches up slowly until his hand finds yours - not urgently, not desperately, but simply because it's there.
"I think..." he says quietly, intertwining your fingers, "...I'm gonna need reminding of that sometimes."
"I know."
"You'll tell me?"
"As many times as it takes."
He smiles then. A real smile this time, the kind that reaches his eyes before it reaches his mouth. After a moment he turns your hand over in his, presses a kiss against your knuckles, and asks, almost sheepishly,
"...Can I still walk on the roadside?"
You laugh so hard you nearly knock him off the sofa. "Steve."
"What?"
"It's not statistically safer."
"It is."
"You have absolutely no evidence for that."
"I don't need evidence."
"You literally do."
"I have vibes."
"Vibes aren't peer-reviewed."
"They should be."
Shaking your head, you can't help smiling. "Fine."
"Really?"
"You can walk on the roadside."
His grin immediately widens.
"But."
He waits.
"If I want to walk on that side sometimes..." You squeeze his hand. "...you have to let me."
He holds your gaze for a long moment before finally nodding.
"...Deal."
It isn't a promise that he'll never worry again. It isn't a promise that he'll never wake in the middle of the night just to check you're still breathing, or instinctively reach for your hand crossing a road, or feel his heart lurch when you disappear into another room for longer than expected.
It's something much smaller, and much harder: a promise to recognise the difference between loving you and believing he has to outrun the entire world to deserve it.
dividers: saradika-graphics
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