You're not the car you drive.

Hessan's County talks about different game systems and game mechanics, breaking them down for designers and indie game lovers to see what certain mechanics are for. Very informative!

A.A. Voigt (@monsterfactoryfanfic) has some really in-depth video essays about games and the themes within them, linking them to other forms of media, such as books and anime. I love every single video I've seen so far.

Roll For Felicity is a Twitch Streamer who uploads her serialized one-shots to her youtube channel. Very cute games!

The Gaming Table posts weekly reviews of indie games, including highlights of each game and who she thinks might enjoy the game of the week. I love her enthusiasm around the hobby!

The Dungeon Newb's Guide has a number of videos talking about various alternatives to D&D, and has dedicated a series of videos to teaching interested folks how to play various systems, from PbtA, to FATE, to the Cypher system!

Dave Thaumvore provides RPG reviews for games that are gaining a lot of traction in the RPG space. I really liked his review of The Wildsea and Wilderfeast!

First up is JP Coovert. If you want incredibly accessible, system agnostic advice for creating adventures, maps or the like, this is the place to be.

Val of Corkboards and Curiosities leans towards D&D but a lot of the advice given there is more general, so I'll add her channel to my recommendations.

I also recently came across Innovation in RPGs through their game that turns a book into a character sheet, which I thought was neat. They've discussed a bunch of similar ideas over there, as well as a few videos I haven't got around to.

Anyway I found the portfolio they made of me back then and honestly this one entry almost made me cry when I got to the end.

VINCENT

September 13, 1999

Vincent has found a stick on the playground that looks like an arrow pointing the way. He brought to the teachers and showed how it could point up, down, left or right. The fact that Vincent knows left from right demonstrates how advanced Vincent is for his age. He made up a story to go with his stick that goes like this "This stick will help you from getting lost because it always show you which way you are going." I will put the stick in the back sleeve of his portfolio and if he is ever lost he will have his direction stick to point the way.

Or this: 

Or this: 

You have get your name crossed off (if you don’t want to wear the fine), but you don’t have to make your vote counted if you’re opposed to it. 

And it is so, so easy to vote. Stuck at work or on holidays? That’s fine. Do a postal vote.  Stuck in hospital? That’s fine. They’ll go to you. Stuck in an old people’s home and can’t get around? Again, they’ll go to you. It’s amazing to me that it’s so hard for so many Americans to actually vote. If you make it compulsory, than at least the government is obligated to provide you with the means to vote. 

Our system certainly has some issues still, but I can show up to somewhere nearby, line up for a few minutes (if at all), vote exactly in line with my values (on paper, leaving a paper trail that can be recounted), and then buy a sausage and some home made cupcakes on my way out.

A country’s voting system matters a hell of a lot and every citizen deserves one that makes it easy to vote and results in a government that is representational and accountable.

Like, that’s the straight-up text of the film, and it’s not especially subtle about it.*

I’m not saying gay people can’t be villains, but the whole point of Jareth is that his attraction toward Sarah is sick, and her rejection of him represents a triumph of good over evil – it’s very much a film born of the Stranger Danger narrative that was all over popular media in the 1980s. I’m sure it’s possible to do a same-gender version of that without falling down the slippery slope of Unfortunate Implications, but it doesn’t feel like that concern is even on the radar in a lot of these proposals.

CW: Long meta, rape mention, frank discussion of Problematic Teenage Fantasy Boyfriends

Labyrinth is pretty clearly a Symbolic Coming-Of-Age Story ™ about the Role Of Fantasy in the life of a Young Woman, right? it’s about how you need to have a healthy relationship with fantasy. you can’t let it push away the people you love, you can’t let it control you or blind you to what’s there. but it can help you make lasting friends, and when you need it most- for any reason at all- it’s there.   

it’s pretty much text that everything in Labyrinth is part of Sarah’s imaginary world. Everything in the Labyrinth is either something she sought out and loves- her plushies and statuettes, her music boxes and books- or some part of herself, some want or fear or dream, given form. 

And a lot of girls like Sarah- bookish, daydreamy, intellectually gifted but emotionally immature girls who’ve been steeped in a lot of crap about relationships from the world we live in - have a Fantasy Lover who looks and acts a lot like Jareth. 

He’s Intense and kind of scary– because when you’re at that age, anything to do with romance or sex is intense and scary. He’s passionately, obsessively devoted to you, because it feels good to be needed and a teenager hasn’t got the life experience to realize that IRL that kind of obsessiveness is a red flag. He’s an older man- sometimes much older- so that he knows what he’s doing and can show you what to do, but he’s as pretty and graceful as an age-appropriate crush would be. He’s Flawed and Broody and a bad boy- but it’s blatantly obvious that he has good qualities; he will gladly make a fool of himself dancing just to make a baby smile. 

 And the Fantasy Lover is often… yes… kinda predatory. He’s a vampire, or a werewolf, or a Phantom, or a Goblin King. He comes onto you, not the other way around; he chases you, and you run for a while before falling into his arms and being Ravished. He leads when you dance; he tells you “do everything I say, and I will be your slave”.

But there’s a reason for this. in modern American society- and this was even more true back when Labyrinth was being filmed- women are not supposed to want sex. even having fantasies about having a passionate lover you sought out that you want can get a bit ~taboo~. and if you’re a teenager- especially if you’re a sheltered teenager with no female friends or family, no one to tell you that what you want is okay and normal- it can feel weird and bad and scary to fantasize about, well, initiating consensual sex. you don’t feel like you’re allowed to; Nice Girls don’t. 

so oftentimes, the Fantasy Lover blurs into rape fantasy territory. he knows exactly what you want and he gives it to you, no matter how many times you say no. you deny yourself any agency within the context of your fantasy, but since it’s just a fantasy, you’re having your cake and eating it too– after all, you can stop whenever you like. you still get to be a Nice Girl, a Good Girl- you didn’t do anything wrong, even in your own head- but you get all the poorly-choreographed Imaginary Romance Bodice-Rippin’ you want. 

normally, this is a pretty harmless coping mechanism. the thing is… “denying herself her own agency” is one of Sarah’s big flaws.

 She tends to immediately deny that she made bad decisions, to act like bad things just happen to her because It’s Not Fair, to balk when there’s a problem she can’t immediately solve. heck, selling Toby to the Goblin King in the first place is sort of a backhanded denial-of-agency – she doesn’t want anything bad to happen to Toby even though she resents his existence, oh no no no, it was the Goblin King that stole the baby. 

 And Sarah’s never in any real danger from Jareth. the snake scared her, but it didn’t bite; the poisoned peach would have made her lose her memory and stay in her fantasy world forever, which is something that Sarah knows is bad, but still kinda wants on some level. at their final confrontation, he doesn’t try to kill her, doesn’t try to fight her– because he can’t. 

Jareth is Sarah’s Fantasy Lover. He can’t do anything that Sarah doesn’t want him to. he’s predatory because Sarah wants him to be, because then she doesn’t have to accept that she wants sex and romance; she can pretend it’s just another thing that happens to her. the reason Jareth is so out of control in the text is that Sarah has given away all control. 

the final confrontation in Labyrinth, isn’t Good Versus Evil in the sense that you mean; it isn’t Sarah destroying Jareth forever, or kicking him out of the land. Hell, he shows up at the end in barn owl form, while all the muppets are having a dance party in Sarah’s bedroom– he’s a part of her inner, fantastic world, and has just as much right to be there as Ludo or Hoggle or the little dudes with the ostrich hats. but he’s only a part of that world, and he’s not the part that matters most, or the part that has say.

their final confrontation is Sarah accepting, and taking responsibility for, her inner life. she is the one in charge of her destiny; she wants what she wants, she needs what she needs, and she will take responsibility for both. she doesn’t need Jareth to do things “to” her so she can pretend she doesn’t want them to happen. her will is as strong as Jareth’s, and her kingdom as great.  he has no power over her. 

so like…I get where you’re coming from with recognizing the Unfortunate Implications and all. “Gay people are sexual predators” is still A Thing, and in the real world, yeah, Jareth would be a creepy pedo stalker. assuming our civilization survives and all, I hope that someday people look at Labyrinth the way we look at Baby, It’s Cold Outside and completely miss the point. :V  

…but c’mon. a kid who grows up being told that they don’t really want the things they want– and if they do want those things, they’re Literally Satan– is gonna have so very much more trouble accepting their own sexuality as they get older.  

When the Fantasy Lover is not human – vampire, werewolf, or Goblin King – then it comes with the understanding that the way he behaves is simply in his nature. There’s no need to fuss over wondering why he became this way (or whether he might become worse in the future) or whether you have an obligation to try to Fix Him with your love, or whether there was something you said or did to make him this way. He simply is.

(I mean, I Can Fix Him With My Love is also  a fantasy, but a different one. Sort of how like “I overcome the oppression” and “I don’t have to face the oppression in the first place” are both important fantasies for many minority groups, I Can Fix Him and I Don’t Have To Fix Him are both important fantasies for young girls.)

Is there a cultural consensus on foreigners learning Welsh? I'm American and I don't have a single shred of Welsh ancestry. My family is historically German, and we've been here since the English Colony days, so it honestly seems really weird even to try to claim some tie to German heritage.

Anyway, my point is, I have absolutely zero legitimate claim to the Welsh language. I don't plan to travel to Wales in the foreseeable future. I have no reason to learn Welsh except that it sounds pretty and I enjoy a challenge.

Putting aside the issue of "lmao it's gonna be stupid difficult to learn an endangered language if you don't have anyone to speak it with" (I have a loose plan for dealing with that, and the experience of learning two languages to "can read most novels without needing the dictionary" level without anyone to speak them with in person already) entirely, do you reckon it's okay for me to study Welsh? I know Americans are really, really bad about just kinda assuming the whole world belongs to us, and I'm trying not to do that here. Especially because Welsh IS endangered.

I imagine your average Welsh person probably doesn't care what some random American does. But like, for people who care about the language...Would it be considered disrespectful or overstepping for me to study it? I don't expect you to speak for the entire country, of course, but I respect your opinion and I feel like you'd have a grasp on what the general feeling towards a foreigner like me might be.

Thanks for your time.

I honestly, truly, do not understand how the discussion around cultural appropriation has been twisted in the cultural zeitgeist to such an extent that people now feel anxiety about learning other languages.

This is not a personal attack on you, Anon - the gods only know that you clearly care and want to do the right thing, and that's beautiful and wonderful and also I will come back to extolling your personal virtues at the end of this post, so stay tuned. But I do want to take a moment here to talk about the broader issue at play, which I have seen echoed multiple times elsewhere, because fuck me what are we doing to ourselves.

Learn. Languages.

That is what languages are for! To be used for communication. If you don't learn languages, you are forcing everyone else to use yours. How have we somehow, as a culture, twisted that into being the less selfish option? How have we done that? I posted my favourite Welsh idiom recently, and someone reblogged it and wrote in the tags that they loved the idiom and would start using it, but they would do so in English because their "Welsh pronunciation would make their Welsh grandmother spin in her grave."

What kind of mental gymnastics is that?

How the fuck do you twist it so badly that you think taking a Welsh idiom for your own and exclusively using it in English is less offensive than saying it in Welsh but maybe a bit wrong? I've literally had people proclaim to me that they're learning Welsh on Duolingo but they never speak it because they're too self-conscious, and they tell me this not to highlight a massive flaw in themselves that they need to work on, but as though I'm supposed to pat them on the head and thank them for... still making me speak English to them.

There was that post where a Deaf blogger received an anonymous ask saying learning sign language is cultural appropriation, as though Deaf people haven't been calling for Sign to be taught in schools. As though a Deaf person being entirely isolated in everyday hearing society unless they have an interpreter with them is less offensive than a hearing person being able to use BSL.

Like, these are not sacred or religious languages. The purpose of Welsh or BSL or what have you is not to perform the Eleusinian mysteries. It's a living everyday language, same as English -

Except it's not the same as English. As Anon here so rightly points out, Welsh is endangered. That means we are desperate for people to learn it. That's how it will survive. That's how we reversed it from 'dying language' to 'living language', in fact - we managed to get lots of people to learn it. You know what is a threat, though? People not learning it because, like poor Anon here, they've been somehow convinced by Western society that you're only allowed to learn languages if you personally have a historic or cultural connection to them that you can prove via six forms of ID and a letter of recommendation from a druid. Or people never using it because they're too embarrassed to try and risk losing face by getting it wrong, or maybe sounding a bit silly, and thus forcing us to use English anyway. Those are threats.

Anon. Listen to me, feel the sincerity of my words: we adore you. We adore you. You cannot imagine how appreciated it is when someone learns Welsh. You cannot imagine how touched we are that you wanted to, that you tried, that you respected us enough and considered us valid enough that you made the effort. Our closest neighbours are the very people who are still trying to stamp out Welsh to this very day. Do you know the number 1 reaction I get, by a country mile, when I tell English people that I speak Welsh? It's some variant on a scoff, and the sentiment "Why? What's the point? Bit useless, isn't it?"

By a country mile. That's the reaction I expect, and brace for, and is overwhelmingly what I get.

So when someone who isn't Welsh actually chooses to learn Welsh?

Imagine what that feels like! To go from not-even-hidden disgust, from outright mockery and often active suppression campaigns, to a foreigner earnestly telling me that they love and respect my language so much they're trying to learn it. Imagine how that feels.

Please learn Welsh. Please learn it. We will love you for it. We will build you a statue. We will bake little Welshcakes with your face on in icing sugar. We will write you poems in complex rhyme. We'll name an Eisteddfod prize after you. We'll name at least, like, three sheep after you. Thank you, thank you so much for even wanting to learn. You're a delight and a marvel and a wonder. Your hair looks great today, as it does all days. You're a strong, independent human being of immense wisdom and compassion. If this were a Welsh myth you'd be a wise salmon the heroes came to for advice. What a fantastic human.

Snowdonia National Park announced this week that henceforth it will be reverting to the Welsh names for Snowdon and Snowdonia - Yr Wyddfa and Eryri - which is a really important step forward in preserving our language and cultural heritage, which remain under real, real threat. And social media has been full of English people scoffing and mocking and expressing real anger at the very idea of an iconic Welsh location being known by its Welsh name, they seem to take it as a personal insult, for some reason, as if it even has anything to do with them, refuse to even attempt to learn how to say those names when they 'already have perfectly good English names that everyone already knows', so...

You see the challenge our language is facing.

They certainly didn't have the respect to try and learn any Welsh for use in shops etc while they were there.

The cock/chicken “became the chthonic bird, and was used on tombs, as emblematic of the hope of a reawakening to life”. (Peters) and it is also refered as “an infernal animal of passage” by Bernabe in his book Instructions for the Netherworld: the orphic gold tablets.He also says: ”Cocks allude to the world of the afterlife: as intermediaries between the soul and the Beyond, they intercede between the world of the dead and that of the living”.

Remember Persephone was the goddess of renewal, so at least in Locri, the cock was an usual attribute of her. And in other cultures cocks-chickens were seen as animals related to renewal and life (eggs have that symbolism tooo).

:D so. chickens for Hades and Persephone all the way.

“To intercede between the world of the living and that of the dead, as intermediaries between the soul and Beyond.”

“You mean…to get to the Other Side?”