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You can only reblog this on the 3st of January
the 3st huh?

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journal, august 1st
full image here
I submit to you that the most iconic feature of any animal is either unlikely or impossible to fossilize.
If all we had of wolves were their bones we would never guess that they howl.
If all we had of elephants were fossils with no living related species, we might infer some kind of proboscis but we'd never come up with those ears.
If all we had of chickens were bones, we wouldn't know about their combs and wattles, or that roosters crow.
We wouldn't know that lions have manes, or that zebras have stripes, or that peacocks have trains, that howler monkeys yell, that cats purr, that deer shed the velvet from their antlers, that caterpillars become butterflies, that spiders make webs, that chickadees say their name, that Canada geese are assholes, that orangutans are ginger, that dolphins echolocate, or that squid even existed.
My point here is that we don't know anything about dinosaurs. If we saw one we would not recognize it. As my evidence I submit the above, along with the fact that it took us two centuries to realize they'd been all around us the whole time.
So that people don’t need to go through the notes:
- We have fossils of spider webs
- Paleontologists have reconstructed the larynx (voice box) of extinct animals and we have a pretty good idea what vocalizations they were capable of
- Fossilized pigments have been found in a variety of taxa
- Soft tissues fossilize more often than you think; we have skin impressions for like 90% of Tyrannosaurus rex’s full body (shoulder blades and neck are the only bits missing)
If pop culture is your only window into extinct animals, then you do not remotely understand how much we know.
We know the entire lifecycle of a tyrannosaurus. We know from the sheer amount of remains we have, from every stange.
We know roughly how they sounded (as the person above me said).
We know they had remarkable vision.
We know they had the second. strongest sense of smell in history.
We know from their bones that they grew to a certain size and stayed there until about 14 or so, then absolutely ballooned up to their adult size in about three or four years.
We know they likely lived in family groups, because we have bones with certainly fatal injuries for a solitary animal (broken legs and such) that are completely healed.
We know exactly how other dinosaurs look, down to colors and patterns, because bones are not the only information that is preserved.
The Sinosauropteryx is one such dinosaur. Because pigmentation molecules were preserved in the feather impressions, we know it's colors, and it's tail rings (which one would argue would be it's "iconic feature."
(Art credit Julio Lacerda)
Microraptor is another! We know from feather impressions that it had four wings. We know from pigmentation that it was an iredecent black, like a raven.
(Art credit Vitor Silva)
This is not limited to dinosaurs, or feathers. We've found pigmentation in scales and skin. We've completely reconstructed two extinct penguins, colors and all. We've figured out the colors of some non-avian and non-feathered dinosaurs. We can identify evidence of feathers existing on animals without feather impressions.
We have feathered dinosaurs preserved in amber.
We can defer likely behavioral patterns through adaptations we see in bones, and from the environments they were found in. We can see how certain movements evolved through musculature attachments (yes, how muscles attached is often preserved). We know avian flight likely evolved by "accident" by the way early raptorforms moved their arms to strike at their prey.
We also understand behavior in extant animals and can easily speculate likely behaviors in extinct animals. (A predator running for it's life is not going to exhibit hunting behaviors)
We learn and understand way more from "rocks" than paleontologists are given credit for. And if you watch a movie like Jurassic World, which has no interest in portraying anything with any sort of accuracy, and your take away is "We can't possibly know anything about these animals," then you don't understand science.
As for shrinkwrapped reconstructions, we understand how muscles attach, and how fat works. Artists who lean into shrinkwrapping are are not generally concerned with scientific accuracy, or biology. They're only concerned with Awesombro.
If true paleoartists tried to reconstruct a hippo, while they naturally would not get every bit correct, it would certainly look like a real animal, and not that alien monster that tumblr is so fond of using as "proof" that paleontologists don't know anything (an art piece that itself was extreme and satirical, and a condemnation of the particular subset of paleoartists I mentioned earlier)
Every time paleoblr tries to show you how extinct animals actually looked, all we get is a chorus of "thanks i hate it" and "stop ruining dinosaurs!"
Loosing my shit at the knowledge that T-rexes nursed their loved ones back to health
@lusus--naturae
My sister to me: it's George vs Max for P9. Did you ever think you'd hear that?!

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*sits down*
dont you think its weird. dont you think its weird that the space race last time was two of the biggest powers in the world. and now its a handful of rich men. dont you think its weird they can afford that. dont you think its bad that rich men can afford the same things as the government.
dont you think its weird that while the world is suffering and poverty is everywhere, where there's wars and climate change and human pain and homelessness. the same month I've watched people die on the news from unbearable heat and unprecedented flooding. that a rich handful of men are going to space, causing more carbon emissions. dont you think its weird that instead of putting their vast amount of money to use for good they're using it to find a way off the planet theyre destroying.
dont you think its really fucking weird.
“I think it’s very healthy to spend time alone. You need to know how to be alone and not be defined by another person.”
— Oscar Wilde
What if you no longer know how to be around other people though, and all you have are your thoughts, yourself, and your time alone
Listen, I know this race has been messy, to say the absolute least, but I am enjoying having my depression riddled heart pick up pace with every lap gone
been thinking abt this a lot. A poetry professor once told me every poet has a particular emotion from which they write. It’s not what they write about, but what emerges from the writing. For instance, louise gluck posits that Richard Siken’s central emotion is panic. Even though the word is never spoken to or about, the poems are saturated with it. I think Mary Oliver can be characterized by relief. Anyway, i think having that recognizeable Emotion is a major mark of poetic voice & it’s development
#i was going to say something about how this isnt necessarily static but i think that emotional consistency could display#the context from which someone first started writing and why#and within that development the way they approach creation and language..#for instance mary oliver often said things along the lines of i started writing to save my life#so of course she has so much concentrated hope and relief and love for the world in nearly all her poetry
i love the part of growth that allows you to look back on a previous period of your life and recognize that parts of it were unhealthy. something that felt so normal wasn’t in hindsight. you’re not supposed to feel that tired all the time. you’re not supposed to be treated like that.

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How I Go to the Woods, Mary Oliver
you ever just wanna fuck around and publish a poetry collection
This is your sign to publish that poetry collection
“I don’t know how to explain it, but something in me has changed. I want to be able to tell the girl I was months ago what changed but I don’t exactly know what has. All I can say is that these days I wake up early in the morning, and somehow opening my eyes doesn’t feel as if I’m stepping from a dreamland into a nightmare. I open the blinds and let the sunlight stream into my room and find its way onto my skin as I get ready for the day. I lace up my running shoes and tie my hair back and soon I am out the door, running up hills and down valleys as the ache in my lungs grows stronger but the smile on my face remains. I drink iced coffee and write in my journal and stain my fingers with ink as I hear my roommates start their days. As I walk down the stairs, I pass a boy with friendly eyes who says hi first when he catches my eye. I don’t know how, but all this adds up to something in my heart that is grateful to have not given up all those months ago when I desperately wanted to. Everyday, I wake up and smile and cry and laugh but now there is something in my heart so happy to be alive.”
— n.c. // I wake up everyday and I am thankful
Does anyone else ever have this feeling that you want to live everywhere, that you want to be everywhere, that you want to do everything? But that you only have this one life, and one chance and it's both too much and not enough and you're just stuck

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“If someday the moon calls you by your name don’t be surprised, because every night I tell her about you.”
— Shahrazad al-Khalij
gently pressing your head against your lover’s back while they cut vegetables, your lover sitting on the kitchen counter while you talk about your day at work and wait for the water to boil, giving them little pecks while they stir the vegetables, eating the food together, washing the dishes together… you know what i mean