Behold! A Woman With No Impulse Control

And a lot of them are aware of this (like we are when we make these “humans are space orcs” stories)

Maybe one species enjoys getting bit by something equivalent to mosquitoes. Maybe one actively avoids the hospitable places on their planet because it’s boring without a challenge. You get the gist.

I want to see a bunch of aliens (+humans) sitting around a table talking about how their own species is a bunch of freaks

Best possible addition. This is a top-tier insight

@prokopetz proposed that humans ought to get something special of our own that isn't just "We are the bestest and specialist in some generic way that feels like a vague and unsettling metaphor for American superiority and manifest destiny amidst all the other cultures of the world," and settled on space orcs because "Pursuit predators with freakish endurance" was the ecological niche we occupied during our own evolutionary history up until we started doing the civilization thing. The assumption from the start was that every other sci-fi or fantasy species would each be freaks in their own way, and the point of humans are space orcs was to let us be our own sort of freak, too.

People who expanded on the humans are space orcs stories immediately turned it into a reason to write little stories where humans are the biggest freaks or the only freaks and we are, in fact, the specialest most manifest destinyest je ne sais quoi-laden metaphors for the superiority of American culture over all the other cultures of the world. I hate it I hate it I hate it.

A lot has changed since then obviously and not every society creates these exact problems or interests for themselves but the idea that a lot of our most basic problems are unique to the system we currently live in is kind of a short sighted way of looking at things.

People moved for new opportunities. People hated their bosses. People threw parties for their coworkers and had insomnia. People went on vacation. They traveled for work. They suffered from mental illness and addiction. They often failed to support each other through these things.

I ask my students every week to write 10 observations of the actual world. It’s very hard for them.

Ms. Tippett:

Really?

Ms. Howe:

They really find it hard.

Ms. Tippett:

What do you mean? What is the assignment? 10 observations of their actual world?

Ms. Howe:

Just tell me what you saw this morning like in two lines. I saw a water glass on a brown tablecloth, and the light came through it in three places. No metaphor. And to resist metaphor is very difficult because you have to actually endure the thing itself, which hurts us for some reason.

Ms. Tippett:

It does.

Ms. Howe:

It hurts us.

Ms. Tippett:

You naming something.

Ms. Howe:

We want to say, “It was like this; it was like that.” We want to look away. And to be with a glass of water or to be with anything — and then they say, “Well, there’s nothing important enough.” And that’s whole thing. It’s the point.

Ms. Howe:

It’s the this, right?

Ms. Howe:

Right, the this, whatever. And then they say, “Oh, I saw a lot of people who really want” — and, “No, no, no. No abstractions, no interpretations.” But then this amazing thing happens, Krista. The fourth week or so, they come in and clinkety, clank, clank, clank, onto the table pours all this stuff. And it so thrilling. I mean, it is thrilling. Everybody can feel it. Everyone is just like, “Wow.” The slice of apple, and then that gleam of the knife, and the sound of the trashcan closing, and the maple tree outside, and the blue jay. I mean, it almost comes clanking into the room. And it’s just amazing.

Ms. Tippett:

In some basic level, what they’ve done is just engage with their senses.

Ms. Howe:

Yeah, and have been present out of their minds and just noticing what’s around them, which is — we don’t do. And again, not to compare it to anything. They’re not allowed. And that’s very hard for them. And then on the fifth or sixth week, I say, “OK, use metaphors.” And they don’t want to. They don’t know how. They’re like, “Why would I? Why would I compare that to anything when it’s itself?” Exactly. Good question.

So then you think, why the necessity of a metaphor? Why do you have to use a metaphor now? Not just to do it to avoid it, but to do it to make it more there. And it’s very interesting.