Behold! A Woman With No Impulse Control

Opera plot: Local Noble realizes that his affections for Pretty Village Girl have a rival in the form of Honest Laborer. Having read enough romances to know that a girl asked to choose between a rich man and a poor man will always pick the poor man, whereas in a love triangle between two rich men it's anyone's game, he decides that his chief object must be to elevate his rival's wealth and status as quickly as possible. What the Compte de Genre-Savie over here forgot to account for, however, was the overwhelming power of the Pygmalion Effect, and now he has to deal with watching two people he's in love with develop ever-stronger feelings for each other. Eventually all of this resolves via...I don't know.

#first of all: ''comte de genre-savie'' is PERFECT. just great. absolutely no notes.#I would love an opera with this exact plot. bonus points if the comte is genuinely genre savvy#he keeps bringing up opera tropes only for the other characters to look at him like he's insane.#the score is diagetic to him; when he points out reoccurring themes or transitions to minor keys#the other characters ask him what the hell he's talking about. the whole chorus gets together to sing about how#comte de genre-savie is going mad. the comte tries to sneak away and keeps getting pulled back in.#I wonder if you could even push it further - have it so that only the comte can speak or 'hear' spoken words;#all other characters communicate in recitativo secco or formally composed songs#then you can have scenes where the comte is speaking but the other character in the scene can't hear him.#this can be played for laughs (the comte tries to order something from a shopkeeper; the shopkeeper walks away as he's talking)#and for dramatic effect (the Honest Laborer is singing a heartfelt duet with the Pretty Village Girl#and neither of them can hear the comte saying 'I love you' in between their lines)#........I am into this actually. I had to convince myself that this wasn't just cyrano de bergerac but no. it isn't. I'm into it.#upon the stage (via @notbecauseofvictories)

I love how all of them carry a completely different tone than the others

FUCK EM UP YOUR GRACE

Pop off, my liege

Awe ☺️