It has been 100! Days since Nana (Short for nanananananananana Bat-horse) has appeared!
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Thank you everybody who voted!

Kiana Khansmith
Claire Keane

Love Begins
hello vonnie
Xuebing Du
Misplaced Lens Cap
we're not kids anymore.

shark vs the universe

Monterey Bay Aquarium
trying on a metaphor
Cosmic Funnies
Cosimo Galluzzi
Lint Roller? I Barely Know Her
One Nice Bug Per Day
cherry valley forever

ā
tumblr dot com

PR's Tumblrdome
Aqua Utopiaļ½ęµ·ć®åŗć§čØę¶ćē“”ć
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@blindbeholder
It has been 100! Days since Nana (Short for nanananananananana Bat-horse) has appeared!
Congratulations to @blindbeholder for your name suggestion winning!
Thank you everybody who voted!

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
Cartoon Network posting Steven Universe promos for Pride Month will never stop boiling my fucking blood.
Cartoon Network cancelled the show. They viciously and intentionally fucked over Rebecca Sugar, Ian Jones-Quartey, and the entire rest of the crew. It is documented in the SU art books and in multiple statements from Rebecca Sugar that pushing for the Garnet wedding is what caused the show to get cancelled. The crew had to FIGHT to get any episodes past the wedding. There was supposed to be so much more.
I recognize that the social media team is not the same as the executives making decisions, but holy fucking hell is it a special kind of infuriating. The network won't support the show while it airs, they won't support the crew in their attempts to add queer representation, but the second they can use the cancelled show for corporate Pride promos? Better believe they'll try to take credit for being progressive and queer-friendly, never mind how many queer artists and workers the company fucked over along the way.
See also: Disney+ promoting The Owl House for Pride after fucking over Dana Terrace.
Agent 8s
Off The Hook sketch

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Side Order Eight
Marina
various not very connected batfam doodles idk
KICK THE CAN!
Letās play the biggest game of kick the can on the internet.
To kick the can, reblog it. I wanna see how long this can go on for.
the oldest reblogs for this post that i can find are from january 2nd of 2013. this can has been getting kicked around tumblr for almost 13½ years now
And yet somehow this is my first time kicking it!

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i think one of the worst things the left wing internet ever did was push the idea that oppression is basically a virtue, and being oppressed is a sign of your morality. it has made it likeā¦impossible for some of you to hold the idea that most people are privileged in some ways and oppressed in others. AND a lot of you seem to have it in your mind that terrible people cannot be oppressed, and that oppressed people cannot do terrible things, which is a dangerous rhetoric to hold imo.
KICK THE CAN!
Letās play the biggest game of kick the can on the internet.
To kick the can, reblog it. I wanna see how long this can go on for.
the oldest reblogs for this post that i can find are from january 2nd of 2013. this can has been getting kicked around tumblr for almost 13½ years now
And yet somehow this is my first time kicking it!
quirky fourth wall breaking character but theyre just fucking. wrong about the medium theyre in. they keep making references to cinematic techniques and directorial styles and the other fourth wall breaking character is like "dumbass we're in a fucking comic book" and they are in a video game.
Well currently theyāre in a tumblr post but I see your point
tweet sequence of a not-quite-friend and artist i admire that i find myself thinking of constantly
see every time i see this status i get angry because iāve played through literally every scenario in rct1 and there is no place where this is a thing. there is never more than one park per map. and in rct2 you canāt make that happen i the scenario editor either. it is not remotely within the gameās functionality to simulate two discrete parks and these games were coded in assembly for christ sake so itās not like someone modded it in by adding the line āint const TOTAL_NUM_POSSIBLE_PARKS = 2;ā. there is no conceivable way this post is anything close to true and even though i know how writing all this out reflects upon me as a person and even though i know exactly how meaningless and trifling of a takedown attempt this is on some random facebook screencap with hundreds of thousands of notes im going to post it anyway because iām too petty to have any say in the matter

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What it looks like to me is that these churns of outrage aren't actually about anything that these creators say or do, so much as they are a kind of reflexive action in response to literally any kind of friction. Like an angry infected rash flaring up with pain when it is brushed by a feather.
The show you like is telling a slightly different story than what you want? Friction is the same as pain so it is hurting me, AAAA!!! Your expectation of what was going to happen to that character you liked didn't pan out? Friction! Friction hurts! You're hurting me!!
But where the Disney Corporation can run a fucking angle grinder across the rash and barely provoke an "ow," indie creators (especially if they are not men), can get nearly run off the internet for things like factually answering a direct question or stating that the story they are writing has main characters.
There's a lot of misogyny in that, obviously, and in many awful flavors, but I think there's also mixed in there a very peculiar kind of consumer-brained entitlement. We expect that the big corporations will fuck us over every two seconds, and we expect to be utterly powerless to do anything about it because all they give a shit about is Line Go Up, but indie creators (especially if they are not men) are expected to be the balm to that infected rash. Where everything else in the world is painful and mean and uncomfortable, independent queer creators are expected to produce the comfortable swaddling bandage that dulls the pain and soothes the sensitivity. This is supposed to be our happy place, our safe place. It's supposed to be ours and belong to us and serve us.
And so they moment they produce friction, any friction, literally the tiniest amount of friction imaginable, well that's a failure! You are failing to live up to your purpose, and that's not just a creative failure but a moral and personal and spiritual failure too. It's a sin, in fact, it is a kind of evil. Friction hurts, and that means you are hurting me!
It creates this fucked up upside-down bizarro logic wherein the corpos and the companies can transgress to almost literally any degree, as much as they want, as often as they want, but queer independent creators (and I cannot stress this enough: especially if they are not men) have to walk tightrope on a razor wire and may God help their souls if they ever put a foot wrong. We will shake and shake and shake the towers until they each fall down; I didn't like that step I think you were taking, how dare you believe you deserve to be up there!
I definitely feel a sort of hesitation and anxiety whenever I read peopleās headcanons about my stories, because I get worried theyāll be upset that the way I write the story doesnāt match up to the thing they have in their heads. This gets especially tricky when lots of folks speculate in different directions and I feel that whatever I write WILL disappoint somebody⦠(or, to Skyenās point: create upsetting emotional friction for them)
Which, to be fair? Yeah. Thatās normal. Not all art is for everybody. I try hard to internalize this⦠thereās a really badly paraphrased Mark Rosewater quote about game design I think about a lot:
āAnything specific enough for a person to fall in love with must, by its very nature, be something that another kind of person doesnāt like.ā
Thatās not a bad thing. Everyone is different and if you try to make something that perfectly inoffensive to everybody, you end up with something mild and flavorless.
All this to say, Iām glad Iāve managed to cultivate a broadly cool audience who, for the most part, are super supportive of my work. I think itās important to make stuff for the sickos (Affectionate).
They. They forgor
They were opened in AUGUST 2001. Oh my god. That's both hilarious and tragic.
this is a fucking futurama bit