Tumblr Sexywoman Contest 2025 Round 4
GLaDOS
Morticia Addams
Keni
art blog(derogatory)

romaâ

PR's Tumblrdome
Cosimo Galluzzi
styofa doing anything
we're not kids anymore.
Not today Justin
Stranger Things
Sade Olutola
$LAYYYTER

Kiana Khansmith

"I'm Dorothy Gale from Kansas"
almost home
YOU ARE THE REASON

â
he wasn't even looking at me and he found me
tumblr dot com

izzy's playlists!
seen from United States
seen from United States
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seen from United States
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seen from Malaysia

seen from United States

seen from United States
seen from South Korea
seen from TĂźrkiye

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seen from Saudi Arabia

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@becausesin
Tumblr Sexywoman Contest 2025 Round 4
GLaDOS
Morticia Addams

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Shadowlight Week 2025
Event Fan Art by @castkorb and @oryu404â
We're excited to announce that we've teamed up with @dailystingue on X for Shadowlight Week 2025, a celebration of the friendship/relationship between Sting Eucliffe and Rogue Cheney of Sabertooth!
The event will run from April 28 th 'til May 4th (May the fourth be with you). An entire week!
This year, we asked you guys for help with prompts, and you delivered!
Prompts we picked from votes and suggestions are:
đ Hope / Lost
đ Contrast / Unison
đ Angel / Demon
đ Childhood / Future
đ Lock / Key
đ Secret / Intimacy
đ Flowers / Genderbend
A huge thank you to everyone who filled out the interest check!
As always, the prompts are for inspiration only. Feel free to submit others if they work better for you!
Weâll be accepting:
Fanfics (any length and in any language)
Poetry
FanArt (any kind)
Edits (edits, aesthetics, videos, memes)
Headcanons
Playlists
Social Media Posts
Incorrect quotes
Manga Coloring
Animations
Event Rules:
All content must be original and previously unpublished. Updates to an existing multi-chapter fic are not eligible, but standalone one-shots from an established work/AU are fine.
Pairing or Brotp only.
There should be no character bashing of any kind. This event is meant to be fun and positive.
Please tag all triggers and adult content appropriately.
We will not accept any work that contains incest or pedophilia.
You may enter as many times as you want!
Late entries will be accepted!
We will track the tag shadowlightweek2025 so make sure itâs in your first five, or mention @shadowlight-weekâ in your post.
If you have any questions, you can reach out to us through Asks. Weâll be happy to answer them.
Our event page has a complete list of rules and answered questions.
Have fun, and please reblog to help us get the word out!
@fyeahstingue @faneventshub @ft-reboost @ftmlmages @ftlgbtales
It's been 14 years and I'm not over it in the slightest
the title of the new series is âreunionâ Iâm literally about to breakdown Iâm so fucking happy rn
REUNION WILL COME
i've been rereading the no.6 novels

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"You're blushing." Prompts
âYouâre blushing.â âYeah, so? Never seen anyone fall for your charm before?â
âAre you okay? You look a littleâŚâ âIâm fine!â
A tries to hide their blush from B by turning their head away, but the latter doesnât let them.
âI canât help it (when you look at me like that).â
âAre you actually blushing?â âNo! Shut up.â
âYou, uhh⌠You⌠Sorry. I didnât mean to make you⌠I meanâŚâ
A smiles fondly when B starts to blush and draws them closer, allowing them to hide in their embrace.
âAwww. Did I fluster you?â
âThis never happened, do you understand?! If I find out you mentioned this to anyone, IâllâŚâ
It appears A made B blush, and in response their own cheeks heat up.
âStoooop. Stop making me allâŚâ âAll⌠what?â
âJust admit thatâŚâ (e.g. you like when I look at you like that.)
A has never blushed when they asked that question/made such a comment before. (Before what?/Has something changed?)
â⌠Youâll never let me live this down, will you?â
A touches their own heated cheeks (, maybe to confirm that they really are blushing. Not that they didnât already know.)
âWhy am I blushing?!â
A and B try to figure out who can make the other person blush first/the hardest.
âI call bullshit. Thereâs no way you never blush. No way.â
âMonths/Years later, and you still make me blush.â
âIâm not blushing. Itâs from the cold.â âYeah. Sure.â
âSorry. I just... like seeing that I have an effect on you, I guess.â
âGod. You look adorable/etc. (when youâre blushing).â
A is curious/confused/etc. Once, they easily were able to make B blush. Nowadays, it seems almost impossible.
âYouâre blushing.â âSo are you.â
CAT by By äšçął / Zhaobangni (1631123)
And when I say I lost my shitâand by all lost gods did Iâ I mean it.
unmute unmute unmute
for the love of EVERYTHING holy u GOTTA unmute
This was funny silent, but HILARIOUS with sound.
Hey Everyone! As we started to think/plan for the events we wanted to run next year, we realized things aren't looking so great in our corn
Please fill this out if you are a content creator in the Gratsu or Stingue fandoms, or would like to be!
Reblogs are really appreciated.
Hummingbird is relaxing after drinking a lot of flower nectar.

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I think itâs time we as a species realize that harry potter was never good. it was just marketable and gave impressionable kids a lot to project onto.
the reason Joanne got rejected by so many publishers isnât because they couldnât see her genius, itâs because the one that picked it up was the first one to realize they could market the shit out of houses, wands, magical pets, etc, the setting was a gold mine for getting kids to project themselves into. it didnât matter that the plot and characters and writing were all terrible. they even kept adding more elements for this later on with things like patronuses. harry potter was never literature, it was always just a marketing scheme.
I think this revisionism of âHP was terrible all alongâ misses the point.Â
Yes, there were some shitty, problematic elements from the start (like the goblins), and yes they were marketable as hell, but Iâd say the first few books successfully captured some elements of whimsy, and the humor in them hit the right notes for kids. The first few are not great books but theyâre also not terrible. (The later ones were bloated and awful tho, imo). Â
And of course certain books are published because theyâre marketable but that doesnât mean theyâre automatically bad books or lack any entertainment value.Â
The thing is she doesnât have to have had bad books to be a bad person. Someone that wrote some decent books that kids liked can still be a shitty person and we need to learn and accept that shitty people can and do make good art or at least quality entertainment.Â
The reason we need to recognize bad people make good art rather than create a revisionist history that every single thing the person has done was terrible, is because we have to be comfortable with criticizing and condemning (and sometimes boycotting) creators even when things they made were beloved to us at some point, even when there was some good or some entertainment value in the things they created.Â
I think itâs good to look back at her work with a more critical eye but the first few books were actually decent (regardless of yes, a few shitty flaws like the goblins, and regardless of being super merchandisable). That doesnât change that sheâs still a bigoted dickhole. And we donât have to pretend everything she created was awful to treat her like a bigoted dickhole.Â
And accepting the dichotomy of âshitty people can make good things but theyâre still shittyâ makes it easier to prevent ourselves from getting in a mindset of stanning the things we like when a creator is an awful person.
Recent Harry Potter discourse has reeked of the implicit assumption that there is some kind of moral dimension to having liked her books, with people feeling pride that they, as children, ânever likedâ Harry Potter or âalways knewâ it was bad.
Itâs argued as if the people who ârealizedâ that Harry Potter was Bad All Along were picking up on someâŚsingle big quality that includes both the bigotry of the author and the quality of the story, worldbuilding, et cetera. Itâs absolutely bizarre.
But, all of that aside. Holy shit, no, no, no, Harry Potter was not a toy marketing scheme, what on earth, thatâs the weirdest thing Iâve heard all day.
The category of childrenâs lit was on deathâs door in the late 90âs. YA was straight up not a thing in the way it is today. Book series still donât get toy lines by themselves, and the fact that the book-to-movie adaptation of Harry Potter was successful is still kind of a weird fluke. Nobody is publishing a book counting on a film adaptation that can be turned into a toy line, and they sure as hell werenât in 1997. If that worked James Patterson or whoever the hell that guy is would be doing it.
There are a LOT of series that fit the âcapitalist marketing schemeâ idea a lot better than Harry Potter (read: Lorien legacies, the unwanteds, wolves of the beyond, fablehaven, wings of fire, that series a while back that was about like animal shapeshifters or something? With a different big name YA author behind every book?) and they havenât successfully marketed anything except themselves.
Please, not every piece of media that has problems has to have a capitalist conspiracy theory at its core
If you want to dial it back to âHarry Potter was published because the publisher thought they could make money,â all books are published because the publisher thinks they will make money. Publishing is a business. This is how capitalism works.
Commission Info
Ko-fi | Commissions
AO3
Yes I re-read my own fics because I wrote them for ME
Wish that bitch would update though.

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6 types of story feedback and what to do with each.
Iâve encountered a lot of feedback over the years.
Feedback thatâs good, bad, or cocktail of both â from the 15 workshops I joined in college (including my time in the MFA) to my current experiences as a copywriter.
Iâve also learned how to get the most out of all that feedback. So this week I decided to share six types of story feedback and what do with each.
The Opinion is completely subjective feedback, and its purpose is to gauge what is and isnât working for readers on a personal level. Isolated opinions offer some insight, but in general, youâll want to pay attention to the patterns that emerge from multiple readersâ opinions.
Focus on: doubling down on the things your readers tend to like, and consider dialing back the things they donât like.
Ignore: suggestions for phrasings, story elements, or plot directions that are purely a matter of taste and go counter to your vision.
The Misdiagnosis is feedback where the reader has noticed something wrong in your writing, but they struggle to identify the issue â so they âmisdiagnoseâ the problem. Itâs tempting to think this is a False Alarm (#6), but this type of feedback is actually very common and well intentioned, so be on the lookout!
Focus on: reverse engineering the true problem by closely reading the feedback and the passage it applies to. After identifying the real issue, work on a solution.
Ignore: their original diagnosis and any suggestions that are now irrelevant.
The Bad Remedy gets one step further than the Misdiagnosis. Here, the reader correctly identifies the problem, but the solution they provide either doesnât solve the issue, is overly subjective (see #1), or has a negative ripple effect that the reader didnât expect.
Focus on: determining a new solution that works for your story and style.
Ignore: any solutions that arenât right for your story.
The Right Cure is the best kind of feedback, because it not only properly diagnoses a problem in your story, but also provides an effective solution. This feedback is easy to identify when it hits like a lightning-strike revelation â but sometimes the accuracy of the feedback or the tone of its delivery puts us on the defensive. We might try to write it off as an Opinion or False Alarm, but itâs important to accept the Right Cure when itâs offered.
Focus on: following the feedback. You can still tweak or build upon the solution if better ideas come to you; just make sure youâre still solving the problem.
Ignore: any temptation to dismiss the feedback out of pride or a feeling of being wronged due to an uncouth delivery.
The Divination is any feedback that provides the right solution to a problem, even when the reader misdiagnoses (or doesnât try to diagnose) the problem itself. This often arises when a reader critiques mostly by feel, and while they may struggle to articulate why something is wrong, they feel something is wrong and are able to identify an effective solution. This type of feedback can often look like an Opinion since it lacks justification, but itâs always worth considering.
Focus on: identifying whether their suggestion improves the story, and if it does, implement it.
Ignore: the feedback if youâre confident itâs just an Opinion that doesnât align with your vision for the story.
The False Alarm is feedback that tries to solve a problem that isnât there. This type generally comes from a reader whoâs distracted, reading too quickly, or trying too hard to find things to criticize (which can occasionally happen in formal critique settings like workshops, where some feel pressure to always contribute). Note, however, that this type of feedback is rare; what you think is a False Alarm is more often than not a Misdiagnosis, a Bad Remedy, or even a poorly delivered Right Cure.
Focus on: identifying whether the feedback actually is a False Alarm or something legitimate.
Ignore: the feedback, but only if youâre absolutely confident itâs a False Alarm. (If you find yourself receiving a lot of False Alarms, reflect on whether youâre dismissing too much feedback, and if you arenât, consider looping in some new readers.)
Some Parting Rules of Thumb
Now that you have a grasp on these different types of feedback, I want to leave you with some general rules of thumb for revision:
Assume all feedback has the potential to improve your story, even if parts of it are misguided.
Know that everyone is capable of providing helpful feedback, even if theyâre less experienced than you are.
Remember your vision as a writer matters, so donât feel obligated to follow feedback that pushes your story in a direction that contradicts what you set out to create.
Never mistake the need for feedback as a shortcoming; instead, recognize it as an opportunity. Everyone needs feedback, but not everyone is willing to seek it out.
Good luck, and good writing, everybody! I hope this helps you sift through the feedback on your next story.
â â â
You have stories worth telling; I want to help you tell them well. For tips on how to hone your craft and nurture meaningful stories, follow my blog.
Please return us to a world where Notp and squick are used for a ship you donât like instead of just making up a load of bullshit about how immoral it is or w/e lolÂ