in Vera veritas

the natural lifespan of a fandom is unlimited. when well tended a fandom can be functionally immortal. and yet everywhere you look you see newly bred fandoms withering and dying when they’re barely a year old. barely even six months old. fans are looking at their six month old fandoms and saying i think it’s on its last legs, should i euthanise it? when with the proper care that fandom could outlive them for decades. it’s sad. sad state of affairs we’re in.

happy Barely Keeping It Together Wednesday to all who celebrate

following weird horny furries who are into shit like pooltoys and transformation and stuff is enrichment. the vitamins and minerals of posting

once you get over your ass and realise you will never get some people and that’s ok you are basically immune to right wing fearmongering. otherkin? none of my fucking business

I must not fall victim to disgust. Disgust is the heart-killer. Disgust is the little-death that brings total apathy. I will face my disgust. I will permit it to pass over me and through me. And when it has gone past I will turn the inner eye to see its path. Where the disgust has gone there will be nothing. Only I will remain.

and the winner of superwholock is officially??? no one. we all lost. congrats team

Thank you. I hope everybody thinks this

realistic coworker conversation

I love the word "jamboree". If I had a daughter I'd name her Jamboree Lynn, and if I had a son, I'd leave him in the woods to be raised by coyotes.

“Put him on his knees give him something to believe in” has the exact same energy and depth of meaning as anything Hozier puts out on the regular but since it’s sung by Megan Thee Stallion no one takes it seriously. In this essay I will-

To flesh this out a little bit more: both Megan Thee Stallion and Hozier write and sing really sexual songs, but they’re different in that Hozier’s music is typically “let me worship you” while Megan’s is usually “I’m worshipping myself,” which makes all the difference because it’s an acceptance of power rather than the giving of it. He’s the sinner, she’s the saint. However, taking their difference in genres out of it, people don’t usually seem to take Megan Thee Stallion’s music seriously in comparison to Hozier because a) her lyrics are more overtly and blatantly sexual and b)she’s claiming her sexuality for herself, and that scares a lot of people. The secret, no-one-wants-to-talk-about reason is that she’s a confident black woman, which terrifies people way than sex does. In conclusion, Hozier and Megan Thee Stallion are two sides of the same poetic, sexual coin, but people just don’t want to admit it. Which is WHY a collaboration between Hozier and Megan would be so powerful that it would change the timeline as we know it yes I will elaborate