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Jane Yolen was a Jewish-American children’s author, poet, and young adult novelist. Yolen wrote more than 400 books for children and adults,
If you didn’t become acquainted with the work of Jane Yolen as a student being assigned her famous, award-winning Holocaust time travel nove
If you didn’t become acquainted with the work of Jane Yolen as a student being assigned her famous, award-winning Holocaust time travel novella “The Devil’s Arithmetic,” it’s likely you will once you become a parent, reading one of her many, many, many books for kids. My young boys are especially partial to her “How Do Dinosaurs?” series with its captivating, realistic dinosaur illustrations and snappy, funny text (and yes, there’s a Hanukkah “How Do Dinosaurs” book).
The prolific children’s book author, who was the recipient of multiple children’s book awards and six honorary doctorates, passed away this week at age 87. She was just about to release her 450th book. “Monsters of Fife: Terror Birds” will come out posthumously on July 14.
Yolen wasn’t raised particularly Jewish, and her exposure to religion was mostly at relatives’ homes, she recounted in a piece for the Jewish Book Council. As a teen, she did become fascinated with Jewish texts and traditions, getting confirmed at her local Reform synagogue; she was one of the first girls to read from the Torah on the bimah at that temple. And she minored in religious studies at Smith College.
But it took a while for Judaism to become part of her children’s book-writing career. In fact, she was two decades into her career when she got “noodged” into writing Jewish tales.
It all happened in the 1980s, she wrote in her essay for the Jewish Book Council: “One of my editors, who happened to be a rabbi’s wife, asked me why I had never written a Jewish book. And I had to think long and hard about that. And she noodged. Boy! Was she an expert noodge. The result was ‘The Devil’s Arithmetic.’ And then the Jewish stories began to tumble out.”
The books that came tumbling out were as gripping and wonderful and magical as the rest of her oeuvre.
There came magical stories about Jews and dragons and golems (co-written with her son, Adam Stemple).
She published illustrated books about Miriam and other biblical women (and even the children’s book adaptation of the famous “Prince of Egypt”).
She came up with her own twist on the tales of the Wise Men of Chelm.
She perhaps became most known for her three young adult tomes that tackle the Holocaust in novel ways. She wrote the “Sleeping Beauty” inspired “Briar Rose” and the “Hansel and Gretel”-esque “Mapping the Bones.” And of course, she penned the Nebula Prize Winning “The Devil’s Arithmetic,” about a Jewish teen who finds herself transported to 1942 Poland, which continues to be taught in schools to this very day, even as one Texas school district pulled it out of the curriculum for AI-detected “DEI content.” The book was famously turned into a 1999 film starring Kirsten Dunst, Brittany Murphy, Paul Freeman and Mimi Rogers.
Yolen also wrote books about Jewish holidays: “Milk and Honey,” and the lovely “Jewish Tale Feasts” (with her daughter, author Heidi Stemple), a book that my Jewish food-loving family adores.
Heidi, Adam and their brother Jason were all by their mother’s side when she “passed gently with no pain or stress,” Heidi shared on Instagram. Adam was playing his music while Heidi read from her mother’s book “Owl Moon.”
“As you all probably know, she had one of the most brilliant creative minds of our time,” Heidi wrote of her mother. “She has mentored, inspired and nurtured so many authors and illustrators through her words both on the page and off. But, beyond that, she was our mother and grandmother.”
May Jane Yolen’s memory be for a blessing; her books will certainly remain part of our lives for a long, long time.
Once when I was in undergrad, someone described something as “problematic” in class and our professor was like, “That’s cool, but ‘problematic’ doesn’t really mean anything. It means that the thing you’re describing has a problem, and in and of itself that’s not bad. Art, especially, should always have problems, or else it’s not interesting and not art, either. It sounds like you’re trying to say that this is bad, but you don’t want to say ‘bad.’ Is that right?”
So from then on whenever one of us called something problematic, he would make us talk it out until we could name the “bad” thing we were hinting at. In this particular class, 7/10 it was some type of oppression, and the remainder was like, “I’m uncomfortable because this is very new/confusing/pushing boundaries that made me feel safe.”
Once we stopped calling things “problematic” and stopping at that, class got way more interesting and... we all had to say, like, “that’s racist” or “that’s misogynistic” or “ew capitalism gross” out loud, which a lot of us had never done in a classroom before. Or we had to be like, “Uhhh... I’m not sure what’s so bad?” and confront our own beliefs and that was maybe even more useful.
Anyway. Whenever I see the word problematic, I can’t help but think of this professor being like, “Good starting point, now let’s get specific.” I think when we have to commit to saying “that’s ___” it requires a lot more careful thought about the truth and impact and complexities of whatever we’re claiming. Sometimes there really is some bullshit afoot, and also sometimes it’s art, and it should be full of problems, because that’s what art is.
“I don’t do math because I’m gay” “the gays can’t do math” “If I explain math on tumblr I’ll lose my gay card” all of you apologize to Alan Turing right now
It’s literally been years since anyone added something slightly clever or original to this post, so I would like to congratulate you and maybe even bestow some kind of award. I don’t have anything to give you though
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sonce the sports are happening big rn where i live i made a handy chart of all the phrases i use to communicate with my loved ones during these trying times. i thought others might find it useful too
ive discovered you can have whole conversations with people using just these phrases and none will be any the wiser that you dont even know what sport it is theyre talking about
are you a “filters tags from my mutual’s new obsession” Tumblr user or are you a “learns about their new obsession (semi-forcefully) by osmosis” Tumblr user
#i would never filter the tags from your obsession without first learning enough by osmosis to determine that i cannot fucking stand it (via @unopenablebox)
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developing the hots for ryan gosling because of project hail mary is so fucking embarrassing I swear to god. that is a conventionally attractive man. a noted hollywood heartthrob. he's even blond, are you kidding me? did he win people magazine's sexiest man alive? I don't know. I'm not going to check but it wouldn't surprise me at this point. it's such a mainstream taste. such a clichéd celebrity crush. like oh I fancy ryan gosling and my favourite drink is coca-cola and my favourite snack is ready salted crisps. jesus christ. 'b-b-but i only like him when he's in a science pun tshirt and playing a dorky-awkward loner type!' doesn't matter. he's still ryan 'ken from barbie' gosling. it's so trite. I feel like the weird nerd girl in a teen coming-of-age romcom falling for the super popular jock. don't I know that I have a reputation to uphold here? cringe.
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I really just have to summarize Thomas's entire life:
He was in a committed relationship with a male swan named Henry for 18-24 years before a female swan named Henrietta showed up and mated with Henry.
Thomas was initially jealous of the pair and attacked them, breaking 2 of the 5 eggs Henrietta had laid. However, once the remaining eggs hatched, Thomas warmed up to them and helped raise them.
Henry couldn't fly because of an injured wing, so Thomas taught the cygnets how to fly.
When they needed to reduce the goose population in the pond where Thomas and the swans lived, they dyed Thomas's feathers red so he wouldn't be separated from Henry.
Henry, Henrietta, and Thomas remained in their happy throuple for years and raised 68 cygnets before Henry died in 2009. After Henry's death, Henrietta found another swan and flew away, leaving Thomas alone.
Thomas finally met and mated with a female goose in 2011 and had his own babies. However, another goose named George stole them and raised them himself.
As Thomas grew elderly and blind, he was relocated to a wildlife center where he raised orphaned cygnets.
His caretaker at the center described him as "pretty high maintenance."
Thomas died in 2018 at the age of around 40. He had a funeral that included a small coffin and a procession that was led by a bagpiper. He was buried under the stone where Henry was buried, the two finally reunited in death.
Before and after his death, Thomas has been celebrated as an icon of the LGBTQ+ community for obvious reasons.
[ID: the headline of an article by Lyndsay Rush dated may 29, 2024 reads "blind bisexual goose named Thomas who spent six years in a love triangle with two swans and helped raise 68 babies dies at the ripe old age of 40". the subheading reads "he's a bit much". the picture below shows a white goose followed by a black-feathered swan and five cygnets in a line, walking a paved pathway surrounded by grass, away from a water body. end ID.]