basicallycicero

Camilla in bk 11 of the Aeneid is just every woman ever who has had to take orders from a man with the iq of a salmon and it is actually excellent

Augustus be like: I’m such a good dad look at my three ulcers perfect children!

Okay time to close the gates of Janus Quirinus for 2021 ✌️

the more I think about the Aeneid, the more I realise that when we look at it through modern eyes, it becomes a novel about so much more than the founding of a city. We follow characters who are truly traumatised by all that they have suffered, and a reluctant hero who craves his mother’s comfort - with the weight of his ancestors and his descendants on his shoulders. Despite his own personal trauma, Aeneas must carry on through all the suffering and loss, in order to fulfill his purpose. Despite loosing the most important person in her life, Dido must flee her own country and start up a new kingdom entirely alone, and of course be doomed to meet a tragic end, as all she has worked for falls apart. Despite having his future set out before him, Turnus must fight for all that he had previously deemed so certain, and eventually have it all taken from him, including his life. Surely as modern readers, these tales resonate with us in an entirely new and powerful manner - we can all relate to having to plough through trauma and tragedy despite our own emotions, to feeling alone, craving comfort, being thrown into uncertainty, loosing battles we thought we would win. And the beauty of the Aeneid is the sheer complexity of each one of the characters: hero through one eye, villain through another. It is more than a study of what it means to be roman, it is a study of what it means to be human.

*completely obliterates your house and salts the earth behind me*