(WINTER) SONG
Demeter and her woes have left this day unopened, laying
a fresh white blanket of snow covering the earth:
the promise of our world beneath the willow’s fingers.
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(WINTER) SONG
Demeter and her woes have left this day unopened, laying
a fresh white blanket of snow covering the earth:
the promise of our world beneath the willow’s fingers.

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(Blue) Song
And then the blues brings you back, drags you back, really, your hands and knees, torn and bloody, your nails to the bone.  You give up and stay for days, weeks even, pent up in the blue, until the thing releases its hold and the sun shines and the false asters begin to bloom, where the yellow becomes green, forming a sea of vivid things, with trees dark and full in the distance, silent, limbs waving with the wind, and you again: crawling back towards the rest of the living.
from (River) Song
Here is the swirl; here the white water through the stone; here is the thrown stone in the undertow, curled beneath
the foam, the shadows of the elders being thrown above, blowing, the arbors holding, gripping at the moving air, water, earth; here is
the push through the corridors carved by motions, before the motions, after the run of the thousand ripples: the ups, downs, movement;
the loosestrife blowing in the shadow and out, heavily rooted, overlooking the ripples – bent, irregular – jealous of the nomadic.
I threw my wallet onto the counter and collapsed onto the couch and pictured Sam pushing her short hair behind her ear, her deep blue eyes smiling at me from someplace beyond any place I knew.
Something in the Way, East Bay Review No. 11
The breaks of the train began squealing just as the dog looked up one last time and we, Charlie and I both, turned our heads to look away.Â
"Something in the Way"

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Underneath the bridge The tarp has sprung a leak And the animals I’ve trapped Have all become my pets And I’m living off of grass And the drippings from the ceiling — Kurt …
I have to send a big thank you to everyone at The East Bay Review for putting my story out into the world. Please read it and all the other inventive literature the journal has to offer. I hope that you enjoy it and don’t forget to share. :)Â
from Stations.
We were broken down and you, with elegance in disregard, thumbed the side of the road; I was wrapping myself in doubt: that old negative suspicion of self and humanity, all consuming in my hands, my head and feet. We waited before the row of man-made trees, the verdant zip against the ground guarding the fields and two stray cows munching the native grass beyond the line: binary elements of the same existence, still and waiting, never looking up at one another, only chewing, whipping insects with their tails under the waning sun.Â
from Something in the Way
It was on the other side of town; I hadn’t been there since I was a child. When I was younger, the park was in decent shape, before the highway construction had scared away the wildlife and before the City, underfunded and preoccupied, had let it go to neglect.
As we drove into Chamber Park, Charlie reached over and turned the dial on the radio then leaned opposite and rolled down his window. I looked at the playground equipment. The jungle-gyms and swing sets were faded into a chalky baby blue, paint peeling away from the metal, impaired by streaks of brown and flecks of rust. Most of the lights around the park were burnt out and spiderwebs made their way across the grey trees. The pleasant silence that I remember had evolved, too. The new highway on the south end of the property produced the purring sound of cars fading in and out, echoing in the overgrown forest beyond the playgrounds and baseball fields.
“You hear those cars,” Charlie asked. “That’s where we’re painting.”
“Wait,” I coughed. “What?”
Charlie just smiled. He turned into the parking lot beyond the last dusty field. We pulled into the innermost parking spot in the lot, under a broken streetlamp. Charlie turned off the car, opened his door and got out. I followed him. We got our things out of the backseat. Charlie pulled out a pack of smokes from his sweatshirt pocket and lit a cigarette. He took a few drags and passed it over to me.
“So, where to?”
“Through here,” he said, pointing toward the broken woods in front of us.
from These Little Things
James walked into a cafe on a corner downtown, its brick facade gray and cracked. The tables around the edges of the restaurant were full with older couples in new clothes and young girls in vintage sweaters. His brother was across the way, sitting at a small, round table against the window. He held an espresso cup on his finger and looked down at a newspaper. He wore a polo shirt, striped red and white, and his hair had grown longer since the last time James had seen him. Neither one of them looked up until James had arrived at the table; he stood aside his brother, waiting for him to notice. He looked up.
“Holy shit,” said John. “Look who it is.”
“Hey, John.”
John pushed his chair back, put down his miniature mug and stood up. He put his hand out, they shook hands and hugged briefly.
“Good to see you. Thanks for meeting me.”
“I had nothing else going on, so.” James looked around the shop.
“Can I get you anything? Coffee? A muffin or something?”
“I don’t really have any money.”
“That’s cool. I got it.”
“Then I’ll take both.”
John smiled, James did not. He continued to look around the cafe as his brother got up and went to the counter. The lights in the shop were dim and the windows dark and all of the paintings hanging on the walls were red and purple. Two girls across the way giggled while looking through a pile of photographs. John returned with a coffee and a doughnut.
“They were out of the good muffins,” he said.
“That works. Thank you.”
James removed the lid of his cup, ripped open two packets of sugar and poured them into the dark, steaming coffee. He looked around for a spoon, John handed one to him. He stirred a few times then took a drink and placed his cup back on the table.
“So, how’s life in the big house?”
John rolled his eyes, shook his head.
“It’s good. I’ve been trying to get you to come over, you know. You’re welcome anytime.”
“Right. Thanks but no thanks.”
James ripped his doughnut in half and stuffed a big chunk in his mouth.
“Where are you staying?”
“I got a place,” James said, his mouth full.
“Where at?
“Not too far from here. A friend of mine hooked me up.”
“Well I’m glad you’re doing alright.”
John took a sip from his coffee. He stared out the window. After a long silence, John reached down and pulled a long, thin box from his bag on the floor. He laid it on the table in front of them.
“I’m guessing you know what this is.”
“If it is what I think it is, then yeah, I do.”
“I told Dad I’d give it back to you. Well, he told me to give it back to you.”
James looked around the shop. He caught his reflection in the window. His cheeks and the top of his head were red, the rest of him white, almost grey.
“I don’t want it,” he replied. He took a drink.
“Well it's not mine to have.”
“Dad gave you everything else, why not keep that too.”
“I don’t want it, James. It belongs to you.” John pushed it towards James. “You should have that on display somewhere, wherever you are.”
“It’s a sham, man. It looks more important than it actually is.”
(Spring) Song
In the womb we are cells, fighting to live, multiplying like leaves on a sapling: balls of energy, inside & out, consuming & pushing
in opposite motions: a crackling fire drawing in the air, blowing out warmth: forming new parts for all to see, among the other creatures.Â

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from The New Rothko
The long museum lawn was littered with couples and groups of young people in between bronze shapeless sculptures and the giant white and orange shuttlecocks; the trees around the yard had just begun to change into their yellows and reds.
I sat on a bench outside and finished my lunch, packed my leftover potato chips into my satchel. I drank the rest of my Coke before getting up and walking inside.Â
Inside the museum, I glided through the dark halls of the antiquities wing on the first floor, found the stairs and took them up to the contemporary end. I stopped along the way to look at the giant marble Buddha, surrounded by little knick-knacks at his feet. Once upstairs, I slowed; I took in the open space, all of the white between the pieces. I stood in front of several large collages, looking at all the smaller elements that created them. I went into a room full of black and white photos of children from the Depression. I went through, staring at each picture on one wall, then entered a large open area, walking down a ramp lined with tall abstracts: de Kooning, Kline, Newman, etc.Â
The ceiling was 20 feet above me and the sound of my footsteps could have been heard outside. One other couple walked in front of me, staring all around, their footsteps and mine making a tap, tap, tap-tap rhythm.
I almost missed the painting I was looking for. The seven-foot-tall dark red and blue Rothko canvas hung against the back wall of the room at the bottom of the ramp. Around the bottom of the painting, on the icy concrete floor, an ankle-high, white railing squared-in the work, urging patrons not to touch. I stood back a foot from the railing; I looked at the bottom of the work and moved my eyes upward, dark to light blue to maroon.
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from (Lunch) Song
This house is a paper bag, this thought
wrapped up inside it, making a puddle in
the corner – darker, getting darker –
damning the points into knobs for knees.
This room is drowning in the flood of the meadow,
sprawl of tall grass poking its head out
from the brown reflection; paper torn floating
into the walls, getting stuck among the reeds.
Wrinkled time, black with wetness,
no longer crippling; this thing falling apart and dripping:
to become something else, all and all, etcetera.
Half life, all right.
from These Little Things
The wind outside was getting colder and a robin had dropped dead onto the front porch. Hannah stepped outside and stopped to stare at it, her eyes bound to the cold figure ragged on the concrete. The air smelled of rain.
“Dad,” she called through the screen door. “Come see the birdy.”
John appeared at the door. Hannah still stared down.
"Is it moving, Hannah?"
"I don’t think so."
She bent over to pick up a stick and her arms shook as she broke the stick in half.
"Don’t poke it."
"I wasn’t. But why not?"
"It’s just not polite."
She turned around and stared at her father, an uneven brow.
"If something dies, are we supposed to be polite to it?"
Something in the Way
We missed it when we heard the whistle and climbed up, but from the hilltop we saw the train coming towards it. The beacon of light from the engine shined brighter and brighter as it neared with deep darkness behind it and an elbow of forest blocking the train’s end; the lights of the mall were in the distance, over the other side of the tracks, beyond where the end would be. The lights of the town glimmered past that with scattered stars like reflections above them. I stared back down at the yard and the animal. Charlie ducked down behind a shrub to the left of me.
“Should we do something?” I asked him. The horn blew as I asked, he lifted his hands to his ears.
He mouthed, I can’t hear you.
Once the horn stopped, I asked again.
“Should we do anything?”
Charlie shrugged. “What can we do?”
I searched around for a rock. The bluff was smooth but some gravel had been driven up from the train yard. I plucked the largest stone I could find from the ground, about the size of a golf ball. The bottom of it was muddied; it adhered to my fingers as I took aim at the track.
“What are you doing, man?”

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from (Drought) Song
How brave to go on like this – living things, without sin –Â
illuminations of the world, floating in a glass jarÂ
with no holes to breathe. The free ones are unwanted:Â
the brown cardinal; she crunches down to the burning ground –
searching for a specimen – pecking for anything with a gulp inside:Â
she has been around long enough; she is prepared to come up empty again,Â
as her mother and father have done on all ends of the Earth.Â
And to the west, a fire is at war with old giants; and to the east, colossalÂ
ice – fading blue to grey – is bobbing among the whales and fish.
You can only understand people if you feel them in yourself.
John Steinbeck, East of Eden (via wnq-writers)