Atlas Bugged

"Never knew whether John Cale wanted to be Elvis Presley, Frankenstein's creature or the young Chopin." Nat Finkelstein

World war something, Doug Chayka

Julia Soboleva, “Fire on Fire”

Alex Colville, Dog and Bridge (1976)

Acrylic polymer emulsion on masonite , 17 x 34 in.

A person stands among a cloud from a riot control grenade thrown by a federal agent, following an incident where a civilian's car was hit by U.S. Immigration and Customs Enforcement (ICE) agents in Minneapolis. Photo by Tim Evans

Yasuhiro Toyoda (Japanese, 1986), Night Flight, 2025, 2025. Oil, sand matiere, canvas on wood panel, 45 × 45 cm.

Remedios Varo Alegoría del invierno (Allegory of Winter), 1948 Gouache on paper 44 x 44 cm

Gary Erbe (American, 1944), Take Five, 1981-82. Oil on canvas, 64 x 54 in.

Sigmar Polke - Untitled, 1983, acrylic, gloss paint and ink on offset lithograph, 65 x 92 cm

Me, on monday

Minyoung Kim (Korean, 1989) - Night Willow (2023)

Dorothea Tanning | A Very Happy Picture (1947) Oil on canvas, 91.4 x 121.9 cm

“The Skating Rink” (1932) ✦ Sulho Sipilä — Light pooling against the Nordic night

"I have a foreboding of an America in my children's or grandchildren's time - when the United States is a service and information economy; when nearly all the key manufacturing industries have slipped away to other countries; when awesome technological powers are in the hands of a very few, and no one representing the public interest grasp the issues; when the people have lost the ability to set their own agendas or knowledgeably question those in authority; when, clutching our crystals and nervously consulting our horoscopes, our critical faculties in decline, unable to distinguish between what feels good and what's true, we slide, almost without noticing, back into superstition and darkness. The dumbing down of America is most evident in the slow decay of substantive content in the enormously influential media, the 30-second sound bites (now down to 10 seconds or less), lowest common denominator programming, credulous presentations on pseudoscience, but especially a kind of celebration of ignorance."

Henryk Płóciennik (1976) Source, source, source