hi everyone! i’m elias (he/they, 26), i am finally making a pinned post. i write fanfics, am working on some original fiction, and play dungeons & dragons!
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ao3
stealing our own place in the sun (22/45 chapters as of 12/25/2022)
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I love how Zohran Mamdani is wearing a suit everywhere. And if he has anything else he puts it ON TOP of the suit. A basketball jersey. A high-vis vest. All worn over the suit. He’s like the mayor character in a cartoon who’s always dressed as The Mayor. If I didn’t know who he was and he biked past me in NYC I’d be like holy shit was that the mayor
Not to bring the serious to a very fun post, but this reaction is exactly what Mamdani is working for with his image, because in a very real way the most effective way for him to be The Mayor is if he looks like The Mayor.
This is a man who is VIOLENTLY aware that when it comes to conservatives, he is a Muslim first, a Brown Man second, an Immigrant third, a Socialist fourth, and a human a very distant fifth, if considered at all. He was also a young adult during the Obama Years and will have seen Republicans rip Obama to shreds for wearing a tan suit instead of a dark one and use literally ANY excuse they could to try and degrade his image.
Despite the fact that a mayor who wears a T-shirt and jeans might "seem more approachable" in the eyes of the average American, Zohran Mamdani knows that someone with his profile fundamentally cannot get away with that the way his White colleagues can. He has instead put in the effort to look professional and BE approachable, because not only does it make it easier for him to reach and represent his constituents, it forces everyone, including both his opponents and establishment Democrats, to engage with the work he is doing instead of judging his image. The fact that he is always seen in a suit and is recognisably The Mayor is, while also something he has fun with, a deliberate choice to ensure he is as inarguably A Professional Politician To Be Taken Seriously. The added humour of e.g. the hi-vis is a bonus, only achievable because he works so hard to Look Like The Mayor.
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Bolaire gained sufficient free will to want and choose his own path about 14 years ago. While he clearly possessed at least an average understanding of the world at that time, he’s only really dealt with emotions and a sense of self for that long.
A lot of Bolaire’s petulant behavior through episode 31 makes a lot more sense if viewed as what a 14-year-old’s perspective would be:
Theater is the best thing in the world because it woke me up and freed me.
A lot of People deserve to die, and I’m gonna stoop just as low when I murder them because they deserve that too.
I work at a museum collecting Things that no one deserves to have, and I’m a Thing, so I deserve to be in charge of the rarest Things.
Thjazi is mean to me because he hates Things and hates me. He ruins Things. He’s trying to ruin me. He taught me what hate is.
It’s a long shot that Thjazi’s actually gonna die because he’s totally got a plan like he always does, but there’s st— oh, shit. LOL
At least the funeral is an excuse to visit my best friend and his awesome family. They’ll get over it.
Thjazi broke a bunch of Things to make an empty freezer with a portal to the underworld. He’s awful.
My friend joked that she’d push me into the freezer to the underworld, and I told her I’d have killed her. We laughed because we’re cool.
I’d totally do it, though.
She and the rest don’t know that I fight tyranny because I’m a living weapon, and no one can know or else they’d lock me up, that’s why I have a secret identity and a secret lair full of cool Things.
Okay, you can know my secret identity and see my secret lair full of cool Things because we’re friends.
Also, Thjazi sucked guys. He totally did.
I’m gonna stop People from taking Things and talking because what if they’re bad. Power Word: shut up.
A Person that became a Thing? Come back to town so we can be best friends I can show you the ropes.
All this bad stuff happening is Thjazi’s fault.
Give me some teenagers to help make a mess in my museum because someone is trying to take Things away from me it.
I’m gonna 1v1 this Big Bad in the sewers because I’m worse than them and also awesome.
My best friend is gonna kill this host and put me on a new host just like in a play he would write, omg, we’re so cool. (He doesn’t need to know that was unnecessary, he’s down for it because he’s cool.)
This is the best magician ever and the best imaginary friend ever. Oh, hell, stop messing with my room I love what you’ve done with the place.
Don’t forget that Thjazi sucked so much.
My best friend and I are gonna steal Things from my museum at night by ourselves because that’s cooler than just doing paperwork to give the Things back to their owners.
I’m gonna 1v1 this Big Bad sorcerer in my museum because I’m worse than them and also— oh, shit.
Big Sis is alive and that’s terrifying because I’ve been doing other stuff, but it’s not my fault because I’m clever and didn’t figure it out, so it must have been impossible. I did not forget to take the chicken out of the freezer, it wasn’t there when I looked, I swear.
Thjazi sucks guys, of course he had bad ideas and bad plans, I’m tired of keeping quiet. Fine, ignore me, whatever.
Fine, break a mask and be rude to me. I don’t need to see your stupid play. I bet it’s about Thjazi, so I wouldn’t like it anyway. Whatever.
I’m gonna go on a secret spy mission with Team Spy because I’m super cool and can fight the bad guys with them, just stick me o— who the fuck is this. Ew.
Oh, no, Big Sis got out of the freezer. Fuck. Oh, good, she didn’t see me.
WAIT, DON’T LEAVE.
Big Sis is terrifying, but she saved me because she loves me, and I can tell her the truth about everything because she loves m— oh no.
Do you love your brother? THEN CRY ABOUT IT.
MY MIND PLAYS AREN’T RIGHT.
Big Sis is mean to me because she hates me and I don’t have a family.
My best friend is mean to me because he hates me and my life is over.
Everyone is mean to me because they hate me and everything sucks now.
Whatever. Stick me in a box, I don’t care.
No one understands me except my living doodles of the best imaginary friend ever and myself.
To my 25 - 35 year olds, you've reached the age where people around you are starting to give up on themselves because they think it's too late. Don't let that energy rub off on you. It's not too late.
Now that we’ve had Vaelus for thirty-one episodes, it’s kinda hilarious just how different she is from her initial introduction. Like she came in all imposing and foreboding with this presence of undeniable power and the willingness to use it—and then thirty episodes later she’s joking and sarcastic, she’s so so soft and gentle, and she’s so kind. Not to say that she doesn’t also have the potential to act like she did in episode one—we’ve seen her step back into that role a few times—but it does sort of paint a picture of Vaelus walking up the street to Hal’s house just in her head going
“Okay, okay, okay—it’s bad bitch time. You got this, Vaelus, you got this, you got this!”
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i have been having a fun little giggle over 'azune driving the wedge between einfasen and tachonis means ingrid will never again need to concern herself with ethrand'. yet another subtle azune win
What is your thoughts on the whole “Thjazi is abusive” discussion/discourse going around?
This is a bit of a longer post, but the short answer is that I think it's entirely possible that Thjazi was cruel or apathetic towards certain people, including Bolaire, and that it wouldn't compromise the story in any way, but I am not convinced that Bolaire has told the whole story about that. However, I don't think the terms "abusive" or "abuser" are useful in this context.
Massive plot and character spoilers for Cloudward, Ho! under the cut.
For those less familiar with Brennan's prior DMing, Cloudward Ho! was one of the recent Dimension 20 seasons that Brennan DM'd on Dropout.tv. That season is particularly relevant to why I think Thjazi acting horribly is on the table.
Cloudward, Ho! was a season of a pulp adventure late-1800s-ish steampunk novel played in D&D. Decades back, Comfrey MacLeod became a world-famous adventurer and inventor. She created the first flying machine, then recruited a crew to explore the world, frequently saving it in the process, and one of the crew wrote novels based on them, making them all famous. Years later, the PCs are the core members of her old crew, now coming out of retirement because Comfrey's granddaughter and the grandson of her primary financier discovered a SOS message from Comfrey that she needed help and had found the fabled lost continent of Zood. The audience is essentially in the same boat as the two youngest PCs as we gradually learn the truth of Comfrey's adventures and her relationships with her old crew.
The PCs go on many adventures in their attempts to find Comfrey, eventually traveling to Zood and beyond. Comfrey is constantly one step ahead, having fled danger and leaving clues. As the PCs catch up, they find more and more information confirming that Comfrey has not changed: she legitimately does save the world as often as she can and at great risk to herself and her crew, but she also invites danger by making deals with nefarious organizations, taking their money, and running when they come to collect, often causing incredible collateral damage to others. One of those factions nearly ended the world, and she had no idea.
Brennan did a very gradual build of discordant information about Comfrey. All of the recordings and writings were full of energy, zest for life and adventure, and encouraged her granddaughter to follow in her footsteps. However, people who knew her had a wide variety of opinions. Comfrey's son was a recluse and obsessed with safety, and his daughter simply didn't understand why he wasn't interested in adventure like she was. Marya, Comfrey's protoge and former captain, was on a suicidal quest of revenge, believing that she had offended the spirits for taking to the skies because her own protoge had died, and she blamed Comfrey for saving her life in the accident when it happened. Daisuke, Comfrey's former husband, felt abandoned because Comfrey had treated him like a dog who needed to retire. Van, one of Comfrey's closest crewmates, lost her arm on a mission to find Zood and was left behind after Comfrey made her a mechanical arm. Monty, the author of the books, quietly resented Comfrey's irresponsibility and ego. The NPCs that met Comfrey were all treated as either useful or distractions, but her sheer charisma usually got her more help than not.
It's about halfway through the campaign before the granddaughter discovers one of Comfrey's notes where she rather cruelly criticizes her old crew in an explanation why she had not brought them with her to Zood. Until then, everything could have been disregarded as bitterness or jealousy that had fermented in the decades that passed. The truth was that Comfrey was not just a hero; she had put herself before everyone else, including her loved ones. She was egotistical to the point that she felt Monty had unfairly gotten rich and famous off of her adventures. Her son was a coward in her eyes and not worth visiting; Comfrey only went to visit her granddaughter in the hopes that she would take flight after her. Daisuke was past his prime. Comfrey had some regret towards what happened with Marya and Van, but didn't really care to give them closure or a chance to pursue it.
Comfrey wasn't a villain in the story. The PCs finally catch up, there is an explosion of emotion and dialogue, including some incredibly cruel statements by Comfrey--and they agree to work together. Comfrey is forced to face the harm she caused to everyone, and they have tough conversations about it, but don't really forgive and forget. While she dies in the final battle, it wasn't some grandiose heroic sacrifice. She just rolled badly and died. The PCs got their chance to reconcile, and the story was that the next generation learned from her mistakes.
That was the season that aired in 2025 during the gap between C3 and C4. Comfrey was not a good person, but she also wasn't evil. Calling her an abuser isn't a helpful label for addressing her themes. The horrid way she treated people who loved her didn't change that she literally saved the world numerous times. The fact that she loved them enough to reconcile didn't change that she had been too absorbed in her adventures to realize the threats she'd left in her wake.
So, having seen that season before C4, I am of the belief that Thjazi is yet another take on the complex hero. I would not be shocked in the least if Bolaire is being truthful about everything he's said about Thjazi.
I don't think that would take away from the story. I think it just means that it's a different story than what people expect of Brennan. As I've said a handful of times, Thjazi's story is that he failed. He died before he could achieve his goals, and the only reason he's still around is sheer chance. He doesn't have agency as Julien's shadow. He can't communicate. C4 is not a story that the PCs need to be like Thjazi because the opening scene showed us that being like Thjazi gets you killed too soon. I like this set up because Thjazi achieves narrative weight that is usually assigned to villains: he's an example of what not to do. The story is figuring out where he made the wrong choices.
That said, even if he did everything that Bolaire claims, calling Thjazi an "abuser" doesn't help interpret the story. When it comes to analysis, labels are useful when they have an agreed-upon definition. Using a word like abuser brings in a ton of baggage for anyone who reads it, and it becomes a discussion of, "Well, he's an abuser, so X must also be true." That drifts away from analyzing the story as is.
I don't think any of it makes Thjazi evil, even if Bolaire is 100% right. Bolaire is such a unique type of character that I cannot blame Thjazi for reacting poorly while still also allowing Bolaire his freedom. Bolaire still got to live the life he wanted. Whatever Thjazi's opinions or behaviors were, he didn't take away the things Bolaire wanted most. There was some level of trust there.
There's also the possibility that Bolaire and Thjazi deeply misunderstood each other to the point that they each thought the other was holding one over them. We don't know the details of how they actually worked together. Thimble does, but she hasn't been the type to blab about that sort of thing.
As for what I hope: I would really like it if Thjazi was that terrible to Bolaire. Brennan handled that wonderfully with Comfrey, and I'd like to see that come in again.
Much of C4 has been pointing out that every person, no matter how flawed or selfish or petty, can contribute to a revolution. Murray's a great example: she was so flabbergasted that Thjazi thought to ask Hal to help her because Murray thinks she's a shit person. She steals from the school she works at despite that it would obviously negatively impact the students whom she's so protective of. She's all three of those things and still making a huge difference in this rebellion. People don't need to be perfect to be heroes.
As a final note: I'm a whistleblower attorney. 95% of the people I work with are in it for (a) money, (b) revenge, or (c) avoiding consequences. Very few heroes are people who do it because they want to do the right thing. Moral purity doesn't really hold any ground in this business. People do the right thing because it's in their interest to do it, and that's great because that means the right thing gets done.
I hope Thjazi was a piece of shit in addition to doing all that good. It's the type of story a lot of people need right now.
LOVE my non-regular-humanoid guys, and also had a lot of fun messing with the limited palette for this! especially painting tyranny was SOOOO FUN, im gonna draw her a bunch more for SURE! these three i think are my top three fave characters atm (though i definitely have many others i ALSO love) <3
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