My favorite part of mcr days is when every other post on my dash is just #needthatmilf accompanied by 10 photographs so blurry they look like the camera was hit by a grenade while they were being taken
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@ass-trozombies
My favorite part of mcr days is when every other post on my dash is just #needthatmilf accompanied by 10 photographs so blurry they look like the camera was hit by a grenade while they were being taken

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hey girl did you know that um. your copious amounts of lore dropping are nearly incomprehensible β₯οΈ
EXPLODING CLOWN SUMMER IS BACK!
Tonightβs (rough) Events
i really thought being hundreds of miles from home could stop me from doing this. that being said, i couldnβt watch the stream, so all of this is me transcribing the words of a wonderful discord im in. theyβre working on a wiki for tour lore, ill link it in the notes.
iβll add anything i get from b stage later!
DEEP scar tonight
g did the chicken dance
woody woodpecker solo
g: βi see some wheat in the audienceβ
dictator (real) was wearing and LFC team scarf
secretary onstage!!
secretary was taking notes, thenΒ ray argued with her
at some point g was on that red phone again
g during the parade music before execution (roughly): "this song is so great when you hear it over and over and over" not actually but gerard seems sick of it
apparently the benny hill theme played after the execution (new)
g: βdidnβt that feel goodβ after the execution
g whisperingΒ to the secretary.Β gerard and clerk on their knees, g ate paper?Β
we get the gentleman!
cancer had the laugh track at the end
weird noise during dagger bit?
new screen graphics for mama!
g said β247 yearsβ (in reference to how long theyβve been in prison) (dagger interlude) βthey were in prison for 247 years and met a little guy who gave them extra gruel and told them a storyβ and something about parole
gerard was counting a lot at the end, making sure the crowd was counting with themΒ
MARIANNE RETURNS
gerard was singing sylviaβs extra part duringΒ his waltz with charlie
during sleep reading time g had a magazine about sea history, images of pirates on the cover. no baby time. g ripped a page of the magazine out, it looked like a photo. boots on the ground are saying it looks like a headshot of charles darwin?
rays hair is down!
βsomeone or something made a chicken noise into a microphoneβ
g put the jacket onΒ nicely, not much of a fight. secretary was present for that
chicken dance running around on stage. love that, g
g singing something random a bit later
βThereβs beauty in the lightβ end of disenchanted prob referring to phone lightsΒ
no black parade reprise!
murder suixide clownΒ is back!
clown on phoneΒ at end of murder. may have licked bloody knife? two stabs. no g wailing, pretty chill
jesus

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MCRMYOFFICIAL I NEVER SAID A BAD WORD ABOUT YOU
gonna be real with you vice⦠not a single one of us has thought that
if weβre doing danger days immersion jarrod needs to start embezzling money
the concept of inexplicably doing a full danger days festival set in the middle of the infinite black parade tour is so funny to me that i desperately hope thats whats happening
funniest possible outcome is thereβs no major lore connections between lltbp and danger days but the sonic temple set is inexplicably danger days themed for no apparent reason

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????
happy 4th birthday the foundations of decay
Conventional weapons is so funny because it's by far their most commercially viable album but then every song is like. I fucking hate being famous it made me a suicidal coke addict and I want to kill every single scumbag in this industry with my bare hands. Ok Ray play me a sexy riff
Norris: I think if anybody pays attention to your lyrics like "Carry on" or in "Famous Last Words": "I'm not afraid of keep on living." I think those who might look at it superficially would say, "Why are guys in their 20s so preoccupied with death?" Gerard Way : To me, nothing feels more like being dead than being in your 20s and having no direction in your life. It was really a commentary on that; for me, the band always has been. To me, men and women in their 20s are like walking death. You know, being part of the workforce that they don't want to be a part of, no life and they're not doing what they love. It was like every time I punched the clock, I felt more and more dead. It wasn't because I was lazy or I didn't want to work; I think we all work harder [now] than we ever have. It just felt like it was stripping away my soul because it wasn't what I loved to do or was born to do. [MCR] were born for something more special than that, but to get that, we had to really take it by the throat and squeeze. It was a fight.
(A Night at the Opera With... My Chemical Romance, 2006)
you and that damn mama

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can you stop saying that
hey so that recap video huh? i'm uh. going to try to decipher more because a lot more went by its just blurry as fuck
edit: there's less than i thought but there is this
again thank you @sigynpenniman
So it turns out, there is FUCKTON of text in this crawl. It's visible here, here, and here. The last video has the best view, but the crawl just moves too fast. I'm going to try and download some frame by frames when I get home. In the meantime we have this: "-as was his frequent custom, entered the tunnel again, drew the bed against the wall, returned to the other cell, [in] case his lost hope would be been d(unknown, possibly dashed or destroyed)." This is the end of a story about someone sneaking into someone else's prison cell.
AMPLIFYING THESE TAGS
Update: It's been changed. Here's the passage from count of monte cristo:
"Without giving himself time to reconsider his decision, and, indeed, that he might not allow his thoughts to be distracted from his desperate resolution, he bent over the appalling shroud, opened it with the knife which Faria had made, drew the corpse from the sack, and bore it along the tunnel to his own chamber, laid it on his couch, tied around its head the rag he wore at night around his own, covered it with his counterpane, once again kissed the ice-cold brow, and tried vainly to close the resisting eyes, which glared horribly, turned the head towards the wall, so that the jailer might, when he brought the evening meal, believe that he was asleep, as was his frequent custom; entered the tunnel again, drew the bed against the wall, returned to the other cell, took from the hiding-place the needle and thread, flung off his rags, that they might feel only naked flesh beneath the coarse canvas, and getting inside the sack, placed himself in the posture in which the dead body had been laid, and sewed up the mouth of the sack from the inside."
the text after "cell" is markedly different. So it's partly this, and partly something else.
Thank you so much @qvasimodos
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