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Might also be my favorite Valar just need to add Nienna too design HC below↓
Melkor: This is obviously post Silmaril heist as he is already burnt and has white hair, which I HC him getting after fleeing Valinor, as he is said he took a foul form before being trapped in his body, yet when meeting the Edain, he has a fair form, which I explain by the importance of colour.
Colour is important for our welfare as it influences our moods, stimulates our brains, and decides how we experience the world, I find it exciting for Melkor, as a manipulator, to use colour to manipulate, which especially is seen in Angband, and also use it on his body, so when he gets stuck in a physical body, I interpret that as him being unable to fully shed a body, unable to roam simply as a power, and getting his crayons ability to use colour taken from him as punishment, so when the Ainur says he is trapped in a body, all elvers just assume that they mean only one body, and when asking into it the Ainur more or less confirm this as they have problems seeing the difference between being stuck in a body you can change, and being stuck in a body you CAN´T change.
And as always I like to think Melkor created a lot of pressure metal/gemstones, and as is canon in Morgoth´s ring, gold holds the biggest part of him after he poured himself into the world, so gold he shall be clad in😌
Manwë: I take great inspiration from the wedge-tailed and Golden eagle, as well as biblical angels, and peacocks for his clothes. I like the idea of his hair being a part of the sky, just like with Varda giving the "Lords of all Wind" a different sweet respect. He and Melkor, when first making bodies, took forms that looked alike, which he kept, so he looked closest to what Melkor looked like before his downfall.
I give him bronze as it has a warmer told, and I while I don´t doubt he can be cold, I always read him as someone who´s trying to cater to everyone even if it doesn't always go like he wants it to.
Varda: Rearely do I think she goes down to the Eldar, which also means she has a tendency to blend the light of the stars into her body a bit more than what might be safe for those who are not of the Ainur, making her almost transparent with inner light at times, and although she quickly corrects it when she accidentally does it the Eldar says that the reason it hurts looking at her is because of her beauty, much to her own amusement. And then, of course, the underside of her hair is the same night sky you can see closest to the door of night and the gates of morning where it is at its clearest.
I give Varda silver as that was one of the things Melkor couldn´t put his power in, including water, and a little headcanon of mine is she might have had a hand in the star metal being untainted...
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I included Túrin as Thingol kind of adopted him. Also, when i'll post Amroth and Thranduil, you'll notice a huge ressemblance with Eluréd and Elurín, that's propaganda for my headcanon.
"Thus it chanced in the waning of the year that Aredhel came to the south of Himlad, and passed over Celon; and before she was aware she was enmeshed in Nan Elmoth. In that wood in ages past Melian walked in the twilight of Middle-earth when the trees were young, and enchantment lay upon it still. But now the trees of Nan Elmoth were the tallest and darkest in all Beleriand, and there the sun never came; and there Eöl dwelt, who was named the Dark Elf."
- J.R.R. Tolkien, The Silmarillion, "Of Maeglin"
@esotolkienweek day 3: forests, get lost ⇢ AREDHEL IN NAN ELMOTH
[ID: a moodboard made up of nine images in shades of cool green, mostly dark in hue.
1: A misty forest, the floor covered in green moss / 2: A painting of a bow and quiver of arrows lying on the ground / 3: A crescent moon and bright star or planet between trees / 4: The soaring ceiling of a cave. Uneven light shows hanging mineral formations / 5: South sudanese-austrailian model Adut Akech lying down as if collapsed in a long, pale pink dress. Green draperies surround her / 6: Small white flowers blooming amid shrubbery / 7: A stone torii gate, grown over with moss and surrounded by trees / 8: A painting of a deer surrounded by three white hounds. Although all looks peaceful, the dogs are attacking the deer, whose expression is calm and resigned / 9: Adut Akech, this time wearing a green dress with long puffy sleeves and sequins on the front, and covered with a netted veil. She has dark brown skin and short hair, and looks at the viewer with a neutral, serious expression //End ID]
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“And it is told of Maglor that he could not endure the pain with which the Silmaril tormented him; and he cast it at last into the Sea, and thereafter he wandered ever upon the shores, singing in pain and regret beside the waves.”
-JRR Tolkien, The Silmarillion, “Of the Voyage of Eärendil and the War of Wrath”
[ID: An edit comprised of four posters in mainly gold, purple, and magenta.
1: An oud leaning against a stack of purplish-pink brocade pillows. It’s framed on three sides by gold lines and a purple and gold layered mandala, with white cursive text reading “greatest minstrel of the noldor” / 2: The model Damaris Goddrie, a young person with dark curly hair, light brown skin, and purple makeup. She is wearing an embroidered jacket, a choker, and a lacy shirt and looking to the right with one arm up. Similar formatting to Image 1, but the text is print and reads “makalaurë,” and there are two mandalas / 3: Damaris Goddrie, this time wearing a striped jacket and looking forward with one hand in her pocket. Text reads “kanafinwë” / 4: A close-up of a fig being cut open with twine. Text reads “the only child to survive” /End ID]
Suddenly Faramir stirred, and he opened his eyes, and he looked on Aragorn who bent over him; and a light of knowledge and love was kindled in his eyes, and he spoke softly. 'My lord, you called me. I come. What does the king command?'
'Walk no more in the shadows, but awake!' said Aragorn. 'You are weary. Rest a while, and take food, and be ready when I return.'
'I will, lord,' said Faramir. 'For who would lie idle when the king has returned?'
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2: Paola Mathé (a dark skin Haitian woman) in a green field
3: Paola Mathé standing and looking out of frame
4: a background of flowers, text = Elven-flower, of the Noldor
5: Part of a family tree showing Eldalotë, her husband Angrod, his brother Finrod, his parents Eärwen and Finarfin, her son Orodreth, and grand-daughter Finduilas
@arwenindomiel’s tolkien south asian week day 1: ainur + monochrome • MELIAN
Melian was the name of a Maia who served both Vána and Estë; she dwelt long in Lórien, tending the trees that flower in the gardens of Irmo, ere she came to Middle-earth. Nightingales sang about her wherever she went.
- J.R.R. Tolkien, The Silmarillion, “Of the Maiar”
[ID: An edit for Melian, consisting of six images mainly in red and orange.
A south asian woman with her hair in a braid. She’s wearing a red and orange gown and golden jewelry. This image contains text reading “Melian the maia”
A rainforest. The green is recolored to be red
A nightingale singing in a tree. Like the previous image, this has been recoloured to be mainly red
The same woman as in image one, with a veil now. This image contains text reading “and among his people there were none more beautiful, nor more wise, nor more skilled in songs of enchantment”, which is a quote from The Silmarillion
That woman again, now once more without the veil. The text on this image reads “Melian the maia”, like in image one
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