"the backrooms had no plot or point"
no you just lack media literacy.

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"the backrooms had no plot or point"
no you just lack media literacy.

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I don't hate Clark or think he's some kind of ontologically evil person, he and Mary are both fascinating, deeply flawed and hurting characters. But I don't think Mary was "wrong" to say what she did to him either. Her priority was no longer trying to help him, (though tbf she was always pretty damn inept about that) it was getting the fuck out of there.
weird take about fiction: sometimes, actions that would be abusive in real life, hit different in a story. and sometimes i see people react very very strongly to those actions, and i totally get it, because like, that can be extremely triggering and ymmv on whether its handled well or not, but it always makes me a bit. hm.
like, i think the most obvious one is slapping/hitting. in real life, there is basically no situation where that is acceptable, unless you're actively defending yourself/someone else. but fiction is inherently larger than life, its about how it feels, subjectively, over what actually happens, literally. sometimes a character who has never before been violent will hit someone, and it's intended as like, an indicator of how fucked up everything is. that shit is going down. or, a character will trash a room, throwing things and destroying everything in their path. and then its never mentioned again, everything just continues as if they HADNT destroyed their own and other people's property in a frankly terrifying display, because it was just a cathartic moment to represent the storm of emotions the person was feeling. and when i see people like 'this character is an abuser, the story needs to address this,' i think maybe its actually okay for fictional characters to do shitty things and not have it framed as shitty, by the story itself or even on any sort of meta level, with the intended audience reaction. sometimes the point is just to resonate with your emotions, not to dissect the literal sequence of events.
like obviously ive been on the 'you can portray whatever you want in fiction, its all a pretend game' train forever. but i think the important thing to me here is that, you can also defend bad things in fiction. not just 'they did everything wrong and i love that,' but even 'they were 100% justified when they did [thing that would be extremely bad irl].' cause its like, ok, they did do that, but like it was the only way to tell the story well. dont worry about it.
stop. analyse that text through the lens of its author's intentions and original historical context. okay now take the author out back and kill them dead and analyse that text as though it were published by your mutual yesterday and is in direct conversation the contemporary discourse that's most relevant to your life. okay now pick your favorite angle of interpretation and come up with the strongest possible argument against it. now imagine that the text is your best friend and that it means you well and that you naturally give it every benefit of the doubt because you're on its side and you want the best for it. now imagine that the text wants you dead and it'll eat you if you don't eat it first. now pretend that you found this text locked away in a cave with no evidence of when or where it came from and you have to divine its meaning solely through its internal coherence and nothing else. okay now address the elephant in the room aspect of the text you've been ignoring because you find it boring or confusing or uncomfortable and become the number one expert on it. now spend forty minutes assigning all the characters dnd classes with at least three sentences of reasoning each. okay now do the cha cha slide.
And i shit you not the pasta was creepy

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Image ID: three screenshots of social media posts by @thenutritiontea on facebook.
1st image: "When I think about processed foods I think about how I work with families in public health and many kids have food sensory sensitivities and foods that are processed are their safe foods. I think about how parents are so scared because they read hit pieces about processed foods and think they are wrong for figuring out how to feed their child so their child grows and lives. I also think about how I work with kids and get them to try new fresh foods as well that many of them are scared to try."
2nd image: "True story - a parent was almost in tears today because her child has sensory difficulties and cannot eat fresh fruits and vegetables. We tried giving him a piece of banana and he expelled it right away crying (no he's not allergic).
"I want her to know and to remember that she's doing a great job. She's giving him packaged food in order to feed him and nourish him. This is more than okay because we are all individual and food affects us differently."
3rd image: "This is why I talk about packaged and convenience foods so much. We like to demonize them and list the ways they're harmful instead of highlighting how helpful they are to many. If you also have certain circumstances where you rely on convenience foods, I want you to know that's okay."
Jardin de rares et curieux fleurs - Francois de Geest de Leovarde en Frise - 1660 - via Internet Archive
Showgirls backstage at the Tropicana Hotel, Las Vegas, 1957 | Elliott Erwitt
I don’t understand why people who cannot accept any moral grayness or complexity decide to join fandoms for the most emotionally complex stories and then try to shame everyone there who actually is able to understand the material.
The way this movie has embedded itself into my brain.........

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i know he's terrible but i love clark backrooms... he is only 48teen... i just wanna keep him in a jar and observe him.
Backrooms movie spoilers below
I love how Mary breaking the handprint to escape from the entity and get out of the backrooms is an analogy of breaking free of her "loop" and escaping her traumatic memories.
Copy and Paste
Saw the Backrooms movie and really enjoyed it as a long time Backrooms enjoyer
So I did a quick little fanart for it but I def want to make more backrooms art
this is doing something to my brain like
Colleen Mcguire (American), Across The Street, 2026, Oil on canvas

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Dilka Bear - The Secret, 2026 - Acrylics and pencils on illustration board