i could never handle being a popular showrunner/writer/creator with a fandom because i know id go read fanfiction about my own characters and have to be physically held back from posting "you guys really think [blorbo] is a top??" on main

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@aromerrowace
i could never handle being a popular showrunner/writer/creator with a fandom because i know id go read fanfiction about my own characters and have to be physically held back from posting "you guys really think [blorbo] is a top??" on main

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furthest we've ever been
I have no one to talk to about this because Iām the only person I know who has finished this series so
ā¼ļø A MEMORY OF LIGHT SPOILERS ā¼ļø
(Aka me griping about Sandersonās writing style and some of his choices, as well as the epilogue)
You have been warned
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Brando Sando is a pretty good writer overall, but no one is perfect and that includes him. I also understand some of these were Robert Jordanās choices for the series, but while I appreciate him greatly for writing this series, I donāt believe heās above criticism either.
1. Sanderson writing gripes
Okay so. This is easily the weakest of the Sanderson books to me. He started very strong with Gathering Storm, Towers of Midnight was also good but not AS good, and then Memory of Light wasnāt strong either. Sanderson has an awful telling problem in these books where, instead of showing the characterās emotions, heāll have another character tell them how theyāre feeling, and it drove me insane. There was one instance where Silviana comes into Egweneās office, and instead of writing something like:
Silviana stormed in upon receiving Egweneās permission to enter, her face a thunderhead. āOh dear, what is it?ā asked Egwene
Sanderson essentially wrote the following (which Iām paraphrasing because I read the whole series on audiobooks borrowed from Libby):
Silviana entered the room. āYou look angry, Silviana,ā said Egwene. āWhat is it?ā
Itās a really amateurish way of trying to show through other characters how Silviana feels, but itās still telling rather than showing, because Egwene quite literally tells the readers (though indirectly) how Silviana feels instead of showing it (which Jordan was quite good at, though he sometimes was too subtle with it and important point of the scene could be obscured through just how many details there were).
Thereās multiple instances of side characters explaining things to narrators that work alright (such as Balwer admitting to Perrin that heās a spymaster and why he enjoys it) but it can come off as obligatory info dumps, especially when Sanderson has Rand explain to Elayne that he is the Dragon Reborn and the Light shines through him and therefore his presence undoes the Dark Oneās touch, which is why Rand can fix Elayneās spoiled tea just by holding it. Which she undoubtably knows by now considering itās the final book of the series. I found it disrespectful to Elayneās intelligence.
This is not a problem Sanderson has in Tress of the Emerald Sea, so clearly he has improved since then, but it still drove me insane. I actually had a friend who would do the inefficient telling hack too, and I found it lazy, and then I learned where he got it from and got more frustrated. Glad heās broken the habit
OH and ātempestā. He used the word in three consecutive sentences one time. It was ridiculous. We all have our crutch words but it takes a while to notice someone who overuses filler words like ājustā or āthatā vs a less common word such as ātempest.ā His editors need to rein him in
2. Siuan and Bryneās deaths
Siuan and Bryne as a pair was already a bad idea, seeing as their āromantic chemistryā is basically just them arguing all the time. I would have preferred a Lan and Moiraine Warder and Aes-Sedai thing where they hold great respect for each other but arenāt romantic, but alas we were stuck with what we got. I would have preferred they got forcibly separated from each other rather than being stupid and separating because Min failed to say āyou two have to be together ALWAYS AND FOREVER or else youāll both dieā instead of implying it was a one time thing. It just felt needlessly stupid for them to die that way.
It would have been much better if one of them was forced away from the other by enemy fire, an accident with a gateway, etc etc, but no they just misunderstood Minās viewing. If characters have to be stupid to fulfill something about the plot, itās proof that the plot isnāt very good in that respect.
3. Egweneās death
If youāve seen my post talking about the ships in this series, youāll see that I donāt care for Egwene and Gawyn at ALL. Their romantic build up was crumbs (much like a lot of this seriesās romance lol) and he spends most of their relationship getting in her way and pissing her off. His death was frustrating because he had not learned a single lesson from Egweneās frustrating at him getting himself into big trouble for her sake.
I think having anyone else whoās more important than him (like Siuan maybe!) dying and setting Egwene off badly enough that she went out in a blaze of glory would have been more fitting AND I would have cared more. Itās mentioned in her final pov that āAes-Sedai she loved were being killed around herā but none of them were named. Which Aes-Sedai? Gawyn just felt frustratingly inconsequential for his death to be the thing that pushed her over the edge. It would have felt more fitting for someone sheād worked beside from the beginning or early on to be the cause of her final moments of power.
4. Androl
I enjoyed him but heās quite a blatant Mary Sue. As pointed out by other people online, he robs Logaine of his role in the Black Tower plot, breaks the gateway size limit, etc etc. He also has the blatant fingerprints of Sanderson all over him in that Sanderson loves to stick his arm up his characterās asses and make them play with the magic system even when it feels mildly out of character (ahem Tress. Based on Tressās character, I donāt believe she would be interested in the spores outside of necessity to find Charlie, but Sanderson wanted her to be, so he made it happen. But thatās another thing for another day)
Androl also wasnāt as he was described in Winterās Heart (ten years younger than heās implied to be with a ring that indicates heās a noble) which means Sanderson forgot basic continuity.
Despite all that, I did like him and Pevaraās story. I just think itās worth mentioning how blatant of an oc he is and how itās warped the plot. Even before it was confirmed to me (through other posts on the same subject) that Sanderson was allowed to do whatever he wanted with one character, I could tell Androl was either Sandersonās creation or Sanderson was taking great liberties with him
5. The body swap
Although technically Rand and Moridinās body swap and Rand running off to be a regular person fits thematically (with Rand letting people live their lives without him) I found it a little straining on my suspension of disbelief in how things work in this world AND unrealistic that Rand would completely abandon everyone who loves him for the sake of exploring as a regular person.
ESPECIALLY considering Tam had to watch his sonās body burn and Rand was RIGHT THERE to see that. Tam is part of the reason Rand didnāt go fully insane in Gathering Storm because Rand had to sit and think about how far gone he must be if he was willing to attack his own father.
Since Rand has some sort of undisclosed pattern-warping ability, Iām surprised he didnāt use it to do something else. Iām surprised there wasnāt some sort of memory warp thing that happened where Rand ended up just being a regular person (no tattoos, channeling, or old injuries) and everyone knew the Dragon had died, but had forgotten Rand was the Dragon.
If Randās happy ending was to be a mostly regular person, it would have been perfect if all the Dragon aspects of him had died after the final battle and he was reverted to a normal person in the end and only him and his girlfriends remembered what really happened. Everyone else is somehow unable to connect Rand and the Dragon as the same person but not questioning it at all, knowing Rand did his part in the Last Battle and not much else, and not questioning it.
But then again, Iām quite displeased with the concept of him taking Moridinās body and letting his own died because⦠Because. I donāt know, it just makes me sad that he canāt keep anything at all from his own life (which technically fits the themes but it feels weirdly hollow)
Obligatory: this post is my opinion and youāre allowed to disagree
Itās been almost four years since I read it but I still smile when I think of that scene in Great Hunt when Rand was trying to dramatically Strike Out On His Own and Egwene caught him and, to keep him from doing it, screamed and tackled him to the floor and they spent a good portion of that scene with her sitting on top of him and scolding him while he lay face down on the floor in utter bamboozlement
one of my least favorite tropes is when a character has a crush that is explicitely unrequited and hopeless, yet in the timeskip epilogue they inexplicably get married. like bro if you fruitlessly pine after someone and they show no interest for the whole 3 year run of the story and then suddenly change their mind. i think theyre settling for you. quite frankly both of you need to learn some self respect. get divorced immediately.

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Doomed siblings have me on a chokehold in a way no trope can ever achieve. Something so gut wrenchingly beautiful about two kids going through unimaginable trauma and coming out damaged forever. I always eat it up. Maybe they stay together and find solace only in each other, used and kicked out by society! Maybe they end up on opposite sides of the war! Maybe they end up betraying one another! Maybe one of them dies haunting the narrative forever! Maybe one of them destroys the world for the other! So many endless tragic possibilities!
hate how step trackers try to tell me how many calories im burning like im not HERE for that!!! im going on walks to gain enough leg strength to kick my enemies to death!! stop telling me about my calories!!!
iāve warmed up significantly towards the concept of small talk ever since i learned that its sole purpose is to make friendly noises.
as long as you smile and nod, people are satisfied. itās just to show that you are nice and there with good intentions. weāre small in a big world and have to rely on other people to be decent to us. so we do our little human dance to each other to say, āiām not here to hurt you. hereās something we have in common, like the weather or sports or itchy sweaters, so we both know weāre on the same team. we both agree on a basic fact, like that it is rainy or that being itchy is uncomfortable, and this proves we can get along. iām being light-hearted and non-threatening right now.ā
small talk isnāt to get to know a person. itās just a greeting to affirm youāre buddies in the universe.
i am motivated by wanting the other person to know i am friendly, so i have gotten pretty decent at small talk when i used to hate it.
The Androl Problem
So! Something Iāve been meaning to get around to for a while.
Androl original appeared in Winterās Heart with a few lines, reporting to Logain. Toveine had a point of view where she looks at him, thinking about for all heās wearing a signet ring (traditionally something on nobles do) he looks more like heās an apprentice who shaved off his mustache. Itās during a scene where the men loyal to Logain are reporting to him on things. Thatās the only time we see him before Towers of Midnight. And easy enough moment to miss.
Excluding that moment heād been named, everything else was a creation of Sandersonās.Ā
So, you may be staring at me. Then whatās the problem?
The problem is Sanderson quite literally gave Androl too much to do.Ā
Androl was the result (in part) of Sanderson wanting to do something with a character who actually was, for lack of better term, a true teleporter. Someone who actually took full advantage of how to use Traveling. So Sanderson took a canon Ashaāman (Androl) whoād had limited screen time and could serve as a blank slate for his writing purposes. Which is exactly what he did.Ā
Okay, neat, great. Honestly gotta agree a character like that needed to exist because wow. Was Traveling underutilized when it came down to it. Taking advantage of named character who had limited affect on the previous storyline to do that made sense.Ā
The thing with Androl is that in many ways Sanderson used him to fill in basically any hanging plot threads that Jordan hadnāt given to a previous character. So things like the fight for the Black Tower, he used Androl to lead that. He used Androl to save the Andoran forces. He used Androl to get the seals. He used Androl to do the double bond shit with Pevera.
Androl, Androl, Androl.Ā
Androl, a character who basically had no previous affect on the plotline now has an absolutely massive one. And we know, per Sandersonās own words, that Androl and everything he does is his own creation, though he is filling in the blanks for certain plot threads that remained from Jordanās writing, such as the Black Tower stuff. So yeah, Sanderson deciding to use whatās basically his OC to fill some of that makes sense.Ā
Whatās aggravating is how much that then meant Androl overshadowed previously introduced Ashaāman, such as Narishma. Itās heavily hinted early on that Narishma is going to be important in the future (heās fucking mentioned in the Prophesies of the Dragon), but during the Last Battle we see him maybe twice, and he doesnāt do anything distinct beyond heal Lan post his fight with Demandred. On the other hand, Androl seems to have his hand in everything *but* the fighting at Shayol Ghul. Yes, thatās an exaggeration, but not as bit of one as it really should be.
Seriously. I understand the desire to have your OC do things, but you canāt over do it.
The other thing is, that in AndrolāsĀ ābackstoryā, Sanderson also had him have too many adventures. Seriously though, it seemed every time he and Pevera spoke, he brought up a different thing he did and none of them where anywhere near each other. She does too, but sheās also a hundred plus year old Aes Sedai, so sheās had the time to do a lot of shit. The issue there is, per Toveineās point of view in Winters Heart, Androl should be only in his twenties. Based on her mental description of him (looking like he could be an apprentice), it means he looked young.Ā Almost every apprentice who appears on page is implied to be under thirty. But if you donāt remember Androlās original appearance, based on all the things he tells Pevera it would be fair to think he was closer to his late thirties, early forties. And men generally start channeling on the later side of things, so he shouldnāt even be slowing that soon (I think Androl may even have been specified as not starting to channel on his own but needing to be taugh, in contrast to Logain or Taim).
On top of that was a pretty common issue of Sandersonās; namely, his habit of dropping and adding random character aspects (hello the fact apparently Mat canāt fucking write a letter that isnāt full of grammar and spelling errors, even though weāve seen him write on-page before and it was just fine; obviously this is a major pet peeve of mine). Like, a really interesting thing he could have done with the original bits? Explain why Androl was wearing a signet ring, especially with the explanation that apparently he was a leatherworker. Was he pretending to be a noble? Was he actually a noble? Who the hell knows because Sanderson never followed up on that detail.Ā
I would have much preferred it if Sanderson had actually allowed the previous appearing Ashaāman to play more major roles during the Last Battle rather than over using Androl (and he was overused). Narishima, again, should have played a bigger role. We never get an explanation for the āhe will follow afterā stuff; is that supposed to hint heād eventually lead the Ashaāman after Logaine? Again, who knows since Sanderson never wrote anything about that.
(And before someone asks, at some point I will be doing meta about Sandersonās penchant for dropping character traits/apparently forgetting certain plot threads. Like it wouldnāt be so aggravating for me if I didnāt like Mat so much and found Sanderson to just not be very good at writing him.)
The Androl Problem
So! Something Iāve been meaning to get around to for a while.
Androl original appeared in Winterās Heart with a few lines, reporting to Logain. Toveine had a point of view where she looks at him, thinking about for all heās wearing a signet ring (traditionally something on nobles do) he looks more like heās an apprentice who shaved off his mustache. Itās during a scene where the men loyal to Logain are reporting to him on things. Thatās the only time we see him before Towers of Midnight. And easy enough moment to miss.
Excluding that moment heād been named, everything else was a creation of Sandersonās.Ā
So, you may be staring at me. Then whatās the problem?
The problem is Sanderson quite literally gave Androl too much to do.Ā
Androl was the result (in part) of Sanderson wanting to do something with a character who actually was, for lack of better term, a true teleporter. Someone who actually took full advantage of how to use Traveling. So Sanderson took a canon Ashaāman (Androl) whoād had limited screen time and could serve as a blank slate for his writing purposes. Which is exactly what he did.Ā
Okay, neat, great. Honestly gotta agree a character like that needed to exist because wow. Was Traveling underutilized when it came down to it. Taking advantage of named character who had limited affect on the previous storyline to do that made sense.Ā
The thing with Androl is that in many ways Sanderson used him to fill in basically any hanging plot threads that Jordan hadnāt given to a previous character. So things like the fight for the Black Tower, he used Androl to lead that. He used Androl to save the Andoran forces. He used Androl to get the seals. He used Androl to do the double bond shit with Pevera.
Androl, Androl, Androl.Ā
Androl, a character who basically had no previous affect on the plotline now has an absolutely massive one. And we know, per Sandersonās own words, that Androl and everything he does is his own creation, though he is filling in the blanks for certain plot threads that remained from Jordanās writing, such as the Black Tower stuff. So yeah, Sanderson deciding to use whatās basically his OC to fill some of that makes sense.Ā
Whatās aggravating is how much that then meant Androl overshadowed previously introduced Ashaāman, such as Narishma. Itās heavily hinted early on that Narishma is going to be important in the future (heās fucking mentioned in the Prophesies of the Dragon), but during the Last Battle we see him maybe twice, and he doesnāt do anything distinct beyond heal Lan post his fight with Demandred. On the other hand, Androl seems to have his hand in everything *but* the fighting at Shayol Ghul. Yes, thatās an exaggeration, but not as bit of one as it really should be.
Seriously. I understand the desire to have your OC do things, but you canāt over do it.
The other thing is, that in AndrolāsĀ ābackstoryā, Sanderson also had him have too many adventures. Seriously though, it seemed every time he and Pevera spoke, he brought up a different thing he did and none of them where anywhere near each other. She does too, but sheās also a hundred plus year old Aes Sedai, so sheās had the time to do a lot of shit. The issue there is, per Toveineās point of view in Winters Heart, Androl should be only in his twenties. Based on her mental description of him (looking like he could be an apprentice), it means he looked young.Ā Almost every apprentice who appears on page is implied to be under thirty. But if you donāt remember Androlās original appearance, based on all the things he tells Pevera it would be fair to think he was closer to his late thirties, early forties. And men generally start channeling on the later side of things, so he shouldnāt even be slowing that soon (I think Androl may even have been specified as not starting to channel on his own but needing to be taugh, in contrast to Logain or Taim).
On top of that was a pretty common issue of Sandersonās; namely, his habit of dropping and adding random character aspects (hello the fact apparently Mat canāt fucking write a letter that isnāt full of grammar and spelling errors, even though weāve seen him write on-page before and it was just fine; obviously this is a major pet peeve of mine). Like, a really interesting thing he could have done with the original bits? Explain why Androl was wearing a signet ring, especially with the explanation that apparently he was a leatherworker. Was he pretending to be a noble? Was he actually a noble? Who the hell knows because Sanderson never followed up on that detail.Ā
I would have much preferred it if Sanderson had actually allowed the previous appearing Ashaāman to play more major roles during the Last Battle rather than over using Androl (and he was overused). Narishima, again, should have played a bigger role. We never get an explanation for the āhe will follow afterā stuff; is that supposed to hint heād eventually lead the Ashaāman after Logaine? Again, who knows since Sanderson never wrote anything about that.
(And before someone asks, at some point I will be doing meta about Sandersonās penchant for dropping character traits/apparently forgetting certain plot threads. Like it wouldnāt be so aggravating for me if I didnāt like Mat so much and found Sanderson to just not be very good at writing him.)

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she thinks she's drinks
Aroace gripe of mine: people assuming I enjoy something because someone involved is good looking. I told my dad about Project Hail Mary and while talking about how good it was, he went āalso because Ryan Gosling is dreamy rightā and I was like āummm sure anyway he does a good job portraying this awesome pathetic loser who has to save humanityā like yeah heās objectively good looking but I was thinking much more about his outfits and his acting skills than his face
Not that enjoying something just because thereās a pretty person in it isnāt valid, but thatās not what Iām talking about when I tell you how good the effects and music and coloring and lighting is and how hopeful the story is despite everything and how awesome the Rocky puppet is. And itās weird that people assume thatās a primary motivating factor
Wait why is youtube now putting an ai button on videos thatās like ātell me what this video is aboutā??? Do they think weāre too stupid to watch video now?
Like is the pitch at this point really that we should be relying on ai to do our jobs, make our art, make our music, do our homework, do our chores, research for us, write our papers and emails and texts, summarize all our books and videos and movies into a single sentence, strap a chatbot to your physical body so it can tell you how to respond to people in real life, replace therapy and friends and partners, think for us, do for us, exist for us, and this is being sold as āconvenienceā? Wow ai saves me so much time! Itās so nice to have something that can live for me so I have more time to *checks notes scribbled on hand* uhh. Sit and stare blankly at a wall? I think thatās all thatās left really
Sharing this text from my mom bc i like it
still annoyed my mom threw out my wisdom teeth. you don't just RECYCLE SOMEONE'S TEETH, MOTHER
My sister got our cousinās baby teeth (both graduated from college at this point) for Christmas and they were perturbed to say the least
always, this website beckons me back with its siren song
@biggest-gaudiest-poltergeist well, since you asked so nicely :)
the post that keeps on giving
can't decide if the notes on this post are a goldmine or a minefield
im being held hostage

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love it when my fellow they/thems refer to themselves with gendered language specifically to make situations gayer and/or funnier.
i knew an enby who got married and they both referred to each other as "my wife." until the other spouse transitioned, at which point they became husbands.
the cherry on top? introducting each other to new acquaintances as "my ex-wife and current husband"
Absolutely incredible work being done here