Cover art for āLe SamouraĆÆā - 1967 by Jean-Pierre Melville.
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Cosimo Galluzzi
Fai_Ryy
PUT YOUR BEARD IN MY MOUTH
occasionally subtle
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One Nice Bug Per Day
Cosmic Funnies
Game of Thrones Daily
𩵠avery cochrane š©µ
art blog(derogatory)
$LAYYYTER

@theartofmadeline

oozey mess
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noise dept.

Jimmy Eat World
The Bright Sessions
"I'm Dorothy Gale from Kansas"
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@armyofshadows
Cover art for āLe SamouraĆÆā - 1967 by Jean-Pierre Melville.

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Cover art for 8½ āOtto e mezzoā - 1963 by Federico Fellini.
Photo study of Fincherian fetishs
" What did you ever do about itĀ ? Oh yeah, I forgot. You went to the library ".
"I was a ghost. I didnāt see anyone. No one saw me. I was the barber."
The Man Who Wasnāt There (2001)

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CHUNGKING EXPRESS (1994)
DirectorĀ : Kar Wai Wong | CinematographersĀ : Christopher Doyle & Wai-keung Lau
BRICK (2005)
DirectorĀ : Rian Johnson | CinematographerĀ : Steve Yedlin
"Towards the end itās always good to whip the songs a little bit, scare āem, and then make fun of them. And then they change. You come back the next day and theyāre better behaved." - Tom Waits
You know he means business when he whips out the bullhorn
B minor waltz (for Ellaine)Ā played by great Bill Evans Trio.
Really inspiring piece of jazz.

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Life Itself (Steve James, 2014)
These two are adorable
Secret handshakes & lizard strippers
"You see, in this world thereās two kinds of people, my friend. Those with loaded guns. And those who dig. You dig"
Blondie | The Good, The Bad And The Ugly (1966)
Dear every filmmaker, read this: an utterly brilliant series of articles by Film School Rejectsā Scott Beggs called 6 Filmmaking Tips From⦠Itās powerful knowledge ā straight from the source.
Martin Scorsese
Alfred Hitchcock
David Fincher
Stanley Kubrick
Billy Wilder
Steven Spielberg
The Coen Brothers
Wes Anderson
Ridley Scott
David Cronenberg
Pixar
Nora Ephron
Aaron Sorkin
Michael Haneke
Christopher Nolan
Jon Jost
John Ford
Charlie Kaufman
Sylvester Stallone
Tony Scott
Frank Darabont
Monty Python
Werner Herzog
Paul Thomas Anderson
Joss Whedon
Rian Johnson
Wes Craven
John Carpenter
Dario Argento
The Wachowskis
Steven Soderbergh
George Lucas
Peter Jackson
Kathryn Bigelow
Quentin Tarantino
Sundance Directors
Harold Lloyd
John McTiernan
Oscar Winning Directors
Ang Lee
Danny Boyle
Harmony Korine
Dennis Hopper
Sam Raimi
Shane Black
Richard Linklater
Alejandro Jodorowsky
Guillermo del Toro
Sam Peckinpah
Akira Kurosawa
Edgar Wright
Wong Kar-Wai
Robert Altman
James Wan
Errol Morris
Ron Howard
YasujirÅ Ozu
Kimberly Peirce
Steve McQueen
Andy Warhol
Roger Deakins
David O. Russell
James Gray
Terry Gilliam
Andy Serkis
Rick Baker
Alain Resnais
William Friedkin
Saul Zaentz
Woody Allenās Manhattan
Abbas Kiarostami
Darren Aronofsky
Lars von Trier
Hayao Miyazaki
Federico Fellini
Sarah Polley
Tommy Wiseau
Brian Koppelman
Spike Lee
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// <![CDATA[ // ]]>Dear every screenwriter, read this:Dear every screenwriter, read this: // ]]> // ]]> // ]]> // ]]> // ]]> // ]]> // ]]> // ]]>

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2001: A Space Odyssey dir. Stanley Kubrick
Stunning film
Director Martin Scorsese claims that the most important shot in the movie is when Bickle is on the phone trying to get another date with Betsy. The camera moves to the side slowly and pans down the long, empty hallway next to Bickle, as if to suggest that the phone conversation is too painful and pathetic to bear. [x]