Words In The Void

I ask my students every week to write 10 observations of the actual world. It’s very hard for them.

Ms. Tippett:

Really?

Ms. Howe:

They really find it hard.

Ms. Tippett:

What do you mean? What is the assignment? 10 observations of their actual world?

Ms. Howe:

Just tell me what you saw this morning like in two lines. I saw a water glass on a brown tablecloth, and the light came through it in three places. No metaphor. And to resist metaphor is very difficult because you have to actually endure the thing itself, which hurts us for some reason.

Ms. Tippett:

It does.

Ms. Howe:

It hurts us.

Ms. Tippett:

You naming something.

Ms. Howe:

We want to say, “It was like this; it was like that.” We want to look away. And to be with a glass of water or to be with anything — and then they say, “Well, there’s nothing important enough.” And that’s whole thing. It’s the point.

Ms. Howe:

It’s the this, right?

Ms. Howe:

Right, the this, whatever. And then they say, “Oh, I saw a lot of people who really want” — and, “No, no, no. No abstractions, no interpretations.” But then this amazing thing happens, Krista. The fourth week or so, they come in and clinkety, clank, clank, clank, onto the table pours all this stuff. And it so thrilling. I mean, it is thrilling. Everybody can feel it. Everyone is just like, “Wow.” The slice of apple, and then that gleam of the knife, and the sound of the trashcan closing, and the maple tree outside, and the blue jay. I mean, it almost comes clanking into the room. And it’s just amazing.

Ms. Tippett:

In some basic level, what they’ve done is just engage with their senses.

Ms. Howe:

Yeah, and have been present out of their minds and just noticing what’s around them, which is — we don’t do. And again, not to compare it to anything. They’re not allowed. And that’s very hard for them. And then on the fifth or sixth week, I say, “OK, use metaphors.” And they don’t want to. They don’t know how. They’re like, “Why would I? Why would I compare that to anything when it’s itself?” Exactly. Good question.

So then you think, why the necessity of a metaphor? Why do you have to use a metaphor now? Not just to do it to avoid it, but to do it to make it more there. And it’s very interesting.

Oh, no. Ygraine swivels on the creaking stool. "Um— Nim?" For a few breaths, she sits perfectly still, save for the guilty wringing of her hands. No response from Nimueh. It's not uncommon for her friend not to hear the first time around. Not that she does it on purpose, of course — it's just that when she tends to that foul-smelling slop of hers, her entire world narrows to it: the horizon described by her pot and her herbs and all her funny-looking decanters. But this is good, Ygraine decides. This gives her enough time to determine if the issue at hand is serious enough to demand Nimueh's undivided attention, or if she could get away with pretending nothing's happened, and that she hasn't stuck her nose where it doesn't belong. No, she scolds herself, don't be childish. This is serious. With a deep breath she smooths her palms over her gown. "Nimueh," she announces, "I think I messed up."

or, a conversation on scarves, poisoned meat, life, and death

This is just a Morgwen fanart account at this point, and I treat them like they're my own OCs *.+

I actually wanna do another 2-panel one, those are fun <3

Like this slightly older one:

Fanworks are not illegal. Most all fanart and fanfic are “transformative works,” which fall under the protection of Section 107 of the U.S. Copyright Law, the statute of fair use. Fair Use allows you to use sections and elements of copyrighted material to critique, expound on, or create using that material as long as you’re creating something new. You can read about fair use here: https://fairuse.stanford.edu/overview/fair-use/what-is-fair-use/. And learn about how to decide if something is fair use using this simple guide of the four factors of fair use: https://fairuse.stanford.edu/overview/fair-use/four-factors/.

Why is AO3 built by the Organization for TRANSFORMATIVE WORKS???? Because it stands by fair use and creators of new, unique fanworks.

Common law countries like the US make this more difficult through the vagaries of a system based on precedent and pontification by judges; civil law countries make this more difficult through judges being biased and on power-trips and refusing to read statutory law in the abstract way it is meant to be read, that is: applied to real life at this moment in time, not in their heads, or a distant past.

(Ya, judges. Can’t live with them; can’t live without ‘em.)

Also to be clear: we had warnings on our fic WELL before that (edited to add: I mean the “not mine, no profit made” type warnings). We did that as common courtesy in the fanfic world at the time. And long as I’m going down memory lane and spilling tea along the way, I’m gonna point out that many of us who got those C&Ds also worked hand in hand with Anne, her publisher, and her family business to promote her books and business dealings purely for the love of the fandom. I, personally, left a part-time job at a web company when they asked me to do what amounted to allowing them to profit off of Vampire Chronicles fanfic. When I told them that legally and ethically I could do no such thing they said I could do it or they’d find someone else. I said see ya. (AFAIK they never found someone else).

So the amount of respect those of us in fandom had for Anne’s work and right to profit off of her material was large. What changed in our case was when 1) Anne got some of the rights back to her characters which meant she could profit off of them in ways she couldn’t before and 2) she realized us fans and our fanworks made for GREAT free market research into what her personal company could try to profit off of. The most perfect example of this, and how Anne’s greed ruined so much, was the Talismanic Tour company which was created by fans, worked with Anne and her official biographer to come up with walking tours of New Orleans based on things from Anne’s life and books, fully had Anne’s blessing, then, once it proved successful, Anne gave THEM a C&D and created her own tours at ridiculously jacked up prices.

Karma being what it is, nobody wanted to pay for that bullshit and Anne’s tours ultimately failed. But since she used her lawyers to scare the fan business out of running this then became another example of why Anne is the reason the fandom can’t have nice things.

(Can you tell I have so much tea from the VampChron days? Oh Anne. Bless your fandom-destroying black heart.)

Making this more fandom general, the points to take away here are a few:

Sometimes it’s not about law, or what the law “should” be. If a well known author, or TPTB from a TV show or a movie studio sent you, personally, a C&D letter for your fanworks, would YOU have the ability to thumb your nose at it? Do you have the resources for that lawyer battle and possible court case? Or are you like us Anne Rice fans were, living meager paycheck to paycheck, and not having it in you to even put up the fight with your ISP, let alone a millionaire’s legal team?

The blessing of the original creators means nothing. They love us until they don’t. Relying on their goodwill to keep fanworks safe is like relying on the skills of the person driving you around to keep you out of an accident: sure it’s possible, but you wanna put that seatbelt on and hope the car has airbags just in case.

During the stop, Lorenzo had 3 coworkers with him in his truck who have all been taken into ICE custody.

His family described Lorenzo as a hardworking family man who didn’t deserve to be killed. All he wanted was to provide for his wife and see his sons become great people. His eldest son recognized his father by his cries and pleas when trying to identify who the victim was.

The Salgado Araujo family has set up a gofundme to help with funeral and legal costs, and to help keep their family supported since Lorenzo was the sole provider.

Many of them are vegan. Many have survived domestic abuse and sexual assault. For many of them, this is their first-ever paid job after a life of domestic servitude in marriage. They're the only armed female anti-poaching group currently active. They've arrested hundreds of poachers just since 2017.

And tonight you’re going to the feast with…

this person! 😉

(reblog with the name of your date in the tags)