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@arealvadim
Its July 10th

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illumi being helpful : )
I absolutely love your style of art and all your hisoilllu posts. Hope you have a good night š¤
Waaah thank you guys!! Iām glad youāre enjoying my stuff, even though Iām late to the party! I only have a sticky note doodle of them to offer right now thoughā¦
still makes me lose my mind whenever thereās promotional hxh images where itās the main four but hisoka is also just, there. he always looks so out of place lol, the 1999 images are especially funny
THIS ONE specifically
The iron hand of Gƶtz von Berlichingen (1480-1562), a knight and mercenary who lost his right arm in a siege [640Ć360]
points about this -it was shot off by a cannon -he continued being a knight for over 40 years after getting the iron hand -it was delicate enough he could still write with a quill using it, which is important as he was described as a āwarrior poetā -after a merchant-punching life suitable for an elder scrolls protagonist he was outlawed by the holy roman empire, friends of his used a high diplomacy roll and a bribe to get him out, and he then almost immediately kidnapped a bishop -after outlaw of the holy roman empire 2 electric boogaloo was placed under house arrest in a castle he had purchased with all his quest rewards to spend the next 20 years drunk off his ass
I canāt believe youād make this post and not mention that his poetry contains the first known usage of the phrase ālick my assā

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hisoillu week day 4: love languages
@illumiszoldycks
Just wanted to tell you that I love your blog and headcanons! It's all so beautifully self indulgent yet still in character. I saw on your Hisoka hugging headcanons that you had thoughts on him wanting to form bonds and being unable to - would you be willing to share? š¤ Thank you and have a great day!
Manga spoilers up ahead!!
Hisoka is an interesting character in the way he is portrayed. In contrast to Illumiās tragic life story and Chrolloās quest for self identity, Hisoka is possibly the most complete in terms of self actualization. He is completely aware of the type of person he is, unlike Illumi who denies the most basic of truths, and is satisfied with who he is, unlike Chrollo who is searching for a meaning greater than him. But, the main difference that separates him from the other two is that Hisoka is completely, and utterly alone.
When you think of scenes with Hisoka, what always strikes me is how I see him as a singular force. You never associate him and his plans with anyone else. Itās mostly him scheming or planning ahead by himself. Or if he were part of a group, always someways away from everyone else, as if he too is aware of the barrier that exists between him and the rest of the world.
Note how based on how the troupe is facing, you can see how Hisoka is sitting some ways off away from them. I doubt they would actively avoid him, and he positions himself away from them instead.
He doesnāt have a group to call his, or friends to rely on. He has an interesting relationship with Illumi where they both behave like partners in crime, but the truth is that the only reason why this relationship is capable of working is because Illumi himself is so far out of it. Illumi is so removed from the semblance of normalcy and basic understanding of how the average man functions that he assumes that whatever relationship he has with Hisoka is normal.
If you really sit and think about it, Hisoka doesnāt need to interact in such a way with people. He could just keep to himself and reduce all interactions with others. But he doesnāt. He purposefully seeks people out, and just because he is who he is, their interactions never go well.
And you can see this clearly whenever Hisoka interacts with other characters. While we have obvious interactions like with Gon and Killua, I think his interactions with the Phantom Troupe really solidifies the type of person he is. Theyāre a gang of misfits from Meteor City, and even they canāt accept him for who he is. Multiple times through the series do members like Nobunaga, Feitan and Uvogin express their dislike for Hisoka, and if people from a literal trash town who will accept anything think thereās something wrong with you, you definitely have a screw loose.
Coupled with his high intellect and immaturity, this creates a strange superiority complex where he believes himself to be better than everyone as an explanation to them not understanding him. I cannot say which came first, the exclusion or the sense of superiority, but either way they feed into each other and create a difficult cycle to break from. Itās a very childish mentality, something Hisoka just never grew out of it.
But he still wants to have relationships with people, no matter how small or insignificant it seems. Whatās interesting is that in psychology, overall well-being which very simply measures ālevels of happinessā is most heavily influenced by the quality of relationships we have. Thereāre multiple studies that show how positive relationships, which is described as relationships filled with care and support as well as promoting oneās sense of value, is the strongest predictor for our well-being, and highly influenced mortality rates, protection against mental illnesses and overall physical health. This is regardless of whether one is introverted or extroverted. So no matter how much one tries to deny it, itās very human to want to maintain and forge these relationships.
Which we can see Hisoka trying over, and over again.
With Machi.
With Kurapika.
And of course, with Gon.
And each time, heās attempts at forming what he deems normal conversations are rejected.
And itās very interesting to see how he interacts with Gon. While one can argue that this is for the sole purpose of preparing him as the ultimate opponent ever, you can also argue that this is done to make Gon indebted to him, or simply put, some as a favor. This is seen in Heavenās arena, where he warns both Killua and Gon of what is to come on the 200 floor.
And this is even in situations where he doesnāt need to do it. Like in Greed Island.
He tries to explain things to Gon when he doesnāt need to. Thereās no need for him to teach Gon about the situation seeing how he would have just learned it from Bisky, Killua or even Tsezguerra. But thing is, he wanted to.
Or even the dodgeball game, where he breaks all his fingers to let Gon have the type of victory he wanted over Razor. Even if his efforts arenāt appreciated, even if heās just seen as a glory hog at the end.
But he does so anyway. He wants to feel included, he wants to have friends, to have a group of people he can rely on, whether he actually fully realizes this or not.
The problem is that he doesnāt know how to create such bonds.
And this sense of loneliness manifest itself in the only way Hisoka knows to express his feelings: by fighting.
To him, fighting is like a conversation, a way for him to understand people and talk to them as equals, where your only judge is your strength.
Hisoka has developed into an adult that is incapable to forming genuine relationships with people because he is ultimately a self-serving two face snake. His actions kill Pakunoda (indirectly) and Shalnark (directly)
Iām not saying that his actions are justified. But when you combine an inflated ego, sense of entitlement and desire for acknowledgement, and roll them all together into a walking killing machine, you create a very deadly person who is indiscriminate in his actions.
Hisoka wants to form bonds, he craves that sense of acknowledgement that others have, which is why I believe heās so enamored by Gon and Killuaās relationship. He wants that for himself. Theyās a videoĀ here which describes Hisoka as what Gon could have been if he had no morals, and theyāre fundamentally right. Setting aside characteristics, both characters have a single minded focus and are inherently selfish; Hisoka was willing to jeopardize the whole troupe by working with Kurapika in order to fight Chrollo, while Gon was willing to sacrifice his own arms and the plan he, Bisky and Killua made in order to fight Genthru on his own terms.
The only difference is that Gon is still a child, heās 14 at this point in the manga and is capable of changing and growing. We donāt officially know how old Hisoka is, but heās an adult and based on the type of person he is, he isnāt the type to engage in self growth. Itās hard to tell if Hisoka realizes his need for forming relationships with others in his life. He believes he has everything figured out, and knows the type of person he is; but unless he can openly acknowledge his need for acknowledgement from others, deflate his ego, and learn to care for others beyond selfish means, I donāt think heāll be capable of receiving that sense of belonging heās searching for.
.t.:*d hisoka icons d*:.t.
like/reblog if you save
Ā© on twitter @mewseok
hmm tiny
- See!? Even he thinks itās stupid!!

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Once geralt gets a little comfortable, by the fire on a crisp spring night, with a bottle of wine by their side, he lets up a little. Jaskier learns this, that geralt becomes less afraid of making a fool of himself. Heāll ask jaskier tentative questions, point at his notebook. What is that then? And Jaskier tries so hard not to smile, afraid of scaring geralt off. āThatās a quarter note,ā heāll say. And geralt will nod and try not to move his lips as he counts the notes in a measure, his cogs turning. Heās so smart. Jaskier will allow a little smile.
Geralt becomes curious. Heās a big nerd, Jaskier knows, so itās only natural that he wants to know about music. He doesnāt want to play, he leaves it to Jaskier, but he might sit a bit closer on some nights, a distinct blush on his cheeks as he asks Jaskier if he could, if he wanted, play this one tune geralt heard a while ago. If he knows it. And Jaskier gets him to stumblingly describe the words or to brokenly hum a melody until he recognizes the song. And then jaksier plays it and geralt watches him, his face and his fingers, that blush still present on his cheeks. Once heās finished, heāll bump his shoulders with Jaskier, whisper a thank you, looking down.
Jaskier stays up long into the night on such evenings, thinking about how deeply emotional those songs are. How touching. About how geralt feels so ashamed of liking such things. And Jaskier notes the songs down, plays them as often as possible. He writes the music down, too, so geralt can look. If he finds the courage in the morning, he talks about the metaphors he liked in the lyrics. About the smart composition. He invites geralt into that conversation. āDo you like the imagery of the fountain?ā he prods. āSee this chord progression here? Itās so beautiful, let me play it for you.ā
Geralt seems happy to see Jaskier enjoy the songs. He hums responses to his musings, smirks sometimes, when itās obvious that that particular song didnāt catch Jaskierās fancy quite that much. But Jaskier never gets him to say what it is that draws him to those songs in particular. Is it the minor key? But not all are written in it. Some are less sombre, more silly, celebratory. Some were probably meant to be accompanied by a different instrument altogether. Do all these different songs truly just resonate with geralt randomly? Certainly not all people hold a music degree. Some just hear a good tune and go with it.
But it does weigh on him, just a little bit. Until the night when geralt shifts closer again, cheeks utterly red, eyes averted. And he says, āwhy donāt you play that one. The one from posada.ā And theyāve been to posada many times and so Jaskier stares, because geralt knows this butāOh. The one he played That time in posada. And he barely remembers. But he does deliver, songs the terrible improv piece he did that time. He repeats it a couple more times than necessary, brain working overtime trying to think of what to do with the silence that will inevitably follow. This means something, doesnāt it?
So he chooses one of the songs geralt likes and smoothly shifts into it. Itās easy, he learned it at oxenfurt, actually, could play it in his sleep. It was an exercise they did in the first year, simple, but soothing.
āYou played this the first time you washed my hair,ā geralt says beside him. And Jaskier freezes. The answer to his questions nearly knocks him to the ground. Geralt likes them because of memories.
Jaskier plays another one and hears geralt snort. Heās staring at his fingers on the strings, not daring look up. āThe time we got drunk and I robbed your classmates of their best gwent cards, in that old tavern?ā
He plays another one. āThe second week of travelling together, you got us a room, you called me your friend to the barkeep,ā geralt rasps. Jaskier canāt look at him. He puts the lite down, making it complete silence. His thoughts are whirring with melodies. Something calm, something sweet.
He picks the lite back up again. Strums a couple chords, changes his mind. Plucks a little melody. His heart wonāt stop beating.
āJaskier?ā Geralt sounds terrified, āwhat are you doing?ā And Jaskier plays a little something, completely fresh, but the idea is there, and he looks up at geralt, who looks ready to pack up and flee, and he says, ādeciding on what to play when I kiss you for the first time.ā
Hereās a hot take: villains shouldĀ be relatable.
Not every villain, not every time, and certainly not to everyone at once, but there should be moments. We should, occasionally, be able to see ourselves in the bad guys, be able to understand how they got there.
Because it reminds us not to fucking go there.
Antis who get upset about villains having relatable qualities (often couched as beingĀ āromanticizedā orĀ āwoobifiedā) are people who cannot bear to ever think of themselves as having the capability of being wrong.
Every human alive is capable of being a horrible person. Relatable villains remind us to keep an eye on that shit.
Yes, this, all of it.
this also crosses over into my personal love of redeemable villains to know that someone can see the wrong they have done and strive to fix it and become a better person
do villains always have to be redeemable? of course not and not every villain is redeemable
but if they have the chance to and decide to take it? man do I eat that shit up
hisoka and illumi arenāt invited to the cool kids club
its ok to bully some people
heās literally rigging the election and next to nothingās being done about it what the actual fucking living hell

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he will be fine
not to be dramatic but i would die for this cat
UNMUTE THIS, I BEG YOU
[Transcript:]
Cat: Arr-rar! (weird chirp noise)
Cat: [weird mechanical-sounding hiss]
Cat, while licking finger, in a very gravelly voice: Ah mlem-a-mlem-a-mlem-mlem-a-mlem-a-mlem⦠mrowr rowrrrā¦
Person holding camera: I love you.
Cat: [hisses]