Raz's Rumpus Room

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#3 Komorebi

I’m afraid to want things. I’m afraid to ask for help. I’m afraid to tell someone something if they seem in a bad mood. I can’t process when someone is nice to me. I can’t handle rejection, but my brain literally short circuits if someone gives me a compliment to the point where sometimes the rejection is better.

In today’s information gathering, I’m interested to hear what planes you want to visit in an upcoming Standard-legal set. Here’s how I would like you to respond. Please list, in order, your favorites from one up to five. You can list less than five, but please restrict yourself to five answers. Number 1 should be the plane you most want to see us visit in the future. 

If you’re interested you may also tell me why you want to return to that plane. You can list any known plane including ones we’ve never visited before. I need names of existing planes though and not “wild west plane”. 

Here’s an example:

1. Innistrad - It’s my favorite plane

2. Fiora - I love Conspiracy and would like to see Fiora in a Standard-legal set.

3. Tarkir - Go back, but there better be clans.

4. Rath - I don’t know how you’d do it, but I’d love it.

5. Alara - More Esper please.

I would love to get a lot of data, so please pass this along to your Magic friends to answer as well.

2. Kamigawa - It was the first set I began to feel comfortable building my own decks, buying my own cards, and won my first FNM. Until then I relied on a lot of help.

3. Mercadian Masques - My introductory set. Never got to fully appreciate it at the time.

4. Shandalar - I played that PC game a lot when I couldn’t play with others.I don’t know if it’s its own plane, but count it anyway.

For fun theory reasons, we need someone to plan and execute a heist, and soon.

Don’t get me wrong, I’m really glad she’s a huge hit, it’s super exciting to see so many people love the character design and the gameplay, and know that I contributed directly and significantly to the behind-the-scenes engineering that makes it all work. It’s validating.

But it’s also so fucking melancholy to know I did so much work and put in so much time for such a shitty company, run by shitty people, and the reward I got for it was unemployment. 

I threw a lot into this character. I cried at work. I started getting panic attacks, which I’ve never gotten before. I developed persistent heart palpitations from the daily overwhelming stress and had to go to the hospital (this is true, seriously.) I basically dropped all my friends outside of work. My manager (and his manager!) lied to me constantly to keep me working. They said I was doing a great job but to keep it up. Don’t worry, it’s going to turn out great, and it’ll all be worth it in the end – recognition, a raise, probably a promotion in short order. They promised me the world. When she was finally finished, I didn’t even get to go to the release party, they just walked me out. 

I remember a quote from my last day, it sticks out in my mind: “I know you realize this is really hard for me,” my manager said. Yes, in the end, when he awkwardly informed me I didn’t have my dream job anymore – or any job at all – and then stared back at my shell-shocked face, my thousand-yard stare, the only thing he felt was sorry for himself.

She launched with no major bugs and was considered a technical success. Doesn’t matter. Get the fuck out.

Look, I get it. Akali is EXTREMELY my type. It’s obvious how much love and care was put into her development. But it makes me furious to see all the free advertising that Riot is getting from people who I thought would know better.  And now? One of the people who is arguably responsible for all that free advertising? Who’s work is undoubtedly making Riot hundreds of thousands of dollars a day? Who was overworked to the point of near breaking? They get nothing. WORSE than the scant bit of credit that most devs can get in a big company like Riot. They got let go.

     Squall Leonhart’s super favourite word in the English version of Final Fantasy VIII!  It’s interesting to note that it’s not quite what he says in the Japanese version.  I’m sure that many, many, many people have already covered this but I wanted to do a post about it myself.

     Although it seems as though he uses it rather excessively, I only counted ~sixteen uses of it across the four discs.  Those uses were ones in which he used it as a response or on its own and not within a sentence, such as “We’ll do whatever it takes to get on that train.”

     Anyway, on to the differences (and to kind of a long post)…or whatever.

#1: Fire Cavern - Quistis

Japanese: …you’re a TEACHER.

     This is one of the more obvious and odd changes (considering the context) that was made in the English.  During this scene Quistis is a bit inappropriate (considering she’s his teacher).  She says that she supposes her charm makes the other boys (students, in the Japanese version) nervous because it’s at this point they end up failing.  Given the situation, Squall’s response in the Japanese is SO MUCH more appropriate.

#2: Return from Dollet - Headmaster Cid

Japanese: Nothing special/no big deal.

     Not a major change since, in this scene, the responses in both English and Japanese are along the same lines.

#3: SeeD Ball - Quistis

Japanese: …sorry.

     Ah, finally the entrance of what can be dubbed as Squall’s Japanese catchphrase.  This is the word he uses a lot (like, a lot-a lot) in the Japanese version (probably a lot more than the English catchphrase) and is most frequently found in place of “whatever” in the Japanese version.

     In this scene, Quistis is a bit sad that Squall would dance with a complete stranger rather than her.  The Japanese response gives him a bit more heart rather than just a brush off, as is the case with the English.

#4: First Laguna Dream Sequence - Laguna

Laguna: And…it’ll be just the two of us, too!  What should I do, what should I do… Squall: Do whatever you want!

     This scene is a lot more amusing in Japanese than in English.  Squall’s response of “do whatever you want” is not one that can be interpreted as a happy/cheering-you-on type of response – it’s more that he’s just exasperated with Laguna (and his annoying/noisy mind) and falls more along the lines of “omg, just do whatever the heck you want and stop annoying me…!”

#5: Before Second Laguna Dream Sequence - Rinoa

Japanese: …so annoying.

     This is when Rinoa is ranting at Squall about his lack of outward support for the others and that he should show a lot more concern and encouragement to his comrades.  The English translation made Squall a little nicer (well…less mean) in this scene in comparison to the Japanese, because his response can be taken as “…ugh, so annoying.”

#6: Meeting Irvine - Irvine

Japanese: I guess it’s okay.

     Another less obvious/appropriate change.  Squall’s response can also be interpreted as anything along the lines of “oh well,” “well, alright” and even “whatever.”

#7: Comforting Selphie - Selphie

Japanese: …sorry.

     In this scene, the player is given the option of either comforting Selphie or deciding to leave it up to Irvine.  If the player chooses to comfort her, Selphie starts joking that she must look really depressed, so depressed that even Squall has decided to forgo his standoff-ish-ness for once and is, instead, comforting her.  Squall starts to go back into his little shell and Selphie calls him out on being so closed off.  His response in Japanese versus his response in English paint FAR different pictures of Squall’s character, especially considering the context.

     It can be argued that his “warukatta” response is less of an apology and more of a “I’ll just say that so you’ll get off my back,” but I’d like to believe that Squall is at least a little apologetic for not being able to be more open.

#8: Concert in Fishermans Horizon - Selphie

Japanese: What do you want….

     The above is more of a literal translation, but I think that it can be interpreted differently.  Squall’s use of the ending “yo” (which is more masculine and can be rather brusque in certain contexts), makes it more “what the heck/hell…"  I think that is what he was going for in this scene because Selphie kind of embarrasses him (publically) by supporting Rinoa’s pursuit of him.

#9: Meeting Selphie’s Friend in Trabia - Selphie

Japanese Option 1: Leave me alone. Japanese Option 2: …sorry.

     In this scene, tha player is given the option of either agreeing with or denying having been a support structure/help to Selphie while she’s been away from Trabia.  In the English, it doesn’t matter which option you choose because, either way, Squall’s response is "whatever."  The first option, which is to deny, has both Selphie and her friend joking that Squall is probably just harbouring a secret crush.  Option two, agreeing, has Selphie laugh at the out-of-character response from Squall.  Both of his answers make so much more sense in the Japanese version.

#10: Heading to Esthar Pt. I - Zell/Edea

Japanese: Whatever’s fine.

     This is when the party is heading over to Esthar to meet Doc Odine.  The above is the more literal translation, but I think it’s more likely that the actual meaning is more along the lines of the English translation.

#11: Heading to Esthar Pt. II - Selphie

Japanese: n/a

     In the Japanese version, Squall doesn’t even bother responding to Selphie’s little aside!  He just shakes his head and, instead, says "more importantly…” and continues with the issue/mission at hand.  I guess his response can be translated, in modern terms, as “smh…anyway.”

#12: Ragnarok - Rinoa

Japanese: …sorry.

     I think this pretty much cements what his catchphrase is in Japanese (since he uses a variety of responses) because Rinoa is imitating him.  She pretty much knew the response she was going to get (so she was totally prepared) since she was poking fun at him and saying he gives her a lot more than comfort and joy, he also gives her an abundance of “annoyance and disappointment, too!"  I think that either response, English or Japanese, makes sense in the situation.

#13: Post-Rinoa Rescue - Quistis

Japanese: …sorry.

     Aaaand, another one on the board for "sorry."  I don’t really know what to make of this one since his response (to Quistis saying they should all picture a brighter future together) is weird either way.  I do like the English response a bit more than the Japanese, though.

#14: Meeting Laguna - Laguna

Japanese: Nevermind that.

     I like Squall’s Japanese response a lot more than his English and I’m not sure why that is, because they pretty much mean the same thing.

     There are two more occurrences (so it’ll make sixteen then) that I didn’t include above.  One occurs during Rinoa’s tour around the Garden and the other occurs after the BGH251F2 battle.  In both, Squall’s original Japanese equivalent was "sorry.”

Final Thoughts

     And, that’s that!  I do have a few additional thoughts and notes that I wanted to add.

     My interpretation (especially when I wrote my thoughts versus the literal) is what, I think, can be taken from text and within context.  Remember, this was a time of no voice acting in the games.  I mention context a lot because it’s what usually determines where and how certain things can be interpreted.  Any embellishment in the interpretation is my own because I had to add tonality where I thought it best. 

     His catchphrase in Japanese is most likely 「……悪かったな」 (sorry) because it was the most frequent word found in place of “whatever” in the original Japanese version.  The reason I say “most likely” is because of his frequent usage of “betsuni,” too (in the Japanese version).

     On an added interpretation note, I think that, when he says “warukatta,” he’s really not apologizing and it’s meant in a more colloquial sense.  We all know that Squall is rather…insolent.  He’s also quite aloof and tends to keep people at a distance.  Taking his personality, the preceding ellipses and the pairing with the ending “na,” it’s more likely that he’s responding with the colloquial English variant, “my bad.” I think that’s far more appropriate for Squall, considering that he is really just a seventeen-year-old kid.

     As mentioned above, his catchphrase is rather ubiquitous in the Japanese version.  He uses “whatever” in the English version less than 20 times (across four discs).  I decided to just stick with the English version’s “whatever” usage and its Japanese pair, rather than pulling out every single “warukatta” and “betsuni” usage.