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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Kerry James Marshall, Could This Be Love?, 1992.
Ana Mendieta, Silueta Series, 1973-1978
Beauty Papers n° 1.
Tools of Beauty by Nacho Alegre.
Yayoi Kusama (Japanese, b. 1929), Infinity-nets (JAAAS), 2009. Acrylic on canvas, 100 x 100 cm.
via artsyloch

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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‘El Delfín’, row housing (highly refurbished nowadays) Blanes - Selva, Girona, Catalonia, Spain; 1960’s
Estudio BSSV - Miguel Batalla, José Maria Sen, Angel Serrano, Esteban Vicens
see map
via “Cuadernos de Arquitectura” 64 (1966)
Pablo Picasso (Spanish, 1889-1973), Instruments de musique sur une table, 1924. Oil on canvas, 162 x 204.5 cm.
via thatsbutterbaby
Ethel Spowers (Australian, 1890 - 1947): Still life (1929) (via Art Gallery of New South Wales)
Lorna Simpson, 9 Props, 1995.
The Smithsonian Museum of Natural History, Division of Birds
Pictured here the famous “Feather Lady”, Roxie Collie Laybourne, and staff
Yesterday was National Bird Day according to The Smithsonian’s twitter

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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caleb luke
Marcia Marcus (American , b. 1928), Renoir, 1968. Oil and silver leaf on canvas, 71 ¾ x 42 in.
Marie Laurencin, Chanson de Bilitis, 1904
“…both the painter Marie Laurencin (working in Paris in 1908) and the artist Jeanne Mammen (in Berlin in 1931) created illustrations for The Songs of Bilitis, a series of erotic poems attributed in the late nineteenth century to ‘Bilitis’, an ancient Greek philosopher, a lover of Sappho and, as was eventually revealed, an entirely fictive person. Nevertheless, when the first lesbian rights group in the United States was founded in 1955, it took the name Daughters of Bilitis both to honour the Sapphic past (in ancient Greece as well as nineteenth-century Paris) and to elude the stigma of modern words such as ‘homosexual’, ‘sex variant’ and 'lesbian’. Like 'friend of Dorothy’, 'Daughters of Bilitis’ (or DOB for short) was a term flexible enough to function as both sexual code and strategic closet. According to Del Martin and Phyllis Lyon, two of the founders of the Daughters of Bilitis, 'If anyone asked us, we could always say we belong to a poetry club.’”
Richard Meyer, “Inverted Histories: 1885-1979,” in Art and Queer Culture (New York: Phaidon Press, 2013), 17.
Red and Orange, 1955, Mark Rothko
Georg Fuchssteiner
Schwellenschwein, 2015
Graphite, watercolor, ink and collage on paper 35 × 27 cm

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Giulio Turcato. Luminescenza olio su tela 50x60cm 1972
Wallace Polsom, Human Behaviour; or, Fool Me Once (2018), paper collage, 17.7 x 22.1 cm.