SINGIN’ IN THE RAIN (1952) dir. Gene Kelly and Stanley Donen

Kiana Khansmith
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Claire Keane

oozey mess
Today's Document
almost home
The Stonewall Inn
icyghini twinkie
Show & Tell
RMH

★

roma★
Not today Justin
Mike Driver
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@angsfordays
SINGIN’ IN THE RAIN (1952) dir. Gene Kelly and Stanley Donen

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Felt like doing something picture book like.
when your art program’s closing message hits you straight in the heart and makes you stop and contemplate the state of it all
because of the huge response to this post, I decided to make a version of the art that includes the text
I’ve also uploaded this design to INPRNT, and all sales proceeds will be donated to environmental and humanitarian charities!
this is still going around with the old dead links - please help me share this version
obsessed with this pic from the wiki for kneading (cats)...eternal sweetness....
I think aliens would find astronauts charming with their stocky limbs and helmets that look like a big shiny eyeball. I think they would own marketable plushies of them or perhaps a labubu style keychain
animal cruelty

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art by @niochemblyat
I always know its getting toasty out in the world because girls start reblogging this post like crazy
Am I the only one who thought Rankin-Bass Gollum was a fantastically kick-ass and perfect design in every single way? I so wish they went with something like this for the live action films, something barely recognizable as having ever been a human-like being.
I love the membranous flesh connecting his arms to his body, and those huge milky eyeballs, like a deep sea fish!
No, Rankin-Bass Gollum, you were the precious one, all along.
and out of the darkness - you you you you you
[Description: a looping bouncy animation of grace and Rocky from project hail mary. Grace throws himself onto rocky for a hug, smiling and nuzzling his face to the top of Rocky's xenonite covered carapace. Rocky brings a claw up to ruffle Grace's hair and grace throws himself even more on top of rocky, rocky wrapping his arms around grace. End description.]
Opposable thumbs are handy
So I follow N. D. Stevenson (comics writer and animator, most famous for Nimona and She-Ra and the Princesses of Power) and his husband Lee Ostertag (also a comics writer and animator) on Instagram. When I started following them, they were both publicly presenting as women, and then a few years ago N. D. came out as transmasc nonbinary, and then earlier this year Lee also came out as transmasc. Anyway this is all setup to say that Lee had the chance to make the funniest post of all time and he took it:
Absolutely iconic.
I want to throw in that part of the context behind this meme was N.D. talking about how he sometimes gets hatemail for marrying a man as a former lesbian, and how many people seem to think he divorced his wife.
I have not managed to find anyone who thinks that in the wild, but it is so damn funny.

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lofi girlifying him
knowing how it tends to go with male authors and their wives it was probably marge who wrote the odyssey
yall aren’t gonna believe this
I swear to god I tried to grab my phone but I couldn’t without ruining the moment
He wouldn’t lEAVE
I’m so fucking proud of my weird wet son
IT IS A THING NOW
Important update: it has been several weeks and little mans still needs to inspect and rub his face on the shower head every single night before bed so after washing up and putting on my jimjams I then have to get up on a stool like
new cartoon crush unlocked!
I was left speechless by the chicken nugget
CURRENTLY IN LOVE???

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Never surrender 🏳️⚧️
Weird Fantasy (1950) #18 written by Al Feldstein and drawn by Joe Orlando, with editor Bill Gaines
So he said it can't be a Black. So I said, "For God's sakes, Judge Murphy, that's the whole point of the Goddamn story!" So he said, "No, it can't be a Black". Bill just called him up and raised the roof, and finally they said, "Well, you gotta take the perspiration off". I had the stars glistening in the perspiration on his Black skin. Bill said, "Fuck you", and he hung up.
Al Feldstein, Tales of Terror: The EC Companion
Just to add context for those not aware of the impact of this story.
The reason it was so important for narrative purposes, was that the plot concerns the visit of the Astronaut, in his completely opaque spacesuit, to a planet populated entirely by self-aware robots (originally from Earth) who have built their own society and are petitioning to be allowed to interact with Earth again as equals.
They have a democratic government and free choice of careers etc. as the orange robot serving as guide tells the Astronaut.
The Astronaut notices that there are two different types of robot on this world; the orange ones, who are in charge, gifted access to all information and facilities. and the blue robots, who are seen as more limited in function, have less access to information and resources, and are not allowed positions of power or as wide a choice of employment opportunities. Even transportation is segregated.
The Astronaut investigates further and discovers that the blue and orange robots are actually structurally identical, there is absolutely no difference between their potential or capabilities, and it is only because the orange robots are instructed by their Educator system to consider themselves superior, that the difference exists.
The Astronaut tells the robots they are not ready for re-alignment with Earth, until they come to terms with their own unfairness, and how Earth had had to deal with this issue themselves. When that time comes, the robots will be able to ally with Earth.
Then he leaves in his spaceship, and it's only in that one final panel that we see the Astronaut is black.
Not subtle, nor should it be, but for 1950 this was a breathtakingly powerful statement, perhaps the first of it's kind in the genre.
The black character was not a caricature, or comedy relief, he was a main character in his own right, a human who "simply" was black.
When I was a professor I fucking LOVED teaching this comic. You can read the full thing here (and please read the letters to the editor at the bottom as well—including a message from Ray Bradbury).
I'm so glad people added the appropriate context here. Genuinely, this is one of the most important panels in the history of comics.