A recent piece I did for @minktif as part of a little art exchange! The quote is by Sandal from Dragon Age.
Text: Bohemian textura in iron gall ink & quill. Paint: Umton gouache & pencil. Gilding: gold leaf & shell gold.

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A recent piece I did for @minktif as part of a little art exchange! The quote is by Sandal from Dragon Age.
Text: Bohemian textura in iron gall ink & quill. Paint: Umton gouache & pencil. Gilding: gold leaf & shell gold.

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Kingdom Come Deliverance Zine!!
Art above by @keflibunni, @kiwiitin and me
I’m excited to be part of this amazing zine!
In the last couple of months, we have worked on 150 pages of fanfiction, artworks and even a TTRPG! I’m so proud of the result.
Proceeds from the zine will be going towards the Pirkstein Bell Tower restoration. :3
You can order it here: meggophoto.com/fan-zine
And I got to paint Bartosch, which I'm really happy about.
We have three incredible stories by @rowanisawriter, @queenaeducan and Nathalaia
Have some more sneak peeks from the other contributors!
Under the break
Have an additional little sneak peak of my contribution, with the shell gold on full blast ☺️
A recent piece I did for @minktif as part of a little art exchange! The quote is by Sandal from Dragon Age.
Text: Bohemian textura in iron gall ink & quill. Paint: Umton gouache & pencil. Gilding: gold leaf & shell gold.
do you maybe know of any manuscripts with good (or very bad, of course) illustrations of birds? absolutely no worries if not, of course...
I love manuscript illustration but it is not really my forte! I’d recommend asking @cuties-in-codices ! My followers might have recommendations as well :)
here are some pictures of bad bird illustrations from one 15th-century manuscript (Oxford Bodleian Library MS Lat. misc. c.66 fol.95v) drawn by a man called Humphrey Newton:
bottom left is labelled 'crou, or egle' (crow or eagle) - he doesn't seem to have had a very clear idea of what he was doodling; top right is an osprey (labelled 'ospray'), and top left is a 'papejaye', the middle english word for a parrot - also pretty inaccurate
here are some more, unlabelled birds:
And here are some badly drawn (but better??? more accurate???) birds from a heraldry manual in Bodleian MS Laud Misc. 733:
these are the only offerings in my camera roll atm but if i think of more i will add them (there are so many busted looking manuscript illustrations)
Here are some very nice birds from Bodleian MS lat. liturg. f.3, a book of hours that was probably made for Anne of Bohemia en route to her wedding to Richard II (although the miniature depicting the two of them is a 19th-century forgery).
Here's some from the Sherborne Missal, but that one is in the British Library so who knows if it's back online.

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Dublin scholars find 1,200-year-old manuscript of Caedmon’s Hymn composed by Northumbrian cattle herder
Wake up babes new copy of Caedmon's Hymn just dropped
regarding weed, I am curious, do we have the oe word for hemp?
thank you very much for your translations!
oh that's a good question. forgot about hemp
bosworth toller gives hænep or henep; the dictionary of old english defines it as hemp or other similar plant
Oh cool! Yeah I know it's literally cognate with cannabis via Grimm's Law, and this word is like a perfect halfway point!
k æ n a b i s
h æ n e p [ ]
h e m [ ] p
k -> h via Grimm's Law
b -> p also Grimm's Law but could also be word final devoicing
n -> m via nasal place assimilation after the second vowel was reduced
Gorgeous. It's like how dw- goes to yerk- in Albanian. All the steps make sense but the outcome is unexpected
I understand why a lot of fantasy settings with Ambiguously Catholic organised religions go the old "the Church officially forbids magic while practising it in secret in order to monopolise its power" route, but it's almost a shame because the reality of the situation was much funnier.
Like, yes, a lot of Catholic clergy during the Middle Ages did practice magic in secret, but they weren't keeping it secret as some sort of sinister top-down conspiracy to deny magic to the Common People: they were mostly keeping it secret from their own superiors. It wasn't one of those "well, it's okay when we do it" deals: the Church very much did not want its local priests doing wizard shit. We have official records of local priests being disciplined for getting caught doing wizard shit. And the preponderance of evidence is that most of them would take their lumps, promise to stop doing wizard shit, then go right back to doing wizard shit.
It turns out that if you give a bunch of dudes education, literacy, and a lot of time on their hands, some non-zero percentage of them are going to decide to be wizards, no matter how hard you try to stop them from being wizards.
It wasn't just the hoity-toity ritual magic stuff, either. Popular media often frames a fundamental opposition between the Church and practitioners of the Old Ways™, but on the ground, any given medieval European community's foremost practitioner of traditional folk magic was likely to be the village priest. And again, they very much were not supposed to be doing this. There were some very pointed letters going around reminding people to cut that shit out, not that we're naming any names, Jeremy, and no, "if you invoke the saints first it's fine" is not going to fly with the bishop.
I feel like a lot of folks in the notes are missing a critical piece of context here because they're not clear on what the Church's official position toward magic actually was during the Medieval period.
In brief, the idea that magic is a. real and b. Satanic was not the party line for the greater part of the Middle Ages. Obviously the particulars varied both regionally and over time, but for the most part, the official position of the Church was that there is no power but God's and magic is fake. The Church's principal objection to the practices of divination, spirit-binding, etc. was that they were fraudulent, not that they imperilled one's soul. Sometimes this was even carried to the point that accusations of witchcraft would result in the accuser getting in trouble rather than the accused; after all, if your neighbour is pretending to do wizard shit, that's fraud, but if you actually believe your neighbour is capable of wizard shit, that's heresy!
The hardline "magic is the work of Satan" stance that most folks are thinking of when they think of magic and the Church wasn't particularly widespread until very late in the Medieval period, and is really more characteristic of the post-Reformation era – which adds an extra layer of hilarity to the aforementioned local clergy doing wizard shit, because from the perspective of their superiors, the problem was less "oh no, our priests are consorting with Satan" and more "god fucking damn it, our priests keep scamming people with this wizard shit".
The Catholic Church, desperately penning their 500th letter to local clergy:
FOR THE LOVE OF GOD STOP TELLING PEOPLE MAGIC IS REAL
The really funny part is that, by all accounts, some of the priests involved didn't even want to be doing wizard shit. Allegedly, they more or less got pressured into it by their congregations, who expected wizard shit of them and wouldn't take "no" for an answer.
I've been summoned by @artielu to vet this post, and I'm happy to confirm that it is, in fact, fairly accurate and does represent many of the ways in which medieval people did (and did not) think about gender, witchcraft, religion, magic, and practice. I've written quite a bit on this topic before, probably back when I was teaching a class on magic and the supernatural in the Middle Ages, but it's been a while.
The boring stereotypical Bad Middle Ages take is that medieval people were all howling misogynists and thus were burning Female Witches (and also midwives, out of an idea that medieval people saw all female-led intellectual practice as inherently bad, which is also uh, questionable) at the stake left and right. As I have carped about many times, Witch Trials (TM) as most people think of them were decidedly an early modern invention. The idea of witchcraft as both a) real and b) specifically and evilly female was also in fact a very late medieval invention; it was most explicitly codified in the infamous Malleus maleficarum of 1485. However its author, Heinrich Kramer, was already a raging misogynist and had been chased out of his parish the year before when for some reason, people got tired of him randomly accusing their wives and daughters of witchcraft. The Malleus is well known as a "witch hunting handbook," but people then tend to generalize its late 15th-century conclusions, written by one tiresome misogynist, as completely representative of The Middle Ages Everywhere. The Malleus also contains some anti-sodomitic polemicals, so there are just a whole stew of gender, queer, and other anxieties being represented here in a late medieval context. See i.e.:
Bailey, M. D., ‘From Sorcery to Witchcraft: Clerical Conceptions of Magic in the Middle Ages’, Speculum, 76 (2001), 960-90.
Bailey, M.D., ‘The feminization of magic and the emerging idea of the female witch in the late Middle Ages’, Essays in Medieval Studies 19 (2002), 120-134
Broedel, H.P., 'To preserve the manly form from so vile a crime: ecclesiastical anti-sodomitic rhetoric and the gendering of witchcraft in the Malleus Maleficarum', Essays in Medieval Studies 19 (2002), 136-148
Broedel, H.P., The Malleus Maleficarum and the Construction of Witchcraft: Theology and Popular Belief (Manchester: Manchester University Press, 2003)
Harley, D. ‘Historians as Demonologists: The Myth of the Midwife-Witch’, Social History of Medicine, 3 (1990), 1-26
Katajala-Peltomaa, S. ‘A good wife? Demonic Possession and Discourses of Gender in Late Medieval Culture’, in Gender in Late Medieval and Early Modern Europe, ed. by M.G. Muravyeva and R.M. Tovio (New York, NY: Routledge, 2013), pp. 73-88
Stephens, W., ‘Witches who steal penises: impotence and illusion in the Malleus Maleficarum’, Journal of Medieval and Early Modern Studies 28 (1998), 495-529
It's true that some of the most dedicated practitioners of ritual magic, and scholars and conservationists of magical texts, were monks, churchmen, and other religious figures. Some of them started from the position that God possessed the only supernatural power and any claim of other magic was wrong, but many others did believe that magical power was accessible from a variety of sources, even as this interacted uneasily with related notions of heresy, religion, blasphemy, and (demonic) sin. This represented the complex and shifting interaction between institutional Catholic and traditional/folk magic beliefs, which were never fully assimilated or "erased." It was in fact also popular among laypeople, as magical amulets or charms were highly valued for their supposedly protective capacities. Magic and ritual magic was also widely used in medicine and yes, for sex (people have always been people etc. etc.). See i.e.:
Bailey, M. D., Battling Demons: Witchcraft, Heresy and Reform in the Later Middle Ages (University Park, PA: Pennsylvania State University, 2003)
Boureau, A., Satan the Heretic: The Birth of Demonology in the Medieval West, trans. by Teresa Lavender Fagan (Chicago, IL: University of Chicago, 2006)
Collins, D., ed., Cambridge History of Magic and Witchcraft in the West (New York, NY and Cambridge: Cambridge University Press, 2015)
Fanger, C., ed. Conjuring Spirits: Texts and Traditions of Medieval Ritual Magic (Stroud: Sutton, 1998)
Flint, V. I. J., The Rise of Magic in Early Medieval Europe (Oxford: Oxford University Press, 1991)
Kieckhefer, R., Magic in the Middle Ages (Cambridge: Cambridge University Press, 2000)
Kieckhefer, R. ‘Erotic Magic in Medieval Europe’, in Sex in the Middle Ages, ed. by J. Salisbury (London and New York, NY: Garland, 1991), 30-55
Olsan, L.T., ‘Charms and Prayers in Medieval Medical Theory and Practice’, Social History of Medicine, 16 (2003), 343-66
Page, S. Magic in the Cloister: Pious Motives, Illicit Interests and Occult Approaches to the Medieval Universe (University Park, PA: Pennsylvania State University, 2013)
Rider, C. ‘Danger, stupidity and infidelity: magic and discipline in John Bromyard’s Summa for Preachers’, Studies in Church History, 43 (2007), 191-20
I could go on with quite a bit more, but the point is: there is an extensive scholarly literature on this topic, and any depiction of magical and supernatural beliefs in the Middle Ages, especially in popular media, is often the laziest imaginable shorthand for "they all hated women, thought they were witches, and burned anyone who didn't believe in the all-powerful Catholic church." Yet again, this also does vary by time period, as The Middle Ages are not one single undifferentiated block. A twelfth-century author is far more likely to scoff at the credulous fools who think magic is real or can actually compare to the power of God, whereas the early-modern authors, influenced by Kramer, will do far more of the stereotypical "witchcraft is a particularly female-gendered thing and also real, satanic, and evil." And yes, many medieval magic practitioners and enthusiasts were a) monks and the church and b) regular people, because it occupied a complex place in their belief system and was by no means simply evil. This doesn't mean that they were "more" or "less" enlightened according to the also-wildly-erroneous Scale of Perceived Human Progress, but just that they were complicated, stereotypes are stupid, and my kingdom for one (1) single nuanced, thoughtful, or remotely accurate depiction of this in medieval-themed media. The end.
The Favour - Alternatively - "I'm Drawing Merthur to feel something again"
For a friend ☺️

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practice drawing of Isabella of France (specifically Sophie Marceau's portrayal of her in Braveheart)✨
"Sys how is your decent into fiber arts hell going"
Glad you asked. I have arrived at 'modern flax is Bullshit compared to what we had in historical textiles, the flax widely available for handspinning is basically the tow that would be discarded from textile creation and used with tar to caulk ships back in the day'
This naturally led me down a hole of 'why is the staple length of this stuff a bullshit 6 inches' and the answer is 'we have bred modern flax more for the oil than the fiber because cotton usurped the place of everyday textile thanks to slavery and the cotton gin'
Anyway, THIS led me to a rabbit hole that culminated in me finding flax seed bred for proper 30 inch tall plants for fiber, sold by some fellow minded nerds on a website that has not been updated since 1998 and you have to email them to buy anything.
Anyway how are all of you doing.
I FAILED YOU ALL here is the site. You can also buy flax fiber from them. The PROPER shit, not the hot garbage ass tow fiber sold as flax top for handspinners.
btw i love you and i LOVE seeing your work!!!!! it's so cool to see how manuscript-creating conditions can be reproduced in the present day; i study this sort of thing, so it's SOOOO COOOOOOL seeing you make this stuff in the present!!! it makes it all so much closer and intimate :) keep up the good work!!! everything you make is soooo pretty!!!!
Oh my gosh thank you so much! I have a background in Middle English literature and medieval reading and writing cultures, which definitely is a massive part of why I chose this style of calligraphy specifically! I agree, I feel like I am participating in a centuries-long tradition and it makes me appreciate the sheer work that went into manuscript production much, much more. I also understand much better why making manuscripts was considered a form of meditation/exercising religion, because a lot of it is about taking your time and focusing exclusively on the text/art you're reproducing.
Or, to cite Crux de Telč:
Qui pendat quanto constat scriptura labore, scriptorem tanto maiori tractat honore
Whoever considers how much work is involved in copying/writing holds the scribe/author in greater esteem
Source: Crux of Telč in I A 38, fol. 311vb, as transcribed/translated in Lucie Doležalová, Passionate Copying in Late Medieval Bohemia: The Case of Crux de Telcz (1434-1504) (Karolinium Press, 2021)
Eggs are oval. The word egg is even etymologically related to oval. Oval comes from Latin ōvālis (egg-shaped), a derivative of ōvum (egg), the ancestor of Spanish huevo, French œuf and others. Latin ōvum, in turn, was a distant cousin of Germanic *ajjan, the ancestor of Old Norse egg. This word was borrowed into Middle English and gradually displaced the native word ey. Click my new infographic graphic to learn more.
In 1490, William Caxton wrote an anecdote on eggs and eyren. Commenting on the linguistic diversity of English, which made creating a standardised English hard, he told the story of a group of northern merchants asking a southern lady for eggs:
“And one of them, named Sheffelde, a mercer, cam in to an hows and axed for mete, and specyally he axyd after eggys. And the goode wyf answerde that she coude speke no frenshe. And the marchaunt was angry for he also coude speak no frenshe, but wolde have hadde egges and she understode hym not. And thenne at laste a nother sayd that he wolde have eyren; then the good wyf sayd that she understood hym wel. Loo, what sholde a man in thyse dayes now wryte: egges or eyren? Certaynly it is harde to playse every man bycause of dyversite & chaunge of langage.” (And one of them, named Sheffeld, a mercer, entered a house and asked for food, and specifically he asked for eggs. And the good lady answered that she couldn’t speak French. And the merchant was angry because he shouldn’t speak French either, but he wanted to have eggs and she didn’t understand him. And then, at last, another person said that he wanted to have eyren; then the good lady said that she understood him wel. Oh, what should one write nowadays: egges or eyren? It’s certainly hard to please everyone because of diversity and change of language.)
Happy April 1st! ☺️

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My current WIP and my first time ever using real gold... it isn't perfect but the shine is INCREDIBLE
Quill, oak gall and tempera calligraphy of Latin religious texts used as lyrics in the official soundtrack Kingdom Come: Deliverance 2 ☺️