You just have to find someone to be brave for.
Project Hail Mary — 2026, dir. Phil Lord & Chris Miller

Game Changer & Make Some Noise
Sade Olutola

#extradirty


titsay
Not today Justin
let's talk about Bridgerton tea, my ask is open
todays bird
TMBGareOK. The Official They Might Be Giants tumblr
EXPECTATIONS


tannertan36
art blog(derogatory)
NASA
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hello vonnie

Product Placement
★

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@amaranthinelover
You just have to find someone to be brave for.
Project Hail Mary — 2026, dir. Phil Lord & Chris Miller

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One tragic aspect of the Odyssey that I've never really seen handled by any adaptation is the link between Odysseus' marriage and the Trojan War itself.
When Helen was of age to be married, all the Lords of Greece came to seek her hand. This was an issue for her stepfather the King of Sparta who could only pick one husband and then would have to deal with the far greater number of angry rejected suitors.
One suitor was Odysseus, then a younger man. He quickly ascertained that he had no chance of marrying Helen. Ithaca was too poor for him to even bring any proper gifts, let alone a dowry. But he did catch the eye of the King's niece, one Penelope.
Now Penelope was still a bit out of Odysseus' league, but not so much as Helen was. So he makes a deal with the King of Sparta. Support my bid to marry Penelope, and I'll give you a solution to this suitors problem. The King agrees, so Odysseus suggests all the suitors swear an oath to defend Helen's marriage from anyone who might strike against it. They all, including Odysseus, so swear, and Helen is married to Menelaus. The King proves as good as his word, and Penelope is wed to Odysseus.
Of course this means that Odysseus has now bound himself to fight for Helen and Menelaus. After an attempt to feign madness he is forced to fulfill his duty.
So his own plan, to marry Penelope and stop a hoard of ravenous suitors, ends with him forced to defend his own marriage from a hoard of ravenous suitors.
Ask the Brindled
No'u Revilla
Ask the Brindled, selected by Rick Barot as a winner of the 2021 National Poetry Series, bares everything that breaks between "seed" and "summit" of a life-the body, a people, their language. It is an intergenerational reclamation of the narratives foisted upon Indigenous and queer Hawaiians--and it does not let readers look away.
In this debut collection, No'u Revilla crafts a lyric landscape brimming with shed skin, water, mo'o, ma'i. She grips language like a fistful of wet guts and inks the page red--for desire, for love, for generations of blood spilled by colonizers. She hides knives in her hair "the way my grandmother--not god-- / the way my grandmother intended," and we heed; before her, "we stunned insects dangle." Wedding the history of the Kingdom of Hawaiʻi with contemporary experiences of queer love and queer grief, Revilla writes toward sovereignty: linguistic, erotic, civic. Through the medium of formal dynamism and the material of ʻŌiwi culture and mythos, this living decolonial text both condemns and creates.
Ask the Brindled is a song from the shattered throat that refuses to be silenced. It is a testament to queer Indigenous women who carry baskets of names and stories, "still sacred." It is a vow to those yet to come: "the ea of enough is our daughters / our daughters need to believe they are enough."
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for all you can say about it as an adaptation, i think it's still absolutely wild that the untamed made xiyao canon. like you read the book and you're like "what the fuck is wrong with lan xichen" and the show answers: he was head over heels for the guy. first time meeting him he's rubbing his hands in front of everyone's salad. and don't get me started on zhu zanjin's interview that's like "you know how lwj and wwx are VERY GOOD FRIENDS well lxc and jgy are VERY GOOD FRIENDS also". deranged. incredible. fantastic. the best thing that's ever happened to me
Compliment them. That person you think has their shit together and wouldn't need it or want to hear it. They do. They absolutely do. Their shit is dispersed. I promise you. It is a shambles.
I've had someone tell me to my face that they would compliment me, but for the fact that I already know this or that about myself. Huh???? No. Sorry.
No I don't. In my weaker moments I become an ungrateful mud monkey that has never once internalized a compliment
I adore being told you like me or something I've done. It sustains me, and in my weaker moments when I forget that life is good and happy, you might catch me before I fall.
You ever had someone catch you like that? You can do it too. The ones that catch you have been you in that moment before and know they will be again.
it’s amazing how women are able to navigate crowded rooms without ever touching a palm to a man’s lower back
I realize the point of this post but also. It's because they touch arms. Men touch center mass women touch extremities. On average, men are broader than women, so need someone to move their entire body to make a path, and women are more liquidy (like cats) and only need an arm or a leg moved.
men big and strong, women small and delicate (like cats). groundbreaking, thanks for sharing!

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OP: We never found another phone this interesting after that. Let me show you the last glow of the millennium. (cr ETO数码)
When Chinese netizens talk about the millennium era, there’s always a lot of wistful reflection. In China, the so-called millennial generation (千禧一代qian xi yi dai)mostly refers to people born between 1985 and 1995. Their life experience differs greatly from Western Millennials, because China underwent lightning-fast leaps in society and technology while they were growing up. The shift hit them far harder on a personal level.
Specifically, their sense of time sets them apart from generations before and after. They spent their childhood fully immersed in the analog age—the kind of offline, street-side daily life you see in shows like Neighbour Ma Dajie. Back then, most families didn’t own computers or broadband. The urban-rural divide was massive. You waited for cartoons to air on fixed TV schedules, or bought DVDs if you didn’t want to wait. Music came from cassette tapes, CDs and MP3 players. Newspaper and magazines were the main sources of information. Waiting for things was simply normal.
Yet through their teens and young adulthood, they watched the digital explosion unfold right in front of them: the arrival of QQ, the rise of internet cafes, early blogs, campus forums and countless Flash mini-games. This shift didn’t creep up slowly; it was an abrupt jump. Their lifetimes span the full migration path of modern information civilization: physical books - television - desktop computers - the internet - smartphones - AI or LLM.
Within just over a decade, the world raced forward to mobile payments, global social platforms and e-commerce. Their formative years straddled two entirely separate worlds, two opposing rhythms of life, ways of socializing and accessing information. Both realities are etched into their memories, leaving them with two distinct ways of perceiving time.
Media describes them as the last generation of Chinese people to have a pre-internet childhood, and the first generation to fully embrace the online world as adults. They are like a living bridge between eras.
It is really important to me that all of you learn about Al Bean, astronaut on Apollo 12 and the fourth man to walk on the moon, who after 20 years in the US Navy and 18 years with NASA during which he spent 69 days in space and more than 10 hours doing EVAs on the moon , retired to become a painter.
He is my favorite astronaut for any number of reasons, but he’s also one of my favorite visual artists.
Like, look at this stuff????
It’s all so expressive and textured and colorful! He literally painted his own experience on the moon! And that's just really fucking cool to me!
Just look at this! This is one of my absolute favorite emotions of all time. Is Anyone Out There? is like the ultimate reaction image. Any time I have an existential crisis, this is how I picture myself.
And then there's this one:
The Fantasy
For all of the six Apollo missions to land on the moon, there was no spare time. Every second of their time on the surface was budgeted to perfection: sleeping, eating, putting on the suits, entering and exiting the LEM, rock collection, setting up longterm experiments to transmit data back to Earth, everything. These timetables usually got screwed over by something, but for the most part the astronauts stuck to them.
The crew of Apollo 12 (Pete Conrad, Al Bean, and Dick Gordon) had other plans. Conrad and Bean had snuck a small camera with a timer into the LEM to take a couple pictures together on the moon throughout the mission. They had hidden the key for the timer in one of the rock collection bags, with the idea being to grab the key soon after landing, take some fun photos here and there, and then sneak the camera back to Earth to develop them. They had practiced where they would hide the key and how to get it out from under the collected rocks back on Earth dozens of times.
But when they got to the moon, the key was nowhere to be found. Al Bean spent precious time digging through the collection bags before he called it off. The camera had been pushing their luck anyways, he couldn't afford to spend anymore time not on the mission objectives. Conrad and Bean continued the mission as per the NASA plan while Dick Gordon orbited overhead.
Fast forward to the very end of the mission. Bean and Conrad are doing last checks of the LEM before they enter for the last time and depart from the moon. As Bean is stowing one of the collection bags, the camera key falls out. The unofficially planned photo time has come and gone, and he tosses the key over his shoulder to rest forever on the surface of the moon.
This painting, The Fantasy, is that moment. There have never been three people on the moon at the same time, there was never an unofficial photo shoot on the moon, this picture could never have happened.
"The most experienced astronaut was designated commander, in charge of all aspects of the mission, including flying the lunar module. Prudent thinking suggested that the next-most-experienced crew member be assigned to take care of the command module, since it was our only way back home. Pete had flown two Gemini flights, the second with Dick as his crewmate. This left the least experienced - me - to accompany the commander on the lunar surface.
"I was the rookie. I had not flown at all; yet I got the prize assignment. But not once during the three years of training which preceded our mission did Dick say that it wasn't fair and that he wished he could walk on the moon, too. I do not have his unwavering discipline or strength of character.
"We often fantasized about Dick's joining us on the moon but we never found a way. In my paintings, though, I can have it my way. Now, at last, our best friend has come the last sixty miles." - Al Bean, about The Fantasy.
There’s also Alexei Leonov, writer and artist and first person to conduct a spacewalk!
This is his art.
You can't forget this, the first art made in space.
March 1965, Alexei Leonov made this drawing only moments after narrowly surviving the very first space walk.
THE FALL (2006) dir. Tarsem Singh Costume Design by Eiko Ishioka

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Costume appreciation series: The Adventures of Priscilla, Queen of the Desert (1994) dir Stephan Elliott
Costume Design by Tim Chappel and Lizzy Gardiner