Brokeback Mountain (2005) // dir. Ang Lee
Misplaced Lens Cap
Xuebing Du

taylor price

todays bird
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$LAYYYTER

Product Placement

ellievsbear
2025 on Tumblr: Trends That Defined the Year

pixel skylines

JBB: An Artblog!
NASA

Love Begins

oozey mess
cherry valley forever
we're not kids anymore.
seen from United Kingdom
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seen from United States
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@alpacinoss
Brokeback Mountain (2005) // dir. Ang Lee

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“I want to find a language that transforms language itself into steel for the spirit—a language to use against these sparkling silver insects, these jets. I want to sing. I want a language that I can lean on and that can lean on me, that asks me to bear witness and that I can ask to bear witness, to what power there is in us to overcome this cosmic isolation.”
— Mahmoud Darwish, Memory for Forgetfulness (via blazeofgold)
chantal akerman…………… wasn’t fucking around
Chungking Express (1994) dir. Wong Kar-wai
al “whore” pacino

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Boy (2010) Dir. Taika Waititi
Bobby Onco, an activist in the American Indian Movement (AIM) and member of the Kiowa Tribe of Oklahoma, at the 71-day occupation of Wounded Knee on South Dakota’s Pine Ridge Reservation in 1973.
ana mendieta. silueta films with fire. 1970s. super 8 color film.
Joan Baez in D. A. Pennebaker’s Don’t Look Back (1967)
Love Streams (1984)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Hypnose by Sascha Schneider (1904) // The Lighthouse dir. Robert Eggers (2019)
Saeed Jones, from How We Fight for Our Lives
(transcript under the cut)
Keep reading
The Farewell. Dir. Lulu Wang. 2019.
The Favourite dir. Yorgos Lanthimos
BEFORE SUNRISE dir. Richard Linklater

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Western culture made “objects” of things and people when it distanced itself from them thereby losing “touch” with them. This dichotomy is the root of all violence.
Gloria Anzaldúa, Borderlands/La Frontera, “The Presences” (via queerkowskiarmwrestle)
Columbus (2017) directed by Kogonada