Ruth Asawa. Untitled, 1952
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Ruth Asawa. Untitled, 1952

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Germany v Belgium, 1994 World Cup. By Mark Leech.
Piano house has had a huge comeback (much moreso than sax house), but even with Juan Maclean and the Rapture crafting piano house anthems, you might find difficulty breaking piano house classics with a rocker crowd.
Allow me to introduce Mr. Andrew Weatherall. In the early 90’s he was a sought after remixer and producer who worked with My Bloody Valentine, Primal Scream and the Happy Mondays. In 1990, New Order recorded a theme song for the English 1990 World Cup team, which would go on to become their only #1 hit in the UK. The band turned to Weatherall for remix work.
Weatherall’s formula was simple:
1) Give more space to Bernard Sumner’s unmistakeable, anthemic vocals, throw in a little of Hooky’s bass for good measure. 2) Add heaps of Madchester-y percussion loops and big, bouncy beautiful pianos.
You might think this would lead to some strange hybrid of New Order and Ce Ce Peniston, but it works brilliantly for anglophiles and pianophiles alike. Grab a copy, it’s not hard to find if you know where to look.
/// Brian Blackout
Got Czech Republic in the World Cup sweepstakes at work what do we think my odds are

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Howlin’ Wolf (born Chester Burnett, June 10, 1910 – January 10, 1976)
Floral carpet border Asian; India c. 1500s Velvet; average: 30.5 x 17.2 cm
“Forewarned is Forearmed Love me and I will be your friend Love me love me till the end Until the occasion arises Then I will kill you.”
— Lou Reed in a poem to John Cale, 1967. From John Cale’s autobiography, What’s Welsh For Zen
Zverev is most likely gonna win this thing, and it’s so crazy to me because the complete lack of repercussions (allowed to compete continuously), the hush-hush attitude the tennis media has to have whenever he comes around, and the cloak of silence and “camaraderie” all players seemingly follow (male AND female alike) makes viewers feel insane. We’re all getting gaslit by big tennis.

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Robert Heinecken Figure Parts / Hair 1967 Black-and-whtie film transparencies over magazine-page collage 16 x 12″ (40.6 x 30.5cm) Collection Karol Heinecken Mora, Los Angeles
György Kepes. Lichtenberg figures, 1951
Persepolis, Marjane Satrapi
Don’t know why this is sending me I’m with him
ted berrigan

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Bob Dylan, San Francisco's City Lights Bookstore, December 1965. Photo by Dale Smith.