I LOVE YOU, & I WANT US BOTH TO EAT WELL.

Kelela May 31 2016

“The photo on the cover of Have One on Me was modeled after typical Orientalist fantasy-figure iconography, like an odalisque or a Venus in Furs—a sort of cartoonish amalgamation of feminine signifiers stylized to illustrate the Lacanian idea “Woman is a symptom of man.” Annabel Mehran, the photographer, used black-and-white film that the artist Becca Mann later hand-tinted over with watercolors. The idea was to mock-up a shabby, 1920s Parisian studio with an absinthe-dulled lady posing on a divan in bits of old drapery fabric, and then paint over the resulting tableau into some idealized, Technicolor, hedonistic fantasy set. The specifically female, earthbound, corporeal, and decadent character in that album art reflects the character of those songs’ narrator as well as the idea of feminine self-diminishment.” -Joanna Newsom

He literally laid down right in front of me, I am so blessed.

new painting

wings scarf by harune horigome

橋本関雪

Sun-Headed Deity of Tamgaly, which dates back 3,400 years

Garlic scape symbology

https://www.instagram.com/p/B9vwXHzJMOV/?igshid=401zyga4fc94

Anne Sexton, from "The Fury of Flowers and Worms" in The Complete Poems

— Thomas Bernhard (via wordswithinyou)

Fjaðrárgljúfur, South Iceland by Bryan Coe

Photograph: Robert Doisneau