Almost Arts...

Duke, Table lamp conccept,

Yonel Lebovici, « Thon-bar », Around 1988,

Bar sculpture in the shape of a tuna, made of laminated polyester and metallic grey polyurethane paint. Laser-cut plexiglass tray. Signed and numbered engraved on the edge of the base ‘Lebovici Y. n°2’. Limited edition of 10 pieces + 2 artist’s proofs.

Height 93 cm (36 5/8 in) - Width 175 cm (68 7/8 in) - Depth 77 cm (30 1/4 in)

Sculptural braided beeswax candles !

Courtesy : @ ceremoni.studio, @ gregoratorio

PP1 Turntable

1970’s bar cart by designer Pierre Cardin

Chrome, Plexiglass,

Two blocks of marble. A bolt of lightning between them. The moment of impact, frozen.

"Electric Rocks"

Designed by Mark Mitchell Design for Italian marble company Serafini ,

Built around a single idea: capturing lightning at the exact point of strike. The marble blocks are split apart, their surfaces polished and coated in gold leaf to accentuate the bolt.

The lightning element itself is entirely handcrafted from 2200K diodes and stainless steel, engineered to mimic the intensity and irregularity of a real arc of electricity.

TYPE-XIII by Atelier Oï + A-POC ABLE ISSEY MIYAKE

This white lamp features a lighting base, a wire frame, and a fabric lampshade, which is detachable from the frame with pre-installed magnets.

Line Vautrin, Rare 'Crête de Coq' mirror, circa 1959,

Black talosel incrusted with red and pink mirrors,

The frame in black talosel is adorned with six spirals continuing with curved points encrusted with red and pink mirrors. Original witch mirrored glass.

Height 53 cm (21 in) - Width 41 cm (16 in)

Deniz Özdemir’s "Arc One" Chair,

Brushed raw metal, Cognac brown tufted leather Cushion,

Carlo Scarpa, Mirror, model No. 30, circa 1937,

Produced by Venini & Co, Murano, Italy

Iridescent coloured glass, mirrored glass, brass,

"Mother Dweller I." by Fenna Kosfeld

A sculptural lighting piece that explores the quiet space between object and presence. Crafted from shaped metal, carbonised bone and stiff cotton, the lamp carries a mystical and ephemeral character while functioning as a domestic companion.

Carbonised Cow Bone, Steel/Shaped Metal, Stiffened Cotton & Biopolymers, Charcoal, Led,

"Violet Frosted" by Marius Boekhorst

Through precise arrangement of geometric glass pieces and carefully selected florals, Marius Boekhorst orchestrates a multi-layered optical experience that sits between static composition and quiet motion.

Patterned (textured) glass, resin, and artificial flowers,

Birdhouse by Kids

The process begins with an introduction to local bird species in Cambodia and basic birdhouse typologies. Within this framework, children develop individual responses through drawing and clay modeling. These early studies are then translated into physical constructions using materials such as wood, cardboard, and paper.

Finishing stages involve the use of crayons, maintaining continuity with the original drawings, followed by a protective acrylic lacquer coating. Each completed birdhouse combines functional requirements with sculptural variation, resulting in a set of objects defined by distinct forms and individual expression.

The project, led by designer Taekhan Yun, highlights how participatory processes can generate alternative approaches to design, where interpretation, material translation, and construction are shaped through children’s spatial imagination.

Siem Reap, Cambodia