Uriel

precum: completely clear to slightly translucent, usually only a bead or two. not white (a sign of infection unless they JUST ejaculated and did not fully clear the urethra). not tons of it covering your hand or dripping down their balls (for effect, whatever, but you'd mostly see more precum as a result of lengthy denial/edging). taste is very mild, a bit salty, and varies little from person to person compared to cum or vaginal wetness.

cum: tastes wildly different from person to person and depending on what they ate, but generally has a base note of bitterness and sourness. cum will usually be a thick white liquid but sometimes will be thinner and more transluscent. older folks generally have more viscous cum that may be closer to cream color if you're really into Details. people generally do not have more than a few spurts of cum per orgasm unless you're writing hyperspermia or inflation or something.

vaginal wetness: day-to-day it's normal for it to range anywhere from clear and thin to white and creamy. that's all good. but the lubrication/arousal fluids released during sex are clear. you're only going to see white as a result of the day's previous discharge. please do not have your characters gushing white cream (unless there is also cum at play). they need miconazole.

squirting: the liquid is clear and thin. honestly like water. very very mild in both scent and flavor. can be just a dribble, can have a good amount of force behind it, more of a gush than a geyser. it's more like one uncontrollable pour of liquid than a series of spurts the way cum is.

vaginal flavor: the most accurate description ive ever come up with is drinking a moscow mule from a copper mug, but i recognize that's not accessible to many people. there's tartness and bitterness primarily, but there are often some deeper richer notes if you really wanna get into pussy sommelier stuff. varies a lot from person to person but the main flavor profile of acid and bitter is the core. you might also get a salty or musky note, especially at the end of the day. during the period, it pretty much just tastes like blood. no real way to sugarcoat that, although in fanfic people seem very committed to saying "pennies." it's blood. maybe a bit warmer tasting. like if blood is a squash then period blood is a sweet potato. if that's anything.

vaginal texture: silky. warm. always wet but moreso when aroused. arousal fluid is much more slippery than regular discharge. feel the inside of your cheek when your mouth is full of spit if you don't have a vagina you can put a couple fingers inside of. the vagina should not be tacky, sticky, gummy, or any other adjective you could also use to describe a piece of candy stuck half-melted onto your car's dash.

vaginal movement: the vagina gradually tightens for a few seconds before orgasm, when it clenches hard for a brief moment, and then pulses extremely quickly and then those pulses get slower. all of this happens within about thirty seconds. the clenching can be VERY strong and tight or it might be much softer like a flutter depending on the strength of the kegel muscles. that does not necessarily correlate with how "good" the orgasm is.

pubic hair: all people have coarse pubic hair, but the texture does vary from person to person quite a bit. some people have very tight coils and some are nearly straight. imo as with head hair, avoid describing it as anything but thick or coarse hair if you're trying to write x reader stuff.

circumcision: the vast majority of american men over 25 are circumcised to the point that most americans will see this as the default and might never even see an uncut dick irl. however, this is NOT AT ALL the normal in any other country on earth. please do your research and consider what suits your character! and if you're going to write someone uncut, PLEASE do not go yanking down their foreskin. uncut dicks are generally more sensitive as well.

ultimately, whatever floats your boat and knocks your rocks, but if you're aiming for more realistic smut and you don't have the personal experience to get some of those nasty details, maybe this will help

with people who do not have medical/economic/carceral power over you:

walk away/physically remove yourself rather than engage

"i am not interested in your thoughts on my lunch"

"I am not interested in your thoughts on my [or someone else's] body"

"did she gain weight?" "it isn't our business/it isn't relevant to you."

"why are you eating that?" "because i'm hungry."

with doctors:

"i choose to decline my weight" (you can always choose to decline your weight as an outpatient)

"i am requesting a larger blood pressure cuff in order to receive an accurate reading"

"i am here to discuss [x]. my time and yours would be better spent addressing my present concerns, rather than speculating on others."

"i am not interested in discussing my eating habits, because it is not currently a priority to change them."

So, in terrible news, Trump's trying to pull some strings to pass this massive internet censorship bill, featuring all the kinds of internet censorship we're terrified of, including mandatory ID for accessing basically any website, specifically to crush state regulation of AI, because apparently this man will always see the moral bottom of the barrel and start digging.

"people have to hide their emotions to perform specific types of labour where their apparent emotions influence another person's. Eg. Flight attendants have to be cheerful all the time, so that passengers feel welcome and safe. This suppression and masking of emotion can cause a sense of disconnect within the individual where they dont know what their true feelings are. This is part of the Marxist idea of alienation from labour and from the self."

To

And this causes children to be perceived as failures (either by themselves, their parents and/or society at large) when they are not successful according to the logic of capital. It's one of many ways capitalism has commodified our relationships.

What all five of my examples have in common is that they are minor elements in the text; they are not main ideas. In fact, your usual practice of reading which focuses on main ideas would dismiss them all as marginal or trivial. Another thing they have in common is that, although they are minor, they are nonetheless conspicuous, eye-catching: they are either surprising or repeated, set off from the text or too long. Close reading pays attention to elements in the text which, although marginal, are nonetheless emphatic, prominent—elements in the text which ought to be quietly subordinate to the main idea, but which textually call attention to themselves.

Most of you have been educated to ignore such elements. You have been taught to seek out and identify the main ideas, dismissing the trivial as you go. This has had to be trained into you: read to a young child sometime, you will notice she has the annoying habit of interrupting the flow of the story to draw attention to some minor thing. Close reading resembles the interruptions of that child. It is a method of undoing the training that keeps us to the straight and narrow path of main ideas. It is a way of learning not to disregard those features of the text that attract our attention, but are not principal ideas.

This goes for other symptoms as well: although pain can definitely contribute to people’s experiences of these symptoms, fatigue and brain fog are actual migraine symptoms, not just pain symptoms.

“Do you know why I pulled you over?” is a trap. It means there’s a good chance the officer doesn’t actually have a good reason to ticket you, and is trying to get you to waive your 5th Amendment rights and incriminate yourself. If you make a guess, that’s a confession of guilt.