dragon melting glass in its mouth and blowing bubbles with it
trying on a metaphor

❣ Chile in a Photography ❣
noise dept.
Cosmic Funnies
Mike Driver
untitled
$LAYYYTER

Andulka

tannertan36

blake kathryn
TVSTRANGERTHINGS
Aqua Utopia|海の底で記憶を紡ぐ

★

Kiana Khansmith

cherry valley forever
Cosimo Galluzzi

@theartofmadeline
Fai_Ryy

seen from Switzerland
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@agent-classified
dragon melting glass in its mouth and blowing bubbles with it

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It's fun when the robot character in the sci-fi show gets cut in half because nobody working on this type of media knows anything about robotics and you never know what you're going to find inside. Green printed circuit boards? Meat and viscera, but like in a weird colour? Just a shitload of goo?
I especially like it when the robot appears to have realistic musculature which operates via contraction, suggesting some sort of fluid-driven or shape-memory-based actuation, and then it gets dismembered and a bunch of random gears and sprockets go flying everywhere.
You're a sci-fi robot who just got cut in half by the Big Bad (don't worry, you'll get better). What's inside you?
Printed circuit boards (blinking lights optional)
Gears and sprockets
Endless bundles of wire
Some sort of translucent crystal
Meat and viscera in a weird colour
Random geometric shapes
The cut is mirror-smooth, like I was one solid mass of metal
It looks like... car parts?
I'm actually mostly hollow
Just a shitload of milky goo
Other (specify)
Cheese sandwich
Heat waves.
my nothing

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I've now seen two different deltarune theory videos that describe gaster's theme as having an interval of seven semitones and then pointing out other music that uses that same interval to assess how likely it is that it's a deliberate reference to gaster's theme but without at any point clarifying that an interval of seven semitones is more commonly known as a "perfect fifth" and is actually the second most universal interval in all of music after the octave and it's actually harder to find music that doesn't contain any perfect fifths than music that does
it's such an irresponsible writing decision you know. perfect fifths are one of the first things you learn about if you study music theory for any amount of time. referring to it by the width of the interval in half steps instead of by its more common name makes it sound more mysterious and special than it actually is. it's leading an audience who doesn't know anything about music theory except a vague understanding of the word "leitmotif" to think "yeah, why would both of these tracks have a melody with two consecutive notes separated by exactly seven semitones if one isn't meant to be a reference to the other?" even though that question has a really obvious answer that anyone who knows anything about music theory should be able to explain
calling perfect fifths a motif is like calling "uses words with the letter 'e' in them" a typing quirk
🌱 dragon sword 🗡️
can we please acknowledge that tma/tme is a meaningful distinction? a justice of the US supreme court is openly saying that it's legal to discriminate against trans women because the same laws do not target trans men. the transmisogyny is what makes it permissible. your transphobia is fine as long as it has carveouts for men.
Fascinating parallel here. This incapacity of the legal framework to protect groups who are at the intersection of two protected groups (trans women in this case, black women in the original) even while protecting both groups individually is Crenshaw's original reason for coining the word "intersectionality", which has since gone through the wringer.
hey I heard that me groping your tits makes them bigger. we should try it.
reblog to grope prevs tits
Fun fact! This npc is standing there because that tile is on the same tile as the entrance to wayward cave underneath the cycling road. Because of how the bridge tiles and the tiles below them are programmed, if there wasn’t an npc there biking over that tile would count as going into the cave entrance and would warp the player to the cave. Rather than creating a way for bridge tiles over entrance warps to work with it that happening, they did the simpler thing of just putting a stationary npc on the bridge above

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There was this woman poet in 4th century China called Su Hui (蘇蕙), a child genius who had reportedly mastered Chinese characters by age 3.
At 21 years old, heartbroken by her husband who left her for another woman, she decided to encode her feelings in a structure so intricate, so beautiful, so intellectually staggering that it still baffles scholars to this day.
Came to be known as the Xuanji Tu (璇璣圖) - the "Star Gauge" or "Map of the Armillary Sphere" - it's a 29 by 29 grid of 841 characters that can produce over 4,000 different poems.
Read it forward. Read it backward. Read it horizontally, vertically, diagonally. Read it spiraling outward from the center. Read it in circles around the outer edge. Each path through the grid produces a different poem - all of them coherent, all of them beautiful, all of them rhyming, all of them expressing variations on the same themes of longing, betrayal, regret, and undying love.
The outer ring of 112 characters forms a single circular poem - believed to be both the first and longest of its kind ever written. The interior grid produces 2,848 different four-line poems of seven characters each. In addition, there are hundreds of other smaller and longer poems, depending on the reading method.
At the center a single character she left implied but unwritten: 心 (xin) - "heart." Later copyists would add it explicitly, but in Su Hui's original the meaning was even more beautiful: 4,000 poems, all orbiting the space where her heart used to be.
Take for instance the outer red grid of the Star Gauge. Starting from the top right corner and reading down, you get this seven-character quatrain:
仁智懷德聖虞唐,
貞志篤終誓穹蒼,
欽所感想妄淫荒,
心憂增慕懷慘傷。
In pinyin, it is:
Rén zhì huái dé shèng yú táng,
zhēnzhì dǔ zhōng shì qióng cāng,
qīn suǒ gǎnxiǎng wàng yín huāng,
xīn yōu zēng mù huái cǎn shāng.
Notice how it rhymes? táng / cāng / huāng / shāng
The rough translation in English is: "The benevolent and wise cherish virtue, like the sage-kings Yao and Shun, With steadfast will I swear to the heavens above, What I revere and feel - how could it be wanton or dissolute? My heart's sorrow grows, longing brings only grief."
Now read it from the bottom to the top and you get this entirely different seven-character quatrain:
傷慘懷慕增憂心,
荒淫妄想感所欽,
蒼穹誓終篤志貞,
唐虞聖德懷智仁。
The pinyin:
Shāng cǎn huái mù zēng yōu xīn,
huāngyín wàngxiǎng gǎn suǒ qīn,
cāngqióng shì zhōng dǔzhì zhēn,
táng yúshèngdé huái zhì rén.
It rhymes too: xīn and qīn, zhēn and rén
And the meaning is just as beautiful and coherent: "Grief and sorrow, longing fills my worried heart, Wanton and dissolute fantasies - is that what you revere? I swear to the heavens my constancy is true, May we embody the sage-kings' virtue, wisdom, and benevolence."
That's just 2 poems out of the over 4,000 you can construct from the Xuanji Tu!
At the very center of the grid, the 8 red characters wrapped around the central heart, she "signed" her poem with a hidden message:
詩圖璇玑,始平蘇氏。 "The poem-picture of the Armillary Sphere, by Su of Shiping."
Or reversed:
蘇氏詩圖,璇玑始平。 "Su's poem-picture - the Armillary Sphere begins in peace."
Many scholars, and even emperors, throughout Chinese history have been completely obsessed by Su Hui's puzzle.
For instance, in the Ming dynasty, a scholar named Kang Wanmin (康萬民) devoted his entire life to the poems (kangshiw.com/contents/461/2…), ending up documenting twelve different reading methods - forward, backward, diagonal, radiating, corner-to-corner, spiraling - and extracting 4,206 poems. His book on the subject ("Reading Methods for the Xuanji Tu Poems", 璇璣圖詩讀法) runs to hundreds of pages.
Empress Wu Zetian herself, the legendary woman emperor of the Tang dynasty, wrote a preface to the Xuanji Tu around 692 CE (baike.baidu.com/item/%E7%BB%87…).
Incredibly, there's even far more complexity to the Xuanji Tu than just the poems:
- The name 璇玑 (Xuanji) - Armillary Sphere - is astronomical in meaning and the way the poems can be read mirrors the way celestial bodies orbit around a fixed center. It's a model of the heavens.
- Her original work, with the characters woven on silk brocade, was in five colors (red, black, blue/green, purple, and yellow) which correspond to the Five Elements (五行) - the foundational Chinese philosophical system that explains how the universe operates. So it's also a model of the entire cosmic order according to ancient Chinese philosophy.
- It's also of course deeply mathematical with this 29 x 29 perfect square grid, with sub-squares, lines and rectangles, and a structure which allows for symmetrical reading patterns in all directions
- Last but not least, the content of the poems themselves contain multiple registers. On top of expressing her personal grief and longing for her husband, it's also filled with accusations against the concubine (Zhao Yangtai) he left her for, reflections on politics (with many references to sage-kings) and philosophical reflections.
So the Star Gauge is simultaneously:
- A love letter (expressing personal longing)
- A legal brief (arguing her case against her rival)
- A cosmological model (structured like the heavens)
- A Five Element diagram (encoding the fundamental structure of the world according to ancient Chinese philosophy)
- A mathematical construction with perfect symmetry and precision
And yet, for all this complexity, we should not forget this was all ultimately in service of the simplest human message imaginable: a 21-year-old woman asking the love of her life "come back to me".
Her husband did, eventually. According to what empress Wu Zetian herself wrote in her preface to the Xuanji Tu, when he received Su's brocade he was so "moved by its supreme beauty" that he sent away his concubine and returned to his wife. As the story goes, they lived together until old age.
The heart at the center was filled after all.
I wish I could travel through time and transcend language to hold this woman’s hand and tell her “girl, he ain’t shit”
Our Lady of the Blind Faith — Emil Melmoth, 2022
we can’t keep letting him get away with this

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we don't credit rebecca sugar enough for making the episode with the first gay wedding in a kids show extremely plot relevant so it could not be skipped or cut.
#rebecca sugar has gone on record saying that they knew from the beginning they wanted ruby and sapphire and they put every inch of planning#in to make sure that the studio could not take them out. sugar has said they’d compromised on hundreds of things they’d wanted for steven#so that they had the bargaining power specifically to keep ruby and sapphire’s relationship#and a number of ‘filler’ episodes were created just to establish counter-arguments that might come up when they pitched the wedding episode#the one that comes to mind is the episode about steven and connie getting lost in rose’s room steven’s central conflict about liking their#fave book series’ romantic ending was later weaponised when producer’s were like ‘oh but steven’s a boy he won’t be too interested in them#getting married’ sugar was able to be like ‘no. in this episode it’s established he loves romance and specifically weddings. and in these#episodes it’s shown how much steven cares about ruby and sapphire and their relationship and happiness. you cannot convince me this is not#good and necessary plot development#and they wrapped it up in the season finale and the big climactic point of the diamonds finally coming to attack earth to make the#episode integral to the series no skipping it without confusion. and had ruby wear a wedding dress because international censors took#advantage of her design to give her a masculine va#and sugar made certain that everybody knew This was a queer love story that an entire town supported and admired and that any child watchin#it at home would know they are not alone and that that support is waiting for them out there somewhere#sugar sacrificed the wider story they wanted to tell for that and it was a horrible decision to be given but they made the right choice