i wanted everything to be in one place and make it simpler :)
The Aftermath | Peter Parker x Reader
Summary: I didnât get âsnapped.â Everyone came back and was expecting the same happy-go-lucky twelve year old to be there when they got back - including my parents - but they were only met with the bitter seventeen year old me instead. Despite the horror of everyone I knew and loved being turned to dust, my life in the five years was returning to some semblance of ânormal.â I had a great foster mom, I was going to Midtown Tech, I was on the rise of being okay with everything that had happened.
And then everyone got snapped back.
Now Iâm dealing with the aftermath.
Warnings: swearing, far from home spoilers, general trauma, angst, not a fix-it-fic
Intro | Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 | Part 7 | Part 8 | Part 9 | Part 10 | Epilogue
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synopsis: you and dr. jack abbot keep missing the moment to admit your feelings, until one emotional day at work finally brings everything out in the open, and you both realize it was never one-sided.
warnings: cuss words ig? and a kiss on the end buttttt after that not really anything..
word count: 1250
a/n: EATTTT CHILDRENN, here is ur well awaited jack abbot x reader fanfic!! i think,, i have a cavity from how sweet this is omg.
the first time you notice it, youâre almost certain youâre imagining things.
because this is jack abbot.
dr. jack abbot.
smart, capable, annoyingly handsome jack abbot.
and you? youâre just you.
which is why when he starts lingering beside your workstation after conversations should have already ended, you convince yourself it means nothing.
âanything else?â youâd ask after handing him a chart.
heâd glance down at it.
âno.â
but then heâd stay there. for a second.
then another. sometimes asking a completely unnecessary question.
sometimes making an observation about a patient that didnât need discussing.
sometimes just standing there long enough for your heart to start acting stupid.
you noticed it most during night shifts. the hospital got quieter then. not quiet exactly, but softer.
the chaos dulled around the edges and somehow jack always ended up near you.
âyouâre here late.â
you looked up from your computer.
âso are you.â
âi work here.â
you stared. he stared back.
then the corner of his mouth twitched.
âyou work here too.â
âglad weâve established that.â
his laugh came out unexpectedly.
it lingered with you longer than it should have.
later, when he finally walked away, trinity slid into the chair beside you.
âoh.â
you frowned.
âwhat?â
ânothing.â
âtrinity.â
ânothing.â
you narrowed your eyes.
she grinned.
âuh-huh, sure. if you say so.â
you hated when people did that, especially when they were right.
because this time itâs jack who notices. it starts with coffee. not in a romantic way.
not at first.
heâs having a particularly awful morning. three admissions before seven.
one difficult family.
a trauma case that refuses to cooperate with every treatment option available.
heâs exhausted. frustrated.running entirely on caffeine and spite.
then he walks into the break room.
and there it is. a coffee sitting on the counter. his coffee. exactly how he takes it.
he stares at it.
âyou gonna drink that or interrogate it?â
he turns. youâre standing in the doorway. holding your own cup. looking amused.
âyou got me coffee?â
you shrug.
âyou looked like you were about five minutes away from fighting a wall.â
he snorts âyeah, whatever.â
you smile.
and something in his chest does a strange little flip. he tries ignoring it, heâs pushing 50, so whyâs he acting like this lovestruck high-school girl?
and of course, he fails.
because after that he starts noticing everything. the way your face lights up when someone makes you laugh. the way you remember details about everyone. the way you always seem to know exactly when heâs had a rough shift. the way you look for him in crowded rooms.
and maybe he shouldnât notice those things. but he does.
alright I've got to do some quick math to explain attitudes towards AI to my boss.
we're looking to create an AI policy, and when we were talking about this, my boss (older millennial) was genuinely shocked to hear that younger people do not (seem) to view AI positively (a la the recent commencement speakers being booed)
please rb for larger sample size!
Question 1/3
What is your age, and do you feel AI is a net positive or net negative in our lives today?
Ariiii i missed you! I havent checked my tumblr post notifs for a while so i just binged everything youve written since you came back from break. I hope youre doing well!!! Feel free to treat this as an ask for whatever you may currently be thinking about :D
đđđđ
I'm glad that I'm trying to be back. I've been feeling not like myself so I'm trying to get back to it. Glad to see you in my asks!
Jack looked up from his phone and took a deep breath before shaking his head at Robby's hopeful look, "She came home looking shell-shocked, refused to talk about it, took a shower, and then cried herself to sleep-"
"And you let-"
"Well, it's not like she wanted me to hear it."
Robby exhaled roughly and rubbed his hands over his face. "Is it against my Hippocratic oath to WANT those people to die somehow?"
"As long as it's not in our catchment area, at this point I don't care," Jack said bitterly.
The other man snorted and started to lumber towards the bathroom, going to shower the day off, grunting an acknowledgment when Jack called after him that there was food in the kitchen.
Neither of them had wanted you to go today. To see the people who "raised you". Raised you by inflicting as much damage as possible. Forcing the responsibility of holding your broken family together in your little hands even as the shards shredded your tender flesh to ribbons.
A father who spent most of your childhood in jail. A mother who had boyfriends while he was in and kicked you out when they started to look at you with too much interest, only letting you move back in when dad asked too many questions about why you were gone.
Robby stopped at the side of the bed, re-dressed in sweats, and sat on his side of the bed. Brushing hair out of your face, he winced when he peeled it away from the dried tear tracks, and you stirred. "Shh," he soothed, "You're home, sweetheart."
"Can heat up dinner," you manage, voice thick with sleep, starting to push yourself up.
"Jack's got it for me baby," he murmured. "You feel okay?"
"I'm fine-"
"Come have dinner with me? Jack said you went straight to bed." He wasn't going to call you out for lying. Not when your pillow was still damp under your right hand.
You shake your head, "I just. Today was long. I was tired."
Tired. It covered a multitude of ills.
His lips twitched and he leaned up to kiss your forehead, "Then come sit in Jack's lap. Then we can watch some TV until you go back to sleep."
"Robby-"
"He needs some Sweetheart cuddles," Robby coaxes. "He got a little lonely with us both gone today."
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Summary: You trust Jack with your patients, your career, and your life. Realizing you'd trust him with your heart is a much bigger problem.
Word count: 6k+
Warnings: fluff, medical terms
A/N:
can you guys tell I have a special spot for Trauma 2
English is not my first language, so I apologize if I made any (grammar) mistakes. Feedback, requests, talks, vents, recommendations or just simple questions are always welcome.
Happy reading xxx
I do NOT give permission for my work to be translated or reposted on here or any other site.
You stand at the sink in Trauma Two, scrubbing blood from your hands long after it's already gone.
The trauma bay behind you is beginning to reset itself. Nurses strip bloodied sheets from the stretcher. Someone is already calling report on the next patient. The emergency department moves with a relentless sort of efficiency, consuming one crisis and immediately preparing for the next. There is no pause built into the system. No moment where everyone stops to breathe and process what happened.
Ordinarily, you appreciate that.
Today, it feels deeply unfair.
The blood disappeared after the first wash. You know that. You've spent enough years in hospitals to know exactly how long it takes soap and water to do their job. Yet somehow you're still standing there, staring down at the sink while hot water rushes over your hands. It takes several seconds before you realize you've been washing the same spot on your palm over and over again.
"No."
The word slips out before you can stop it.
You shut the faucet off and brace both hands against the edge of the sink. Water drips from your fingertips into the basin below.
"No. Absolutely not."
A moment later, Perlah squeezes past you on her way back into the department. She takes one look at your face and immediately slows.
"You okay?"
"Fine."
"You look like you're planning a murder."
You grab a paper towel with perhaps slightly more force than necessary.
"I'm considering several."
Perlah studies you for another second before nodding.
"You know what, yeah."
Then she's gone, leaving you alone with the growing certainty that your life has somehow become a practical joke.
Because this is ridiculous.
Not embarrassing. Not inconvenient.
Ridiculous.
You are a third-year emergency medicine resident. You work shifts that blur together until entire weeks disappear. Most days begin before sunrise and end long after dark. You survive on caffeine, stubbornness, and the increasingly fragile belief that residency will eventually end. You have career goals. Fellowship considerations. Research obligations. Student loans. More unfinished charting than any one human being should reasonably possess.
You do not have time for feelings.
You especially do not have time for feelings involving your attending.
The realization had arrived ten minutes ago with all the subtlety of blunt force trauma.
Not because Jack smiled at you.
Not because he looked good.
Not because of any of the things people usually point to when describing the moment they fall for someone.
It happened during a code.
One second you had been discussing a possible appendicitis workup. The next, alarms were sounding down the hall and everyone was moving. There had been no time to think. No time to hesitate. Just immediate action.
You can barely remember crossing the department.
You remember the rhythm instead.
The compression count.
The monitor.
The medication doses.
The familiar cadence of voices in a crowded room.
Most of all, you remember Jack.
Not in a romantic way. Not in the dramatic sense your brain seems determined to insist upon now.
You remember him because he was simply there, occupying his place in the room as naturally as if he'd always belonged there. Orders were exchanged before either of you had fully finished speaking. You knew what he needed before he asked. He knew what information you were gathering before you reported it. Months of working together had built something efficient between you, a kind of professional shorthand that made difficult situations feel manageable.
The patient got pulses back.
The room relaxed.
People dispersed.
And somewhere in the aftermath, while entering orders and trying to slow your own heart rate, you'd looked across the room and felt something shift.
The realization itself had been deceptively simple.
You trusted him.
Completely.
At first, that realization hadn't seemed particularly alarming. Trust was necessary in emergency medicine. Lives depended on it. Every day you trusted nurses to catch mistakes before they happened, residents to communicate important changes, attendings to make the right call when things became complicated. Trust wasn't remarkable. It was the foundation of the entire department.
The problem was that the thought refused to leave.
Even as you finished documenting the code and moved on to your next patient, it remained lodged somewhere in the back of your mind, irritating and persistent. And the longer it sat there, the more another uncomfortable truth began to emerge. You didn't just trust Jack. You trusted him more. More than other attendings. More than people you had known longer. More than was probably reasonable.
The realization spread through your mind with horrifying efficiency, illuminating things you had somehow managed to ignore for months. Suddenly every strange habit, every reaction you'd dismissed as professional admiration, seemed impossible to explain away. You thought about how your eyes automatically searched for him whenever you walked into the department, how his opinion carried a weight that nobody else's did, how criticism from him could linger for hours while a single compliment could improve an otherwise miserable shift. You thought about the strange sense of relief that settled over you when you saw his name on the schedule, the way difficult cases felt more manageable when he was nearby, and the fact that whenever something good happened, some part of you always wanted to tell him first.
One realization became several. Several became dozens. Before long, it felt as though your own brain had assembled a meticulous presentation entitled Evidence That You Are Completely and Irrevocably Screwed, complete with supporting data and peer-reviewed conclusions.
You closed your eyes and immediately searched for alternative explanations.
Exhaustion seemed like a reasonable place to start. You had worked six shifts in seven days and consumed an amount of caffeine that would probably concern a cardiologist. At some point that morning you had stared directly at a medication label and temporarily forgotten how to read. Your judgment was compromised. Your cognitive function was questionable. There had to be a physiological explanation for whatever was currently happening.
Maybe it was sleep deprivation. Maybe it was stress. Maybe residency had finally broken something important in your brain after years of threatening to do exactly that. Any of those possibilities would have been preferable to the obvious answer, which was becoming increasingly difficult to ignore.
Because the obvious answer was that somewhere between overnight shifts, trauma activations, endless charting, and months of standing shoulder to shoulder in crowded resuscitation rooms, you had fallen in love with Jack without noticing it.
The thought landed with enough force to make your stomach drop.
Your eyes flew open. For a moment you simply stared at your reflection in the steel basin, as though the exhausted woman looking back at you might offer a more reasonable explanation. Instead, all you saw were dark circles beneath your eyes, hair escaping from its ponytail, and the expression of someone experiencing a genuine personal betrayal.
"No."
The word sounded ridiculous even to your own ears.
You straightened slightly, pressing your palms against the edge of the sink as though physical stability might somehow compensate for the complete collapse of your emotional equilibrium. This was not happening. It simply wasn't. You refused to accept it.
You had survived medical school. You had survived surgical rotations, which should arguably qualify as a form of psychological warfare. Compared to those things, this should have been manageable. All you had to do was ignore it. Pretend it wasn't happening. Continue functioning exactly as you had before.
It was a solid plan.
Ignoring it lasts approximately thirty-seven minutes.
For thirty-seven whole minutes, you manage to convince yourself that whatever happened at the sink was nothing more than an unfortunate side effect of exhaustion. Residency has done stranger things to your brain. You've worked enough overnight shifts to know that sleep deprivation can make a person emotional, irrational, and occasionally incapable of distinguishing between a genuine crisis and a completely manufactured one. By the time you've finished documenting a trauma evaluation and worked through half your patient list, you've almost succeeded in talking yourself down.
Then you hear his voice.
"Dr. Y/N."
Your hands pause briefly over the keyboard before continuing to type.
"Mm."
The response is deliberately noncommittal. You don't look up. Instead, you focus intently on your chart, suddenly fascinated by documentation that had felt mind-numbingly boring only seconds earlier. If you acknowledge him, you'll have to look at him, and at the moment that feels like an unnecessary risk.
Unfortunately, Jack has never been particularly respectful of strategic avoidance.
A second later he appears beside your workstation, leaning one shoulder against the desk as though he has every right to occupy your personal space. The irritating part is not his presence. The irritating part is that you know he's there before you even glance up. Somewhere over the last year your brain has developed an alarming ability to track Jack's location without conscious effort, the same way it tracks monitor alarms or trauma activations. The awareness is immediate, automatic, and deeply unhelpful now that you've realized what it probably means.
"Trauma One."
Suspicion immediately replaces avoidance.
You finally look up.
"What about it?"
"You forgot to order repeat labs."
You stare at him.
"I did not."
"You did."
"I absolutely did not."
Jack doesn't argue. Instead, he reaches over, rotates your monitor slightly, and points toward the order set currently displayed on the screen. The movement is annoyingly confident, made worse by the fact that he already knows exactly what he's going to find. You follow his finger to the chart, scanning through the orders once, then twice.
There are no repeat labs.
For several seconds, you continue staring at the screen in the vague hope that the orders might spontaneously appear if you give them enough time.
They do not.
Beside you, Jack waits with the patience of a man who knows he's right and is enjoying the experience.
You lean back in your chair and let out a slow breath.
"...I may have forgotten the labs."
The corner of his mouth lifts immediately.
"That's not an apology, kid."
Under normal circumstances, being called kid would irritate you. Today it irritates you for an entirely different reason.
"You know what?" you say, pointing at the chart. "Maybe I forgot on purpose."
"Really?"
"Really. I wanted to experience what it feels like to forget something important. I figured attendings seem to enjoy it, so I'd broaden my horizons."
For a moment he simply looks at you. Then a laugh slips out before he can stop it.
The sound settles somewhere directly beneath your ribs.
That is new.
Or maybe it isn't new. Maybe the laugh has always affected you this way and you've only just become aware of it. The possibility is significantly worse.
Jack shakes his head, still smiling slightly.
"You've got a lot of confidence for somebody who forgot basic patient management."
"I learned from the best."
"That's not the insult you think it is."
"Damn."
The smile widens despite his obvious attempt to suppress it. Then he taps the edge of your monitor and says, "Order the labs."
You sigh heavily enough to qualify as performance art.
"Yes, grandpa."
"I'm not old enough to be your grandfather."
"You sure act like him."
His eyebrows rise.
"Careful."
The warning carries no actual threat behind it. That's the problem. Somewhere along the way the two of you established a rhythm that feels less like resident and attending and more like an argument that has been running continuously for months. You challenge him. He challenges you back. Neither of you seems particularly interested in stopping.
Looking back, you suspect that should have been your first clue.
Because the truth is that this is your favorite part of the day. Not trauma activations. Not procedures. Not difficult diagnoses. This. Standing at a workstation arguing about forgotten lab orders while the department buzzes around you. Trading sarcastic remarks. Making each other laugh. Existing together in a way that has become so familiar you stopped noticing how much you relied on it.
The realization lands quietly this time.
Not with panic.
Not with horror.
Just certainty.
This is why.
Not because he's attractive. Not because he's your attending. Not because of some dramatic moment lifted from a romance novel.
It's because somewhere between overnight shifts and impossible cases, he became your person.
The one you look for.
The one whose opinion matters most.
The one whose presence makes impossible days feel manageable.
Across the department, someone calls his name. Jack glances toward the trauma board, immediately shifting back into attending mode as another problem demands his attention.
"Order the labs, doctor."
You wave him away without looking up.
"Go save lives."
His eyes narrow slightly.
"You forgot the labs."
"You'll never let this go, will you?"
"Not a chance."
A moment later he's gone, disappearing back into the flow of the emergency department. You watch him leave for longer than necessary before forcing your attention back to the chart in front of you.
The realization arrives almost immediately.
You watched him leave. Again.
Your stupid heart follows right after him.
Traitor.
"So."
The voice appears so suddenly that you nearly drop from your chair.
You look up to find Santos leaning against the neighboring workstation with the unmistakable expression of someone who has witnessed something entertaining and intends to make it everybody else's problem. Whitaker is sitting a few feet away working on his charts, though the grin already tugging at the corner of his mouth suggests he knows exactly where this conversation is heading.
Immediately, you become suspicious.
"Guess we're flirting with our attendings now, huh?"
You don't bother looking away from your chart. Partly because you still have work to do, but mostly because looking up would require acknowledging that she may have a point, and you're not emotionally prepared for that conversation.
"I don't know," you reply, clicking through a patient's lab results. "Are we sleeping with trauma surgeons and pretending it doesn't suck the life out of us?"
The reaction is instantaneous.
Whitaker makes a strangled noise that sounds suspiciously like laughter disguised as a cough. Santos whirls around and points at him before he can contribute anything useful.
"Don't."
"I'm not saying anything."
"You're literally smiling."
"I can't control my face."
"You absolutely can."
Whitaker wisely returns his attention to the computer, though the grin lingering on his face suggests he's enjoying this far more than he should. Santos narrows her eyes at him for another second before turning back toward you with renewed focus, apparently remembering that she was in the middle of interrogating you.
"First of all, how dare you, bitch. Second of all, way to deflect. Not answering my question."
"What question?"
"The question where you were staring at Abbot like he personally hung the moon."
You scoff and finally look up from your chart. "I was not."
Neither Santos nor Whitaker appears remotely convinced. They exchange one of those infuriatingly knowing looks that people only seem capable of when they're absolutely certain they're right, and you immediately regret acknowledging either of them.
"You absolutely were," Santos says. "In fact, I think you've got a little drool right here."
Before you can stop her, she reaches toward your face. You slap her hand away on instinct.
"Get off me, you weirdo."
"I'm just trying to help."
"You're being extremely annoying today."
"And yet," Santos replies, entirely unbothered, "I'm still waiting for an explanation."
"There isn't one."
"Interesting, because from where I was standing, it looked a lot like flirting."
You return your attention to the chart, hoping silence will accomplish what logic apparently cannot. Unfortunately, Santos interprets your refusal to engage as confirmation. The dramatic gasp she lets out is loud enough that two nurses glance over from the desk.
"Oh my God."
"What?"
"You didn't deny it."
For reasons completely beyond your understanding, this immediately becomes the highlight of her evening. She looks genuinely delighted by the discovery while you rub a hand over your face and wonder whether transferring hospitals is still a realistic career option.
"I hate this department."
"No, you don't."
"I really do."
"No," Santos says with the absolute confidence of someone who has never once questioned her own conclusions. "You just hate that I, the smartest person here, noticed."
The worst part is that she's probably right. The even worse part is that before you can think of a comeback, your attention betrays you completely. It's automatic, lasting less than a second, but your gaze drifts toward the hallway Jack disappeared down a few minutes ago.
You catch yourself immediately.
Santos catches it faster.
The woman's ability to identify gossip-related developments borders on supernatural.
Her grin becomes unbearable.
"Oh, you've got it baaaad."
"Shut up."
"Bad."
"Santos."
"Really bad."
"Drop it."
By now Whitaker has abandoned any attempt at professionalism and is openly laughing into his coffee. You briefly consider throwing a chart at both of them, but before you can determine whether the resulting paperwork would be worth it, Mel appears seemingly out of nowhere and drops into the empty chair beside Santos.
"Hey," she says, looking between the three of you. "What are we laughing about?"
Santos doesn't even hesitate.
"Nothing. Just discussing how Miss Sunshine over here apparently enjoys doing charity work for the elderly."
Mel's eyes widen immediately.
And you begin seriously reevaluating the consequences of workplace violence.
The problem is that once you've noticed it, you can't seem to stop.
For the first few days, you tell yourself you're imagining things. You're hyperaware because of the realization, that's all. Anyone would be. If you spend enough time thinking about a person, naturally you'll start paying more attention to them. It's confirmation bias. Selective observation. A perfectly normal psychological phenomenon that definitely does not indicate you're catastrophically in love with your attending.
Unfortunately, that explanation starts to fall apart almost immediately.
The issue isn't that you're noticing new things about Jack. The issue is that you're suddenly recognizing the significance of things you've apparently been noticing all along.
You see it during overnight shifts, when the department finally quiets for a few precious minutes and exhaustion begins catching up with everyone. Most attendings disappear into offices when they get a chance to breathe. Jack usually stays on the floor. Sometimes you'll glance up from a chart and catch him rubbing a hand over his face, eyes closed for a brief second before the next patient pulls his attention away. The fatigue is obvious in those moments, written across his expression in a way he'd probably hate if he knew anyone had noticed. Yet somehow, no matter how exhausted he is, he never seems to let it affect the way he treats people.
You start seeing that everywhere.
You see it in the patience he shows family members asking the same question for the fourth time because they're scared and not really listening to the answer. You see it in the way he explains procedures, diagnoses, and risks without ever making people feel stupid for not understanding medical terminology. Most patients leave the emergency department remembering the diagnosis they received. Somehow, many of Jack's patients leave remembering how he made them feel.
The more attention you pay, the more examples you find.
A nurse mentions her son has been sick for several days. Three shifts later, Jack asks whether he's feeling better. A patient comes back to the department weeks after an initial visit, and Jack remembers the dog's name they'd spent half the appointment talking about. One morning he hands you a cup of coffee before shift change and, without thinking, orders it exactly the way you drink it. Not because you've reminded him recently. Not because you've mentioned it at all. Simply because he remembered.
The realization shouldn't affect you as much as it does.
Plenty of people are thoughtful. Plenty of people are kind.
But medicine has a way of grinding those qualities down. Long hours, impossible patient loads, endless administrative demands, and constant exhaustion tend to strip people down to their essentials. You've watched it happen to residents, attendings, nurses, and even yourself. Everyone becomes shorter on patience. Less generous with their energy. More focused on simply surviving the shift.
Yet somehow Jack remains stubbornly, frustratingly himself.
Even on terrible days, he stays late to help with difficult patients. He answers questions he doesn't technically have to answer. He takes responsibility when things go wrong and shares credit when things go right. He never asks residents to do work he wouldn't do himself, and you've lost count of the number of times you've found him transporting patients, helping nurses, or handling tasks that someone with his level of seniority could easily hand off to somebody else.
The worst part is that none of it feels performative.
He isn't trying to impress anyone.
Most of the time, he probably doesn't even realize you're watching.
But you are watching.
That's the problem.
You notice everything now, and every new observation feels less like discovering something about him and more like uncovering evidence that has been sitting in front of you for months. Each detail slots neatly into a picture you were somehow too blind to see before.
By the end of the week, you've reached a conclusion that is both humiliating and impossible to dispute.
You are paying far too much attention to Jack.
And the more attention you pay, the more hopelessly doomed you become.
Three weeks later, you're stitching a laceration on a sixteen-year-old's forehead when Jack walks into the room.
The patient, Dean, is recovering from what the chart diplomatically describes as a "fall from height," though the actual story involved a garage roof, a trampoline, and a level of confidence that far exceeded his coordination. Fortunately, the resulting injuries are limited to a forehead laceration, a badly bruised shoulder, and what will hopefully become a valuable lesson in decision-making. Unfortunately, Dean appears to have learned absolutely nothing.
"So how big is the scar gonna be?" he asks while you place another stitch.
"If you're lucky, barely noticeable."
"And if I'm not lucky?"
"Then you'll have a permanent reminder not to jump off buildings."
"I wasn't jumping off a building."
"You were on a roof."
"That's different."
His mother immediately disagrees from her chair in the corner. "It is literally the same thing, Dean."
While Dean launches into an argument that seems destined to continue indefinitely, you focus on the repair in front of you, grateful for the distraction. For the last several weeks, distractions have become increasingly valuable. Ever since the unfortunate revelation in Trauma Two, you've been attempting to proceed with your life as though nothing has changed. The strategy has been moderately successful right up until the moment Jack enters a room, at which point your brain abandons all professional objectives in favor of becoming deeply irritating.
The curtain shifts, and before you've even looked up, you know exactly who it is. That realization is becoming alarmingly common. Somewhere along the way, you've apparently memorized the rhythm of his voice, the sound of his footsteps, the way he moves through the department. It's information you never consciously decided to learn, yet it exists in your head anyway, filed away alongside medication dosages and trauma protocols.
"Hey," Jack says as he steps inside. "I'm Dr. Abbot. Just checking in. How's it going, Dean?" He glances briefly at the chart before looking back at the teenager. "Looks like you took quite a fall."
Dean immediately brightens. Patients tend to respond well to Jack. You've observed this often enough to stop finding it surprising, although you still find it mildly annoying. Children trust him. Parents trust him. Even the difficult patients who spend half their visit arguing usually soften after speaking with him for a few minutes. He has an irritating ability to make people feel heard, which unfortunately turns out to be an attractive quality.
"Yeah, but I'm okay now," Dean says. Then, after studying Jack for a moment, he adds, "Are you the boss of this hospital?"
Jack looks genuinely confused by the question. "No."
Dean points directly at you.
"She seems like the boss."
A laugh escapes before you can stop it. Across the room, Jack follows Dean's gesture, glances at you for a second, and then nods with the kind of certainty that suggests he's been waiting for an opportunity to say exactly that.
"Yeah," he agrees. "That sounds about right."
You roll your eyes, but Dean's attention has already sharpened. Teenagers possess an extraordinary ability to identify dynamics between people, especially when those dynamics would be embarrassing if acknowledged. You can practically see him studying the two of you, assembling information, drawing conclusions. The process is visible enough that a sense of dread begins creeping up your spine long before he actually opens his mouth.
His mother notices it too.
"Dean," she says warningly.
The fact that she says his name before he's spoken is not reassuring.
"What?" he asks.
Whatever instinct normally prevents people from saying inappropriate things appears to have completely abandoned him.
"You guys married?"
The question lands like a grenade.
For one terrible second, the room goes completely silent except for the monitor beeping beside the bed. Your hand actually pauses in the middle of tying a stitch. Dean's mother immediately closes her eyes as though she's reconsidering several major parenting decisions.
"Oh my God," she mutters.
"Absolutely not," you say at the exact same moment Jack says, "No."
The overlap only makes things worse.
Dean narrows his eyes.
You recognize that expression. It's the look of someone who believes they've discovered something interesting and intends to investigate further.
"That's very suspicious."
"It isn't," you say immediately.
"It kind of is."
"It really isn't."
"It definitely is."
You finish tying the stitch with perhaps slightly more force than necessary. "Dean, I am currently holding a needle."
His mother starts laughing. Jack is visibly trying not to. Neither response improves your mood.
The conversation somehow continues from there despite your best efforts to end it. Dean remains convinced he's uncovered a mystery. His mother continues apologizing. Jack contributes absolutely nothing helpful, choosing instead to stand there with the unmistakable expression of someone enjoying your suffering. By the time you've finished the final stitch and started explaining wound care instructions, the entire room has accepted that you're never going to hear the end of this.
What bothers you most is not the question itself. Teenagers say ridiculous things all the time. What bothers you is the tiny moment beforehand, the fraction of a second when Dean looked between you and Jack and apparently saw something worth asking about. The possibility lingers in the back of your mind throughout the rest of the procedure, unwelcome and impossible to dismiss.
When Jack finally heads toward the door, Dean calls after him with all the confidence of someone who has decided he's correct.
"Good luck, man."
Jack laughs, shakes his head, and disappears into the hallway.
You hate how long your gaze remains fixed on the doorway after he's gone.
You hate even more that Dean notices.
The breaking point arrives during a night shift.
Of course it does.
There is something about three o'clock in the morning that strips people down to their essentials. By then, the coffee has stopped helping, the adrenaline reserves are running low, and everyone in the emergency department is operating on habit, instinct, and sheer stubbornness. The waiting room is overflowing. A chest pain patient has become a STEMI halfway through an evaluation. One of the psychiatric patients has attempted to leave twice. A drunk college student managed to vomit directly onto your shoes and then had the audacity to apologize by calling you "bro."
You have been moving almost continuously for ten hours. You cannot remember the last thing you ate. You vaguely suspect it was yesterday.
By the time the twelve-year-old arrives, you're already exhausted.
The kid is struggling to breathe before he's even fully through the doors. Severe asthma exacerbation. Retractions. Tachypnea. Oxygen saturation dropping. The panic in his mother's face is somehow worse than the panic in his own. Cases like this always hit harder when they're children.
The next hour disappears into work.
Nebulizers. Steroids. Magnesium sulfate. Oxygen. Reassessment after reassessment. Watching every rise and fall of his chest. Listening to every breath sound. Waiting for improvement while trying not to think about all the ways things can go wrong.
Eventually, mercifully, they begin to go right.
The wheezing softens. His respiratory rate slows. The terrified look in his eyes begins to fade. By the end of the hour he's sitting upright in bed, exhausted but breathing comfortably, while his mother wipes tears from her face and thanks everyone in the room with the kind of overwhelming relief that only comes after genuine fear.
You give discharge planning another few minutes, answer questions, make sure they're both okay, and then finally step into the hallway.
The moment the door closes behind you, the adrenaline disappears.
Not gradually.
Completely.
The crash is so abrupt it almost makes you dizzy.
You lean back against the wall and close your eyes for what is intended to be only a second. Around you, the emergency department continues moving at its usual pace. Life continues exactly as it always does.
You simply no longer feel capable of keeping up with it.
"Hey."
You know the voice immediately.
How could you not?
Opening your eyes feels like a mistake, but you do it anyway. Jack is standing a few feet away, studying you with an expression that instantly makes you defensive.
"How long since you've eaten?"
You groan. "I'm not doing this."
"That's not an answer."
"I'm busy."
"So eat while you're busy."
"I don't have time, dr. Abbot."
Jack reaches into the paper bag he's carrying and holds out half a sandwich.
You stare at it.
Then at him.
Then back at the sandwich.
"What is this?"
"A sandwich."
"I know what a sandwich is."
"Congratulations."
You narrow your eyes.
Unfortunately, you're too tired to sustain proper indignation. After a few seconds you take the sandwich, mostly because arguing requires energy you no longer possess.
Jack settles against the wall beside you without asking permission. The gesture should probably feel strange. It doesn't. That's part of the problem. Somewhere over the last year, his presence has become so familiar that your brain accepts it automatically.
For a while neither of you says anything.
The silence isn't awkward. That's another problem.
It would be much easier if it were awkward.
Instead, the two of you stand there eating stale cafeteria food while the department moves around you, and somehow it feels more restful than the fifteen-minute breaks you've spent alone in the resident lounge.
After a minute, Jack nods toward the room you'd just left.
"You did good in there, kid."
The words settle heavily somewhere beneath your ribs. Anyone else would probably assume he was complimenting your medical management, and maybe he was, partially, but you've worked with him long enough to understand what he actually means. He's talking about the way you sat with the kid when he was scared, the way you stayed calm when his mother couldn't, and the fact that you always seem to carry difficult cases long after everyone else has moved on.
"You don't have to do that, you know."
Jack glances over. "Do what?"
"Act like every difficult patient is somehow my responsibility."
Something shifts in his expression then, not enough that most people would notice, but enough that you do.
"You know you can't save everybody."
The statement is gentle, which somehow makes it worse. You look away before he can see your reaction. Of course you know that. Every physician knows that. It's drilled into you from the beginning because it has to be. If you carry every loss, every complication, every patient you couldn't help, eventually the weight becomes impossible to bear. The problem has never been knowing it. The problem is believing it.
"You care too much."
A weak laugh escapes you.
"That's rich coming from you."
The corner of his mouth lifts, and some of the tension eases despite yourself. The conversation falls quiet after that and neither of you seems particularly interested in leaving. Your shoulder brushes his when someone pushes a stretcher past, and neither of you immediately moves away. Standing there in the middle of a crowded emergency department, exhausted enough that your usual defenses have finally worn thin, you realize something that should have occurred to you weeks ago.
For all the time you've spent treating your feelings like a problem to solve, you've never seriously considered the possibility that you weren't alone in them.
The thought hits hard enough to make your pulse stumble. You turn your head before you can stop yourself and immediately regret it. Jack is already looking at you.
That shouldn't matter. People look at each other during conversations all the time. You've worked entire shifts together. You've stood side by side through traumas, codes, procedures, and disasters of every imaginable variety. There is absolutely no logical reason his attention should affect you differently now than it did a month ago. Unfortunately, logic stopped being relevant somewhere around the moment you realized you were in love with him.
The emergency department continues moving around you, but it suddenly feels farther away. The overhead pages, monitor alarms, and constant movement blur into background noise as your brain focuses on one deeply unfortunate detail. Jack isn't looking at you because you're speaking. He isn't looking at you because he's waiting for an answer. He's looking at you because he wants to. The certainty settles into your chest with terrifying ease, bringing with it the quiet understanding that whatever has been growing between the two of you for months has not been happening exclusively inside your own head.
"No."
Jack blinks. "What?"
Horror arrives immediately. You actually said that out loud.
Years of education. Years of training. Countless high-pressure situations requiring calm, professional decision-making, and somehow this is the response your brain produces when confronted with mutual feelings. For a brief moment you consider pretending it never happened, but Jack knows you far too well for that.
Straightening abruptly, you shove the last bite of sandwich into your mouth and point at him with the kind of accusatory conviction usually reserved for criminal investigations.
"No."
His eyebrows rise.
"...No?"
"No."
What exactly am I being accused of?"
The fact that he's amused immediately makes everything worse.
"You know what."
"I genuinely don't."
"You absolutely do."
For a second he simply watches you, and then you see the exact moment understanding arrives. It appears first in his eyes and then in the slow curve of his mouth. It's not the grin he gives you when you're arguing with him or the expression he wears when you're being particularly stubborn. This is something quieter. Warmer. The kind of look that instantly confirms every suspicion you've spent weeks trying to suppress.
"Oh."
You close your eyes.
Of all the possible responses, somehow that one is the most infuriating.
"Oh is exactly what I'm trying to avoid."
His smile only widens.
"That's usually not how this goes."
Suspicion immediately replaces embarrassment.
"How what goes?"
"When people realize they have feelings for someone."
You nearly choke.
"There is no universe in which we're having this conversation."
"We're definitely having this conversation."
"I refuse."
"You already started it, sweetheart."
The betrayal is immediate and profound. You stare at him in disbelief, waiting for some indication that he's joking, but Jack simply looks back at you with infuriating patience. A second later he laughs, not politely or under his breath but genuinely, and the sound catches you completely off guard.
For weeks you've been carrying this realization around like a catastrophe waiting to happen. You've treated it like a problem that needed solving, an obstacle that needed eliminating before it could do any real damage. Every instinct you've had since that afternoon at the sink has been focused on containment. Ignore it. Suppress it. Outwork it. Pretend it isn't there. Yet standing here now, exhausted after a miserable shift and listening to Jack laugh at your complete inability to manage your own emotions, you discover that none of the disasters you'd been expecting have actually occurred. The hospital is still standing. The emergency department hasn't burst into flames. You have not died of embarrassment, despite several close calls.
Against your better judgment, a reluctant laugh escapes you too.
The feeling that follows is strange. The weight you've been carrying doesn't disappear entirely, but it shifts. For the first time it feels shared rather than hidden, acknowledged rather than buried. The fear is still there, but it's no longer yours alone.
When the laughter fades, Jack is still looking at you, and there is something in his expression that makes your chest ache. Affection, certainly. Understanding. Maybe even relief. Whatever it is, it strips away the last of your excuses. You should be terrified. Realistically, this is the point where panic would make the most sense. Instead, for the first time since this whole disaster began, you feel something unexpectedly steady.
Because this no longer feels like something happening to you against your will. It feels like a choice sitting quietly between the two of you, a possibility neither of you has touched yet but one that suddenly seems real enough to reach for.
Your first instinct remains exactly the same.
Absolutely not.
The problem is that, for the first time, you're no longer entirely convinced that's your final answer.
Request - Hey, I love your stories! I would love to see one where the reader had a stalker and Robby is super protective but something still happens! Love the angst and how you write it :))
The first time, itâs at the coffee shop across from the hospital, the one you and Robby stop at more often than either of you admit, especially on the mornings when the shift ahead feels like itâs already pressing down on your chest before itâs even begun. Youâre standing off to the side waiting for your order, scrolling mindlessly through your phone, when you feel it, that unmistakable prickle along the back of your neck like someoneâs eyes have settled on you and refused to look away. You glance up, casual at first, not wanting to seem paranoid, your gaze sweeping the room in a slow arc, but nothing stands out. Just people hunched over laptops, a couple arguing quietly near the window, a man in a baseball cap standing near the door with his hands shoved into his pockets.
You look away. And then, for reasons you canât quite explain, you look back. Heâs still there. The man doesnât move when your eyes land on him again, doesnât even pretend to be doing something else, and itâs not overt enough to call out, not obvious enough to mean anything, but thereâs something in the way his gaze holds, just for a second too long, that makes your stomach dip.
âY/N.â
You blink, the moment breaking as your name is called from the counter, and by the time you grab your coffee and turn back, the man is gone.
You tell yourself itâs nothing. You have to. Because the alternative is ridiculous.
By the time you get to the hospital, youâve buried the feeling well enough that you donât think about it again, not when the shift hits hard and fast, not when youâre pulled into back-to-back cases that leave you running on muscle memory and caffeine, not when the hours blur together into something relentless and familiar.
It isnât until much later, when you finally step out into the hallway for a breath, that you see him again. Or at least, you think you do. The same baseball cap, pulled low. The same stillness. Heâs standing near the far end of the corridor, just past the waiting area, and it takes you a second to place why that feels wrong, because visitors donât usually linger there, not without reason, not without purpose, and yet he isnât checking in, isnât speaking to anyone, isnât moving at all. JustâŠstanding.
Watching. Your pulse stutters, just briefly, just enough to make you shift your weight and straighten, your eyes narrowing slightly as you try to convince yourself youâre imagining things, that youâre connecting dots that donât exist, that itâs been a long day and your brain is playing tricks on you.
âHey.â
The voice comes from your left, grounding, familiar, and when you turn your head, the tension in your shoulders eases almost instantly as Robby steps into your space, his presence as solid and steady as it always is, his eyes flicking over your face in that quick, assessing way of his that misses nothing.
âYou look like you just saw a ghost,â he says, quieter than usual, his tone edged with something that makes you realize heâs already halfway to concern.
You let out a small breath, shaking your head as you force a smile that doesnât quite stick. âIâm fine.â
He doesnât buy it. He never does. Robbyâs gaze lingers on you for a beat longer than necessary before it shifts, following the direction you had been looking, his expression sharpening just slightly as he scans the hallway, instinct kicking in before youâve even said a word.
The man is gone. Again.
âThere was someone,â you say before you can stop yourself, your voice quieter now, almost hesitant, because saying it out loud makes it feel real in a way you arenât sure youâre ready for. âI think I saw him this morning too. At the coffee shop.â
Robbyâs attention snaps back to you instantly, all traces of casual ease disappearing as something more focused, more deliberate, settles into place.
âWhat do you mean you think?â he asks, his tone calm but firm, the kind that tells you heâs already filing this away, already taking it more seriously than you intended.
You hesitate, hating how unsure you sound even to your own ears. âI donât know. He was justâŠthere. Looking at me, I guess. And then he was here. Or someone who looked like him.â
Robby studies you for a long moment, his jaw tightening just slightly, and you can practically see the shift happen, the way his posture changes, the way his shoulders square like heâs bracing for something he doesnât fully understand yet.
âDid he say anything to you?â he asks.
âNo.â
âFollow you?â
âI donât think so.â
That doesnât seem to reassure him. If anything, it makes it worse. Robby exhales slowly, one hand coming up to rest briefly at the back of his neck as he glances down the hallway again, like heâs expecting the man to reappear if he looks hard enough.
âOkay,â he says finally, his voice steadier now, more controlled. âOkay. It could be nothing.â
But thereâs something in his eyes that doesnât match the words. Something sharper.
âYeah,â you echo, though your voice lacks conviction.
His gaze softens just a fraction as it returns to you, and then he steps closer, closing the small gap between you until his hand brushes lightly against your arm, grounding, reassuring, deliberate.
âHey,â he murmurs, lower now, meant only for you. âIf something feels off, you tell me. Immediately. Donât brush it off, donât second guess it. You got me?â
The intensity of it catches you off guard, the quiet weight behind his words settling somewhere deep in your chest, and you nod before you can overthink it. âI got you.â
Robby holds your gaze for another second, searching, like heâs trying to decide if thatâs enough, if youâre okay, if heâs okay letting this go for now.
Itâs clear he isnât. But he lets it drop anyway, at least on the surface, his hand lingering just a moment longer before he pulls back.
âCome on,â he says, softer now, though the edge hasnât fully left him. âYouâre not walking out of here alone tonight.â
You huff out a small, half-hearted laugh, trying to lighten the moment. âI walk out alone all the time.â
âNot tonight,â he replies, and thereâs no room for argument in the way he says it, not harsh, not overbearing, justâŠcertain.
You donât fight him on it. Because, for the first time since that strange, fleeting moment in the coffee shop, the unease hasnât faded. If anything, itâs settled deeper. And as Robby walks beside you later, close enough that your arms brush with every step, his attention sharper than usual, his eyes scanning everything like heâs cataloging every movement, every face, every shadow, You realize, quietly, that whatever this isâŠ
It isnât over.
******
You try, at first, to pretend it was just a coincidence. That the man in the coffee shop and the man in the hospital hallway were just two strangers who happened to share a similar build, a similar stillness, a similar way of looking at you like you were something to be studied instead of simply seen.
Itâs easier that way. And for a couple of days, it almost works. Life falls back into its usual rhythm, the controlled chaos of the hospital swallowing your attention whole, long shifts bleeding into longer nights, and the quiet moments with Robby, coffee in his kitchen, takeout on the couch, his hand absentmindedly tracing patterns along your arm, grounding you enough that the unease dulls into something distant, something ignorable.
Until it isnât.
Itâs your day off when it happens again. Youâre at the grocery store this time, moving slowly down the aisles with a cart thatâs half full and a mind thatâs blissfully unfocused, the rare kind of quiet that feels like a luxury after everything. Youâre debating between two brands of pasta sauce when that feeling hits you again, sudden and sharp, like a cold breath against the back of your neck.
You freeze. Just for a second. Then you straighten, forcing yourself to stay calm as your eyes flick up, scanning the end of the aisle.
Heâs there. Not ten feet away. Same cap. Same stillness. Same eyes. And this time, thereâs no mistaking it.
Your stomach drops hard enough that you feel it in your chest, your fingers tightening around the handle of the cart as your brain scrambles to catch up, to make sense of what youâre seeing, to find a reasonable explanation that doesnât immediately set off alarm bells. He doesnât look away when you notice him. If anything, his attention sharpens, like heâs been waiting for you to realize heâs there.
âCan I help you?â
The words are out before you can stop them, your voice steadier than you feel, a reflex more than anything else, because standing there and saying nothing feels worse.
For a second, nothing happens. Then he smiles. It isnât warm. It isnât friendly. Itâs the kind of smile that doesnât quite reach his eyes, that lingers just long enough to make your skin crawl before he finally speaks.
âYou dropped something,â he says.
Your breath catches.
âWhat?â
He nods down the aisle, toward the endcap behind you, and your body moves before your brain fully processes the motion, turning slightly, just enough to glance in that direction.
Thereâs nothing there. Nothing out of place. Nothing that belongs to you. And when you turn back, Heâs gone.
This time, the unease doesnât fade. It spikes. You donât wait. You donât brush it off. You donât second guess it. You call Robby. He picks up on the first ring.
âHey,â he answers, but thereâs an immediate shift in his tone, like he can hear something in your breathing that puts him on alert. âWhatâs wrong?â
âI saw him again.â
The words come out faster than you expect, tight and thin and threaded with something that feels dangerously close to fear, and thereâs a beat of silence on the other end of the line that feels heavier than it should.
âWhere are you?â he asks, already moving, you can hear it, the faint rustle of fabric, the clatter of something being set down.
âAt the grocery store. Onâon Grant. He was just here, Robby. He talked to me.â
That does it. The shift on his end is immediate, the last traces of calm snapping into something sharper, something focused and controlled in a way that makes your pulse kick even harder.
âWhat did he say?â he demands, low and precise.
âHe said I dropped something, but I didnât. And then he justâhe left.â
âAre you still there?â
âYes.â
âStay inside. Donât go to your car alone. Iâm on my way.â
âRobbyââ
âIâm already in the car,â he cuts in, not harsh, but firm enough that you stop talking, his voice tightening just slightly. âTen minutes. Stay where there are people, okay?â
You swallow, nodding even though he canât see you. âOkay.â
âIâm serious,â he adds, softer now but no less intense. âDonât go anywhere by yourself.â
âI wonât.â
He hangs up a second later, and you stand there in the middle of the aisle for a moment, your heart still racing, your mind replaying the interaction over and over again like itâs trying to find something you missed, something that explains why this feels so much worse than before.
Because he spoke to you. Because he knew you were there. Because he didnât even try to hide it.
Robby gets there in seven minutes. You know because youâre watching the front doors when he walks in, scanning the store like heâs on a mission, his eyes locking onto you almost immediately as he crosses the space in long, purposeful strides. The second he reaches you, his hands are on you, one at your arm, the other brushing your shoulder, his gaze flicking over your face like heâs checking for injuries that arenât there.
âYou okay?â he asks, breath slightly uneven.
âIâm fine.â
He doesnât look convinced.
âWhere?â he presses.
You gesture vaguely down the aisle, and he doesnât hesitate, turning his head to look, his jaw tightening when he finds nothing but empty space.
âDid you recognize him?â he asks.
âNo. Justâthe same guy. From before. Iâm sure of it this time.â
Robbyâs mouth presses into a thin line, his hand still resting on your arm like heâs anchoring you there, like letting go might mean losing track of you entirely.
âOkay,â he mutters, more to himself than to you. âOkay.â
You watch him for a second, the way his mind works through it, the way something heavier settles behind his eyes, something that wasnât there before.
âRobby,â you say quietly. âItâs probably nothing, right? I meanâpeople are weird. Maybe he justââ
âNo.â
The word is immediate. Your breath catches.
âNo?â you repeat.
Robby shakes his head, his gaze snapping back to yours, all pretense of downplaying it gone now, replaced with something that feels a lot like resolve.
âThatâs not nothing,â he says, his voice lower now, steadier, but edged with something you donât hear from him often. âThatâs a pattern.â
The word lands heavier than you expect.
âWhat does that mean?â
âIt means,â he replies, his grip on your arm tightening just slightly before he forces himself to ease it, like heâs aware of how it might feel, âweâre not ignoring this anymore.â
A flicker of tension rises in your chest, instinctive, defensive. âRobby, I donât want toââ
âI know what you want,â he cuts in, softer this time, but no less firm. âYou want it to be nothing. So do I. But Iâm not gambling on that.â
Thereâs something in his expression now that makes your chest ache, something that looks dangerously close to fear, buried under layers of control and determination.
âYouâre not walking anywhere alone,â he continues. âYou text me when you get home, when you leave, when you go anywhere. If Iâm not with you, someone is. Doors locked. Windows locked. Got it?â
The list comes out fast, practiced in a way that tells you heâs already been thinking about this, already building a plan in his head from the moment you called. It makes your chest tighten.
âRobbyâŠâ
âIâm serious,â he says again, quieter now, his hand sliding from your arm to your wrist, grounding, steady. âI donât like this.â
You look at him, really look at him, at the tension in his jaw, the sharpness in his eyes, the way heâs holding himself like heâs ready for something he canât see yet. And suddenly, this doesnât feel small anymore. This doesnât feel like something you can brush off.
âOkay,â you say softly.
He exhales, just slightly, like that matters more than anything else you could have said.
âOkay,â he echoes.
But he doesnât let go of you. Not when he walks you to the register. Not when he walks you out to your car. Not even when you insist you can drive yourself home.
âIâm following you,â he says, already moving toward his own car.
âRobbyââ
âIâm following you,â he repeats, leaving no room for argument this time.
And as you pull out of the parking lot with his car close behind yours, closer than necessary, closer than usual, you realize something has shifted. Because this isnât just unease anymore. This is fear.
And Robby? Robby is done pretending itâs anything less.
******
It doesnât happen all at once. That would almost be easier, something sudden and undeniable that forces a reaction, something clean in its chaos.
Instead, it tightens. Like something learning your patterns. Robbyâs presence becomes constant in a way that would have felt excessive a week ago, but now settles into something you donât question, not when he walks you into every shift, not when he waits for you after, not when his hand finds yours in crowded spaces without thinking, his thumb brushing once over your knuckles like a quiet check-in that youâre still there.
You donât argue anymore. Not after the third day. Not after the second time you catch that same flash of a dark cap just a little too far away for comfort. Not after the first message.
Itâs waiting for you when you get home. A folded piece of paper, slipped just under your apartment door, barely visible unless youâre looking for it, unless you know something is wrong before you even step inside. You notice it immediately. Your stomach drops just as fast. Robby is with you, thank God, his hand brushing the small of your back as you both step into the hallway, his attention already shifting the second he sees you freeze.
âWhat is it?â
You donât answer right away. You just bend, slowly, your fingers hesitating before you pick up the paper like it might burn you. Robbyâs hand closes around your wrist before you can open it.
âWait.â
The word is quiet, controlled, but thereâs something under it now, something darker, something that makes you look up at him.
âLet me,â he says.
You hesitate. Then you nod, handing it over. Robby unfolds it carefully, his eyes scanning the page, and for a second, you canât read his expression, it goes blank in that way he has when heâs processing something fast and dangerous all at once. Then his jaw tightens.
âWhat does it say?â you ask, your voice smaller than you intend.
He doesnât answer immediately. Which is worse.
âRobby.â
His eyes flick up to yours, something flickering there that he tries, and fails, to mask.
âItâs nothing,â he says, too quickly.
You stare at him.
âDonât do that.â
âIâm notââ
âRobby.â
This time, your voice is firmer, steadier, even if your chest feels like itâs starting to cave in on itself.
âRead it.â
He exhales slowly, like heâs making a decision he doesnât like.
âIt saysâŠâ He glances down at the paper again, his mouth pressing into a thin line before he forces the words out. âIt says, âYou looked right at me today. That was new.ââ
The air leaves your lungs in a sharp, quiet rush.
âAnd?â you whisper.
Robby doesnât want to continue. You can see it. But he does anyway.
ââI think youâre starting to understand.ââ
Silence settles heavy between you, thick and suffocating, your mind struggling to catch up with what youâre hearing, with what that means, with how long this has been happening without you realizing. Without you noticing. Your hands start to shake.
âYou said he talked to you,â Robby adds, quieter now, his eyes fixed on you like heâs gauging your reaction, like heâs bracing for it. âAt the store. About dropping something.â
You nod, barely.
âThat means he knew youâd look for something that wasnât there,â he continues, his voice tightening. âWhich means heâs watching how you react.â
The room feels smaller suddenly. Harder to breathe in.
âRobbyââ
âIâm calling this in,â he says, already pulling his phone from his pocket.
Your head snaps up. âWaitââ
âNo,â he cuts in, sharper now, something in him snapping into place. âThis is past weird, okay? This is someone actively approaching you, leaving things at your home, tracking your movements. Iâm not sitting on this.â
A flicker of resistance rises in your chest, instinctive, overwhelmed. âI donât want to blow this up ifââ
âIf what?â he interrupts, his eyes flashing. âIf it turns out heâs harmless?â
You falter. Because you donât have a good answer for that. Robby steps closer, his voice dropping, not louder but heavier, more intense.
âHe got to your door,â he says, slower now, each word deliberate. âYour door. That means he knows where you live.â
That lands. The last bit of hesitation you had cracks under the weight of it.
ââŠOkay,â you breathe.
Robby exhales, just slightly, like that was the answer he needed, before he turns, already dialing, already moving into action in a way that is so distinctly him that it steadies you even as everything else feels like itâs tilting off its axis.
He makes the call. He explains. His tone is clipped, controlled, giving only whatâs necessary, but his hand never leaves you, resting at your lower back like a constant, grounding presence, like he needs the contact just as much as you do.
******
That night, he doesnât leave. He doesnât even pretend to consider it.
âIâm staying,â he says simply, like itâs the most obvious thing in the world, like thereâs no version of this where he walks out that door and leaves you here alone.
You donât argue. You canât. Not when every shadow in your apartment suddenly feels like it could be something more, not when every small noise makes your heart jump just a little too fast.
Robby moves through your space with quiet efficiency, checking locks, windows, the back door, the front door again, his movements methodical in a way that tells you heâs trying to control what he can. When heâs done, he stands in the middle of your living room for a moment, his hands on his hips, his eyes scanning like heâs committing every inch of it to memory. Then he looks at you.
âYouâre not sleeping alone tonight,â he says.
Your throat tightens.
âOkay.â
The word comes out softer than you expect, but he doesnât comment on it, just nods once before moving closer, his hand finding yours again, his grip firm but not overwhelming. You donât realize how much you needed that until he lets go a second later.
Itâs sometime after midnight when it happens. Youâre both in bed, the lights off, the quiet heavy but not entirely uncomfortable, your body finally starting to relax under the steady presence of him beside you, the warmth of him a constant reassurance that you arenât alone in this.
You must have drifted off. Because the sound wakes you.
Soft. Barely there. A faint scrape.
Your eyes snap open, your breath catching in your throat as you lie there, completely still, your brain trying to decide if you imagined it, if it was part of a dream, if itâs safe to ignore. Beside you, Robby goes rigid. You feel it instantly, the shift in him like a wire pulled too tight, his breathing changing just slightly as he listens, his entire body going alert in a way that sends a spike of adrenaline straight through you.
âDid you hear that?â you whisper.
He doesnât answer. Not right away. Instead, he slowly, carefully, slides out of bed.
âRobbyââ
âStay here,â he murmurs, low and controlled, already moving toward the door.
Your heart starts to pound.
âDonâtâdonât go alone.â
He pauses. Just for a second. Then he looks back at you, something dark and protective flashing across his face.
âIâm not letting someone walk around your apartment,â he says quietly.
Before you can respond, heâs gone. The seconds stretch. Too long. Every sound feels amplified, every shift of air too loud, too close, and your hands clutch the blanket tighter around you like that might somehow help, like it might make you invisible.
ThenâŠ
âHey!â
Robbyâs voice. Followed by the sound of something hitting the floor. Youâre out of bed before you can think, adrenaline overriding everything else as you rush toward the doorway, your pulse roaring in your ears.
âRobbyâ!â
âGet back!â
The command is immediate, cutting through the air like a blade, and you freeze in the hallway just as he lunges forward, his body colliding with someone you barely see before they twist out of his grasp, fast, desperate, bolting toward the back door.
The door you know was locked. The door that is now swinging open. For a split second, everything slows.
You catch a glimpse, the cap. The eyes. On you. Then heâs gone. Disappearing into the night like he was never there at all. Robby stands there, chest heaving, fists clenched at his sides, his entire body vibrating with something that looks dangerously close to rage.
âYou okay?â he demands, turning to you so fast it almost startles you, his hands on you again, checking, searching, grounding.
âIâI think so,â you stammer, your voice shaking now, the reality of what just happened crashing over you all at once. âHe wasâhe was inside.â
Robbyâs jaw tightens so hard it looks like it might crack.
âI know.â
You stare at him, your breath uneven, your chest tight.
âHow did he get in?â
Robby glances toward the door, toward the broken lock, toward the evidence that this isnât just a feeling anymore, this isnât just a maybe. This is real. And itâs escalating.
âI donât know,â he says finally, his voice low, dangerous in a way youâve never heard before. âBut Iâm going to find out.â
His hand comes up, cupping the side of your face, his thumb brushing just under your eye like heâs reassuring himself that youâre still here, still whole.
Still safe. For now. And the way he looks at you in that moment, like he came within seconds of losing something he canât imagine being without, makes your chest ache. Because this isnât just fear anymore. This is something worse. Something deeper. And whatever comes next? Itâs not going to be small.
******
The police come. Robby calls them before the back door has even stopped swinging on its hinges, his voice clipped and precise as he reports an intruder, a break-in, a man who ran, a man who has been escalating, a man who now knows exactly where you sleep.
They take statements. They dust for prints. They ask questions that feel too slow, too detached, too procedural for something that still feels like itâs vibrating under your skin. Robby doesnât leave your side. Not once.
He stands just slightly in front of you when they ask you to walk through what happened, his hand resting at your back, grounding, steady, but his eyes, his eyes never stop moving, scanning the room, the doors, the windows, like heâs expecting that man to step back inside at any second. Like heâs not convinced this is over.
It isnât. You can tell he knows that. They recommend you stay somewhere else. Just for a few days. Precautionary. Robby doesnât hesitate.
âYouâre coming home with me,â he says, not even phrased like a question, his voice firm in a way that leaves no room for argument.
You donât argue. You canât. Not after seeing that door open. Not after seeing him inside.
******
Robbyâs apartment feels different now. Safer. But only because heâs in it. He moves through it the same way he moved through yours, checking locks, windows, blinds, the hallway outside his door, his routine more thorough this time, more rigid, like heâs learned something from what happened. Like heâs adapting.
You sit on the edge of his couch, your hands wrapped around a mug you havenât touched, your mind replaying the moment over and over again, the way the man moved, the way he looked at you, the way he didnât run until Robby was already on him. Like he hadnât been afraid. Like he hadnât expected to be caught. Robby comes back into the room and stops when he sees you, his expression shifting instantly, the tension easing just slightly as he steps closer.
âHey,â he says quietly.
You look up at him, your throat tight.
âHe was in my apartment,â you whisper, like saying it again might make it make sense.
Robby crouches in front of you without hesitation, his hands coming to rest on your knees, firm and grounding.
âI know.â
âI locked the door.â
âI know.â
Your breath shakes. âI checked it. I always check it.â
His jaw tightens, but his hands donât move.
âThis isnât on you.â
âButââ
âThis isnât on you,â he repeats, more firmly this time, his eyes locking onto yours, forcing you to hear him. âThis is on him.â
Something in your chest cracks just a little under the weight of that, the guilt you didnât even realize you were carrying loosening just enough to let you breathe. Robbyâs hand slides from your knee to your wrist, his thumb brushing over your pulse like heâs counting it, like he needs the steady rhythm to reassure himself.
âIâm not letting him get near you again,â he says, quieter now, but no less certain.
You believe him. Thatâs the terrifying part.
******
The next two days are a blur of controlled chaos. Reports filed. Security cameras reviewed. Descriptions repeated. Robby becomes something sharper, more focused, every movement deliberate, every decision calculated, like heâs running a case instead of living his life.
He barely sleeps. You notice. Of course you do. He tries to hide it, tries to keep things normal when heâs around you, softening his tone, checking in, making sure you eat, making sure you rest, but the second he thinks youâre not looking, that edge comes back, that tension coiling under his skin like it has nowhere to go.
âRobby,â you say softly one night, watching him pace his living room for the third time in ten minutes. âYou need to sit down.â
âIâm fine.â
âYouâre not fine.â
He stops. Just for a second. Then he drags a hand down his face, exhaling sharply before he looks at you.
âI shouldâve caught him,â he mutters.
Your heart aches.
âRobbyââ
âI was right there,â he continues, his voice tightening. âHe was in your apartment, and Iââ
âYou stopped him,â you interrupt, firmer now, pushing yourself up from the couch and stepping closer. âYou got him out. You made him run.â
âThatâs not enough.â
The words come out rough, raw, like theyâve been sitting under the surface waiting for a chance to break through.
âIt is,â you insist, your hand coming up to rest against his chest, feeling the steady, too-fast beat of his heart under your palm. âIâm okay.â
His eyes flick down to your hand, then back up to your face, something pained flashing across his expression.
âYou almost werenât.â
âBut I am,â you say, softer now.
Robby stares at you for a long moment, like heâs trying to hold onto that, like heâs trying to make it enough. It isnât. You can see that too.
You insist on going back to work. You have to. You need something normal, something familiar, something that isnât this constant, suffocating awareness of what could happen. Robby doesnât like it. Not even a little.
âIâll be there,â he says immediately.
âYou donât have toââ
âIâll be there.â
The finality in his tone tells you thereâs no point arguing. So you donât.
******
It happens at the end of your shift. Of course it does. Because nothing about this has been predictable. Youâre walking out with Robby, your bag slung over your shoulder, exhaustion settling into your bones in that familiar, heavy way, the kind that usually brings relief, but tonight just feels like vulnerability.
The parking garage is quieter than usual. Too quiet. You notice it. So does he. Robbyâs hand brushes yours, then closes around it, firm, grounding, his pace slowing just slightly as his eyes scan the levels, the shadows, the spaces between cars.
âStay close,â he murmurs.
You nod, your grip tightening around his hand. Youâre almost to his car. Almost. When it happens.
A shape moves from behind the column to your right, fast and sudden, too close, too close. You donât even have time to react before a hand grabs your arm, yanking you back hard enough to knock the breath from your lungs.
âHeyâ!â
Robbyâs voice explodes beside you, sharp and furious, his grip on your hand breaking as he turns, as he lunges, as everything dissolves into chaos in the span of a heartbeat.
The man is there. Closer than heâs ever been. His face clearer now, his eyes wild, locked on you like youâre the only thing in the world that matters.
âYouâre supposed to understand,â he says, his voice low and frantic, like this is something you should already know, something you should already feel.
Your heart slams against your ribs.
âLet go of her,â Robby snaps, his voice cutting through the air like a blade.
The man doesnât listen. His grip tightens. Pain flares up your arm.
âRobbyâ!â
You donât even finish the word before Robby hits him. Hard. The force of it knocks the man sideways, his grip on you breaking as he stumbles, and Robby is on him immediately, all control gone, all restraint burned away in the split second it took to see someone put their hands on you.
âDonât you touch her!â he roars, his fist connecting again, and again, each hit fueled by something deeper than anger, something darker, something that looks a lot like fear twisted into violence.
The man fights back. Itâs messy. Desperate. Terrifying. You try to move, to help, to do something, but your legs wonât cooperate, your body frozen in place as the scene unfolds in front of you, too fast, too loud, too much.
A flash of metal. Your breath catches.
âRobbyâknife!â
The word tears out of you just as the man lunges, the blade catching the low light of the garage as it swings. Robby shoves him back, but not fast enough. Not clean enough. The knife slices across your side as the man twists, as he tries to get past Robby, as everything collides at once in a blur of movement and sound and pain.
White-hot. Blinding.
You gasp, your knees buckling as your hand flies to your side, warmth spreading under your fingers, too fast, too much.
âHeyâheyâno, no, noââ
Robbyâs voice is suddenly right there, right in front of you, his hands on you, steadying you as you start to fall, his face going pale in a way youâve never seen before.
The man runs. You barely register it. All you can see is Robby. All you can feel is his hands, his voice, his panic barely contained under layers of training and instinct.
âStay with me,â he says, urgent now, his hand pressing against your side, firm, controlled, trying to stop the bleeding even as his other hand cups your face, forcing your eyes to stay on his. âStay with me, okay? Iâve got you.â
It hurts. God, it hurts.
âIâm okay,â you try to say, but it comes out weak, uneven.
âNo, youâre not,â he snaps, his voice breaking just slightly before he reins it back in, his focus snapping into something clinical, something precise. âBut youâre going to be. You hear me? Youâre going to be.â
Your vision blurs. Your head feels light.
âRobbyâŠâ
âIâm right here,â he says immediately, his forehead pressing briefly against yours, his breath unsteady for just a second before he pulls back, forcing himself into control. âIâm not going anywhere.â
And the way he says it, like itâs a promise. Like itâs the only thing holding him together, is the last thing you hear clearly before everything starts to fade.
******
Voices layered over each other, sharp and urgent, footsteps echoing against concrete, the distant wail of sirens cutting through the haze like something trying to pull you back to the surface.
âHey, stay with meâstay with me, come onââ
Robby. You know that voice anywhere. Even like this. Even when it sounds like itâs breaking. Your eyes flutter, your vision swimming as the world comes into focus in fragments, light too bright, shapes too blurry, but heâs there, hovering over you, his hands firm at your side, pressing, holding, anchoring.
Thereâs blood. You donât have to look to know that. You can feel it. Warm. Too much.
âRobbyâŠâ Your voice barely makes it out, thin and uneven.
âIâve got you,â he says immediately, his face snapping into focus as he leans closer, his forehead almost touching yours, his breath unsteady for just a second before he forces it under control. âIâve got you. Donât close your eyes.â
Itâs an order. A plea. Both. You try to focus on him, on the way his eyes are locked on yours, sharp and terrified and determined all at once, on the way his hands donât shake even though everything else about him looks like it might.
âStay with me,â he repeats, quieter now, like heâs saying it just for you, like the rest of the world has fallen away. âYouâre okay. Youâre going to be okay.â
You nod. Or at least, you think you do.
******
The next time you open your eyes, itâs quieter. The steady beep of monitors replaces the chaos, the sharp scent of antiseptic replacing the cold concrete and fear. For a moment, you just lie there, your body heavy, your head thick, your side aching in a way that tells you exactly what happened even before your memory catches up.
Then you turn your head. Heâs there. Robby is slumped forward in the chair beside your bed, his arms crossed on the mattress, his head resting on them, like he never made it any further than that, like the second you were stable enough for him to breathe, his body justâŠgave out.
Your chest tightens. He looks exhausted. More than that. He looks wrecked. Carefully, slowly, you shift your hand, the movement sending a dull ache through your side, but you push through it, your fingers brushing lightly against his arm.
âRobbyâŠâ
Itâs barely a whisper. But he hears it. Of course he does. Heâs awake instantly, his head snapping up, his eyes wild for half a second before they land on you and everything else falls away.
âHeyâheyââ
Heâs on his feet in a heartbeat, one hand coming to your face, gentle, careful, like you might break under too much pressure.
âYouâre awake,â he breathes, and thereâs something in his voice that makes your throat tighten, something that sounds dangerously close to relief unraveling into something else. âHow do you feel?â
âSore,â you manage, your voice still rough, but steadier now.
His mouth twitches, something like a laugh threatening to break through before he swallows it down, his hand still cupping your face like he needs the contact to be sure youâre real.
âYou scared the hell out of me,â he murmurs.
The words are quiet.
You swallow. âIâm okay.â
His jaw tightens immediately.
âYou were bleeding out in my arms,â he says, not harsh, not angry, justâŠfactual in a way that hits harder than anything else could. âThatâs not okay.â
Silence settles between you, heavy with everything that almost happened. Everything that didnât. Your hand shifts again, finding his wrist, your fingers curling there, grounding him the same way he grounded you.
âBut Iâm here,â you say softly.
Robby stares at you for a long moment, like heâs trying to make that enough, like heâs trying to believe it. Then something in him cracks.
Not loudly. Not dramatically. JustâŠquietly. His forehead drops to yours, his eyes closing as his grip on you tightens just slightly, like heâs holding himself together by sheer force of will.
âI thought I lost you,â he whispers.
Your chest aches.
âRobbyââ
âI shouldâve seen it,â he continues, his voice low, rough, the words coming faster now like theyâve been trapped behind his teeth since the moment it happened. âI shouldâve been faster, I shouldâveââ
âHey.â
You cut him off gently, your hand tightening on his wrist, forcing him to look at you.
âThis is not on you.â
His expression flickers, pain flashing across it.
âHe had a knifeââ
âAnd you stopped him,â you interrupt, firmer now, even if your voice is still soft. âYou got him off me. You kept me here.â
Robbyâs gaze searches yours, like heâs looking for something, like heâs trying to decide if heâs allowed to believe you.
âThey caught him,â he says finally, quieter now.
Your breath catches. âThey did?â
He nods, his thumb brushing lightly under your eye, a habit he doesnât seem aware of.
âDidnât get far,â he adds, something darker slipping into his tone for just a second before it fades again. âSecurity cameras, patrol nearby. Heâs in custody.â
Relief washes through you, slow but steady, easing something deep in your chest you hadnât even realized was still clenched.
âItâs over?â you ask.
Robby hesitates. Just for a second.
Then he nods again. âYeah.â
But his hand doesnât leave you. His body doesnât relax. Because for him, maybe it isnât. Not completely.
******
Youâre discharged two days later. Robby doesnât leave your side the entire time. Not for long. Not really. Even when he steps out, itâs quick, controlled, like heâs forcing himself to breathe just enough to come back in and do it all over again.
When you finally get to his apartment, it feels different again. Not just safe. Lived in. Shared.
You move slower, more careful, your body reminding you of what itâs been through with every step, but Robby is there, always just within reach, his hand hovering at your back like heâs ready to catch you if you falter. You make it to the couch. He kneels in front of you. Again. Like he did before. Only this time, thereâs no tension in the air, no immediate threat, just something quieter, heavier. His hands settle gently over yours.
âYouâre staying here,â he says, softer now, not an order this time, but still certain. âFor as long as you want. As long as you need.â
You donât hesitate.
âOkay.â
His shoulders drop just slightly, like that answer means more than he expected. Silence lingers for a moment.
âI love you.â
It slips out. Unplanned. Unfiltered. Your breath catches. Robby freezes. Like the words hit him harder than anything else has. Slowly, his eyes lift to yours, something raw and unguarded sitting there in a way youâve never seen before.
âYou donât have to say that because ofââ
âIâm not,â you cut in, your voice steadier now, your fingers tightening around his. âIâm saying it because itâs true.â
The room goes quiet. Still. Robby studies you like heâs trying to memorize the moment, like heâs trying to make sure this is real, that youâre real, that this isnât something heâs going to wake up from. Then his hand comes up, cupping your face again, his thumb brushing softly along your cheek.
âI love you too,â he says, and this time, thereâs no hesitation, no fear behind it, just something deep and certain and anchored.
You lean into him. Your lips meeting his in something soft at first, something gentle, something that feels like a promise more than anything else. He responds instantly, his other hand coming to your waist, steadying you, deepening the kiss just slightly before pulling back like heâs afraid of hurting you.
âIâve got you,â he murmurs against your lips.
Thinking about mer!reader who was born in captivity meeting mer!ghost who was born wild...
You both meet in a mer sanctuary, you having been rescued from an aquarium going bankrupt and ghost under treatment for a boating strike. You've never seen another mer before, but the strange creature in your tank undeniably is one, that much you instincts tell you.
But....but he's so big, bigger than anything you've seen before! You doubt he could ever comfortably fit in your tank! Just looking at him makes your fins flutter nervously, hiding in the rocks on the shelf built into the pool.
He keeps peeking into your cave, chirping and churring in a way that makes your instincts perk but you don't really understand. Safety? Pod? You don't know.
Meanwhile, ghost is losing his mind.
This strange mer is too damn small, and he keeps trying to ask "are you okay? I'm safe, did they hurt you?" But all it does is squeak like a pup and hide!
Ghost can't fit into the tiny cave with the mer, and his instincts are already freaking out because he's separated from his pod! He needs to protect the weird pup!
....how the hell the workers intend to care for you when ghost is at risk of drowning anyone who tries, they have no idea.
Request fill for nonny who wanted captive vs wild mer!!!
âKnow I wanna beat it, wanna beat it bad
Oh, everyone looks happy in a photograph
I've crossed the county line, I cannot go back
I'm always on my own.â
-All Them Horses, Noah Kahan
summary: your family is in town for the annual âparents berating their kids for their decisionsâ get together. jack overhears you talking about how much easier it would be if you had a boyfriend to shove in their face, and offers his services. No strings attached, of course.
wc: 15.7k (steak is too juicy lobster is too buttery)
tags/tropes: jack falls first and harder, reader is an eldest daughter (but not the eldest child) to a large judgmental family who are constantly disappointed in her, jack pretty much uses the fake dating as a chance to show reader what a good boyfriend he COULD be to her if she let herself have nice things, jack 'i'll pay for it' abbot, jack is YEARNING in this one, a teeny bit of mean dom jack as a treat
a/n: how are we all feeling about the latest noah kahan album. Doors is great. i do NOT repeat timestamp 2:14-2:21 of All Them Horses. iâm normal and can be trusted with noah kahanâs discography. this fic was supposed to be crossposted on ao3 at the time of post but ao3 crashed and i lost all of my tagging and uploading process so im saving that. for later. when it is POSTED it will be linked below :)
acknowledgements: thank you @wesandresons for the amazing gif and @saradika-graphics, @chrisssiren, and @uzmacchiato for the dividers! and thank you @leeknowpegger for your work in keeping up morale and being deranged with me
masterlist
âYour familyâs in town?â
Youâre at the nurses station, tucked into a corner with your head in your hands while Shen, of course, drinks what has to be his third Dunkin coffee of the day. Where heâs getting them is one of the worldâs strangest unsolved mysteries.Â
You canât see his face, on account of the heels of your hands being pressed into your eyes so hard stars are bursting and swirling behind your eyelids, but you can hear the grimace in his tone.Â
âYeah. I moved out here to get away from them, but they decided to host the annual family dinner circuit here in Pittsburgh instead. My mom always complains about how itâs such a huge imposition to have the entire family fly out, but I never asked to do it and offered to just fly to them on multiple occasions. Apparently, my work schedule is too hard to work around.â
âDinner circuit?â
You wave a hand. âItâs actually a lunch circuit now, since I work nights. Basically, for every single day that theyâre here everybody has to attend a lunch, no matter what. Most of the time theyâre at different restaurants, but sometimes my mom demands to have them at my place.â
âYikes,â The attending says, sipping on the last bits of his coffee, âAnd the whole successful doctor thing doesnât work on them? It got my parents off my back.â
You shake your head. âIâm the only doctor in the family, but they thought I shouldâve been a hospitalist or go into general surgery.â
The sound of ice being shaken in a plastic cup rings in your ears. âThereâs money in emergency medicine. Eventually.âÂ
âThereâs money in all medicine eventually,â You groan, lifting your head and leaning against the wall, blinking dazedly up at the flickering fluorescent lights. âIâm sure if I'd picked general surgery they wouldâve found a problem with that too.â
âSo your fucked, basically.â
Your eyes slip shut again. âYep. Anything short of showing up with a rich boyfriend and a promise of grandkids on the way wonât get my mom off my back.â
Shen clasps you on the shoulder. âBest of luck with that. Youâre the only intern the night shift has got, so weâd rather you donât off yourself via poisoned wine.âÂ
âI wouldnât do poison. Iâd choke on bread so theyâd have to live with the guilt of not being able to save me.â
âJesus fuck, man. I mean, clearly, they suck, but thatâs brutal.â
You shrug. âNot as brutal as my mom not coming to my med school graduation.â
He gapes. âWhat reason could she have possibly had for not showing up?â
âI told her at dinner the night before that I was going into emergency medicine.â
âThatâsâŠâ Shen trails off, flabbergasted, ââŠWow. Now I'm worried youâre going to kill one of them.â
âWay too much effort. They arenât worth the jail time.â
The attending tosses his now empty coffee in a nearby trash can. âWell, if you snap and kill them all in a fit of extremely valid rage, please donât call me. I canât afford to be implicated.â
âYou saying I canât hide a body myself?â
âIâm saying I canât hide a body.â
âWhoâs hiding bodies?â Jack says, sidling up to the two of you with a tablet and a chart open in his hand.Â
Shen jams a thumb in your direction. âSheâs killing her parents later today.âÂ
You roll your eyes. âIâm not. Honestly, so long as I agree with whatever my mom says and donât bring up any trigger topics, Iâll be fine.â
Jack snorts. âYouâre describing being held hostage by someone mentally unstable.â
âDr. Intern?â Ellis interrupts, using the stupid nickname Santos picked for you when she found out youâre the only PGY1 on the night shift, âThereâs a woman in the lobby here to see you. Says sheâs your mom.â
Your stomach drops to your feet and your heart seizes in your chest. âItâs six in the morning. Oh my god. Oh my god.â
Someone behind you says âHoly shit,â but youâre already gone. As youâre speed walking you whip out your phone, checking the dates of their flights that youâd only had a chance to skim andâ fuck. They got in an hour ago. Why the fuck would she stop here? At the PTMC?
You practically slam the doors open and make eye contact with your mom across the crowded lobby.Â
âMom?âÂ
âThere you are sweetie. I was trying to explain that thereâs nothing wrong with me and I was here to see you, but they wouldnât let me. Something about a security issue?â
âItâs not safe. Weâve had incidents in the pastââ
She waves a hand, dismissing you. âIâm your mother. Honestly, I wouldnât have had to come down here if youâd just respond to my texts.âÂ
âIâve told you mom, Iâm really busy here and I donât get very much time to look at my phoneââ
âYour brothers take the time out of their busy schedules to text me back,â She sighs, then continues on, âDid you get time off this week for dinner?â
You frown. âI thought we were having lunch.â
âWell, I figured since weâre all making it easier for your work schedule to come to you, you could manage to take a few days off for your family. But if we need to make an extra effortââ
âItâs fine, mom,â You tell her with a gritted-toothed smile, âI can make something work. Can you just send me the dates again?â
âItâs this Friday and Saturday.â
Before you can even open your mouth to respond, a large, warm hand settles on your shoulder. Accompanied by the hand is a steadying one on your lower back, a familiar, rich scent and a low voice.Â
âCan I help you, maâam?âÂ
Jack.Â
Jack fucking Abbot.Â
Hottest man in the ED. Probably in the world.
Your mom blinks, clearly caught off guard, before regaining her judgy senses and narrowing her eyes at him.Â
âIâm trying to have a conversation with my daughter. Donât tell me youâre security.â
You know for a fact that Jack has his stethoscope around his neck and his keycard in his scrub pocket that says âDOCTORâ on it, so your momâs just being bitchy. Figures.Â
Jackâs hand in your shoulder gives you a tiny, reassuring squeeze before he speaks.Â
âIâm Dr. Abbot,â He sticks out a hand for her to shake, the one that was on your shoulder, âIâm an attending here at the ED.â
And my boss, you mentally add. Your mom probably hears it anyway.Â
âYou work with my daughter?â
âYes maâam. Sheâs the most promising intern we have here on the night shift.â
Your lips twitch at his words. Heâs joking. Testing your motherâ youâre the only PGY1 on the night shift. If your mom remembers that, sheâll pick up on his joke.Â
She doesnât. She purses her lips for a moment before giving him one of her big, fake smiles.Â
âWell thatâs good to hear. Weâre very proud of her.â
Proud of the money I send home, maybe.Â
âIf youâll excuse us, I need her working on patients.â
âOh yes, of course,â Your mom gushes, clearly already charmed by Jack. He has that effect on people. âI didnât realize she was so important and busy here.â
You would if youâd ever let me talk about work before interrupting me and telling me what I should be doing better.Â
Jackâs thumb makes tiny sweeping motions on your lower back, little tingling motions that distract you enough to unclench your jaw and relax your shoulders.Â
âIâll text you as soon as I can, okay mom?â
Your mom sweeps you into a hug, a rare show of affection. Putting on a show for Jack, more than likely.Â
âNo rush. Whenever you get the chance, sweetheart.â
Jack gives her a parting nod, but you wait until your momâs turned around and walking out of the lobby before allowing Jack to steer you back inside.Â
The second the doors close behind you and youâre enveloped in the sounds and smells of the heart of the PTMC, you shut your eyes and release a long exhale.Â
âI,â You start, âAm so sorry. I never thought sheâd show up here, I got the flight times mixed upââ
âHey,â Jackâs voice is low and steady, a much needed anchor. He uses the hand still on your lower back to turn you towards him, âNone of that was your fault. We deal with patients like that every day. It is not your job to keep your mother in line.â
âI know. I know. Still, Iâm sorry. She can be⊠difficult.â
He snorts. âUnderstatement of the year. But seriously. Donât worry about it. If I didnât want to get involved with her, I wouldnât have swooped in there.â
You huff a laugh. âMy hero. Iâm pretty sure if youâd introduced yourself as my boyfriend she wouldâve had an aneurysm. Or a heart attack.â
âAre those desired outcomes?â
âMostly.â
He slides his hands into his pockets and leans against the opposite wall. âMight be worth a shot, then.â
Itâs a very well kept secret that youâve harbored an embarrassing, âthink about him while youâre falling asleep at nightâ crush on Jack.Â
So naturally, your response is to laugh. Loudly. And semi-awkwardly. Because he has to be joking. Obviously.
âYeah, right,â You say, looking down at your feet because eye-contact has never been your forte and Jackâs gaze is too intense, âCould even take you to dinner with me. Maybe my dad would have a heart attack too. Really just wipe out the whole family.â
âYou could.â
âWipe out my entire family?â
âTake me to dinner with you.â
Jackâs body is relaxed and his tone is even. Not light and humor-filled. Thereâs no mischievous uptick to the corner of his lips. He looks like heâs serious.Â
âAre you joking?â
He canât really be serious. Heâs probably just fucking with you. He wouldnât actuallyâ
âNo.â
You run a hand over your hair. âYeah, sure, laugh it up, hahaââ
âIâll go to dinner with you. As your boyfriend.â
What. The. Fuck.Â
âNo.â You gape, incredulous.Â
âNo?â He raises an eyebrow.Â
âNo, I meanâ fuck. Dr. Abbotââ
âJack.âÂ
You purse your lips. âJack. You canât just⊠pretend to be my boyfriend at a family lunch.â
âWhy not?â
âWhy not?â You sputter, âFor one, we hardly know each otherââ
âYouâve been working here for three months. Weâre hardly strangers.â
âYouâre my boss, your way older than me, youâreââ You cut yourself off before you can say something embarrassing like âyouâre ridiculously fucking hot and I havenât washed my socks in monthsâ, âIt wouldnât even be believable. How would we even have met?â
âIn the ED, obviously.â
âHow long have we been together?â
âMonth and a half.â
âWhy are we even dating?â
âBecause youâre a beautiful and intelligent woman, not to mention a good doctor.â
Your mouth goes dry, and your stomach does an entire gymnastics routine.Â
âHave you⊠thought about this?âÂ
He makes a noncommittal hum, tilts his head back a bit. âWould it work?â
âAre you rich?âÂ
Thereâs that devilish, pants dropping smile.Â
âIâm a senior attending on night shifts in an emergency department. Iâm comfortable.â
You worry your lip between your teeth. âI still canât⊠I appreciate the offer, but I canât subject you to my family. No one else should have to suffer through these lunches and dinners.â
âBut you do?â
âTheyâre my family.âÂ
Jack doesnât respond, but he doesnât move off the wall and walk away either. Distantly, you really hope a patient isnât coding somewhere.Â
You sigh. âWhy would you even offer, anyway?âÂ
âYou need help, and Iâm in a position to give it. Plus life has been kind of boring recently. My therapist told me to pick a new hobby that doesnât involve people dying or getting shot at.â
âSo you thought spending an evening being subjected to backhanded questions, comments, and not very subtle micro-aggressions was a good substitute?â
âBeats drinking beer in the park.â
You canât say yes. Itâs crazy. One, it would make your crush a million times worse and you might never recover on that fact alone, and two, when this inevitably blows up in your face, your family will never let you live it down and bring it up in literally every conversation for the rest of your life.Â
On the other hand, if it works, it will work. Your mom would probably get off your back for a while. You wouldnât be a complete and total disappointment. If it works, it would be a much needed win.Â
âSo. Weâve been dating for a month and a half?â
Jack nods, another smile playing at his lips. âI asked you out, of course.â
âFlowers?â
âNaturally.â
âYou pay?âÂ
âFor every meal.â
âWhatâs my favorite color?â
âNavy blue. Mine?âÂ
You roll your eyes. âBlack. What are we going to tell my mom when she pokes at the age gap?â
Someone rushes by, pager beeping, and you both wordlessly start moseying towards your respective patients.Â
âWill she really be that upset about it?â
âProbably not, but sheâll definitely ask about it. My dad will probably be angry, but heâs easier to placate than my mom is.â
Jack hums thoughtfully. âWhenâs the lunch today?â
âTwelve-thirty, at that Italian place that has that mussel dish.â
âHow about this,â He starts, apparently not needing anymore clarification on the location, âLets focus on finishing our shifts right now. Then go home, get some sleep, and Iâll pick you up at eleven so you can pick my brain for every detail that you want to make this work. Deal?â
Last chance to back out. Say hell no, this is a crazy idea, why would you even volunteer for it, I changed my mind.Â
âDeal.â
â
Holy fucking shit. Jack Abbot is your boyfriend.Â
Fake boyfriend. But for the next few hours, heâs as good as yours. Kind of.
In a way.Â
Youâre standing in front of your bathroom mirror, dressed in the outfit you picked out for the stupid lunch when your mom texted you the plane ticket details a month ago.
Neither your makeup nor your hair are cooperating and you really need them to because you have to be perfect, so you need your mascara and stop clumping and your hair to stop laying like that and you just donât want to fucking go.Â
Before frustration induced tears can ruin your half-done makeup, a knock sounds at the door.Â
You rush through your apartment, nearly cracking your skull open on the corner of the couch when you trip over a stray shoe.
Shit, heâs here and youâre not ready, god heâs going to be so upset you have to make him wait itâs so rudeâ
âHi!â You swing open the door and plaster what you hope is a cute-frazzled smile and not a panicked one. Itâs a thin line between the two, âIâm almost ready, Iâm so sorry, you can come in and sit down wherever, I promise I wonât take too long to finish up. Sorry.â
You turn, unable to bear the anger or frustration on his face and dart away (an old methodâ hiding and disappearing is much better for everyone in the long run) but a hand encircles your wrist before you can successfully escape.Â
âWoah, easy girl. Nobodyâs mad at you. We have time, remember?â
Your smile is definitely coming across as panicked.Â
Your nails wander and find a hangnail to pick at while you talk. âI know, but that was so weâd have time to plan and itâs rude to make you wait and I really need time to plan, but I canât get my makeup to look rightââ
Jack nudges you into the house and you cut yourself off with another apology. Right. Cause heâs just standing in the hallway and youâre rambling on like someone deranged. God. Why canât your brain just work? Get into gear? Actually function properly?
âFirst of all,â Jack starts, gently steering you towards your couch, âYou look beautiful.â
Why does he have to say these things? Has he no care for what heâs doing to your heart? Is he unaware that Simone Biles would be impressed with the flip routine your stomach is currently doing?Â
He places a throw pillow in your hands which were previously clenched in your lap. Itâs your favorite throw pillow, actually, because the texture is very soothing. You squeeze it and rub your fingers across the grain.Â
âSecondly, we donât have to do this if you donât want to. I can go home and go to bed and if you want, Iâll never bring it up again. Not even to Robby.â
You crack a wobbly smile. âNot even to Nurse Evans?â
âSheâd probably guess on her own, but I would never confirm her suspicions.âÂ
You tuck your feet under your legs, shrinking into the corner of your couch. âI couldnât even if I wanted to. I already texted my mom to add a person to the reservation, and if I show up without a plus one thereâll be hell to pay.â
âYou could swap me with someone else?â
âDo you think I would have agreed to let my boss be my fake boyfriend if I had someone else to bring?â
The corner thread of your throw pillow has begun unraveling, and your wandering fingers pull and tug at it erratically.Â
âIâm sorry. Iâm not usually this neurotic, I swear. My family brings out the worst in me.â
âI ainât judging, sweetheart,â Jack soothes, âBesides. Weâre ER doctors. Weâre all a little neurotic.â
Steadfastly avoiding his gaze (again, just a little too knowing, like he can see every insecurity youâre trying to hide) you stand on shaky legs and rush to the bathroom.Â
âIâll just. Finish up. Sorry again.â
âIâm gonna start a tally of unnecessary sorryâs. Youâre gonna owe me an hour of overtime for each one.â
Oddly enough, getting ready (the rest of the way) feels much more manageable and much less difficult with Jack nearby. He doesnât critique how long it takes you, the fact that you change earrings three times, or tell you that you look good enough and should just go.Â
He just hangs out in your living room, on the couch, practically oozing calm and nonchalance. The foolish, romance-starved part of you wants to cancel on your mom and spend the rest of the day curled up next to him on the couch, like a cat. Lazily dozing while Jack watches TV or something sounds like a much better way to spend your time after work than experiencing all five stages of grief over the course of one lunch. Repeatedly.Â
Finally ready, and with your sanity intact thanks to Jack, you pause by the kitchen and debate the merits of taking a shot to loosen your nerves. Unfortunately, your mom would undoubtedly somehow smell the alcohol on you and no doubt chew you out for a minimum of twenty minutes. Heaven forbid you make the event bearable.
Ever the kind host, you peek your head around the kitchen wall. âDo you want a shot, Jack?â
âYouâre aware that Iâm fifty?â
Right. That's probably an unhinged question.
âJust thought Iâd offer,â You say, meekly tucking the bottle back under the shelf, slightly embarrassed, âSometimes alcohol is the only way I can survive these things.â
Heâs leaned up against the couch, hands in his pockets when you exit the kitchen. âIt was very considerate, thank you. But I think the days of vodka and tequila shots are behind me. Iâm more of a whiskey man, anyways.â
âIâll keep that in mind when we end up at a bar afterwards to drink away memories of the lunch.â
Jack raises an eyebrow. âYou act like weâre going to be hung, drawn, and quartered after showing up.â
You worry your bottom lip between your teeth. âSorry. I just donât want you to be unprepared, because theyâre not always bad but when theyâre bad theyâre bad, you know? And I just donât want to scare you off, and ruin the day you could be spending sleeping, and I really am thankful, by the way, I just donâtââ
âDo you always ramble when youâre worried?â Jack interrupts, tilting his head to the side.
âUm. No? I donât know. I try not to. But like I said. My family brings out the worst in me.â
He searches your face for a moment, then taps the underside of your chin with a crooked finger, raising it slightly.Â
âWe got this, okay? Iâm not easy to scare. Combat med vet, remember? Plus, if it really gets that bad, Iâll fake a call from the hospital. Say there was some horrible accident and weâre being called in.â
âWonât my mom get wise when she never hears it on the news?â
Jack shrugs. âItâs the city. Something horrible is always happening here.â
He holds the front door open for you when youâve got your shoes on and purse ready, but as youâre sliding past him, he leans down, the angle of his jaw almost brushing the side of your neck, and breathes in deeply.Â
âYou smell good.âÂ
Fuck the gymnastics routine. Your stomach is going for Olympic Gold.Â
âOh,â You exhale, a shiver running up your spine and a pleasant tingling sparking where your skin barely brushed his, âUhâ Thanks. Vanilla and spice. I like layering scents.â
âItâs nice. Suits you.âÂ
You manage to squeak out another awkward âThanksâ before hastily locking the door, hoping he canât tell just how flustered he keeps making you. Judging by the smile playing at his lips, your hopes are in vain.Â
The car ride to the restaurant is longer than it should be, on account of Pittsburgh traffic, but the time goes by quickly as you pepper Jack with questions to prepare for the million and one that your mother will no doubt ask.Â
(âWhat should I say if she asks if weâve slept together?â
âDo you really, honestly, truly think your mother is going to bring up the topic of sex at the table, in a nice restaurant, with your entire family present?â
âFair point.â)
By the time you arrive, youâve picked and torn every single hangnail and loose cuticle around your fingers down to raw flesh and tiny dots of blood. Jack parks the car (parallel parks easily in one go, no repositioning needed, in downtown Pittsburgh. Itâs one of the hottest things youâve ever seen in your life) a good distance away from the restaurant, so that your family wouldnât be able to see you if you decided to flee to his car to escape them.Â
At least, thatâs what he says.Â
âI want you to hang onto the car keys, okay? If they get too much, you can sneak out through the kitchen and go to the car. Iâll meet you there.â
You canât help but smile at his efforts. âAnd what will you be doing while Iâm sneaking out?â
âSinging your praises, of course.â
Exhaustion from the shift you worked in what seems like a lifetime ago lines your limbs, but as you step out of the car (through the door Jack insists on opening for you âIn case theyâre still watching,â) and loop your arm through Jackâs, you feel⊠almost capable.Â
The lunch is going to suck. Thatâs a given. But Jack assured you heâs seen worse (âProbably done worse, sweetheart,â) and will not leave the lunch in a fit of rage and cause a scene. His arm is firm and solid âand fucking huge, how are his biceps that bigâ under your arm, and his presence is steadying.Â
As you cross the street and begin your final walk towards the building, he un-loops his arm from yours, but after you make a questioning noise in your throat, worried youâd be completely untethered (how pathetic to already be this reliant on a man, but thereâs no time to unpack that now) but instead he wraps his arm around your waist instead, drawing you to his side and effectively grounding you to his body.Â
The entire left side of your body lights up at the contact, and if this were your apartment, it would be very difficult to refrain from climbing him like a tree or doing something equally embarrassing, like plastering yourself to his side and begging him to never stop touching you.Â
Youâve almost managed to come off unaffected, but then he leans down, lips almost brushing your ear, and whispers:Â
âYouâve got this, baby. And if you donât, I do.â
Forget your family. Jack Abbot is going to be the death of you.Â
When you walk into the restaurant, hyper-aware of Jackâs grip on your body (your delusional mind has you thinking how⊠possessive the hand almost feels, if you ignore the fact that this is all fake) your family is waiting in the foyer, talking amongst themselves.Â
Your mother immediately zeroes in on you. âHoney, weâve talked about you being on time to these things. You canât be late to important familyââ
You watch in real time as your motherâs gaze finally flicks to Jack, and the shades of recognition, shock, almost disgust, and confusion before settling back into forced pleasantness.Â
Your father, however, looks downright murderous. Looks like the age gap isnât going down too well.Â
If Jack is at all nervous or put off by the several stares and outright glares from your family, he does not show it. He exudes cool confidence, the same unflappable energy he has during chaotic night shifts. The same calm that makes him so alluring to you in the first place.Â
He sticks out his hand for your mother to shake, a mirror of earlier that day in the PTMC lobby.Â
âI believe weâve met before, but Iâll introduce myself again. Iâm Dr. Jack Abbot.â
Your mother shakes his hand, but looks between the two of you like youâve just spilled wine on her Persian rug that she canât afford in the first place.Â
âYouâre my daughterâs plus one?â
Jack nods. âHer boyfriend, yes.â
Your brotherâs gape. Your dadâs glare intensifies. You want to kiss Jack.Â
âHoney,â Your mother says, gaze darting to you, âYou didnât sayââ
âI didnât want you to meet him at the hospital,â You tell her, hoping the lie doesnât come across as too rehearsed, since you did rehearse it several times with Jack in the car on the way over, âThe lobby of the hospital isnât the best place to introduce people. And we really did have patients to get back to.â
Your mother purses her lips. âWhy the last minute addition? If youâd told me that he was coming before today, it wouldâve been easier to make the reservation.â
Jack is quicker to respond than you. âThatâs my fault, actually. I didnât think I was going to be able to come, what with my shifts as a senior attending, but when we met in the lobby I understood how important it was to make the time.â
You have to try hard not to smile at Jackâs not-so-subtle flex. Senior attending.Â
âYes, well. My daughter doesnât always stress the importance of these things.âÂ
Jackâs grip on your waist tightens ever-so-slightly at the backhanded remark, and your motherâs gaze darts to the point of contact. But your father jerks his head towards the tables before she can say anything. âIâm starving.â
Everyone files in behind him, with you and Jack at the back of the line. Again, he leans down to whisper to you.Â
âHowâd I do?â
You elbow him in the side. âWeâll discuss your performance after this is over.â
âLooking forward to it.âÂ
The hostess leads everyone over to a large table near a window (your mother is particularly about seating) and everyone finds a seat. One of your brothers, either as a test or just to be a shit (your moneyâs on the latter) slides into the open seat next to you before Jack can.Â
To his credit, Jack doesnât cause a scene, but he doesnât back down either. He just stares at your idiot brother for awhile before finally asking:Â
âDo you really wanna do this right now?â
Your brother must sense that Jack Abbot is not a man to be fucked with (just a man you want to fuck), and scurries to his own seat, tail between his legs.Â
Once everyone is seated and the food is ordered (you donât bother ordering anything other than the salad; Jack orders the most expensive thing on their menu. Heâs never seemed like one to care for finery and expensive Italian restaurants where you practically have to order in Italian, but again, his unfazed demeanor makes him fit in anywhere) your family immediately begins peppering him with questions. Questions you knew theyâd ask and appropriately prepared him for.Â
âSo. Dr. Abbotââ
âJust Jack is fine.â
ââHow long have the two of you been dating?â
âA month and a half.â
âWhyâd you start dating?â
You take a generous gulp of your wine.Â
âBecause your daughter is an incredible woman and an even better doctor.â
âDo you think sheâs pretty?â One of your brothers chimes in.Â
Jack takes it in stride, despite that not being a question you prepared. âIâd have to be blind and stupid if I didnât.â
You feel hot from the tips of your ears down to your toes.Â
Thatâs going in the mental folder.Â
âHave you always wanted to be a doctor?â
âPretty much. Took a bit of a detour as a combat medic first, though.â
âWhyâd you leave?âÂ
âHonorably discharged after I lost my right leg. Below the knee amputation.â
You drain the rest of your glass and inconspicuously motion to the waiter for more wine.Â
The table is silent for the customary length of time after someone drops the âgot a limb chopped offâ bomb. Your family is clearly mildly uncomfortable, but Jack just keeps sipping his drink, his free hand drifting down and brushing the side of your thigh.
Your dad clears his throat. Here we go. Home stretch. Final questions before weâre in the clear.Â
âMr. Abbotââ
âEither Doctor or Jack works.âÂ
Ooo. There was some bite in that one.Â
Your Dad frowns. He does not like to be interrupted or corrected. Youâve been on the receiving end of far too many hour long lectures (read: berating and borderline verbal abuse) to know better.Â
But Jack isnât his daughter. Jack is pretty much his equal. Actually, the fact that Jack not only served but is now a doctor places him above your father, by social conventions.Â
This no doubt infuriates your father. Heâs always hated it when he couldnât tear somebody down to his level. A true coward.Â
âJack,â Your dad continues, a trademarked forced smile to save face, âYouâre a smart man, yeah? Havenât you ever considered the age difference between the two of you might be a little much?âÂ
Yikes. Questioning Jackâs competency is not the way to go. Jack is very competent. And smart. And capable. Itâs really hot.Â
Your fake-boyfriend just reaches over and grasps your hand, over the table, and looks at you with such devotion in his eyes that you forget how to breathe.Â
âWar doesnât really lend to longevity. Iâve learned to hold on tight to things I care about.âÂ
For a moment, it doesnât feel fake. Thereâs raw, punched emotion in his voice, and his thumb rubs your hand gently. Like he really does care that much. Like he wants to hold on.Â
But then your brother fake-gags and your fake boyfriend looks away with that, heâs passed the tests, and the conversation moves onto to different topics. Jack laughs at all the right moments, doesnât bring up any argument-starting topics, doesnât rise to bait when itâs thrown his way.Â
Heâs perfect.Â
Eventually lunch is drawn to a polite close. You have one last glass of wine while Jack settles the bill. Himself. With one card. He doesnât even look.Â
Your mom sends a smirk your way after he waves off your fatherâs attempt at splitting the bill or offering to pay. Itâs probably the third time sheâs actually looked at you for the entire duration of the lunch, but since itâs positive, youâll let it slide.Â
Pretty soon bags are grabbed, hands are shook, and Jackâs hand magically finds its way back to your lower back and youâre being (very gently) escorted out of the restaurant and to the car.Â
âWow,â You breathe as you slide into the passenger seat of his car. âI think thatâs the smoothest a lunch with my family has ever gone in my entire life. Youâre really good at this.â
Jack doesnât respond though. Doesnât make any kind of noise that he heard you. His hands are nearly white knuckled on the steering wheel and heâs staring straight ahead.Â
âJack?âÂ
âThey didnât even talk to you.â
You blink.Â
âWhat?â
âYour family never tried to include you in the conversation. Didnât even ask you any questions.â
You snort. âTrust me, itâs better that way.â
He hasnât started the car yet, just keeps staring off into the middle ground. He canât be old enough to start doing a thousand yard stare already, right?
âYou ordered a salad.â He says, a very prominent frown on his lips.Â
âSo? It wasnât too expensive, was it? I swear, if I knew you were gonna pay for the whole bill I wouldâve looked at something cheaper, I donât know why salads are so expensiveââ
âPlease donât apologize for ordering a salad,â Jack says, voice pained, âEspecially because I know you hate salads.â
Oh.Â
âHow do you know that?â
âI overheard you talking to Dr. King that time you two were discussing the merits of Olive Garden. You said the salad there was the only kind you like, because of the dressing and the pepperoncinis.â
Your cheeks heat. âI never said I hated all salads. I said I like that one in particular.â
âYou hardly ate anything during lunch.â
âMy family tends to have that effect on my appetite.â
Jack does not look placated. He doesnât take the out that your little joke provides. Doesn't so much as huff. He looks upset. Distressed.Â
Something about what he said goes ding! in your mind.
ââŠMel and I had that conversation like, last month. You seriously remembered that?âÂ
He frowns harder, like the answer to your partly rhetorical question should be obvious.
(Itâs not. Why would he remember that conversation? Why would he care at all?)
âOf course I remember.âÂ
There isnât much to say after that. Youâre not really sure what in particular has upset Jack, what possibly blunder or error youâve made to incur him going completely monosyllabic and frowny. Ever eager to appease, you refrain from any attempts to cajole him, make conversation, breathe too loudly, or make any kind of indication that youâre still present.Â
The tension in the car is thick and uncomfortable. It prickles at your skin and the hairs on the back of your neck, but the only thing you dare to do is scroll through Pinterest, only looking at the safest, basic boards in case Jack glances over (he doesnât.)
But then he does glance over. He just doesnât look at your phone.Â
Jack just keeps looking at you.Â
Heâll look over, eyes darting over your face like heâs looking for something, and then heâll look away. Over and over for almost the entire course of the drive. He only stops when you accidentally time your staring (monitoring) of him wrong and make eye contact.Â
He parks by your place (he once again sexily parallel parks with ease) and then puts the car in park. And then he starts talking.Â
âYouâre so much more than them.âÂ
Jack has the heat on, but the air in the car suddenly feels cold.Â
âWhat?â
âYour family,â Jack clarifies, like that was the confusing part âYour parents. I hated watching you⊠disappear like that. You deserve better than that. You are better than that.âÂ
You try to swallow, almost choking on the sudden lump in your throat.Â
âListen,â You start, unaware of how to even begin processing what he said, let alone formulating the best response because your brain is just flashing abort! Abort! Abort! in big neon letters,, âThank you for today. I really appreciate it. But if this is all just too much, I can handle things from here. Really. I can say that someone called out and you had to cover shiftsââ
âNo.â
Jack says it with such vehemence, bordering on vitriol, that it startles you, and you flinch backwards ever so slightly.Â
An old habit.Â
Something flashes across his face âgone before you can decipher itâ and he noticeably forces himself calmer. Â
âI wouldnât be able to live with myself if I let you go alone again. Ever.âÂ
Your brain starts short-circuiting at his words. âI really canât ask you toââ
âItâs a good thing youâre not asking me then.âÂ
âJackââ
âPlease.â
Youâre stunned silent at the rawness in his toneâ the pain.Â
He said please. He said it like he was begging. He is begging.Â
âI donât know how you do it,â He continues, jaw working, âI can see it on you, plain as day. How you hate what they do, how it makes you hurt. But you keep going.â
You shrug uselessly. âIs there another option?âÂ
Jack reaches out for you, then falters, like he thought better. A tiny part of you wishes heâd followed through; bridged the yawning gap between the two of you thatâs made up of the center console in his car, a couple decades, and your own unwillingness to try at vulnerability.Â
âIâll walk you to your door.âÂ
The walk to your door is a stark contrast to the walk to the restaurant. Thereâs no mischief on his face now, only a mask of stony distress.Â
At the doorway to your apartment building, you pause. It seems customary. Appropriate. Necessary.
Really, you just want to look at Jack some more. Try to puzzle out why the lunch that felt like it went so well made him so upset. Where youâre getting signals wrong and crossing wires. Why success to you is failure to him.Â
(As an ED resident, youâve seen child abuse cases. Youâve seen foster care children littered with cigarette burns and criss-crossing scars of broken bottles and the corners of coffee tables and haunted eyes. Â
You know your family isnât great. But there arenât any cigarette burns or glass scars or eyes that track fast movement.)
You have this burning inclination to apologize to Jack. Logically, you know you havenât done something wrong, but you feel like you have because heâs upset so maybe you can make it better?Â
âYou have that look on your face.â
You frown. âWhat look?âÂ
âThe âIâm gonna apologize for something stupidâ look.â
âI wasnât going to.â
âYou were thinking about it,â Jack ducks down, catches your eyes, âHey, listen to me. You cannot fix what I am upset about. It is not your job. My mood is not your responsibility.âÂ
âItâs freaky when you do that.â
âDo what?â
âYou always know what Iâm thinking.â
Jack just huffs; shoves his hands in his pockets.Â
Emboldened by his reassurance, you ask: âWhy are you upset?âÂ
âBecause your family treats you like shit, and I want to fix it, but I canât.âÂ
âOh.âÂ
Itâs not that bad. It canât be that bad. Youâve seen bad. This isnât it. Itâs hard, but itâs not bad.Â
He stays quiet, seemingly sensing the inner turmoil his words have sparked. That, or he really is that good at reading you.Â
Jack nods towards your door. âWe can talk later. Get some sleep. We both have shifts tonight.â
Right. Yeah. All of these events roughly occurred over the course of six hours. Time makes sense.Â
Despite the fact that you are exhausted and desperately need to sleep if you have any chance of surviving your âquickly approachingâ shift, you linger.Â
âHow am I supposed to repay you for all of this?âÂ
The question thatâs been burning a hole in your pocket since he said Iâll do it.Â
He just shakes his head. Like itâs simple. Easy. âThis isnât something I want repayment for. Now go. Youâre no good to me as a zombie.âÂ
âIâll just have some of Shenâs Dunkin.â
âHe doesnât share that shit. Besides, heâs off tomorrow.â
âMaybe Iâllââ
âSleep,â He points at your door, âNow.âÂ
You smile at his insistence. Heâs sort of like cold coffee with sugar. Seems all bitter but then you get a bit of that sweet crunch, so it balances out. He balances out.Â
Sometimes it feels like he balances you out.Â
âGoodnight.â
He gives you a little smile of his own.Â
âGoodnight.â
â
Jack Abbot does not take his own advice. Mostly because he knows if he doesnât talk about what happened during that lunch from hell, heâs going to do something that will end in him being thrown in prison and having his medical license revoked. More importantly, if that happens, he wonât be around to take care of you.Â
So instead he collapses on his couch, works his prosthetic off to give his stump a needed break, and dials the number at the top of his favorites in his contact list.Â
âThis really isnât a good timeââ
âRobby,â Jack starts, âThey didnât even fucking talk to her.âÂ
âJesus, okay. Whitaker! Cover for me a sec, will you? I gotta deal with this.â
âThey justâŠâ Jack continues, genuinely at a loss for words. His vocabulary feels woefully unequipped to relay the depth of anger he feels about the events of the lunch, ââŠIgnored her. They talked over her, didnât ask her questions, hardly ever let her finish speaking when she did finally get a chance to speak, and threw jabs at her constantly. It was fucking awful.â
The background noise quiets over the phone, and Jack knows Robbyâs moved to either the break room or an empty patient room.Â
âShe fight back at all?â
âNo. Just⊠grinned and beared it. It was fuckinâ unsettling, man. Iâve seen her yell back at rude patients, watched her stand her ground to EMTâs who think they know better. It was like she hollowed herself out to sit at that table.âÂ
âChrist.â
âShe flinched away from me. Afterwards, in the car, when I raised my voice on accident.â
âFuck. Do you thinkââ
âI donât know. Maybe when she was younger. They donât live in state, so if they are, sheâs safe.âÂ
Jack scrubs a hand down his face. âGod. I donât know what to do, Robby. It doesnât seem like sheâs got⊠anybody. She didnât even understand why I was upset. She doesnât get why that would be upsetting.âÂ
âSheâs friends with Mel and Santos, right?âÂ
âAnd Whitaker by extension, yeah. But those are recent friends. Iâve never heard her mention anybody from back home. No boyfriend or best friend or anything. Sheâs just been doing everything on her own.â
Jack can picture Robby nodding. âWeâve done our fair share of that.â
âYeah, and look where that got us. I canât just leave her here. Fuck, it was like watching someone kick a puppy, over and over.âÂ
âThat bad?âÂ
âYeah.âÂ
The line goes silent for a bit, both men stewing on the subject at hand.Â
âSheâs always had these habits. I thought they were just personality quirks, you know. I mean, weâre all fucked up, but watching it happenâŠâ
âItâs different.âÂ
âYou could say that,â Jack sighs, âShe soaks up praise like a fucking sponge. She looks surprised every time I do something nice for her. And she keeps trying to make me happy.â
âYou lost me on that last one.âÂ
âIt doesnât⊠Sheâs not doing it to make me happy, exactly. She just does everything she can to keep me from getting mad.âÂ
âIs there a difference?â
âThere is. Eager to please versus eager to appease.â
âAre you sure you want to get involved?â
âBit late for that.â
âYou could pull back.â
âFuck no, I canât. Then Iâd be kicking the puppy.â
âShe is a grown woman.â
âWho happens to look like a kicked puppy.â
He scrubs a hand down his face, groaning into the microphone.Â
âYou finally realize how ridiculous you sound?â
Jack grunts. âIâm not giving you the satisfaction of answering that.â
The line crackles with the staticky sound of Robby chuckling. âThatâs an answer in it of itself, and you know that.âÂ
He lets the line go quiet again, briefly debating just hanging up.Â
âI donât know, Robby. Itâs justâŠâ
âWorse than you expected?â
âYeah.â
âCome on. You knew that was a possibility. Has it put you off, at all?â
âFuck no.â
âExactly. Now please, go to bed so I can get back to saving lives? Whitaker is covering for me and heâs only gone through two pairs of scrubs so far today. Iâm not a betting man, but if I were, Iâd bet money that heâs moved onto his third during this conversation.âÂ
âI save lives too.â
âYou wonât save any if you fall asleep on the drive over and die.â
âI would never fall asleep behind the wheel.â
âThatâs what they all say.âÂ
Jack really does hang up after that, plugging his phone in and rushing through everything he needs to do before bed.Â
But even as exhaustion pulls his body down into deep, dreamless sleep, he canât stop thinking about that hollow look on your face. And he knows, even half-asleep, that he wonât be able to let it go.
â
The next night at work is weird, because nothing has changed, except now you know what the inside of Jackâs car looks like and how his voice sounded when he begged you to let him help.Â
Itâs jarring, to say the least. Unsteadying and mildly world-rocking if youâre being honest.Â
But gossip travels fast within the walls of the PTMC, so by the time night shift is halfway over, youâre convinced youâve heard every variation in existence of the same two questions:Â
âDid you and Jack go on a date yesterday?âÂ
And:Â
âWhatâs Jack like on a date?âÂ
The answer to the first question is complicated and embarrassing, so you donât answer it or any of itâs variants. The answer to the second question is not complicated but it does, however, stir some very complicated feelings, so you refrain from answering that one too. You just try to refrain from thinking about or seeing him in general.
Youâre not avoiding Jack, per se. Just keeping busy. With other stuff. Thatâs conveniently nowhere near him.Â
Ellis keeps shooting you entirely too knowing looks, Mckay, whoâs pulling a double, pats your shoulder and tells you sheâs there if you want to talk, Shen is absent as Jack said he would be, and Jack himself is acting like nothing happened and everything is normal and heâs never been to your apartment smelled your perfume.Â
(ââŠI like layering scents.â
âItâs nice. Suits you.â)
Itâs all too much.
Hence the avoiding.
You try to curb your own ridiculousness for the sake of your patients, but itâs oddly difficult. Youâve always been amazing at compartmentalizing. If your family gave you any kind of skill, itâs the ability to shove your feelings in a box, and then shove that box in a corner of your mind you wonât access consciously until you end up on public transportation with your headphones. You should be more than capable of gathering up all the loose feelings labeled âFor: Jack Abbotâ and tucking them all nice and neat in that little box and then shove it in a dark mental corner.Â
But you canât. And along with the flurry of Jack Abbot causing a hurricane in your head, thereâs a lesser storm that is the result of your family. More specifically, how they look to Jack.Â
All roads lead back to Rome. Or, in your case, to Jack.Â
You catch yourself during every spare moment or menial task that doesnât require 100% of your brain power analyzing every interaction he had with them. Everything they said, everything they did, and how Jack wouldâve taken it. And why. Because clearly, the act of dealing with them isnât the problem. The ease and finesse in which he did so crosses that off the list. So itâs something else.Â
Itâs how they treat you.Â
You understand, logically, that it would be upsetting, from his point of view. If you were in his place, youâd also probably be upset too.Â
But this feels different. Jackâs reaction is different. Jack is different.Â
Itâs just never really been something that anyone should be upset over. Your family are who they are. Not great, but not truly bad either. You deal with them sparingly. You donât even live in the same state anymore. Itâs not a big deal.Â
âWhy are you hiding from me in a supply closet?âÂ
You whirl around, a box of gloves clutched in your hands.
âIâm not hiding from you.â
Jack crosses his arms and leans against the doorway. âThis is the third time youâve been here in two hours.â
âSo? I just want to be⊠on top of things. Iâm a productive person.âÂ
âYou are,â He amends, âBut all of your productivity tonight has been pretty strictly nowhere near me. Funny how that works.â
You sigh, placing the gloves back on the rack. âThings are just⊠weird, okay? I donât know how youâre being so normal about all this?â
Your fingers wander and find a loose piece of skin on the edge of your cuticle, and you begin absent-mindedly picking at it.Â
You canât exactly disagree with him, right here, in the supply closet at the hospital. But you canât quite bring yourself to agree eitherâ because whether he acknowledges it or not, things have changed. Seeing him outside the hospital, perfectly placating your family into one of the most peaceful get-togethers youâve had in years isn't just nothing.Â
Itâs everything. And you, for one, canât just pretend that it didnât happen.Â
âHey,â He calls your name softly, âWhatâs on your mind? Whatâs bugging you?âÂ
âNothing.â
He snorts, pushing off the doorframe and shutting the door behind him, so itâs just the two of you alone. âLiar.â
He doesnât probe any further, just leans against the now closed door with his hands in his pockets, eyes flitting over you like theyâre looking for an answer. An answer youâre too hesitant to give.Â
âIâm just worried.âÂ
âYou? Worried? No.âÂ
You cut him a glare, âThereâs a very real chance that this could all go horribly awry, you know.â
âSure,â Jack dips his head, âBut thatâs not what youâre really worried about.â
âAnd how do you know that?â
âBecause that doesnât address the fact that youâre avoiding me.â
You sigh, scrubbing a hand across your face.Â
âWhy do you care?âÂ
The question thatâs been nagging at you since the beginning. The little itch in the back of your mind that you just canât seem to get rid of. The puzzle you canât figure out; the tune you canât place.Â
Youâre a logic driven person. You like knowing how things worksâ why they work. Why things do the things they do.Â
You like having the why. Having the why makes the world make sense.Â
Nothing about Jack Abbot makes sense.Â
âWhy do I care about what?â
âThis,â You gesture vaguely to the air, âMe. I donât buy that you just didnât have anything better to do or whatever it was you said. People donât just⊠do that. Youâre really ruining your life for an entire week for what? So I'm a little less uncomfortable? Me? At the end of the day, weâre just coworkers. I know how important your down time is for you, so I just donât get why youâre so okay with being miserable just for my sake. Iâm not that important. These stupid lunches arenât that important.âÂ
Itâs a stupid confession. Much too vulnerable for a supply closet and a man youâre harboring feelings for.Â
He doesnât respond right away. Hums, stares at his shoes for a bit. Re-adjusts so his prosthetic isnât taking so much weight.Â
âYou are important. Youâre important to me, to this hospital, to your patients. And for the record, I am not âruining my week.â If it was that easy for my week to be ruined, I never would have become a doctor, let alone joined the military.â
âBut why?âÂ
âJesus, you watched a lot of the science channel growing up, didnât you?âÂ
You snort. âGuilty as charged.âÂ
Now itâs his turn to sigh.Â
âYou⊠seem to have this misguided belief that caring is reciprocal in nature.â
You frown. âIt is.âÂ
âIt isnât. At least it shouldnât be, but I donât think anyone ever told you that.âÂ
You scoff. âSo this is about my family.âÂ
He shrugs. âAmongst other things.â
âTheyâre not that bad.â
âThey are.âÂ
âOther people have it worse.â
âItâs not a competition.âÂ
You resist the urge to throw your hands in the air. âWhy is this such a big deal to you?âÂ
âBecause itâs a big deal to you.âÂ
The air gets quiet and tense. Like the supply closet and all the medical supplies in it are holding their breath. If they were alive, if they were holding their breath, youâre convinced theyâd all be looking at you.Â
Itâs Jack who speaks first though.Â
âI can see it. You do everything yourself, get back up even when itâs hard. You look out for other people more than you look out for yourself. Youâre selfless and kind and I donât think very many people give that back to you.âÂ
A reflexive smile pulls at your lips, a habit you never quite managed to kick after years of people telling you âsmile, look grateful, stop looking so upset, thereâs nothing to cry about.â It feels awkward and clunky on your mouth but you donât know what else to do. Thereâs no pre-written protocol for something like this.
âI still donât really get it.â You murmur, more to yourself than to Jack.
Jack sends you a light grin. âWeâll work on it.âÂ
âWe will?âÂ
âSure,â He shrugs, âAlready started anyways.âÂ
âIf youâre sure.âÂ
âIâm sure,â He opens the door, âNow get back out there. And bring the gloves too.â
You roll your eyes but comply, snagging the box off the shelf where youâd left it and following him out.Â
The rest of your shift passes much smoother than before, even with the routine influx of patients as the time inches closer to morning. Jack doesnât hover, but doesnât pull the disappearing act that you (totally fairly) pulled on him either. He truly seems unfazed. Like it really, actually doesnât bother him.Â
Well. Correction. It does bother him, but not because itâs something heâs doing for you, the part that bothers him (apparently) is how all of this affects you. All this caring makes you feel like a deer in the headlights.
You recall something he said that night. Something that had made you shiverâ something that hit the nail right on the head.Â
âHey, listen to me. You cannot fix what I am upset about. It is not your job. My mood is not your responsibility.âÂ
He always seems to know exactly what to say to you. How to act, what to do, what specific worry youâre feeling and the best course of action to soothe it. Itâs great but itâs also difficult, because thereâs a part of you that wants to let him keep doing it, but then thereâs the part of you that bristles every time and wants to snap that youâre completely capable of doing things yourself.Â
That probably wouldnât even work. Heâd just say something infuriating and sexy, like âI know, but I want to do this for you.âÂ
He would. He totally would.Â
The thought is equal parts haunting and reassuring.Â
(And maybe, also, a little, kind of really sweet?)
â
The next two lunches go great. Jack is still freakishly incredible at charming your family. And, with his help, you actually manage to hold a (mostly) civil conversation with your parents for the first time in⊠years.Â
The lunches are fine, but the part youâve started looking forward to is the before and after. Before, Jack comes to pick you up, and sometimes he comes early and helps prepare (which mostly involves him either talking you off the ledge, pouring a shot or two, or assuring you that your makeup and outfit look great. Not fine, great) or just to hang out. The hanging out part is nice, because he never comes with any sort of expectation. Heâll sit on your couch and scroll through his phone and entertain all the inane chatter you like to get out of your system beforehand but never had an outlet for before.Â
The after is even more fun. You run through the highlights of the night and hate on all the annoying things your family said to you. This usually also involves stopping somewhere for food (only for you, Jackâs never hungry because he eats t=at the restaurants but youâre never allowed to order anything that isnât a salad) and then the two fo you fight over who pays. You always insist since youâre the only one actually eating any of the food, but then Jack usually takes your card, puts it in his pocket, and uses his own.Â
Itâs as frustrating as it is hot.Â
But for the most part, the lunches and your shifts at work have actually been pretty goodâ as good as night shifts in a trauma center can be, anyway. Jackâs presence is⊠steadying, even when heâs not physically there. Heâs always present in some wayâ whether itâs little reminders he leaves at your favorite spot for charting (he only uses blue sticky notes) or a real lunch left for you in the breakroom fridge (you werenât previously aware he actually knew how to cook, or that he knew how picky you are when it comes to what youâll actually eat for lunch and how often you get too busy to properly make something.) Sometimes heâs there in your head; in little things heâs told or taught you that you remember in the moment.Â
Itâs nice. To have someone be around. Someone you can relax with, joke withâ someone who hasnât looked down on you for the the way you turned out.Â
You were pretty ready to declare smooth sailing ahead, but then on the third lunch your mother shows up and is decidedly not in a good mood and the seas turn choppy and the boat smashes into the rocks below.Â
At least, two peach bellinis in, thatâs what it feels like.Â
âHonestly,â Your mother puffs, âI donât understand why making some simple appetizers could take so long. This is why I hate going to restaurants during lunch hours, the staff just gets so lazy. The menu is always better at dinner anyways.âÂ
You ignore the thinly veiled dig and instead choose to quietly drain the rest of your third peach bellini. They taste like juice and take a much needed edge (or two) of the evening. Lunch. What-fucking-ever.Â
Jack, ever aware of the best way to survive these functions (somehow) whilst keeping his sanity, remains silent as your mom huffs and puffs, seeming to understand that trying to placate her when she gets in these moods is a fruitless endeavor that only leads to your mom getting more upset and everyone else more annoyed.Â
You, made slightly optimistic by the wonderful powers of alcohol, attempt to put her in a better mood.Â
âI have the next three days off, mom. Weâll be able to do dinners instead.â
Your mother, however, only scoffs. âThatâs no good to anyone now. Weâve already spent half this week dealing with poor restaurant service. I mean, no respectable job would have such a ridiculous schedule."Â
âIâm a doctor, mom. It doesnât get more respectable than that.âÂ
Jack nudges your leg with his, either a silent laugh, show of support, or quiet question of your sanity. Maybe all three.Â
Another bellini appears in front of you, this one heavier on the alcohol than the last. Your server is getting a giant tip when this is all over.Â
âYou work in the emergency department, dear. Thatâs hardly stable, and stable is respectable,â Jack clears his throat, and your mother at least has the manners to look mildly sheepish, âNo offense, Jack.âÂ
He smiles thinly. âNone taken.âÂ
Conversation from there is stilted at best with even your brothers tip-toeing around your mother. No one wants to be the subject of a nitpicking lecture, even when the version she gives them is a slap on the wrist compared to what you endure.Â
So you keep drinking your belliniâs and they keep coming. After your fourth, you think you should maybe slow down a little, but then your dad starts grilling Jack about his life (again) and you decide that alcohol is, in fact, necessary.Â
âHave you ever been in a serious relationship before, Jack?âÂ
That one almost makes you ask the server for a shot of vodka, straight. Thatâs a question you ask a nineteen year-old pimple-faced boy, not a fucking fifty year old man.Â
âI have, yes. But, like most things in life, they were learning experiences. Iâve moved on.âÂ
Your dad snorts, then gestures to you. âYou could teach her a thing or two about moving on.âÂ
Your blood runs cold.Â
Jack sets his glass down. âAnd what do you mean by that?â
Itâs your mother who answers. Because one vulture circling your soon-to-be carcass wasnât enough.Â
âIâm surprised she hasnât told you. It was all she ever talked about for years. Sheâs had exactly one boyfriend before youâ what was his name honey?â
âChristopher,â You answer hollowly, stomach churning.Â
Your dad snaps his fingers. âThatâs it. It took ages for her to get her first boyfriend. We were fairly convinced it would never happen, but then one day she came home with Christopher. Whole family wanted to throw a partyâ finally found someone to put up with all that attitude!â
Your family laughs, but Jack doesnât.Â
âWhereâs the funny part, in all this?â
Your mother clears her throat, just a tad awkward. âWhen she broke up with him it was awful. She refused to leave her room for works, cried all the time. Honestly, I would have understood if he had broken up with her, but it was all her decision.âÂ
Your dad nods in agreement. âWe had to have a sit-down conversation with her about decisions and consequences before she finally stopped crying and hiding in her room. Christopher was such a nice boy, we hated to see him go.â
Jack opens his mouth, poised to fire something back and defend you, but you beat him to the punch.Â
âHe cheated on me with my best friend.âÂ
At that, your mother frowns. âThatâs not what Christopher said. You were in your teen angst era, remember? Always picking fights? He told your brother that you were so distant with him he didnât know you were still together.âÂ
âI wasnât distant, I was really busy. I was studying for the MCAT. He knew that. He knew how important medical school was to me.âÂ
Your brother rolls his eyes. âMed school was all you talked about. Itâs not like you were putting out.â
Your mother snaps her fingers once. âThat is inappropriate talk for public. You know better.âÂ
âCome on, mom. Itâs true. Everyone knowsââ
âSorry to interrupt,â Jack says, not at all sounding sorry, âBut the hospital just texted. Thereâs an emergency, and weâre needed, so we have to go.âÂ
Jack does not wait for your mother or father to excuse him. He just stands, offering you his hand. It turns out that you need it, because there is, apparently, such a thing as too many peach bellinis. Your mom sends you a pointed glare as you stumble once, after which you make a concerted effort to look more sober.Â
Neither you nor Jack bother saying proper goodbyes. Once he grabs your jacket and purse (and your vision stops swimming so much and youâre sure you can walk in a convincing approximation of a straight line) youâre both gone. You pass your server on the way out, who is slipped a very generous cash tip for the excellent bellini service.Â
By the time you get to the car, you realize that youâre about to have to save patient lives and you are very, extremely, drunk. There is no way you are capable of doing any life-saving at the moment.Â
âJack,â You mumble, fumbling with your seatbelt, âI think Iâm too drunk to go in. Did they say how serious the emergency was? Can I just get a banana bag?âÂ
âThere is no emergency,â He says calmly, batting your hands away and buckling you in properly, âI made it up. I figured youâd be okay with ducking out of there.âÂ
âOh. That was nice of you.âÂ
He clicks you in and gives you a wry grin. âTold you I would handle things.â
You nod, the movement exaggerated and lopsided. âI hate it when they bring up Christpher. They always take his side. Like, is there ever a situation where itâs okay to cheat on a girl with her best friend? I was studying for the MCAT. I didnât even wallow or break up with him when I found out. I waited until after I took the exam so I didnât fuck up my score.âÂ
âThatâs my girl.âÂ
âChristopher was an asshole. He was a real dickhead. The whole situation sucked. I lost the only two people who I thought cared about me at the same time. My family acted like I was the fucking anti-christ for being upset about it, too. It was fucking terrible. Iâm so glad I donât live with them anymore. I mean, I still love them, and I care about them, cause theyâre my family, but everything is just so much easier when theyâre not around.âÂ
âYouâre allowed to hate them, you know.âÂ
âI know,â You say, fiddling with a hangnail. âI know I probably should.âÂ
You sigh, tilting your head back against the headrest. âI always keep holding out hope, you know? That one day theyâll apologize, figure their shit out, care about me in a way that matters. I know itâs stupid.â
âItâs not stupid.âÂ
You frown. âItâs not? It kinda seems stupid. Youâd think by now I would know better.âÂ
âNo,â Jack eases the car out of the parking space, âWeâre biologically wired to love our families. Itâs the reason why they can fuck you up so bad. Your brain canât compute why the people who are supposed to love you above all else just⊠donât. Not in any of the right ways.âÂ
You blow air through your lips. âI think my parents fucked me up. I was so happy when I matched into the Pitt, because it was so far away. But then I got out here it just kind of hit me, all at once, that I was alone. My best friend was gone, my ex boyfriend sucked, and I was too busy in med school taking care of myself and my family to make any friends.â
Shit, that sounds so whiny. âBut it turns out it wasnât so bad. Now I've got Mell, and Santos, and Iâm pretty sure Iâm friends with Shen too. Mckay is nice too. I like her. Sheâs cool.âÂ
Jack huffs something that could be a laugh, and you turn to study him; the angles of his face awash in the glow of the red light youâre currently stopped at. From here, you can see the tiny bits of tension he carries in his faceâ a slight pinch in his brow, the tiniest downturn of his lips. Itâs the only evidence that heâs not as unaffected by your family as he pretends to be.
Then the light turns green, and his face isnât illuminated the same.Â
âAnd what about me?âÂ
Oh. Well. Thatâs a loaded question.
The alcohol emboldens you to answer honestly. âI donât know what to think about you.âÂ
âOh really?âÂ
âMmm. Nope.âÂ
âHow come?âÂ
"You're soââ You gesture vaguely, âConfusing. I canât figure you out. For a while there, I was pretty sure you hated me, but then you offered to help me with this and you keep saying you care so I think Iâm wrong.âÂ
âYou think youâre wrong?â
âStill canât figure you out.âÂ
âAnd how can I show you that I mean it?âÂ
Thatâs. Hmm.
âI donât know. I think what youâre doing is working,â You pause, debating the pros and cons of continuing to just say whatever the fuck you want before deciding youâre too tired to care, âIt helps that youâre really hot.âÂ
His lips twitch. âOh, does it now?âÂ
âMhm. Youâve got this whole⊠capable thing about you. Itâs hot. Competency is in.â
âIf you say so.âÂ
âI do say so. I feel like if I had a problem I could call you or something and you would fix it. Youâre soâŠâ
âCompetent?âÂ
âThatâs the word.â
If heâs at all irritated, annoyed, or otherwise put off by your stupid rambling, he didnât show it.Â
âYou should call me whenever you have a problem. Chances are, I can fix it.âÂ
âAre you like Bob the Builder?â
âIâm a doctor, so no.âÂ
âYouâre kind of like Bob the Builder.âÂ
âWhatever you say,â He pauses at an empty intersection before continuing on, âBefore I start heading towards your place, do you want to stop by mine? You didnât even get to eat your salad, and I have leftovers. You can say no.â
âAre you gonna be mad at me if I say no?âÂ
âNo.âÂ
âThen yes.âÂ
âYou sure? I wasnât lying.âÂ
âI know. But I like your cooking.â
You spend the drive to Jackâs continuing to ramble about nothing and everything, to which he entertains with a seemingly endless amount of patience. The only time he interrupts is to hand you a bottle of Gatorade he procured from his back seat. Apparently, he bought a few to keep in his car after the first lunch. âFor any alcohol excursions.âÂ
Itâs freaky how prepared he is for every situation.Â
When you arrive, he unbuckles your seatbelt for you (unbuckling is just as difficult as buckling when youâve had an unknown amount of peach bellinis) and helps you up the stairs to his apartment.Â
His gigantic apartment.Â
âWoah,â You mumble as you shuffle through the doorway, pulled along by your hand in Jacks, âI didnât know they made apartments this size.âÂ
âIts not that big.âÂ
âI think, like, four of my apartments could fit in here. Your living room is the size of my entire place.âÂ
You stumble once, heel catching on the little rug on the entry way, and heâs immediately motioning for you to sit on the little bench by the door and pats his thigh once. You clumsily raise your leg, barely managing to land your foot on the general area he gestures to. He pulls the first shoe off, then repeats with the second with an air of total calm. Like this is normal and he does this all the time for you. Like you regularly find yourself drunk in his apartment.
You decide to unpack the moment when youâre sober.Â
âOne, itâs not that big, and two, thatâs what you get for renting a studio apartment.â
âLike you could afford better when you were an intern.âÂ
He snorts, leading you to his couch and gesturing for you to sit. âIf you want to change clothes you can borrow some of mine.â
You chew on your lip. The outfits you choose to look nice for your mother are never exactly comfortable, and when else are you going to get the chance to privately live the scenario you fantasize about several times a week before falling asleep?
âOnly if you donât mind.âÂ
âI wouldn't have offered if I wasnât. Stay there.âÂ
Jackâs only gone for a few minutes before he reappears with a dark grey sweatshirt and a pair of sweatpants in a slightly lighter shade. The sweatshirt is oversized and looks well worn, but the sweatpants are suspiciously new, close to your size, and look eerily similar to a pair you changed into after a shift a few weeks ago.
He hands them to you. Neither of you mention the sweatpants. âYou can change in the bathroom. Door locks from the inside. Iâm gonna change too, and then Iâll heat up the food.âÂ
Jack shows you the bathroom (you donât bother unpacking why exactly he felt the need to tell you that the door locks and from the inside, thatâs for when youâre significantly more drunk than you are now and when youâre not in his fancy-ass apartment.)Â
Because heâs a man and men take approximately three seconds to change, heâs already in the kitchen setting stuff on the counter by the time you emerge from the bathroom. His countertops are solid granite, because the apartment is clearly expensive and heâs a man. Theyâre an inky black color with tiny flecks that sparkle when the light hits them just so.Â
âWhat are you doing?â Jack asks when he turns from the fridge to find you tilting your head this way and that.Â
âLooking at the sparkles.âÂ
âOookay. Do you want me to heat up the vodka pasta or the chicken?â
âYou made vodka pasta?âÂ
He shrugs. âYou said you liked it.âÂ
You slide into a seat at the kitchen island, a flush creeping up your neck. âThe pasta, please.âÂ
Suddenly exhausted now that youâre in soft, comfortable clothes that smell like Jack, you decide to just rest your head on your arms for a bit. And close your eyes. But youâre not going to fall asleep. Youâre not.Â
âDonât fall asleep. You need to eat something first.âÂ
âMâ not fallinâ asleep.âÂ
âMhm. Sure.âÂ
With great effort, you blink your eyes open and watch Jack while he heats up the pasta and prepares something else. A salad maybe?
âWhatâreâyouâ making?â
âJust a little salad. In case the pasta is too heavy for you.âÂ
âOh. How come?âÂ
âBecause I donât want you to throw up.âÂ
âI promise I wonât throw up on your furniture. I donât usually throw up when Iâm hungover.âÂ
âYou drink often?âÂ
âNo,â Your head lulls to the side, âIâm too busy. Iâm actually not-so-secretly very boring. I donât really like partying. I much prefer staying at home.âÂ
âThought you went to that thing with King and Santos?âÂ
âYeah, but that was âcause Trinity really wanted me to come and I felt bad and I didnât want her to think I was a boring, uptight bitch.âÂ
âI see.âÂ
âYeah. I kinda had fun, though. I wished you were there.â
âReally?âÂ
âYeah,â You sigh, probably a hint too dreamily, âMakes me feel better when youâre around.âÂ
âIâll keep that in mind.âÂ
He slides a little bowl with a light salad in it to you across the counter, and it's perfectly refreshing. Not at all heavy like the pasta ends up being.Â
âSorry I couldnât finish it,â You say, forcing down a yawn and resisting the urge to burrow into your arms and go to sleep right there, âI feel bad that you went through the trouble of making it and heating it up.âÂ
âIt wasnât that much effort. Besides, now you can just eat it for lunch tomorrow instead. Iâll send it home with you.âÂ
âMhm.â You hum, slowly inching your arms forward and down onto the counter, your head quickly following suit.Â
Jack chuckles, and you can hear the light step of his feet as he rounds the corner of the island and nudges you in the arm.Â
âCome on, sweetheart. You wanna get home to bed, donât you?â
âNo,â You shake your head, âI wanna sleep right here. Itâs comfortable.â
âIt wonât be when you wake up.â
You whine, curling away from him.Â
He just puffs another little laugh. âYou can either sleep in your bed, or my bed. You canât sleep on the kitchen island.â
âWhy not?â You finally lift your head, âAnd why is your bed an option?â
âOne,â He lifts up one finger in front of your face and slowly drags it back and forth, âBecause the kitchen island is not a bed. Two, Iâm not letting you sleep on the couch.â
âWhy? Is your couch uncomfortable?â
âNo,â He says, shuffling back over to where the leftovers are and tucking all the food away in the proper places, âItâs just not right to make a woman sleep on the couch.â
âI like sleeping on couches.â
He shoots you a look over his shoulder, âIâm sure you do. But youâre still a little drunk, and my bed is closer to the bathroom than the couch is.âÂ
You prop your head on your hand. âWho said Iâm even staying here tonight?â
Jack closes the fridge. âDo you want to? Because I donât care either way. We both have tomorrow off.â
âItâd be weird to wake up here.â
âWhy?â
âBecause youâre my boss.â
âAnd Iâm faking being your boyfriend so your parents get off your back. Pretty sure weâre past coworkers.âÂ
âWhat would we even do in the morning?âÂ
âSleep.â
âI donât want to kick you out of your bed. Iâll sleep on the couch.âÂ
âYouâre my guestââÂ
âYouâre already doing so much for me,â You blurt, stomach clenching, âIâ You know me. I can only handle so much. Let me do this one thing? Please?âÂ
Jack glowers for a bit, then sighs.Â
âOnly because you asked nicely and I believe in rewarding good behavior. And because I know my couch isnât uncomfortable. Iâll help you make it up.âÂ
Jackâs apartment is surprisingly tidy for the fact that a man lives in it (Christopherâs room at his parentâs house always looked like shit) and he pulls down a couple options for bedding. You go with the plain black sheet and its matching thick, fluffy comforter. He insists on making up the couch himself (despite the fact that the alcohol has mostly worn off by now) and even sets up a glass of water, a liquid IV packet, and a bucketâ âJust in case those belliniâs donât love you back.âÂ
The sight of it all is almost too much. Itâs just so much care. All of it. The fact that heâs helping out with you and your disaster of a family, the way that despite the horribleness of it all he hasnât judged you at all for how you deal with them. He refuses to let you drive yourself, always pays for every lunch for your entire family and the little snacks you get afterwards. Listens to you rant and he makes you food and gets you blankets andâ
âYou okay there?âÂ
âMhm,â You hum, âJust thinkinâ.âÂ
He leaves you be for a moment, busies himself with fixing your pillows and and tugging the comforter into its proper place.
Before you can talk yourself out of it, you turn, throwing your arms around Jackâs middle and burying your face in his chest.Â
âThank you,â You say, voice muffled by the fabric, âFor doing all of this. Thank you for looking out for me.âÂ
Jack is still for a second, just long enough for you to second guess initiating physical contact âa line you were previously too scared to crossâ but then his hands come up and it's so, immediately, remarkably over. Because youâre never ever going to draw that line again. You can never go back to your life without having this. Without having him.Â
Jackâs hands are big and deliciously warm as they slide up, around your waist, lingering to rub a few circles on the mid of your back before moving on. One arm stays, tightening around your waist and drawing you closer while his other glides further up, up, up, his callused palms sliding over the knob at the very base of your neck before his hand settles around your nape, fingers just barely brushing the edge of your hairline.Â
You barely manage to suppress a whine at how warm and incredible it feels to be fully enveloped by him. You never want him to let go. Goosebumps erupt everywhere he touches, little sparks of electricity lingering under your skin in his wake.
âI will always,â He presses the lightest of kisses to your temple, just a feathering of his lips, âLook out for you, baby. Iâm always gonna be right here.â
His arms tighten around you, drawing you inâ closer, closer, closer. Wrapped up in everything that is Jack you canât help but sag, going completely boneless in his grip and allowing yourself to just bask in him.Â
âYou smell good.â You mumble into his shirt, completely lost in the moment.Â
âDo I?â
âYeah. Good. Like man.âÂ
He chuckles, the sound vibrating pleasantly against your cheek. âThank you sweetheart.âÂ
âWhy do you call me sweetheart?âÂ
âBecause youâre a sweetheart.âÂ
âI am?âÂ
âDonât play dumb now,â He pulls back a little, just enough to get a good look at you, fingers curling in the fine hair at your nape and tugging down, angling your chin up so youâre forced to look at him, âYou know you are.âÂ
You shrug, eyes darting to the side, your cheeks flushing, âI donât know. I was just making sure.âÂ
âMhm.â He hums, tone almost mocking, fingers tightening around your hair just before the precipice of pain.
You stay like that for a few moments of charged silence. Jackâs eyes shamelessly rove over the planes of your face, mapping it out in his mind. He keeps his grip on your hair, not completely forcing eye contact but keeping your head firmly in place.Â
Itâs possessive. Bold. Probably too intimate for two people who (supposedly) are not actually dating
And you love it.Â
Jack only lets his hand (and your head) drop when your jaw opens in a splitting yawn.Â
âOkay,â He huffs, taking a step back, âTime for bed. Get going.âÂ
Embarrassment is the only thing keeping you from whining at the loss of contact and impending reality of sleeping on the couch alone. But you made your bed (figuratively) so now you have to lie in it.Â
The couch does look comfortable. Especially since Jack put all the blankets together.Â
He waits until youâve crawled under the comforter to bid you goodnight, followed by a parting reminder to âWake him up if you start aspirating on vomit.â Itâs a very Jack thing to say.Â
Youâre out almost the second Jack turns the lights off. You fall into deep, blissful sleep, dreaming of that final moment in the living room, your eyes boring into each other.Â
Except in the dream, you tilt your head up those last few inches, and kiss your fake boyfriend as hard as you can.Â
â
Generally, the annual lecture event ends with a massive blow out argument. Something dramatic and filled with expletives, after which your mother will refuse to answer any texts or calls you send before finally telling you thatâs sheâs sorry if (always if) something she said offended you, but talking to you is just so hard sometimes so she doesnât want to unless youâre ready to be more civil. By the time the two of you are on neutral terms again, itâs time for the next annual lunch circuit.Â
Youâre a mess of nerves in the hours before the last one. Like usual, your mom requested that the last dinner be held at your place. âSo it can feel like a real family dinner.â While you know that there isnât any saying no to your mother, you also know that there is no way youâre cramming your entire family in your tiny ass studio apartment. It happened once. It will not happen again.Â
You originally asked Jack during a last minute shift you both got called in to cover if he would help you move some of the furniture at your place to accommodate them, and then heâd gotten this incredulous look on his face and then told you to tell your mom that youâre having dinner at his place.Â
âJack,â Youâd gaped at him, âItâs fine. My apartment isnât that small, and you donât have to help move the furniture if you donât want to. I can ask Dennis to give me a hand instead. I really donât think you want to host my family.âÂ
âSweetheart, itâs just logic. Youâve seen my place.â
âOkay. No need to rub it in.âÂ
Heâd just rolled his eyes and pinned you with a firm look. âCome on. You know this is the best option. If your mom throws a fit, tell her I insisted and give her my number.âÂ
âDo you have a death wish?â You hiss, âThatâs asking for torture.âÂ
Jack had just shrugged. âWould having it at my place be easier for you?âÂ
â...Yes?âÂ
âThen weâll do it there. Youâre off in a bit, right?âÂ
Youâd nodded.Â
He fishes something small and shiny out of his pocket and tosses it to you. âThatâs my spare key. Iâll be here later than you, so just let yourself in if you want to get there earlier to start setting up. Iâll be home soon.âÂ
Robby shouted his name soon after and Jack was whisked away, leaving you standing in the middle of the ED, holding the fucking spare key to his apartment, gaping like a fish.Â
The line between real and fake has become so blurred youâre not sure if it ever was there to begin with.Â
Heâs started calling you sweetheart more and more oftenâ sometimes when no one's around. No familial audience to be persuaded into the romantic lie youâre selling. Is it still a lie if it doesnât feel like one anymore?
The question and accompanying feeling follows you all day. All throughout your harried dinner preparation. Even now, with a solid hour until your family is supposed to start showing up, you canât help but pace the length of Jackâs kitchen, heeled feet clicking on his floor. Jack himself is similarly dressed up, wearing a pair of dark jeans (âIâm not wearing slacks in my own home, and Iâm not old enough to start wearing khakis with everything.â) and a black button down shirt with the first two buttons undone and the sleeves rolled up to his forearms. He makes a very nice view and under other circumstances you might take the opportunity to climb him like a tree. But alas. Anxiety.Â
âTake your shoes off if youâre going to pace. Youâre gonna give yourself blisters.âÂ
You ignore him, chewing on an already stinging cuticle.Â
âThings have been pretty good this far, right? Do you think sheâs just waiting until the very end to bring up some secret thing that sheâs upset about?â
Jack begins preparing the wine âyour mother only likes redâ for decanting. âI think if your mother were that upset about something she wouldnât be able to hide it.âÂ
âTrue. But what if?â
âIâm not going to help you spiral.âÂ
âWhy not?â You whine.Â
He looks at you with a heavy glare and points to the shoe tray at the door. âShoes. Off. You can put them back on when they get here.âÂ
You grumble under your breath the entire way but comply. Only because your feet were starting to hurt.Â
When your family finally does arrive, it ends up being annoyingly anti-climactic. You spend the entire time on the edge of your seat (literally and figuratively) waiting for the other shoe to drop. Waiting for conversation to turn sour, arguments to erupt, someone to choke on a piece of lettuce and die despite professional intervention.Â
But the argument never starts, conversation remains what it usually is and becomes no worse (or better, unfortunately) and no one passes away due to unevenly chopped vegetables.Â
The torture is over fairly quickly. Most everyoneâs flight back home leaves early the next morning and your dad is paranoid about flight times.Â
Pretty soon itâs all just⊠over. They leave, your mother bickering with your father on the way out about something that probably doesnât matter, and then itâs just you and Jack and the entire scheme is just done. Finished. Just like that.Â
There won't be anymore knee's brushing under the table, no more shared glances and pecks to the cheek when you make a joke that actually lands. No more excuses just to sit and watch him under the guise of playing the adoring girlfriend. No more late night milkshakes.
You'll just go back to being coworkers-- People who pretend not to know each other intimately. Jack probably won't struggle with it. But to you, right now, the idea of just not having him anymore seems like a another wound, right over top all the others.
You don't want him to become another person who used to know you.
Youâve been staring at the closed door for upwards of five full minutes, clenching and unclenching your fists when Jack comes up next to you. He hands you the same clothes you wore the last time you were there and jerks his head in the direction of the bathroom. Â
âWhy donât you go and change, huh?â
Your lip wobbles a bit as you answer. âBut I want to help you clean up.âÂ
âYou can,â He soothes, âAfter you change.â
âButââ
âHey,â He interrupts, âNo. Youâve been stuck in those clothes for hours. Go change. Iâll wait for you.âÂ
Jack keeps his word. Heâs leaned up against the kitchen island when you emerge, rubbing at your ânow bare, having had the foresight to bring makeup wipes with youâ face.Â
He looks up when the door opens. âBetter?âÂ
âYeah. Thanks.âÂ
He just hums, heading back over to the kitchen table, stacking plates and cutlery. You follow in silence, and he thankfully doesnât push for conversation.Â
Cleaning up doesnât take long enough. Jack has a fancy dishwasher (and probably doesnât want to stay standing any more than he has to this late in the day) and there arenât any leftovers to pack up. Your brothers are bottomless pits when it comes to free food.Â
It canât just be over like this. It can't.
When everything is finished and there isn't anything left to do, Jack wordlessly leads you to the couch and puts something quiet and calm on the TV. The white noise washes over you as you attempt to get comfortable, but the knowledge that it's all over proves to be an itch under your skin that you just can't seem to squash.
âSo,â You say after the two of you are seated on opposite ends of the couch, âThatâs it then.âÂ
âSo it is.âÂ
âGuess I owe you big time, huh?âÂ
âIâve already told you I donât care about that.âÂ
âRight,â You look down at your lap, âYeah. Sorry.âÂ
You lapse into silence.Â
Jack sighs. âSweetheartââ
âWas it fake to you?â You blurt, jiggling your knee, still staring at your lap, âWere youâ did you mean it?â
It never felt fake. It never felt like pretending.Â
It felt real.
It felt like, for the first time in your life, things could be easy.
Maybe easy isn't the right word. But it life sure as hell didn't feel as hard.
When you look up, uncomfortable in his silence and hoping thereâs answers in his face, but instead of finding something like disappointment or irritation, heâs grinning.Â
âWhat do you think?âÂ
âI donât know.âÂ
He dips his head once. âYes you do. Youâre a smart girl, I think you can figure it out.âÂ
Your fingers are curled around the hem of his sweatshirt, white-knuckling the fabric as if to stabilize yourself. Like youâre liable to somehow float away if you donât dig your heels into the couch and hold on tight.Â
âWhat if Iâm wrong?âÂ
âYou wonât be.â
A scoff escapes your lips, âYou canât know for sure.âÂ
He taps his pointer finger on his leg in an unhurried rhythm.Â
âYou do.âÂ
Your stomach is rolling in a combination of leftover anxiety from the dinner that went better than it was supposed to and the weight of Jackâs gaze on you.Â
âI thinkâŠâ You pause, worry threatening to overwhelm you, and take a deep breath before continuing, âI think you might like me.âÂ
âYou think,â He drawls, âI might.âÂ
âI donât want to be wrong!â You cry.Â
Jack huffs, throwing his head back in a good-natured sigh.Â
âCome here.âÂ
You scoot further down the couch, sitting criss-cross right in front of him. This is not going the way you thought it would. You were almost certain youâd walk away shamed and embarrassed, forced to fake your death and flee the country out of the sheer humiliation of thinking your boss would actually have a crush on you.Â
Jack does love to prove you wrong.
âSoo,â You start, still hesitant, âYou do like me.âÂ
Jack props his head on his hand, his expression something youâre starting to recognize as fond. âYes.â
âMore than a little?âÂ
âYes.âÂ
âAnd you werenât faking anything. You were serious about theâ You know.âÂ
âUse your words.âÂ
âThe flirting.â You clarify, ears burning.Â
âAll correct,â He nods, âThough I would have said it differently.âÂ
You frown. âAnd how would you have put it?âÂ
âI would have said,â He reaches out, snagging your arm and tugging until you fall down onto his chest with a little oof, âThat you have a hard time believing things that are good, so I had to audition for my role. Like old-fashioned courting.âÂ
You want to be offended, but unfortunately, it did work.Â
You frown.Â
Wait.Â
âHave you known I liked you this whole time?âÂ
Jack snorts. âOverheard you talking to Whitaker about it during your second week.â
Heâs known since the second week?
âOh my god.âÂ
âDonât worry, I didnât tell anyone. Except Robby. Heâs been hoping you would figure it out for awhile now.â
âOh my god.â
âI thought it was cute,â He smoothes a hand over your hair, âYou were so much more nervous back then. Youâve come a long way.âÂ
You shift uncomfortably at the praise, but Jackâs having none of it. He wraps his arms around you, holding you in place.Â
âCan you take a compliment?âÂ
âNo.âÂ
He re-positions under you, getting more comfortable. âWeâll try again later.âÂ
âAm Iâ Can I stay here tonight then?âÂ
âOf course,â he murmurs, âMy one condition is that youâre not sleeping on the couch.â
âFine,â You sigh, long and drawn out, âI suppose we can share.âÂ
âHow kind of you to share my bed with me.âÂ
âI have been told Iâm kind.âÂ
You both smile, and everything just feels so right and so perfect that you can't help but lean up, clearing the last few inches, and pressing a hesitant, gentle kiss to his lips.Â
Itâs just like your dream.Â
Only this time, itâs real. And Jack is kissing you back.Â
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the way i know mai/ko was never intended to be canon when it was first introduced is because if the writers actually wanted zuko to have an endgame relationship with someone who was compatible with him, and whose character arc wouldâve made sense for their relationship, all they had to do was pair him with ty lee.Â
ty lee, who in the beach episode demonstrated greater consideration and care for zukoâs feelings than his own girlfriend. ty lee, whose bubbly and optimistic attitude wouldâve balanced out zukoâs more serious personality. ty lee, whose character arc wouldâve actually earned the âi love zuko more than i fear youâ line, rather than having it come out of nowhere. ty lee, who would never have shut zuko down when he was going back to face his trauma, who wouldâve never brought up the worst day of his life so glibly, who wouldâve always been there for him because, as she said herself, she knows him.Â
and ty lee, who always struggled with being part of a matched set, becoming fire lady? a position thatâs literally the only one of its kind, that wouldâve set her apart from the rest for good? ty lee, the only one of the fire nation girls who actually spent time with commoners, who wasnât surrounded by people catering to her every whim, whose kindness and cheeriness would be the perfect balm after a century of war? instead of a fire lady who ordered around those from lower social classes for fun and whose defining characteristic was apathy and boredom?Â
if zuko had actually been intended for a childhood friends to lovers romance, the perfect choice for the writers wouldâve been ty lee, not mai. but zuko reuniting with his childhood crush in the fire nation was never supposed to be good or lasting, but another thing that proved why going back home was the worst mistake he ever made. mai/koâs only purpose was to highlight how much zuko had changed, how the things heâd once wanted were hollow and meaningless now that he actually had them. forcing them to get together at the end did a disservice to both their character arcs, and ran completely contrary to the narrative purpose of their relationship in the first place.
anyways we all know the real reason mai/ko is such a dumpster fire is because zuko was always supposed to be with someone else *ahem*
Ty lee was so much like aang in her demeanor and i truly beleive she could have occupied a similar role for zuko.
Specifically in being the light that makes his lofty ambitions seem more plausible.
The idea of mastering, truly mastering fire bending, enough to stand up to his fathers skill, and to find validation in doing so that doesnt hinge on the approval and acceptance of his father. Doing so in a way that doesnât finally fulfil his fathers life long goals for him to finally be a bender worth his time, but instead to seperate his bending, the way he uses it, and the way he thinks about it from his father.
To make his fire come from a place of spiritual peace and control, from a place that fulfills himself instead of being fulled by anger and resentment and the deep want to be strong enough for his father.
That is a lofty ambition for a teenager. To completely rewrite thier relationship with themselves, thier lives, and the way they think.
And then to defeat his father and take rule of the nation. To be the lord it needed.
That is where Ty lee would have been invaluable. Changing the fire nation so completely. Rewriting its history to more accurately reflect the truth. Seizing political power. And making real fundamental lasting change.
Thats a fuckin mountain of a job that literally cannot be completed within his lifetime. Itâll take generations for the nation to heal over completely. And Ty lee of all people would have supported him better.
Would have looked at all the good he wanted to do and told him of course he could. A woman familiar with hard work as she was she would have helped. Been involved every step of the way. Keeping his spirits up and executing his ambitions.
Her large and affluent family put to use for the cause.
Her gentle and observant nature able to read him. To know when he was pushed too far, spread too thin. And able to pull him back together.
A firelady that would know what the lowest levels of her nation looked like. Acted like. How the really vulnerable people lived.
A woman who could even reasonably blend into the croud should the need arise even with a very famous face.
With expirience as a spy, a sabotour, a working girl. She could have made a real difference in the fight against Ozaiâs loyalists.
Would have kept Mai around as well so whatever benefits she brought with her would still be secured.
Would have helped with Zukos greif over his sister. Would have kept betternin touch with the gaang. Would have made a charming figure head gor diplomatic relations. Would win iver the earth kingdom with her charm.
Ty Lee is the kind of girl who understands choosing who you want to be and working fucking hard to be that person. She understands the burden and sacrifice of family. She understands the journey that Zuko went through the get where he is when heâs crowned.
She was the clear choice all along.
She would have been a symbol, that all that good that Zuko had discovered out in the world on his journey. That could exist in the fire nation too. That his people were not beyond redemption. That everything aang stood for, evefything he symbolized for Zuko, his nation had that too. A true goodness that he could cultivate.
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* â· âč * Ë â· dividers by @cafekitsune and @uzmacchiato
‷ â” â§Â . · * . · . LET IN FROM THE COLD ââ chapter nine
â âËđđËâ summary after a humiliating shift and a gut-punch in the parking garage, you try to cry it out aloneâonly for jack to show up at your car window, unwilling to leave. what follows is a moment of quiet unraveling, an almost-confession wrapped in silence, and the first time you let yourself lean on someone who might actually stay.
you donât even have to look to know itâs him. you feel it. that buzz in your chest, that tension behind your eyes. you glance up anyway, just to confirmâand there he is. bent slightly, hands braced on his thighs, trying to get a better look inside the car. that boyish concern on his face like heâs not sure if he should say something or wait for you to notice him.
you turn away instantly. mortified. he knocks again, this time gentler. âgo away,â you say through the car window. you are not even sure he could hear hear you.
he must hear it but he knocks again anyway. a whisper of sound against glass. roll the window down half an inch and then you hiss, âleave me alone.â
he leans in a bit. âare you okay?â
âno,â you snap, voice too high, too raw. âgo away, jack.â you refuse to make eye contact. âhey, come on, talk to me.â
âno!â
âwhy not?â
âyouâyouâyouââ you flail, breath stuttering, throat closing. you need a word. you need something sharp and ugly, something that might make him hurt the way you do. but nothing fits. not really. so you spit the only thing that comes out.
âyou womanizer!â
silence. total, utter silence. thenâa laugh. not cruelly. not mocking. just honest-to-god surprised. a sharp exhale, a baffled grin, a scrunch of his brow like youâve just told him the sun was a triangle. âwhat?â he says, through the window. âwaitâare you serious?â
you turn to glare at him, tears still streaking your cheeks. âdonât laugh at me!â you say, voice shaking, furious.
"iâm not,â he says quickly, hands raised in surrender. âiâm not laughing at you. it's justâwomanizer?" he repeats, nearly choking. "me?" he blinks, then almost laughs again.
"you think this is funny?"
"what? no, noâ" he tries to school his face, but heâs still smiling, confused and thrown. "iâm sorry, itâs justâwhere the hell is this coming from?"
at first, you say nothing. then, "dr. ellis," you snap, blinking furiously. "you were with parker. laughing. talking. i saw you."
"okay?"
"i saw you flirting."
his whole face rearranges itself. the smile dies instantly. now he just looks stunned. "you think i was flirting with parker?" he says, like itâs the most outlandish thing heâs heard in years. even the way he says her name, gosh, it makes your skin boil.
"jesus. no. parkerâsâsheâs married. and actually a little terrifying. and she was literally showing me a video of her toddler duct-taping a chicken nugget to her dishwasher."
you open your mouth. close it. open it again. "...oh."
"yeah. oh."
he crouches beside your car now, one hand on the roof, one on the door. "you really think iâd say i like you and then turn around and go hit on a senior resident while youâre still on shift?"
"...no," you whisper. "i donât."
"then what is this really about?"
youâre trembling. angry. embarrassed. and itâs all bubbling up now, hot and mortifying. "because i donât look like her. i donât walk like her. i donât command rooms or make interns nervous or get ten out of ten on every damn eval. and i donâtâ"
"hey." his voice cuts you off. firm. soft. "stop that."
you donât. you canât. "iâm nothing like her, jack. and maybe thatâs the problem." he rises up just enough to rest one arm on your car door. "youâre right. youâre nothing like parker." a pause. then, quieter : "thatâs why i like you."
you almost cry again but otherwise don't answer. jack shifts. steps back a little. âopen the door.â
âno.â
âcome on.â
âno!â
âsweetheart . . . "
you slap your hand over your face. âi donât want to be pitied.â jack crouches down beside the car door again, expression softening. âiâm not pitying you. iâm worried about you.â
âiâm fine.â
âyou were just crying in your car.â
âi've embarrassed myself enough, go away, jack.â
he doesnât.
of course he doesnât. instead, he taps the window one last time and says, âthen i guess iâm sitting out here with you until you open up or the sun comes up. your choice, morgue girl.â
and somehow, that undoes you more than anything else. because you know he means it. because of course he does. because heâs jack. and you, stupidly, painfully, completelyâyou want to believe him.
the silence stretches. jack doesnât knock again. he just waits. and somehow thatâs worse.
because it means heâs not giving up. not brushing you off. heâs just there. in that infuriatingly patient jack abbot way, like heâd sit outside your car for a week straight if it meant you might crack the window again.
so eventuallyâeventuallyâyou do. you open the door. not all the way. just enough for your foot to touch the ground. just enough for the cold to hit your damp face and remind you that you still look like a disaster.
jack doesnât say anything at first. he just stands there, hands tucked into his pockets like he doesnât want to spook you. like youâre a cornered animal, or something too fragile to touch. "are you mad at me? for assuming, for overreacting?"
âiâm not mad,â he says finally. quiet. âbut i do wanna know what that was.â you donât look at him. youâre too busy staring at the oil stain near your foot. the crack in the cement. anything but his stupid, soft, steady face.
âit doesnât matter,â you mumble.
jack lowers himself slowly, crouching beside the open door again. âit clearly does. you were crying so hard you didnât even notice me walk up.â
you wince. âjesus. could you not remind me?â
âiâm not trying to embarrass you.â
âtoo late.â
jack tilts his head a little, trying to catch your eyes. âis it really about ellis?â your stomach twists. you know the answer is yes. you also know how insane that sounds. because you arenât dating. because he didnât do anything wrong. because heâs jack, and he was being professional, and parker is . . . parkerâdisciplined, competent, calm.
so why does it still burn?
you shrug, trying to seem casual. âyou just . . . looked happy. talking to her.â jack raises a brow. âyou mad i was smiling?â
âno.â
âbecause i like smiling. itâs free, you know. my therapist says it good for morale.â you glare at him. âwould you shut up?â that makes him smile againâsofter this time. âtalk to me, morgue girl.â
you cross your arms tight across your chest. âsheâs just⊠better, okay?" jack frowns. âthought i told you to stop that?â
you hesitate. you feel ridiculous even saying it. but your throatâs already raw and your prideâs already in shambles. âwhy? it's true. she is better than me. sheâs normal.â
jackâs face twists into something like disbelief. âyou think i want normal?â you glance at him, startled. âyou think iâd rather have someone who doesnât yell talk to corpses like their alive?â
"that makes me sound crazy, i know their not alive.â
âyou are crazy.â
âwhat?â
jack huffs a laugh. âi mean, a good crazy, ok. i like crazy.â
you look away again. itâs too muchâtoo real. âi just thought,â you start, but your voice breaks. âi just thought maybe i wouldnât be enough. or too much. or not the right kind ofâwhatever.â
jackâs quiet for a second. then he says, âi told you i liked you. did you think i meant that casually?â you donât answer.
âyouâre not the easy choice,â he says, and somehow, it doesnât sound like an insult. âand i mean that in the best possible way. youâre the person who stays late without being asked, who knows when someoneâs about to crash before the monitor does. you care so much itâs tearing you up from the inside, and you still show up. every time. even when they leave you six bodies and a fucked shift.â
you blink, trying not to cry again.
âi like you,â he says again, voice low. âthe complicated, messy, brilliant you. the one who called me a womanizer and meant it.â
you groan and cover your face. âcan we not bring that up again?â
ânever letting that one go, sorry.â
you peek at him between your fingers. âso youâre really not mad?â jack shakes his head. âno. iâm just sorry you felt like you couldnât say it.â you lower your hands. âi was embarrassed.â
âwell, good news,â he says, reaching up to tuck a stray hair behind your ear. ânow weâre both embarrassed. makes us even.â
you stare at him. he doesnât move. and for the first time tonight, the ache in your chest shifts. Just a little. Just enough to let in air.
âdo you want to sit with me?â you ask softly. jack doesnât answer. he just slides into the passenger seat and closes the door. like he was always meant to be there.
and maybe, just maybeâyou believe it.
jack shifts in the passenger seat, glancing over at you like heâs trying to solve an equation heâs never been taught. âyou sure that was the only reason?â he asks gently. âellis?â
you suck in a breath. because no. no, it wasnât. not even close. you shake your head, slowly. âno. it . . . it was also something else.â jack watches you carefully, patient but braced, like he already knows heâs not gonna like the answer.
you grip the steering wheel even though the carâs in park, fingers pressing hard into the leather. âearlier. in the break room.â
he frowns. âthe break room?â
âafter we came down from the roof.â realization flickers across his face. and for a momentâjust a secondâhis eyes go wide.
âoh,â he says quietly.
you donât look at him. you canât. this whole moment, this whole thing is getting to be too much. âit wasnât just ellis,â you mumble. âit was that. too.â
jack shifts in his seat, expression unreadable now. he stares through the windshield for a beat, jaw flexing. âi didnât mean to push you,â he says. carefully. like every word has been polished before it left his mouth. âback there. in the break room. if i crossed a lineââ
you whip your head toward him. âwhat?â
âi shouldnâtâve gotten that close,â he continues, clearly misreading the absolute whiplash on your face. âi thoughtâi just, i couldn't help myself, and then you just looked so panicked, and i realizedâmaybe i read it all wrong. maybe i made you uncomfortable.â
your mouth opens.
nothing comes out.
jack huffs a dry, almost bitter laugh and rubs a hand over his face. âchrist. of course thatâs what this is. youâve been avoiding me all nightââ
âi wasnât upset that you almost kissed me,â you blurt. âi was upset that you didnât.â
the silence that follows is so thick, so dense, it feels like youâre underwater. jackâs hand stills midair. you stare at him, heart pounding now that the words are finally out. too late to take back. too naked to dress up.
âwhat?â he says softly.
you shake your head, eyes burning. âyou leaned in, and iâi thought you were going to, and then you stopped. like you thought better of it. like you didnât want me. and then you left.â
jack turns toward you fully now, eyes searching yours with something unreadable between shock and devastation. âthatâs why you were upset?â
you nod, ashamed. âit stupid.â
âno,â he says. âno, it not.â
you both sit there, frozen. two idiots in a silent car, hurting over the exact same moment for opposite reasons. jack exhales slowly. then, voice barely above a whisper : âi didnât kiss you because you looked scared. not because i didnât want to.â
your breath catches. âbecause i did,â he says. âgod, i did.â
youâre still trembling. heâs still reeling. and somewhere between those truths, thereâs room to finally breathe. jack doesnât speak right away.
he just sits there, looking at you like heâs finally seeing everything. not just the surfaceâyour job, your sarcasm, your careful wallsâbut all the messy, scared, desperate-to-be-wanted pieces underneath.
and then, quietly, he says, âcan we . . . promise not to do this anymore?â
you blink. âdo what?â
âthis,â he gestures gently between you. âall the guessing. the spiraling. thinking we know what the other one means without actually saying it.â
you feel a lump rise in your throat. âitâs not that easy.â
âi know,â he says, without hesitation. âbut iâm asking if we can try.â you glance down at your lap, at your hands still curled tight. he doesnât reach for them. doesnât push.
he just keeps talking, his voice low and steady. âif youâre upset, i want you to come to me. tell me. iâll listen. iâll always listen. no more shutting down or running off or crying in your car alone.â
that stings a little, but he says it without judgment. just quiet worry.
âand i promise,â he adds, voice going softer still, âto stop assuming i know what youâre thinking. iâll ask. iâll check in. iâll respect your boundaries instead of guessing at them.â
your chest caves a little at that. because no oneâs ever said it like that before. not just iâll be better, but i will give you the space and the language to feel safe.
âyou mean that?â you whisper.
jack nods. âevery word.â
you look at him, really look at him, and for onceâjust onceâyou let yourself believe he means it. because he does. thatâs enough to start from.
he watches you for a beat longer, then glances at the steering wheel. âlet me drive you home.â your spine straightens like heâs just offered to rearrange your entire life.
âno,â you say immediately. too fast. too loud. âiâmâiâm fine. i can drive.â jack doesnât move. doesnât argue. just studies your face like he can see every nerve ending frayed and buzzing beneath your skin.
âyouâre not fine,â he says gently. âyouâre overstimulated, your hands are still shaking, and your eyes are bloodshot. youâre not in any shape to drive.â
âi can,â you insist, heat prickling up your neck. âi will.â
âi know you can,â he says, voice like warm flannel, soft but unwavering. âbut should you?â
you hate that that gets to you. hate that his concern isnât patronizing. itâs worseâitâs real. sincere. it makes your breath hitch for a different reason.
he waits a second longer, then adds, âiâm not asking because i donât think youâre capable. iâm asking because iâd never forgive myself if something happened to you on the way home, and i couldâve stopped it.â
you flinch like he touched a bruise. itâs the way he says it. like he means every word. like keeping you safe has suddenly become one of the most important things in his orbit.
âplease,â he says. âjust let me do this.â
and just like that, your protest dies in your throat. but now a new panic starts to bloom. because if he drives you home, that meansâ
heâs going to see where you live. where you hide.
your apartment isnât a secret, exactly, but itâs yours. a space no oneâs crossed into. a space youâve fiercely guarded, your one quiet corner of control in a world where you have so little of it.
no one knows where you live. not your coworkers, not howell. youâve never told them. on purpose. and now jack is going to know. you swallow hard, trying to steady yourself.
âiâŠâ you rub your forehead, willing the pressure behind your eyes to stop building again. âyouâre gonna know where i live.â
jack blinks. âyeah. i guess i will.â
you shake your head. ânobody knows where i live.â
he hesitates, then says, âis that a dealbreaker?â your heart thuds once, hard. you donât answer. jack watches you with something painfully soft behind his eyes. âyou can tell me to drop you off two blocks away if you want. iâll park around the corner. hell, iâll close my eyes while you walk up.â
you laugh, wet and weak. âyouâd run into a mailbox.â
âoh, i'd absolutely run into a mailbox,â he agrees, smiling just a little. âbut iâd do it if it'd make you more comfortable.â you stare at him, torn between ten different emotions, none of which you have the energy to sort right now.
finally, you just whisper, âokay.â and jack doesnât smile like heâs won something. he doesnât tease. he just nods and says, âthank you for trusting me.â
and somehow, that is what wrecks you the most. you climb into the passenger seat of jackâs truck with the weight of a hundred bad ideas pressing on your chest.
it smells like him insideâclean, faintly like antiseptic and cheap coffee, with a whisper of something woodsy underneath. the seat is warm from where he adjusted the heat. the radioâs off. the consoleâs clean. he even cleared the passenger floorboard, like heâd somehow expected you.
you keep your bag in your lap. fidget with the strap. stare straight ahead. jack doesnât start driving right away.
he just watches you for a second, like heâs waiting for you to panic and bolt. when you donât, he shifts into reverse with a soft click, glancing over his shoulder as he pulls out of the garage.
the silence stretches.
you donât fill it.
neither does he.
the hum of the tires against the road is the only thing keeping you grounded. that, and the low rumble of the engine beneath your feet. you twist your fingers around the bagâs strap so tight they ache.
jack glances at you out of the corner of his eye.
âyou okay?â
you nod. lie. âyeah.â
he doesnât call you on it, but you hear the way he exhales. quiet, resigned.
the city blurs by outside your windowâfamiliar streets, buildings youâve memorized. jackâs hands stay steady on the wheel, his thumb tapping absently once against the leather.
you realize youâve never seen him drive before.
it feels sort of intimate.
too intimate.
and when you finally murmur the cross streetsâsoft, barely above a whisperâhe nods like he already knows where that is. like heâs mapped the whole damn city and now, somehow, youâre part of it.
the closer you get, the tighter your chest pulls.
your apartment is nothing special. one bedroom. top floor. old building. you picked it for the fire escape, the lockable front gate, the twenty-four-hour bodega two blocks over. not for the charm. not for the view.
itâs yours because itâs safe. because no one else has ever been inside.
until now.
jack pulls up in front of the building and puts the truck in park. he doesnât move to get out.
you stare at your front steps. at the little chipped handrail you always meant to fix. at the window you leave cracked for the cat that sometimes visits your fire escape.
âyou donât have to come up,â you say quickly, voice tight. âyou can just drop me here. iâll be fine.â jack doesnât answer right away. he just looks at youâreally looks at you.
jack shuts off the engine, but he doesnât move right away. just turns to you in that calm, quiet way of his, eyes soft under the garage lights. âiâm walking you to the door.â
your heart skips. âyou donât have toââ
âi know i donât,â he says. âi want to.â
and itâs not said with expectation or ulterior motive. heâs not trying to get inside. heâs not trying to see. itâs just jack being jack. you nod, stomach twisting.
the air is cold when you step out of the truck. he meets you halfway around it, falling into step beside you like heâs done it a hundred times. silent, steady, warm.
the walk from the curb to your apartment door is only twenty feet. but it feels like twenty years. you clutch your keys so hard your knuckles go white. your feet are moving on autopilot. youâre not even sure how youâre walking straight. not with him this close. not with your safe little world cracking down the middle.
and then youâre thereâstanding in front of your door, fingers frozen over the lock. jack stands just behind you, polite distance. hands in his coat pockets. eyes on you, not your building.
âthanks for the ride,â you say, barely managing the words.
âalways.â
you fumble the key into the lock. you should say goodnight. you should go inside. you should let him leave and pretend like none of this ever happened.
but insteadââdo you want to come in?â
you donât mean to say it. it rips out of you, uninvited. a reflex. a panic. a longing you thought you had buried so deep itâd never see daylight. jack blinks. your heart stops. and the air freezes.
the words hang there between you, electric and impossible. you want to scream. you want to backspace your entire life. but itâs too late. because you said it. and he heard you.
he blinks. hesitates. and then softly, âno.â
it lands like a stone in your gut.
your throat tightens. you nod fastâtoo fast. âright. of course. sorry. that wasâgod, i donât even know why iââ you fumble for the lock again, fingers trembling now.
ânoâhey.â his voice is calm but firm. âdonât do that.â
you freeze. âdo what?â
his gaze is gentle, eyes searching your face like heâs trying to untangle every thought you wonât say out loud. âdonât close in on yourself. we promised, remember?â
you swallow hard, mouth dry. âiâm notââ
âiâm not coming in,â he says, âbecause you donât want me to.â
you frown. âiâm the one who asked.â
âyou did,â he agrees, quiet. âbut that doesnât change the fact that youâre not ready.â
and you snapânot out of anger, but out of hurt. out of the desperate ache in your chest thatâs been screaming want me back since that goddamn break room.
âi thought you werenât gonna assume my boundaries anymore.â his breath catches. then he steps forward. one step. toe to toe.
you forget how to breathe completely. his presence is overwhelmingânot aggressive, not demanding, just there. steady and warm and very very close.
so close your heart stutters.
your palms start to sweat.
and thenâyour keys slip from your hand, clattering to the ground between you.
neither of you moves. your eyes find his. then dropâto his lips. and linger. he sees it. feels it. but he doesnât move.
his voice is low when he speaks. âi will not rush this with you.â
you almost cry.
because you want him to.
you want him to just once not be so fucking perfect and patient and kind.
you want him to kiss you like he means it, like he wants you, like maybe youâre not completely insane for wanting him so badly you canât sleep.
but insteadâhe waits. and itâs killing you.
he watches you. really watches you. and something in his face softens. the kind of softness that unravels you from the inside out. the kind of softness that says i see you, i want you, iâm right here.
you still havenât moved. still frozen in that space between longing and shame. your lashes are wet. your lips are parted. your breath comes shallow.
you werenât breathing.
you couldnâtânot with him standing so close. not with the weight of that question hanging between you like some live wire, buzzing just under the skin. âcan i kiss you?â
it wasnât a demand. wasnât even a plea. it was a promise.
a vow that he wouldnât take anything from youânot even thisâunless you gave it. unless you said it. unless you wanted it too.
and god, did you want it.
but it caught in your throat like a secret. like a prayer. your hands clenched at your sides, fingers twitching like they didnât know what to do with themselves. and your lipsâyour lips were parted, trembling, barely able to hold the syllable forming there.
you could feel your heartbeat in your teeth.
jack didnât move. didnât press. he just watched you, so carefully, like you were something fragile and holy.
"you donât have to say yes,â he said again, voice rough, quiet, gentle. âbut i need you to knowâi want to. god, i want to.â
that did it. the way he said it. like it hurt to say. like it hurt not to kiss you. like he wanted to memorize every inch of you before he dared lay a hand.
you inhaled, slow and shaky, chest rising just enough to brush his. and with every nerve ending screaming, every emotion crawling to the surface, you nodded.
âyes.â
you barely heard the word.
but he did.
oh, he did.
and he moved.
not fastânot like the world was ending. no, he moved like it was beginning. like the act of closing that space between you was something sacred.
one hand reached up, fingers skimming your jaw. you felt it before it landedâthe heat of him, the reverence of the touch. he cradled your face like he couldnât believe it was real. his thumb traced just beneath your cheekbone, a soft sweep that made your knees go liquid.
the other hand found your waist. slow, slow, slow. like he was giving you every second to stop him. to say no. to change your mind.
but you didnât.
you wouldnât.
not when his eyes dropped to your mouth like that.
not when he was right there, and everything youâd been burning for was right there too.
your breath hitched when his forehead brushed yours. barely there. a tremble of contact.
he exhaledâand you felt it.
âsweetheart,â he murmured, so low you werenât sure if it was meant for you or just the night air.
and thenâfinally.
he kissed you.
it wasâ
not what you expected.
not fireworks or thunderclaps.
no. it was weightless. it was slow. it was so fucking tender you thought it might kill you.
his lips met yours like heâd been waitingânot just days or weeks, but years. like heâd imagined it a thousand times and didnât want to waste a single second rushing it.
and you melted.
mouth opening under his, not out of instinct, but need. real, aching, bone-deep need. to be kissed like this. to be wanted like this. to be seen.
you made a soundâsmall, helpless.
and he answered it.
his fingers slid back, into your hair, cupping the nape of your neck. his palm warmed the skin there, grounding you. anchoring you.
he kissed you again. deeper.
still soft. still slow. but this time with a hunger buried in the seams. the kind that said iâm holding back, but not for long. you rose on your toes. just enough to chase it. to press closer.
and jack let you.
he made a sound in the back of his throatâgod, that soundâand you felt it in your spine. the kiss tilted. shifted. grew.
he parted your lips like it was something heâd earned. like he wanted to earn it. his tongue flickedâjust once, just a whisper of heatâand your whole body shuddered.
you clutched at his shirt. didnât realize you had. didnât care. you just needed to hold on to something. because your world was tilting. because the ground had disappeared. because thisâhimâwas too much and not enough and everything all at once.
his hand tightened at your waist. pulled you closer. not roughly. not possessively. just⊠closer. as if he needed to be sure you were real.
the kiss deepened. your lips slicked, parted, brushed again. there was breathing, panting, a pauseâand then another pull, another crash, another desperate, aching press of mouth to mouth.
you were going to fall apart.
you were falling apart.
and he was holding you together. you broke away firstâbarely. just enough to breathe. just enough to open your eyes. and what you sawâ
jack. flushed. his lips swollen. his chest heaving like he couldnât get enough air. his gaze locked on you. âfuck,â he whispered.
and it wasnât an expletive. it was a confession. like jesus fucking christ, youâre everything. you couldnât speak. could barely stand. but you smiledâsmall, soft, dazed.
he didnât kiss you again. he pressed his forehead to yours, just like before, and whispered, âyou okay?â
and you nodded. not because you were okay.
but because you finally felt like you could be.
authors note .' please please please send nsfw requests for act two ( aka ch 10-19 ) this is where its gonna get freaky lmao and i don't wanna run out of stuff for them to try ( dont be afraind to get freaky with the requests either : remember that the google forms is anonymous unless you provide your tumblr user ) . click here to request or send an ask to my inbox!!! thank you!!!
this is the last installment of act one ( ch 1-9 ), act two will begin as i gather enough smutty requests. thank you for reading!!!!
series masterlist || inbox || ggc request form âââ
* â· âč * Ë â· dividers by @cafekitsune and @uzmacchiato
‷ â” â§Â . · * . · . LEFT OUT IN THE COLD ââ chapter eight
â âËđđËâ summary you survive twelve hours in the morgue, but the real damage happens in the hallwayâwhen his smile is meant for someone else. you werenât supposed to care. but now you're sobbing behind the wheel of your car, wondering when you started mistaking proximity for promise
the cold snap of morgue-grade air conditioning had numbed your fingers hours ago, but you didnât stop. you couldnât. even with your knuckles aching and the hum of fluorescent lights drilling into the softest part of your skull, you kept moving. kept cataloguing. kept unzipping bags. kept prepping toe tags.
the stainless-steel table beneath you rattled slightly as you transferred a body from the gurney. not violently. just enough to remind you that you were still alone, still tired, still too far behind to breathe.
dr. howellâs shoes made a distinct squeaking sound. they always did. expensive soles and unnecessary swagger. you heard them before you saw him.
âyou planning on turning this place into a walk-in freezer slash studio apartment?â he quipped from the doorway, arms folded over his crisp white coat. âbecause youâve been in here for twelve hours and iâm starting to worry youâve unionized.â
you didnât laugh. not even a smile. he stopped mid-stride, brow furrowing as he stepped further in. his eyes landed on the four untagged bodies still zipped up on gurneys.
âwoah. you didnât finish the howell six? that's not like you.â
that did it.
âseriously?â your voice cracked from disuse, but the sharpness still cut through the room. âthe howell six? like theyâre a brunch reservation or a fucking bowling team?â
dr. howell blinked. once. twice. then, cautiously: âokay . . . absolutely not the response i expected.â you stepped back from the table, hands shaking as you ripped off your gloves, one after the other.
âdo you know what i walked into tonight? six bodies, dr. howell. six. none of them prepped. not a single label. no documentation. no notes from the tech who left me the mess.â
âi thoughtââ
âyou didnât think,â you snapped. âyou just assumed iâd have it all handled. like always. because god forbid anyone else fucking helps around here.â
the room was too bright. your skin felt too tight. you were unraveling and you knew it, but stopping wasnât an option now. not when your chest was heaving, not when the bitter sting of tears had crept into the back of your throat.
dr. howellâs face had shifted from surprise to something closer to guilt. he stepped forward carefully, like he was approaching a wounded animal.
âhey. i wasnât actually giving you shit. i was joking. i always joke, you know that.â
âyeah, well,â you muttered, voice gone hoarse, âi guess iâm not really in the mood for jokes this morning.â
he studied you for a long moment. then, gently, he said, âsomething else happen? because this doesnât feel like just six bodies.â
you looked away. the silence lingered. not uncomfortableâjust heavy. howell didnât fill it with more banter, didnât try to talk his way out of it. he just stood there, letting you breathe.
âiâll help,â he said finally, rolling up the sleeves of his designer shirt with a dramatic sigh. âyou start from the head, iâll start from the toes. weâll meet in the middle and gossip like old times.â
you swallowed thickly, but didn't otherwise answer. he gave you a soft, crooked smile. âjust donât bite my head off if i mix up toe tags again. you know iâm delicate.â
you didnât laugh. but you didnât cry either.
it was enough.
the hospital was quieter now. the witching hour creeping into the bones of the building, long past the bustle of evening trauma but not quite morning.
everything felt thinâstretched, silent, worn at the edges. like the fluorescent lights in the hallway, flickering just a touch too slow. like your thoughts.
you just needed to make it to the parking garage. that was all. just a few more turns, a short elevator ride, and then the comfort of your carâcold leather seats and the ghost of a granola bar somewhere in the center console. somewhere safe where the walls didnât echo his voice, where the air didnât still taste like that almost-kiss.
but fate, that petty bitch, had other plans.
you saw them before they saw you.
jack was leaning against the nursesâ station. he had that same tired look he always wore by shiftâs endârumpled and soft around the edgesâbut now there was something else. a flicker of life. the kind of subtle lightness you hadnât seen.
dr. parker ellis was standing a few feet from him, clipboard in one hand, the other gesturing mid-story. she was laughingâreal laughing, not that stiff, performative kind people do to be polite. no, this was teeth-showing, head-tilted-back laughing, and jack was smiling.
not the smirk he gave patients. not the tight-lipped line he offered during bad news.
a real smile.
your stomach dropped so fast you almost missed a step.
you told yourself it didnât mean anything. it was a coworker. parker was his resident. she was always around. of course they talked. of course they laughed.
but he hadnât smiled like that at you. not even on the rooftop. not like that.
and even if he hadâyou werenât like her. you werenât poised and polished and respected. you werenât the kind of woman people lingered around in hallways for. you were the one who hid in basements, who handled the dead. you were bleach and scalpels and dark corners.
he probably liked that she had something to say. something easy and normal and funny.
the pang started in your chestâhot and mean and suddenâand crawled up your throat like bile.
you didnât realize youâd stopped walking until someone brushed past you. you flinched. blinked hard. and then moved faster. past the station. past them.
you didnât look again.
didnât trust yourself to.
the elevator doors took forever. you punched the button harder than necessary. a dull thud echoed against your knuckles. you stared at your shoes. you told yourself not to cry. you promised yourself you wouldnât. not over this. not over a man you barely even knew. not when he probably hadnât even meant it.
but your throat was tight. and your eyes were stinging. and the only thing you could think wasâ
she must be more interesting.
she probably doesnât freeze up when he talks.
she probably knows how to kiss someone.
the elevator dinged. you stepped in. and when the doors slid shut, so did your resolve. tears slipped down before you could stop them. silent. quick. hot. your hands curled into fists at your sides. your reflection in the elevator glass looked small. weak.
you hated this. hated feeling stupid and dramatic and jealous of something that probably didnât even exist. but you couldnât help it. because it had felt like something. because he had said he liked you. because he had looked at you like maybe he meant it.
and then heâd smiled like that at someone else.
by the time you reached the garage level, your tears had stopped. You were numb again. hollowed out.
you walked to your car in silence. keys already in hand. the air in the garage was cold, metallic. it smelled like exhaust and oil and ghosts of better nights. you climbed into the driverâs seat. closed the door. locked it.
you get in the car before the tears really start. harder than before, wetting you cheek as they roll down without reprieve.
your breath hitches the second youâre alone. one sharp inhale. then another. âfucking hell,â you whisper, voice cracking as you press your forehead to the steering wheel. your fingers curl tight around the leather, knuckles white. profanity and crying alone was starting to be your new normal.
the tears donât come gentle. they never do with you. they come fast and choking, like your bodyâs been holding onto them all shiftâno, all weekâand now theyâre tearing out of you like something feral.
you donât even know if youâre crying because youâre angry or hurt or embarrassed or just done. maybe all of it. maybe it doesnât matter.
he told you he liked you.
he told you he liked you, and then he smiled at someone else like that. laughed with someone else. gave someone else that soft lookâthe one youâve been hoarding like a secret.
and parker ellis, of all people.
she probably knows how to flirt without breaking out into hives. you swipe at your wet cheeks with the back of your hand. probably doesnât get overwhelmed by a fucking almost kiss. probably doesnât go home smelling like formaldehyde every night.
you sniff hard. sheâs so cool. and normal. and pretty. and sheâs probably not obsessed with a guy who doesnât even know heâs breaking your heart. your stomach twists, and you punch the steering wheel with the side of your fist. itâs not hard enough to hurt. just hard enough to do something.
âgod, youâre such an idiot,â you whisper, voice wrecked and wet. âyou-you-youââ
then you are startled by a knock. sharp and sudden on the driverâs side window. you jolt like youâve been shot. and who is the perpetrator?
jack.
authors note .' please please please send nsfw requests for act two ( aka ch 10-19 ) this is where its gonna get freaky lmao and i don't wanna run out of stuff for them to try ( dont be afraind to get freaky with the requests either : remember that the google forms is anonymous unless you provide your tumblr user ) . click here to request or send an ask to my inbox!!! thank you!!!
secondly, this was a request from an anon ( the jack flirting ( but not really ) with an intern ( i changed it to parker ) and the reader seeing it and misinterpreting it part ) i hope you dont mind that i changed it a little to fit the series a little. thank you for requesting!!!
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the rooftop door gave its usual metallic groan as jack it swung open behind you, opening the two of you up to the chaos that laid on the other side. you hadnât said anything since you confessed you feelings for jack. neither had he.
you stood there a moment longer, arms wrapped around your middle. your cheeks were raw from wind and embarrassment, and your nose was numb. you refused to look at him. not again.
âitâs too cold up here,â jack said finally, voice low. âcome back inside with me.â
you nodded without lifting your eyes. followed him like a ghost down the stairwell, step after quiet step. your sneakers squeaked slightly on the concrete. his boots were heavier, but he didnât speak, and neither did you.
when you got to the elevator, you reached out to hit the button to both the morgue and er. the elevator stopped. the doors parted.
you waited for jack to step forwards. this was his floor, the er floor. but jack didnât give any sign that he was going to move. a few seconds later the elevator door began to close and you looked at him wide eyed.
you hesitated, turning back slightly. âarenât you getting off?â
he shook his head, no explanation in sight. you thought maybe he needed to go to the employee locker room on the floor above the morgue.
you blinked as your curiosity got the better of you. âdonât you have to get back to work?â
his mouth twitched into something too small to be a smile. âat the risk of ellis yellinâ at me for sayinâ this . . . itâs slow tonight. and iâve got fifteen minutes left on my break.â
the elevator whirred downward. the numbers clicking lower and lower until you passed the floor with the locker rooms on it, until you were as far down in the building as you could get, your domain. the morgue.
he glanced at you sidelong. âfigured iâd spend âem with you.â
you didnât breathe until the doors opened again. you didnât look at him. not directly. just led him down the tiled hallway toward the small break room off the morgue entrance.
you didnât know what you were doing.
the fluorescent lights buzzed faintly above your head as you reached for the ancient coffee machine tucked next to the lockers. you didnât need caffeine. you didnât even know why you were making it. but your hands went through the motion automatically.
jack leaned against the counter. watching. âitâs awful coffee,â you muttered. âdr. howell says it tastes like embalming fluid. which i really know how he'd know that.â
jack let out a soft huff and his lip twitched. âiâll take his word for it.â
you handed him the mug. your fingers brushed. his were warm. yours were cold despite the heat from the ceramic. he didnât pull away.
you didnât either. he took the coffee, but stayed close. too close. the break room wasnât big to begin with. but somehow, it felt even smaller now. like the space had shrunk around you. like it was forcing you to admit something.
the silence stretches.
not empty. not awkward. it hums.
not with soundâbut with weight.
something unspoken lingers between you and jack, thick as embalming fluid. the lights overhead buzz faintly, fluorescent and clinical, but the atmosphere doesnât match.
youâre not in a morgue break room anymore. youâre in a moment suspendedâoutside of time, outside of everything except the two of you.
your hands are wrapped around the ceramic mug you'd pulled out for yourself to fresh coffee beginning to burn your hand. itâs the only thing keeping you tethered.
jack leans against the counter next to you, one boot crossed over the other, casual in a way that makes your breath stick. and yet he is still so close to you.
you don't know when he'd set his coffee on the counter but he had. his forearms flex as he braces himself on the edge, sleeves stretched across his biceps but his stethoscope that had been around his neck was no where to be seen. like heâs shed the hospital version of himself and slipped into something rawer. closer.
his gaze is fixedânot on your eyes.
on your mouth. god, it was obvious but you were oblivious.
you donât notice it at first. but your stomach drops when you do. when his stare lingers just a second too long on your bottom lip. when you feel his attention before he even speaks. it prickles across your skin like goosebumps after a drop in temperature.
you tense. not because you're scaredâbut because you're aware.
awareness, that cruel thing. of your posture. of your breathing. of the fact that jack abbot is staring at your mouth like heâs contemplating a sin he hasn't committed yet.
your throat clicks when you swallow.
he leans in slightly. just a degree. just enough that the air between you shiftsâdenser now, heavier, warmer despite the refrigerator hum in the walls.
âyouâve got a littleâŠâ his voice is quiet. rougher than usual, like itâs been worn down by too many shifts and not enough sleep. he lifts his hand vaguely, motioning near the corner of your eye.
you blink. âoh.â
you go to wipe it, some instinctual fluttering panic in your chest. coffee. crumb. lip balm. whatever it is, ( it was an eyelash ) you need to fix it. you need to look normal. composed. even if you were never those things around jack abbot.
but he moves faster. gently. fingers curling around your wristânot forceful, just firm. âi got it,â he says. you freeze. your brain doesnât quite compute the change. one second, your hand was halfway to your eye. the next, itâs been guided down, placed softly back at your side.
and now his hand is lifting.
now his thumb is brushing against your skin.
you feel it before you see it. the heat. the intention. heâs not rough. not clinical. this isnât the way a doctor wipes something away. this is . . . something else. a flick of his thumb at the corner of your eye and nose. a stroke. delicate.
you inhale sharply.
heâs close. so close. your lashes flutter, not from flirtation but from something far more dangerousâhope. because this isnât a friendly gesture. this isnât platonic kindness. this is charged. this is loaded. this isâ
jack exhales.
and you feel that, too.
the way his breath fans over your cheek. the subtle hitch in his chest. the silence that stretches even thinner now, pulled like thread on the edge of fraying.
your eyes lift to meet his.
but, oh, you wish you hadnât. you wish you could un-see the way heâs looking at you right nowâlike youâre an answer he didnât think he deserved to hear. like heâs drowning in restraint and youâre the rope he wonât let himself grab.
his thumb lingers for a fraction too long. not enough to be inappropriate. but enough to break something open inside you.
he still hasnât moved away. neither have you. your breath trembles and of course, he notices. his eyes drop again, flicking down to your mouth. slower this time. intentional. you feel the impact of that gaze all the way in your chest.
âsorry,â he murmurs, not moving his hand, not moving his mouth. âdidnât mean toââ
âyouâre fine,â you whisper. but your voice catches at the end. because youâre not fine. you are absolutely one hundred percent not fine. you were spiraling. youâre unraveling.
and he knows it. and stillâhe doesn't stop. jack shifts his weight. just enough that your knees brush. your pulse stutters. your grip tightens around the mug. your entire body fights itselfâbetween leaning back to protect your heart or leaning forward to let it break wide open.
you choose neither.
you just breathe, shaky, and too loud in the quiet.
he watches your mouth again. watches your breath catch. watches your lips part with the start of a sentence you canât quite form. and thenâhe leans in.
just a fraction. but enough to tip the balance. enough to make the space between you feel like a decision.
you feel your lips tremble. and still he doesnât kiss you. he doesnât cross the line. instead his hand drops to his side, fist clenching. he turns his face half a degree to the left, like heâs trying to remember why he shouldnât do what youâre both thinking. his brow knits, jaw tense.
you stare. and wait. and ache. âjack,â you breathe, not even sure what youâre asking for. he doesnât answer. but his hand twitches. and just when you think this might be itâmight be the momentâa knock echoes from somewhere down the hall.
loud. sharp. jarring. and totally moment ruining.
you both jump slightly, like guilty teenagers caught leaning too close in the dark. the spell shatters. the tension dissolves, scattering into the sterile air like dust.
jack clears his throat. stiffens his spine. he steps back. not farâbut enough that it feels like a rejection even though you know it isnât. "i'm sorry, i was getting ahead of myself."
"oh, ok." you look down. pretend to sip your coffee. pretend your hands arenât shaking. he rubs the back of his neck, eyes flicking to the door. âi should⊠get back,â he says, voice quieter than before.
âyeah,â you whisper, even though you wish he wouldnât. "of course." even though all you want is for him to come back and finish what he didnât start.
the door clicks shut behind him.
soft.
too soft.
he doesnât look back.
he doesnât have to.
youâre already falling apart.
you stand there like youâve been shot, your coffee untouched, cooling rapidly in your handsâbut you donât feel the heat anymore. you donât feel anything except the white-hot spike of humiliation rising in your chest like bile.
your breath stutters. once. twice.
and then your lungs forget how to function entirely.
your shoulders are locked, muscles clenched so tight it feels like your spine might snap from the tension alone. you blink, once. twice. hard. like maybe you can blink this whole thing away. like maybe, when you open your eyes again, you wonât still be in the morgue break room reeling from the almost that never was.
you breathe in through your nose. out through your mouth. but it doesnât help. nothing helps. you turnâfast. too fast. your elbow knocks the counter. the sting doesnât register.
you slam the coffee mug down. not shattering, but loud enough that the sound slices through the room like a bone saw. you regret it instantly.
fuck.
you lean your palms on the edge of the counter, bow your head, and grip until your knuckles go bloodless. your reflection in the microwave door is warped, fuzzy. you hate it.
you hate this.
you hate him.
orâat least you try to. it was times like this ( times that happen all too often ) where you wished you were some sort of hermit. where you could stay in your home all day, everyday to avoid situations like this. situations where your heart wouldn't stop pounding out of your chest. situations that made your palms sweat.
âfuck you,â you whisper. itâs breathless. pathetic. âfuck you," but it doesnât come out angry. it comes out wrecked. because the worst part isnât that he almost kissed you. the worst part is that you wanted him to.
god, you wanted him to.
you wanted it so bad you were vibrating with it, burning from the inside out. you wanted it so bad you couldnât breathe. couldnât speak. couldnât move.
you wouldâve let him.
noâ
you wouldâve begged.
and what does that say about you?
what does that say about the pathetic, lonely little mess youâve turned into? about the soft ache in your chest that heâs been filling like a slow leak, day after day, cup of coffee after cup of coffee?
you squeeze your eyes shut. shake your head. try to scrub the memory away like a stain. but it wonât budge. you can still feel his thumb on your cheek. on the side of your nose. really, something like that shouldn't have felt so erotic.
the way his gaze dropped. the way he lingered.
the tension. the pause. the way his eyes flicked from your mouth to your eyes and back again like he was trying to memorize you, like he wanted to taste you and hated himself for it.
you press your fingers to your mouth like youâre holding it closed. like youâre afraid the memory might slip out. then the shame creeps in.
because why didnât you do something?
it wasn't like this was some one sided thing. you and jack were two separate people. two people capable of make their own choices. so why didnât you reach up and grab his collar and pull him in?
why didnât you just say fuck it and kiss him first? why did you wait like some trembling, wide-eyed fool for him to make the first move? why couldn't you be the first one to push past the boundaries?
youâre not seventeen. youâre not some doe eyed virgin in a hallway locker scene. so whyâwhen it finally matteredâdid you freeze? why didn't you at least say something?
why did you just let him leave?
your stomach lurches. your throat burns. and nowâwhat? do you pretend it didnât happen?
do you go back to shy banter and borrowed coffee mugs and long looks in shadowed corners? do you ignore the fact that you were seconds from kissing him? from losing yourself in him?
you pace because what the fuck were you supposed to do now?
you make one full lap around the break room. you whisper fuck so many times it loses all meaning. you grip the edge of the sink. you almost cry. you donât. you wonât.
but your eyes sting.
and your heart?
your heart is a kicked thing, curled up in your chest, wondering what the hell just happened and why it hurts so goddamn bad when nothing even happened at all. now you were beginning to overthink. because yes, twenty minutes ago on the roof jack told you he liked you. liked you liked you. not in your friend or my coworker kinda way.
but in the way that made his heart stutter and skip beats. you knew this because he had said so. he didn't beat around the bush. he didn't make you guess. he had said it.
but if that were the case, then why didn't he just do it? why did he get inches away from your lips and then stop? why didn't he just kiss you, for christ sake?
did you have bad breath? did you smell? or even worse had the whole thing been a lie? a cruel trick that he would go upstairs and laugh about with his residents. thats what your anxiety wanted you to believe.
you suck in a breath. stand straighter. and tell yourselfâaloud, like an oath, like a challengeââi donât care.â
but your voice breaks on the last word. because you do. you care too much.
and now itâs written all over you.
authors note .' please please please send nsfw requests for act two ( aka ch 10-19 ) this is where its gonna get freaky lmao and i don't wanna run out of stuff for them to try ( dont be afraind to get freaky with the requests either : remember that the google forms is anonymous unless you provide your tumblr user ) . click here to request or send an ask to my inbox!!! thank you!!!
series masterlist || inbox || ggc request form âââ
* â· âč * Ë â· dividers by @cafekitsune and @uzmacchiato
‷ â” â§Â . · * . · . CAUGHT IN THE COLD ââ chapter six
â âËđđËâ summary after days of avoidance, emotional overload drives you to the hospital roofâsix prep sheets too many, one too-loud memory too far. you just need air. silence. solitude. what you get instead is jack abbott. already there. already listening
the door to the roof creaked open with its usual rusted groan.
you stepped through it like a ghost. shoulders tight. breath short. your scrubs hung loose, streaked with powder and formalin and god knew what else. your hands still smelled like bleach. your brain still pulsed with the click of scalpels and body bags and endless, impossible numbers.
six.
six full preps left behind for you. day shift gone. howellâs clipboard full. the day shift tech voice in your head cheerfully reminding you that the medical examiner's day starts at six am sharp!
your shift didnât even have time for three. so you came up here. for air. for silence. for a breakdown in peace. you didnât even check if the roof was empty.
'unbelievable,' you muttered, dragging both hands through your hair. 'six bodies. six. like iâm not human. like i donât breathe. likeâlike itâs not insane to leave one tech with six fucking preps like thatâs normal.'
you immediatly covered your mouth at the curse because that wasn't you. you weren't one to let your anger get the better of you and you weren't one to let words like that slip. all in testament to your predicament. you paced to the center of the roof. breath fogged the air in small bursts.
'iâm so tired,' you whispered. 'and i canât even think straight because all i can hear is him.' you laughed, dry and cracked. 'what the fuck is wrong with me!'
you squeezed your eyes shut. 'because apparently one sentenceâone coatâcan short-circuit my entire life. i canât go five minutes without remembering how he said i wasnât a practice body.' your voice cracked. 'who even says that?'
a breeze blew. you didnât notice but you did look up.
and then you saw him. jack.
oh, fuck me.
standing near the far edge. silhouetted against the skyline. arms crossed. head slightly tilted. he turned slowly. quietly. and your blood ran cold.
'oh my god,' you croaked, stumbling back a step. 'i didnâtâdr. abbot. i didnât know you wereâ'
'yeah,' he said softly. 'i figured.' his voice wasnât angry. it was something else. something that made your skin go hot and cold all at once. 'how much did you hear?'
jack took a few steps forward, out of the shadows, into the spill of light from the rooftop bulbs. 'enough.' you wanted to vanish.
'i was justâi needed air, i wasnât thinking, and i didnât meanâ'
'why are you avoiding me?' his voice was quiet. steady.
you opened your mouth. closed it. because you didnât have an answer that didnât sound pathetic. he stepped closer. not too close. just enough that you could see the concern in his eyes. the exhaustion. the quiet ache beneath it.
'was it the coat?'
'noâ'
'the compliments?'
'no, iâ'
'was it the part where i said i liked you?' his mouth twitched like it wanted to smile but didnât have the nerve. you finally spoke. quiet. honest. small.
'i didnât think you meant it.'
jack blinked. 'why?'
you stared at your shoes. 'because people donât mean things like that when they say them to people like me.'
silence.
dead, still silence.
and then jack stepped over the railing and walked toward you. you stepped back. he stopped. and then he said, voice low and level. 'i'm sorry, for making thinks worse for you.'
jack took one more step forward. gentle. careful. looking for any sign that you didn't want him to move closer to you. 'you know, iâve been thinking about it too.'
your breath caught. 'the coat. the compliment. your face when i said it.' his voice dropped to something raw. 'and how much i wanted to say more.'
you stared at him.
he ran a hand through his hair. 'i didnât push. i didnât follow you after because i thought maybe you regretted the whole thing. that maybe iâd crossed a line. but hearing you talk just nowâŠ'
he finally looked at youâreally looked. 'iâm not sorry, morgue girl.' his voice cracked open with softness. 'iâm not sorry i noticed. iâm not sorry i care. even if you don't believe me.'
you didnât know what to say.
so he filled the silence.
'i donât care how many bodies youâve got waiting. i donât care if you label scalpels or talk to corpses or live in the basement like a ghost.' a soft huff of a laugh.
'i like you,' he said. 'exactly as you are. warm or cold. overthinking or quiet. i like you.'
and then, quieter, 'but if you want me to stop⊠say the word. i will.' you swallowed hard. your eyes burned. and all you could whisper was. 'i didn't say that, i justâ'
'what are you saying?' he asked. it should have been an easy question. what were you really saying? what did you want? as much as you wanted to say you wanted him and his sweet words. you couldn't make yourself speak.
he took another step closer. he was now standing right in front of you. 'tell me what you want.' it wasn't a request. it wasn't a question. it was a command, an order.
and god, if it didn't make your stomach swirl. if it didn't make you want to melt on the spot. you wanted to close your eyes. you wanted to break eye contact before you burst at the seams. you wanted to tell him exactly what you wanted. you wantedâ
'you have to say it out loud, sweetheart.'
'oh my gosh.' you groaned, finally burying your head into your hands and breaking the eye contact you were sure was about to kill you. but he wasn't having it. he reached for you, finally, and his fingers brushed your own as he gentle pried your hands off your face.
'look at me, sweetheart.' he mumbled. 'look at me and tell me what you want.'
you groaned loudly. because why the heck was he so persistent. you took a deep breath and looked at him, like he told you to. you looked at him honestly and told him the only thing you knew how. 'this is really hard for me.'
he nodded. 'i know.' he mumbled and then untangled his fingers from you and you frowned. he almost thought it was cute. he brought both his hands to both sides of your face.
'i â i like the compliments. i do, its just â they make me loose focus, i can't concentrate because i sit there and i think about them non stop. i think â i think about you . . . non stop.' you confessed in the only way you knew how, word vomit. 'honestly, i don't think its really healthy the way i think about you and how much i think about you. and really its just â'
you stop talking abruptly when you see the smirk on his face and the impending laugh and you think he's laughing at you. and really you don't blame him. you probably sound so pathetic to him right now. 'and now your laughing at me. i knew this was a mistake.'
his smile immediately fell. 'no, no, no â i am not laughing at you. i am just surprised that you told me all that, your not exactly the most open person, sweetheart.'
and melt. you are a puddle on the ground. here lies the contents of you. cause of death, jack mother fucking abbot. 'so does this mean, your going to stop avoiding me like the plague.'
you flush. 'i wanna say yes, but honestly. i might unintentionally avoid you more. but please don't take it personally.' you confess.
you don't know what it is about jack abbot that makes you unintentionally bare your soul for him to judge with a mere request. he could probably say jump and you would shyly ask how high. it makes you both flush with embarrassment and makes you want to hit yourself for being so fucking whipped for a man you met a month ago ( and not to mention a man who yelled at you the first time you met. )