Ian Hamilton Finlay, āSemi-idiotic poemā, c. 1960. A semi-idiotic contribution to the semiotic or code-poem genre invented by DĆ©cio Pignatari and Luiz Pinto
Not today Justin
Alisa U Zemlji Chuda
art blog(derogatory)
KIROKAZE
Xuebing Du
"I'm Dorothy Gale from Kansas"
One Nice Bug Per Day
dirt enthusiast
Cosmic Funnies
todays bird
taylor price

Janaina Medeiros
will byers stan first human second

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Monterey Bay Aquarium
hello vonnie
macklin celebrini has autism

pixel skylines
cherry valley forever

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@abstracsion
Ian Hamilton Finlay, āSemi-idiotic poemā, c. 1960. A semi-idiotic contribution to the semiotic or code-poem genre invented by DĆ©cio Pignatari and Luiz Pinto

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RenƩ Magritte, The giant, Paul NougƩ, Belgian coast, 1937
Theo van Doesburg, āComposition XIā, 1918, Oil on Canvas, 60,7 x 105,2 cm
Piet Mondrian, āComposition in color Aā, 1917
Blinky Palermo, Komposition mit 8 roten Rechtecken (Composition with 8 Red Rectangles), 1964, Oil and graphite on canvasĀ 37 3/4 x 43 3/4 inches (96 x 111 cm)

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Francois Morellet, ā4 repartitions aleatoires de 2 carres suivant les chiffres 31 41 59 26 53 58 97 93ā, 1958
Frederick Hammersley, 'Sanforized 1', 1967, huile sur toile, 106,7 x 106,7 cm
KP Brehmer, Seele und Gefül eines Arbeteirs (L'âme et le sentiment d'un travailleur), 1978-80, crayon gris et feutre sur papier, 12 formats A4
Keith Coventry
(via Claude Closky under construction > Animations)

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Claude Closky
v at Montparnasse
http://ww.closky.info/
(via VVORK Ā» Suchergebnisse Ā» claude closky)
Claude Closky, āUntitled (severe MR)ā, 2011, acrylic on canvas, 4Ā xĀ 40Ā xĀ 40Ā cm.
Marcel Wyss, 'Progression 4 x 2', 1953, laque sur bois, 60 x 60 cm
Verena Loewensberg, 'sans titre', 1945

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Vera Molnar, 'InteĢruption-continuation (do it yourself)', 1961, bandes de film adheĢsif colleĢes sur carton, 72 x 72 cm
John McLaughlin, 'no. 4', 1972, oil and acrylic on canvas, 152.4 x 121.29 x 2.86 cm