just had a disconcerting thought
how do u pronounce georg of spiders fame
gay-org
george
other
I'm sorry, did Julie Andrews as Maria von Trapp in The Sound of Music pronounce her husband's name "George"?
RMH
Alisa U Zemlji Chuda
Keni
styofa doing anything
One Nice Bug Per Day
KIROKAZE
occasionally subtle
let's talk about Bridgerton tea, my ask is open
h

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@abigailnussbaum
just had a disconcerting thought
how do u pronounce georg of spiders fame
gay-org
george
other
I'm sorry, did Julie Andrews as Maria von Trapp in The Sound of Music pronounce her husband's name "George"?

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i actually dont think anyone told ruben about the wedding i think he woke up one day and could tell niall was pledging his life to someone that wasn’t him like a whistle that only dogs can hear
who told Ruben about the wedding?
Niall by accident (instagram story)
Niall by accident (blasted the registry to his whole contacts list)
Niall by accident (voicemail in an Ambien blackout at 3am)
Lori (genetically poor judgment + bad at lying)
Mona (lucille bluth good for her.jpg)
whistle only dogs can hear
I mean it was obviously Lori. How else could she spend the rest of her life disclaiming responsibility for everything bad that has ever happened to him while everyone around her shifts uncomfortably?
the among us show being a total gorefest on par with john carpenter's the thing is a really fun choice
the among us show having a gay orgy in the middle of it is another really fun choice
realizing many people don't know about infinity train creator owen dennis' among us show from years ago, which has been trapped in unreleased limbo all this time and was just dumped on streaming this morning with no advertisement. they don't even know about its weirdly stacked cast
There is quite a lot of information here that is relevant to my interests!
I was thinking about Niall and I can't get over how much of a cringefail little trash person he is. Truly no one does it like him (at least I hope not, if they do then I sincerely hope they get help 🙏).
Imagine being addicted to chemsex; being late to visiting your step-mother's deathbed because of it; vomiting on said dying step-mother; finally getting tested for STD's and having two; getting treated for them and told to not frequent the chemsex clubs again; doing it again right off the bat; trying to drive under the influence; driving straight into a lamp post right in front of the chemsex club; being brought to a police interrogation and having the worst lawyer in the entirety of GB (also said lawyer is your fuckbuddy or whatever from the chemsex club); being late to your step-mother's funeral because of all of this; (doing coke in the bathroom if I remember correctly?); seeking out a confrontation with your grieving brother's wife, who you've slept with and whose child is probably yours; telling that woman - the mother of your "illegitimate" child - to kill herself; being caught by your brother during this confrontation; later on trying to use your coming out as cover up for said confrontation; failing because you get so caught up in the moment that you simply blurt it out. And that's certainly not half of it. He's just truly such a useless little fuck-up, I love him.
All of this happened except Butch is NOT the worst lawyer in the UK, he's doing amazing sweetie.
Honestly, the thing that's probably most unbelievable about the gaps in the story that we don't get to see is the fact that so many good, cool, nice people remain friends with Niall for years and years. To me this is does more to strain my suspension of disbelief than the fact that Alby agrees to marry him, because Alby clearly has his own problems, and anyway it makes a bit more sense that you'd be irrational about someone you're in love with. But friendship is at once more intense, and more clear-headed, than love, and the fact that people like Joanna, Ava, and Butch all remain friends with Niall for years and even decades, while he imposes on them with requests to borrow money or getting himself into stupid legal scraps, is kind of amazing. This is an absolute trash heap of a person who does not seem to ever think about anyone other than himself (and Ruben). Why are all these cool people happy to spend time with him?
HALF MAN Episode 6
Obviously one thing that's happening in this scene is Niall's realization that he's partly responsible for both times Ruben went away and caused Maura so much pain (by which I don't mean testifying against Ruben - though that's probably what he's most guiltstricken by - so much as the fact that he pointed Ruben at Alby like a gun, and then did it even more so with Benji). But it also strikes me that this is the one and only time Ruben admits that ending up in prison was something he did to himself rather than something that Alby, Benji, or Niall did to him. So it's interesting to have them both experience a moment of self-awareness at the same time and then, of course, do absolutely nothing about it.

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never before has a pairing been quite so "no children" by the mountain goats-coded until niall & ruben. jesus christ.
Except that, unfortunately, there are children.
Isn't it illegal to have cameras recording public restroom stall? Couldn't Niall have fought the black mail attempt like that?
It is unbelievably illegal and Niall could have destroyed the guy without even going to the police and exposing himself. Just the threat of doing so should have shut down the blackmail plot completely, because while Niall might have been liable for public indecency, the librarian was committing a sex crime (not just against Niall but against anyone who used the bathroom) and would have ended up doing time and going on a registry.
The problem, however, is that Niall is: a) so terrified of being seen for his full, human self that just the possibility of being outed shuts down all rational thought in his head, b) constitutionally wired to roll up into a small ball whenever a life challenge presents itself rather than fighting back, and c) not actually that smart. And it's quite possible the librarian realized that before selecting his blackmail target, since I think we're told that Niall was far from the only person using the library as a cruising spot.
It's kinda crazy how people complain about Lupita Nyong'o being in the Odyseey movie, when she is the only face of the entire cast that actually fits in a place like the Mediterraneo
All those white brits and yanks? I need them dead
I'm sorry, but this is just as wrong. Lupita Nyong'o's face is no more indigenous to the region of Greece than Matt Damon's. Lupita Nyong'o was raised in Kenya, which is around 4500km from Greece. Damon's ancestry is Finnish, Swedish, Scottish, and English, but if we pick the most western of those, that's about 2400km from Greece. People who are from Greece (generally) don't look like either Nyong'o or Damon. They look like Nia Vardalos or Maria Callas.
The way to look at this, I think, is that none of this matters. There could have been people with Kenyan ancestry hanging around the Mediterranean during Homer's time, just as there could have been people with Finnish or Scottish ancestry. And there is no one way for people from a region to look. More importantly, this movie is being made in 2026, and if Tom Holland can use an American accent (not even his real accent) and call his father "dad", then Lupita Nyong'o can be Helen of Troy.
Weirdly common stock genre show plots:
Time loop
Body swap
Some members of the team get shrunk (and have to go inside someone's body)
All the male members of the team are turned into simpering idiots by pheromones and have to be saved by the female member(s) of the team and I guess this is feminist somehow
Time loop
Everyone on the team is trapped in their individual worst nightmares and the episode is called "Fear Itself"
Someone goes all "Heart of Darkness" on an alien planet
Trapped in a VR simulation (but you can die for real!)
The team is brainwashed into serving in the workforce of some alien planet
Lotus-eater plot (everyone is trapped in an idyllic fantasy world)
Time loop
One or more members of the team "de-evolve" into cavemen
Someone on the team "evolves" to have super-intelligence (and this is bad)
Time loop
Rapid aging
Alternate timeline where the villains have won
Cut to ten or so years in "the future" except it's not real or has to be undone
Ill-tempered child has reality-warping powers
Time loop
Mundane member of the team gets superpowers
Superpowered member of the team becomes mundane
Everyone starts acting like teenagers
An alien does horrifyingly invasive things to team members but it turns out that it's just trying to communicate
Everyone loses their memory
Character wakes up in a asylum and is told it was all a delusion
Wizard of Oz parody
They go back in time and one of the members has a crush on someone only to find out it’s their or someone else’s parent
Two people swap roles to prove that they have it worse than the other
It’s a wonderful life parody
Someone gets split up into their different personality traits
Cute creature is actually a multiplying monster that eats everything
April fools episode. Usually a musical episode
OK, but what you have to understand is that these are basically all Star Trek plots that have simply become standard tropes because it did them so well and so impactfully that the story type was immediately imitated by ten other shows or movies and became a pop culture standby.
For the few that are not Star Trek plots, it's the same deal, but with Buffy.
@oldguardians making this answer a separate post because it’s kind of interesting*!
‘‘I cannot bear to hear that mentioned. Pray do not talk of that odious man. I do think it is the hardest thing in the world, that your estate should be entailed away from your own children; and I am sure if I had been you, I should have tried long ago to do something or other about it.’’
Jane and Elizabeth attempted to explain to her the nature of an entail. They had often attempted it before, but it was a subject on which Mrs. Bennet was beyond the reach of reason; and she continued to rail bitterly against the cruelty of settling an estate away from a family of ve daughters, in favour of a man whom nobody cared anything about.”
(In the interest of not getting bogged down in legal minutiae, I’ll keep this pretty general. Please note that I am vastly oversimplifying some legal concepts here for the sake of explaining the issue clearly. If you’re an attorney/barrister/whatever, don’t @ me - I KNOW it’s all much more nuanced than this.)
Pride & Prejudice is set somewhere around 1811. In the novel, the Bennets’ ownership interest in the family estate is famously said to be “entailed” away from the Bennet girls in favor of their cousin, Mr. Collins. This is specifically explained to be because Mr. Bennet has no sons, and thus his estate reverts back to his closest male relative.
In the real world, entailment could (and usually did) work that way. But there is an enormous, glaring issue: English entailments have long been very VERY easy to defeat** through a remedy called Common Recovery. If Longbourn was truly entailed away from the female descendants, as the novel indicates, Mr. Bennet could have hired an attorney (his brother-in-law?) to start the Common Recovery process at any time. Within a few months, the court would render a judgment giving Mr. Bennet the property outright and free from any entailment, allowing him to leave the property to his daughters upon his death*** and make them independently wealthy women. And this wasn’t just a possibility - it was a very common legal mechanism that would have been almost expected of a gentleman interested in preserving his family’s comfort. There are hundreds of cases in the English Chancery records (featuring many families that were much less wealthy than the Bennets!) invoking this very remedy whenever fathers failed to produce sons.
So entailment makes no sense - it had basically no power over landowners by the Regency Period.
Let’s talk alternatives. In 1811, the primary way of keeping property in the male line was through another estate planning technique called strict settlement. To GREATLY simplify a complicated form of ownership, strict settlement had the present possessor of property always hold a life estate interest (they own it only until their death), with their male primogeniture descendants holding a remainder fee tail interest (read: eventual outright ownership upon their father’s death). Each generation of life estate owner would then force their young male descendants (the fee tail owner) upon their coming of age to give the young descendant’s unknown future male sons the remainder interest, retaining a life estate for themselves (which they would receive upon their father’s death). Thus the ownership system perpetuates down a male line of descendants, each generation demanding the same restrictive ownership system of their own children.
If you followed that - and I don’t blame you if you didn’t, as this is all very deliberately obtuse - you might think “wait okay. That kind of sounds like the Bennets’ situation. Austen called it an entailment but maybe it was actually a strict settlement!” Several academics have tried to argue that, but it also fails for several reasons:
(1) With the Bennets’ seemingly comfortable current income, strict settlement would have provided for significant lifetime income + dowries for Mr. Bennet’s female descendants. But in P&P, it’s made very clear that the girls’ only possible inheritance is a tiny amount from their mother’s side and nothing from their father’s. If they do not marry, they will be destitute. That is extremely unlikely and would be very shameful in strict settlement ownership..
(2) It would have been inconceivable for Mr. Bennet’s father to have forced him to benefit a cousin over his own descendants, even if they were women. One of the fundamental points of strict settlement was to avoid this outcome (aka to avoid the entailment system). People did NOT want a distant male cousin to inherit property simply because there wasn’t a primogeniture male descendant - they knew that if anything, their own female descendants could always produce a male heir in their marriages. Plus, Mr. Bennet’s and Mr. Collin’s fathers apparently hated each other (ref Mr. Collins’ initial letter) - why would Mr. Bennet’s father force his son to benefit the son of a man he himself hates?
(3) For many many other reasons, a strict settlement does not match how the family talks about/treats the estate in the novel. There’s literally a whole law review article on this topic (cited below), and I’ll defer to that for a full discussion.
So we’re left with two possibilities: the land is entailed, and for some reason Mr. Bennet isn’t willing to pay a small amount in attorney’s fees to undo the entailment for the enormous benefit of his daughters (extremely unlikely, robs the story of all its tension), or the land is subject to a bizarre + shameful strict settlement that goes directly against everything that would have been normal at the time, and none of the characters know that (makes no sense in the story).
And then, of course, there’s the truth: the “entailment” is simply a narrative device that does not reflect actual law or historical transfer of property at death, which is perfectly fine. Jane Austen was not writing a law textbook or even a legal drama. And her underlying point remains clear: Regency-era women were often in economically precarious positions and forced to marry to maintain their social and economic standings.
((If you do want a version in your head that works under the law, maybe we imagine that Mr. Collin’s father actually owned the home but was in debt to Mr. Bennet so he gave him some kind of strange lifelong leasehold interest with income from the property included. And then we ignore the passage saying Mr. Bennet having a son would have “avoided” the home passing to Mr. Collins + pretend that the family lied to everybody about the home being entailed to save face))
For additional reading, I highly recommend A FUNHOUSE MIRROR OF LAW: THE ENTAILMENT IN JANE AUSTEN’S PRIDE AND PREJUDICE by Peter A. Appel (linked). His analysis reflects my own reading of Regency inheritance law, and I think his conclusions are generally sound. There is significant other scholarship on this subject, but I find Appel’s work the most persuasive.
—-
* At least to me, who admittedly studies this for a living
** For fun War of the Roses reasons!
*** Or much more likely, to a male relative conservator/trustee for their benefit (probably Mrs. Bennet’s brother, the attorney)
So we’re left with two possibilities: the land is entailed, and for some reason Mr. Bennet isn’t willing to pay a small amount in attorney’s fees to undo the entailment for the enormous benefit of his daughters
I don't think this is particularly out of character for Mr Bennet aka neglectful father of the year. I agree that it probably comes down to authorial decisions/plot reasons, but one of those reasons could be to express how bad a dad Mr Bennet is. It seems very in keeping with his general attitude of ignore it and maybe someone else will solve it.
yes yes I know Mr. Bennett is a negligent father. Please read the full article for a more thorough discussion of that: there's a difference between being neglectful (not paying much attention and hoping it all works out) and downright cruel (deliberately creating a situation where your daughters WILL be homeless).
We know he is not cruel, and there is substantial textual evidence that he is not completely negligent either. Upon Lydia's "elopement", Mr. Bennett immediately leaves to deal with the problem and is shown to be highly conscientious of the economics and social politics of the situation. He also is implied to have discussed quite frankly with Elizabeth the economics of saving for their allowances and dowries, suggesting that these issues are at least on his radar and he’s looked at how to remedy them.
In doing this kind of litcrit, you have to look a bit closer and more critically than accepting the trope. Yes, he is somewhat absent from his family, but he is never written to be a cruel man. And in the full context of probate law at that time, you will see that a failure to provide in this way would likely have been considered cruel and wholly unacceptable for a genteel father of five daughters. And there is no textual evidence for Mr. Bennett acting that way.
The far, far more likely explanation is that Jane Austen was writing a clever romance novel and not a law textbook.
I suppose another relevant question is, how much of this was Austen likely to have known? Is it possible that she knew what an entail was, but being the daughter of a clergyman without an estate, wasn't aware of the ease with which the entail could be broken? Or is this something that a person of her class and wide interests would be expected to know - something that would have been discussed in society, or in periodicals?
For that matter, was the book criticized on these grounds when it was published? It's hard to imagine a popular novel with such a glaring hole in its premise evading nitpicking by knowledgeable readers if it were published today, but was that likely to happen in the early 19th century?

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Well, at least we've definitively settled the question of whether Neil Gaiman made season 2 of Good Omens bad on purpose in order to hint at the grand plan he had for season 3.
Extreme doomerism would be easier to take if its loudest advocates weren't, largely, uninvolved people who will be fine regardless
Okay nice story about how everything's fucked and we need to give up forever and embrace self-destructive nihilism but before we continue can you clarify if you've actually experienced the horrors or just watched them on TV? Watched them on TV? Okay can we skip to the part where you weirdly frame having to see the news on social media as almost more traumatic than having to live it & promote your podcast
The further I get away from it, the more I feel like one of the most radicalizing moments of my life recently was opening BlueSky and seeing a random American account post that "I finally know what it's like to run down the streets ahead of a life-ending disaster".
Bear in mind, they posted this on February 28th, 2026, and I was sitting in a bomb shelter with my neighbors, their children, and their dogs, listening to bombs explode over our heads. And even so I don't think any of us would have said that we knew what this, much worse, experience was like, because being in an actual disaster rather than an imagined one our priority was to stay cheerful for one another and so as not to lose our minds.
That's when I realized that for people outside the danger zone, this sort of thing is kind of fun.
"i just dont think the scientology speedrun trend is funny because if people did that with any other religious institution-" ok guys lets all go to the 'scientology controversies' page on wikipedia and scroll a bit before continuing this thought. lets do this right now
Not that I disagree with the basic sentiment, but if you're going to use "harm caused" as your metric, I feel like the religions that gave us "crusades" and "thirty year wars" might win out.
The crucial difference is that Scientology is a cult, and while most world religions have cult-like attributes (especially in times and places where they hold significant political and social power), for the most part they are not cults. Scientology is actually a very useful yardstick in that respect, because however harmful or exploitative your religion or religious organization is - and we all know they can be extremely harmful - if you stand them up against the Scientologists the differences are very easy to perceive.
I love how this is an extra-painful burn because Robby is fifty and has never been married, so even being an ex-husband is probably more than he can aspire to.
"Night shift's on Crus control."
I hadn't seen Luke Tennie in anything else before The Pitt (apparently he's on Shrinking), but I really want to commend both him and the writers for so instantly crafting a character who, if you were sick and he showed up at your bedsite, you would immediately feel reassured and in safe hands. I still haven't managed to articulate what about his performance gives off such a strong sense of professionalism and care, but even in a show where everyone is supposed to be a good, caring doctor, he stands out.

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one thing in tlg I'll never complain about is shane proposing when he did
like, when i read it my first thought was "marriage doesnt fix all your relationship problems" and then i thought a moment longer like. actually nevermind this is a very shane thing to do. he saw something traumatic and potentially life-threatening happen to ilya and immediately went for the logistics. "we need a WILL. we need a MARRIAGE CERTIFICATE. we need POWER OF ATTORNEY. oh ok yeah we can come out too i guess. we need a JOINT BANK ACCOUNT"
"I was one stroke of bad luck away from being an uninvited guest in the love of my life's funeral" has a way of concentrating the mind. Especially since, absent another next of kin, Ilya's funeral would probably have been in Russia and Shane even asking to attend would have raised a lot of eyebrows.
That said, and continuing in my headcanon of "Ilya is actually a lot more together when it comes to life stuff than people suspect", I firmly believe that he already had a will naming Shane as the sole beneficiary of his estate.
If you overdose on nostalgia slop you end up at the most advanced stage: talking about the peace and quiet of 1970s Belfast and 1970s New York
The 90s really were a better time bc we had no means of discovering that the guy who played Hercules thought the era of New York City where the city was bankrupt and arson was happening all the time was calm and restful
The thing is, longing for Belfast in the 70s is obviously stupider from the perspective of simple historical reality. There was an honest to god civil war going on at the time, and I know British people who have spoken about either their anxiety over traveling to Belfast around this time, or (if they're a bit younger) growing up knowing that Beflast was a place they could not safely go.
But New York City in the 70s is something that's embedded in popular culture. Our whole image of a city as someplace dirty, seedy, crime-ridden, and dangerous was derived from this city and this time. There are whole swathes of culture, from Taxi Driver to Batman, that have their canonical form because they were made in this particular moment, or were referring to this particular city. So pervasive is this perception that people still have those associations with NYC decades later, even now that it's one of the safest cities on earth, and following a very aggressive campaign to clean it up and make it tourist-friendly. The idea that anyone - much less a conservative white man - would be rhapsodizing about the lost glory of NYC in the 70s is simply deranged, and I have to believe that even Sorbo's fellow travelers were looking at him like he was crazy, because he should know that the talking points are very clear on this score.