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Lint Roller? I Barely Know Her

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〘ART TAG〙〘BANG ART〙〘WRITING TAG〙〘FIC TAG〙〘STRAW.PAGE〙〘 𝔸𝕆𝟛 〙

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He explains Astrophage and Tau Ceti and Project Hail Mary, granting Simon the whole picture, barring Ryland’s not-so-voluntary place on said ship. He doesn’t share anything with Ryland in return, but there is a slow acceptance in Simon that no, the stars and planets didn't disappear here, yes Earth still exists, but they can’t go back.
It’s clear that the other man’s worldview has been irrevocably shaken, but since his home universe consists mainly of what Ryland can only call cosmic horror, it’s hope that he wants to believe he’s seeing in the depths of Simon’s eyes.
------ °• ☆ •° ------
Their daily life becomes routine, as trust slowly begins to build between the three of them. Rocky and Ryland spend much of their time in the labs, working on keeping the taumeoba farms alive and preventing mutations to allow them escape. Simon is more listless, and it isn’t until the end of a day cycle where they’re all gathered together in the Don’t Go Crazy Room for a movie night that Ryland learns more about the mysterious man from another universe. He and Rocky are arguing over what to watch, as usual, with Simon flipping through the massive catalog away from their chaos. It’s only when Rocky pauses mid argument to angle his body towards Simon that Ryland realizes the man in question made some sort of gasping noise. Concern supersedes any petty quarrel with Rocky and he rushes on ungainly limbs to Simon’s side.
He’s staring at Our Planet II, which Ryland knows is a solid nature documentary. This is the first time Simon has expressed anything about what they watch, and Ryland feels a giddy sort of anxiety well up in his stomach.
“Oh, hey! That’s a good one!”
Rocky comes rolling over, pointing his texture monitor gun at the screen. He trills in excitement. “Is Attenborough yes yes yes! Excite! Must watch, Simon better taste than Grace.”
Ryland shoots a look at his best friend over the rim of his glasses, trilling his mono-phonic variation of notes to say rude in Eridian, which only makes Rocky laugh at him.
“... so it’s okay if I pick, then?”
Simon’s soft, unsure inquiry warms the space in Ryland’s chest and he smiles, fighting down the urge to wrap the other man up in a hug and never let go. “Of course! Rocky’s right, you do have good taste.”
Ryland silently delights in the way the other man’s eyes widen and the speed with which the tip of his ear visible through his long hair flushes red.
Once they’ve settled in and started the documentary, Ryland relaxes to Sir Attenborough’s dulcet tones, only to be distracted when Simon’s hand fumbles for his own, grasping it like the other man needs a lifeline. It immediately alarms Ryland but when he turns to look, Simon is on the verge of tears, his eyes wet and wide as he stares with unabashed awe at the depictions all around him. As the documentary continues, it quickly becomes apparent that Simon has never seen plants before, at least not real ones, not alive ones, and definitely not the vast, endless variety that covered Earth’s surface.
(Absently, he wonders how many of said varieties are still alive.)
When the documentary ends, Simon pulls his hand back abruptly like he’s embarrassed or ashamed. Ryland decides not to mention it, but does feel the need to ask something else.
“Do you like plants, Simon?”
“... yes. I do.”
Ryland remains quiet, fighting to keep his body language open and soft, like he’s sitting with a troubled student rather than a full grown man. He just knows Simon has more to say, but he needs the space and time to be able to get the words out. Ryland is the same way sometimes.
“... I, we had a tree… on Eden.”
“Did you?”
“Yeah.” Simon's rarely seen nervous tick shows itself in the way his teeth press down against his lower lip. “The Last Tree, but… but it had died. We– we couldn’t keep it alive anymore, no matter what we did.”
“The Last Tree, huh? Must have been an impressive thing while it was alive.”
“... it was. It was impressive, even in death.”
It’s that tiny conversation that has Ryland pulling Simon to Mary’s tiny greenhouse the very next day, and becomes the decision that almost kills the long-haired man. Of course Ryland had been expecting wonder or excitement, like he'd seen during the documentary, but instead he watches as Simon freezes and doesn't step inside.
“...”
Ryland waits, all nerves but allowing the other man his space to take it all in. His patience pays off when eventually, an indeterminate amount of time later (he definitely didn't check his watch on the sly, nope, no sir), Simon speaks in a voice so soft Ryland almost doesn’t catch it.
“...they're alive.”
“Yep, they sure are.”
“They're not dying.”
“Nope,” Ryland says, keeping the self deprecating despite my black thumb, thankfully locked behind his teeth.
It's with sudden clarity that yet another piece of the Simon puzzle slams into place, Ryland watching with renewed eyes and a weird sense of pride alongside that aching warmth in his chest as Simon steps gingerly into the space holding the seedlings as though it is the Sistine Chapel.
Simon has never lived anywhere where things were allowed to simply… grow.
“Hey, Simon?”
The dark-haired man looks up from where he’s staring at a whole row of what Ryland hopes will eventually provide them with nutrient-dense green peas. “Mm?”
“So, I’m really a poor botanist, you know? Quite frankly it’s a miracle none of these crops have died, and most of that is thanks to Mary—”
You are welcome, Doctor Grace.
“—and well, I’d have to be blind to miss how much you clearly love these little guys! With all knowledge crammed into the databases on Mary I’m sure she would be able to help you with anything you don't already know—”
I would be delighted to assist you in any botany endeavors, Simon.
“—but your love and passion will definitely, surely make you a better plant parent than I am, so… um, do you maybe… want to take over the greenhouse maintenance? As a favor? To me?”
Ryland finally risks a glance back at his shipmate when the silence drags on for too long and he can no longer take it, ready to apologize for his presumption and rescind his suggestion, but the tears running down the other man’s face halt him entirely.
“You… you would trust me with such precious work?”
“Of course I would, Simon. You’re important to me– to us, and we want you to be happy here.” He rubs the back of his neck, embarrassed, “I honestly just wanted to offer it, since you’ve seemed to want to do some actual determinant work onboard and not just random odd jobs where we ask for a hand.”
Ryland smiles, feeling the flush across his cheekbones as he gazes at the man before him. “I wanted you to have a job that you would love doing.”
Simon doesn’t respond to Ryland’s bold statement verbally, seemingly only able to nod as the tears continue to fall. He turns back to the green surrounding him and Ryland’s heart throbs in his chest at the tiny, wavering smile that sits upon Simon’s lips.
------ °• ☆ •° ------
The greenhouse becomes Simon's favorite place. He devours every scrap of information on botany stored in Mary’s hard drives (some of which enrages him; blood and bodies were never necessary to feed the Tree, so what the hell did he help kill all those people for!?) Nothing in the greenhouse is trying to kill him, and the plants themselves give him peace.
Being granted the permission—no, the honor—of tending the life within is the greatest gift anyone has ever given him, and he will never forget such kindness.
------ °• ☆ •° ------
Ryland keeps running into roadblocks with this man.
If and when Simon sleeps, it's not because he feels safe but rather because he loses the fight against his own exhaustion. He passes out upright, always with something that could be used as a weapon—a whiteboard marker, a wrench, anything—in hand, back against the wall so he faces the entrances to whatever room he’s unconscious in.
Even his waking habits are concerning.
The dark-haired man has instinctual flinching, constantly watching exits—even when Simon, Ryland, and Rocky are all in the same room together—never sitting with his back exposed… the constant, quiet apologies that seem to just be for existing.
Those ones hurt the worst.
All of Simon’s odd behaviors reinforce Ryland’s sick feeling that without a doubt points to a life of scarcity and even potentially of systemic abuse; a world where not once has Simon ever truly been safe.
Ryland also notices the missing arm, and not in the way of the glaring absence of it, no... Instead he clocks the habits: the way Simon instinctively reaches with a limb that isn't there, the awkward balance of carried objects clutched at odd angles like he’s still expecting an equal counterweight on the opposing side. It's in the way he twists his shoulders and torso in ways that must hurt him, and the automatic apologies that leak out from behind gritted teeth and quivering lips every time Simon drops something.
He never complains, he just keeps… adapting to life without a limb. Ryland hates it. Not Simon—no, never Simon—but the fact that the other man has had a life where instinct tells him to pretend nothing hurts… and he’s very good at pretending nothing hurts.
Even so, Ryland bites his tongue regarding the other man’s guarding behaviors and his left-over phantom instincts, quietly planning on rearranging and redesigning the ship. He never announces his intentions, instead simply and subtly recruiting Rocky to his cause.
Changes happen slowly but steadily. Mirrors appear at corner intersections so blind spots are exposed and sliding doors are removed from their rails. Modifications are made to greenhouse equipment, coffee mugs, tool handles, heck even Mary's interface. Persistently and secretly, every single thing Simon struggles with becomes easy to navigate or becomes usable with one hand.
------ °• ☆ •° ------
Weeks later, Simon notices that things around the ship have steadily become... easier. He tries to be discrete in his investigation, but when he turns his attention fully to the why said tasks have gotten easier, it becomes glaringly obvious.
It's in the lab that he confronts the taller man, stopping in front of a cabinet, running the fingertips of his remaining hand along the edges of a modification, clearly painstakingly done without his immediate notice.
It makes him immediately wonder what he now owes; this... it's an immense amount of work that's been done, encompassing nearly every inch of the ship. He swallows down the anxiety that swells in his throat, barely scraping out the words he wants to say to Grace.
"You… changed this."
Grace turns away from... whatever he's working on, sees what Simon is referring to, and merely shrugs, as if what he's done is nothing at all!
“Well it’s better– easier, really, to just change the ship so it's accessible to everyone, isn’t it?”
Simon's jaw snaps shut from where it had been opened, to- to argue or refute or- or something but... he has absolutely no response to Grace's nonchalant, easy words and just… doesn't know what to do with the entire sentence.
He can't wrap his brain around it.
Nobody has ever just gone and changed the world around them instead of demanding Simon change himself.
------ °• ☆ •° ------
Eventually, Simon haltingly explains the Quiet Rapture to both Ryland and Rocky. Said explanations are sterilized and obviously edited, but even so Ryland is beginning to piece together Simon's impossible history. Ultimately, the consensus falls more in accordance with the old adage: “Yeah, sounds fake, but okay.”
Honestly, it’s not like he has any room left to be surprised anymore—and he has a pretty strong feeling that Simon is wearing the same hat—which makes it a little easier to swallow.
------ °• ☆ •° ------
First >> Prev < > Next
I told a guy his total was 13.21 and he said “wish it were that year, could actually get some good music on the radio”
breaking news from the AP, our boys on the front have just sacked constantinople. take that, heretics. coming up next are the soothing lute dirges of bing crosby
*screams of a witch burning at the stake*
THOU ART CURRENTLY LISTENING TO
*Gregorian chanting*
13.21
*leper bell ringing*
HIGH MEDIAEVAL FM
*recording of John Lackland sobbing as he signs the Magna Carta*
WHENCE COMETH NAUGHT BUT LITURGIES
LITURGIES
AND MORE LITURGIES
*Templar knights praying out loud*
THIS ISN’T THY GRANDMOTHERES STATION
*Imagine Dragons - Radioactive starts playing*
just remembered i have a degree in sound engineering and can voice act
i know i must have reblogged this one million times before but i cannot fucking find it so here it is again
i never knew there were men in the room for this, “that was tough” oh man they were not prepared XD

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He explains Astrophage and Tau Ceti and Project Hail Mary, granting Simon the whole picture, barring Ryland’s not-so-voluntary place on said ship. He doesn’t share anything with Ryland in return, but there is a slow acceptance in Simon that no, the stars and planets didn't disappear here, yes Earth still exists, but they can’t go back.
It’s clear that the other man’s worldview has been irrevocably shaken, but since his home universe consists mainly of what Ryland can only call cosmic horror, it’s hope that he wants to believe he’s seeing in the depths of Simon’s eyes.
------ °• ☆ •° ------
Their daily life becomes routine, as trust slowly begins to build between the three of them. Rocky and Ryland spend much of their time in the labs, working on keeping the taumeoba farms alive and preventing mutations to allow them escape. Simon is more listless, and it isn’t until the end of a day cycle where they’re all gathered together in the Don’t Go Crazy Room for a movie night that Ryland learns more about the mysterious man from another universe. He and Rocky are arguing over what to watch, as usual, with Simon flipping through the massive catalog away from their chaos. It’s only when Rocky pauses mid argument to angle his body towards Simon that Ryland realizes the man in question made some sort of gasping noise. Concern supersedes any petty quarrel with Rocky and he rushes on ungainly limbs to Simon’s side.
He’s staring at Our Planet II, which Ryland knows is a solid nature documentary. This is the first time Simon has expressed anything about what they watch, and Ryland feels a giddy sort of anxiety well up in his stomach.
“Oh, hey! That’s a good one!”
Rocky comes rolling over, pointing his texture monitor gun at the screen. He trills in excitement. “Is Attenborough yes yes yes! Excite! Must watch, Simon better taste than Grace.”
Ryland shoots a look at his best friend over the rim of his glasses, trilling his mono-phonic variation of notes to say rude in Eridian, which only makes Rocky laugh at him.
“... so it’s okay if I pick, then?”
Simon’s soft, unsure inquiry warms the space in Ryland’s chest and he smiles, fighting down the urge to wrap the other man up in a hug and never let go. “Of course! Rocky’s right, you do have good taste.”
Ryland silently delights in the way the other man’s eyes widen and the speed with which the tip of his ear visible through his long hair flushes red.
Once they’ve settled in and started the documentary, Ryland relaxes to Sir Attenborough’s dulcet tones, only to be distracted when Simon’s hand fumbles for his own, grasping it like the other man needs a lifeline. It immediately alarms Ryland but when he turns to look, Simon is on the verge of tears, his eyes wet and wide as he stares with unabashed awe at the depictions all around him. As the documentary continues, it quickly becomes apparent that Simon has never seen plants before, at least not real ones, not alive ones, and definitely not the vast, endless variety that covered Earth’s surface.
(Absently, he wonders how many of said varieties are still alive.)
When the documentary ends, Simon pulls his hand back abruptly like he’s embarrassed or ashamed. Ryland decides not to mention it, but does feel the need to ask something else.
“Do you like plants, Simon?”
“... yes. I do.”
Ryland remains quiet, fighting to keep his body language open and soft, like he’s sitting with a troubled student rather than a full grown man. He just knows Simon has more to say, but he needs the space and time to be able to get the words out. Ryland is the same way sometimes.
“... I, we had a tree… on Eden.”
“Did you?”
“Yeah.” Simon's rarely seen nervous tick shows itself in the way his teeth press down against his lower lip. “The Last Tree, but… but it had died. We– we couldn’t keep it alive anymore, no matter what we did.”
“The Last Tree, huh? Must have been an impressive thing while it was alive.”
“... it was. It was impressive, even in death.”
It’s that tiny conversation that has Ryland pulling Simon to Mary’s tiny greenhouse the very next day, and becomes the decision that almost kills the long-haired man. Of course Ryland had been expecting wonder or excitement, like he'd seen during the documentary, but instead he watches as Simon freezes and doesn't step inside.
“...”
Ryland waits, all nerves but allowing the other man his space to take it all in. His patience pays off when eventually, an indeterminate amount of time later (he definitely didn't check his watch on the sly, nope, no sir), Simon speaks in a voice so soft Ryland almost doesn’t catch it.
“...they're alive.”
“Yep, they sure are.”
“They're not dying.”
“Nope,” Ryland says, keeping the self deprecating despite my black thumb, thankfully locked behind his teeth.
It's with sudden clarity that yet another piece of the Simon puzzle slams into place, Ryland watching with renewed eyes and a weird sense of pride alongside that aching warmth in his chest as Simon steps gingerly into the space holding the seedlings as though it is the Sistine Chapel.
Simon has never lived anywhere where things were allowed to simply… grow.
“Hey, Simon?”
The dark-haired man looks up from where he’s staring at a whole row of what Ryland hopes will eventually provide them with nutrient-dense green peas. “Mm?”
“So, I’m really a poor botanist, you know? Quite frankly it’s a miracle none of these crops have died, and most of that is thanks to Mary—”
You are welcome, Doctor Grace.
“—and well, I’d have to be blind to miss how much you clearly love these little guys! With all knowledge crammed into the databases on Mary I’m sure she would be able to help you with anything you don't already know—”
I would be delighted to assist you in any botany endeavors, Simon.
“—but your love and passion will definitely, surely make you a better plant parent than I am, so… um, do you maybe… want to take over the greenhouse maintenance? As a favor? To me?”
Ryland finally risks a glance back at his shipmate when the silence drags on for too long and he can no longer take it, ready to apologize for his presumption and rescind his suggestion, but the tears running down the other man’s face halt him entirely.
“You… you would trust me with such precious work?”
“Of course I would, Simon. You’re important to me– to us, and we want you to be happy here.” He rubs the back of his neck, embarrassed, “I honestly just wanted to offer it, since you’ve seemed to want to do some actual determinant work onboard and not just random odd jobs where we ask for a hand.”
Ryland smiles, feeling the flush across his cheekbones as he gazes at the man before him. “I wanted you to have a job that you would love doing.”
Simon doesn’t respond to Ryland’s bold statement verbally, seemingly only able to nod as the tears continue to fall. He turns back to the green surrounding him and Ryland’s heart throbs in his chest at the tiny, wavering smile that sits upon Simon’s lips.
------ °• ☆ •° ------
The greenhouse becomes Simon's favorite place. He devours every scrap of information on botany stored in Mary’s hard drives (some of which enrages him; blood and bodies were never necessary to feed the Tree, so what the hell did he help kill all those people for!?) Nothing in the greenhouse is trying to kill him, and the plants themselves give him peace.
Being granted the permission—no, the honor—of tending the life within is the greatest gift anyone has ever given him, and he will never forget such kindness.
------ °• ☆ •° ------
Ryland keeps running into roadblocks with this man.
If and when Simon sleeps, it's not because he feels safe but rather because he loses the fight against his own exhaustion. He passes out upright, always with something that could be used as a weapon—a whiteboard marker, a wrench, anything—in hand, back against the wall so he faces the entrances to whatever room he’s unconscious in.
Even his waking habits are concerning.
The dark-haired man has instinctual flinching, constantly watching exits—even when Simon, Ryland, and Rocky are all in the same room together—never sitting with his back exposed… the constant, quiet apologies that seem to just be for existing.
Those ones hurt the worst.
All of Simon’s odd behaviors reinforce Ryland’s sick feeling that without a doubt points to a life of scarcity and even potentially of systemic abuse; a world where not once has Simon ever truly been safe.
Ryland also notices the missing arm, and not in the way of the glaring absence of it, no... Instead he clocks the habits: the way Simon instinctively reaches with a limb that isn't there, the awkward balance of carried objects clutched at odd angles like he’s still expecting an equal counterweight on the opposing side. It's in the way he twists his shoulders and torso in ways that must hurt him, and the automatic apologies that leak out from behind gritted teeth and quivering lips every time Simon drops something.
He never complains, he just keeps… adapting to life without a limb. Ryland hates it. Not Simon—no, never Simon—but the fact that the other man has had a life where instinct tells him to pretend nothing hurts… and he’s very good at pretending nothing hurts.
Even so, Ryland bites his tongue regarding the other man’s guarding behaviors and his left-over phantom instincts, quietly planning on rearranging and redesigning the ship. He never announces his intentions, instead simply and subtly recruiting Rocky to his cause.
Changes happen slowly but steadily. Mirrors appear at corner intersections so blind spots are exposed and sliding doors are removed from their rails. Modifications are made to greenhouse equipment, coffee mugs, tool handles, heck even Mary's interface. Persistently and secretly, every single thing Simon struggles with becomes easy to navigate or becomes usable with one hand.
------ °• ☆ •° ------
Weeks later, Simon notices that things around the ship have steadily become... easier. He tries to be discrete in his investigation, but when he turns his attention fully to the why said tasks have gotten easier, it becomes glaringly obvious.
It's in the lab that he confronts the taller man, stopping in front of a cabinet, running the fingertips of his remaining hand along the edges of a modification, clearly painstakingly done without his immediate notice.
It makes him immediately wonder what he now owes; this... it's an immense amount of work that's been done, encompassing nearly every inch of the ship. He swallows down the anxiety that swells in his throat, barely scraping out the words he wants to say to Grace.
"You… changed this."
Grace turns away from... whatever he's working on, sees what Simon is referring to, and merely shrugs, as if what he's done is nothing at all!
“Well it’s better– easier, really, to just change the ship so it's accessible to everyone, isn’t it?”
Simon's jaw snaps shut from where it had been opened, to- to argue or refute or- or something but... he has absolutely no response to Grace's nonchalant, easy words and just… doesn't know what to do with the entire sentence.
He can't wrap his brain around it.
Nobody has ever just gone and changed the world around them instead of demanding Simon change himself.
------ °• ☆ •° ------
Eventually, Simon haltingly explains the Quiet Rapture to both Ryland and Rocky. Said explanations are sterilized and obviously edited, but even so Ryland is beginning to piece together Simon's impossible history. Ultimately, the consensus falls more in accordance with the old adage: “Yeah, sounds fake, but okay.”
Honestly, it’s not like he has any room left to be surprised anymore—and he has a pretty strong feeling that Simon is wearing the same hat—which makes it a little easier to swallow.
------ °• ☆ •° ------
First >> Prev < > Next
Ryland makes it a point not to ask about what exactly happened to Simon.
Not immediately, anyway.
At this point, Ryland has spent years of his life solving impossible scientific problems, so the wackadoodle arrival of a (most likely majorly traumatized) human? Yeah, sure, why not?
Up is down, left is right, xenon's a solid, and aliens are real… so why can't this be normal too?
Next
At this point, Ryland has spent years of his life solving impossible scientific problems, so the wackadoodle arrival of a (most likely majorly traumatized) human? Yeah, sure, why not?
Up is down, left is right, xenon's a solid, and aliens are real… so why can't this be normal too?
After death, Simon expects a final judgment; someone awaiting him to measure his sins against his virtues and decide his fate, a descent into the eternal suffering of Hell or even the abyss of nothingness following his death.
(Heaven is an impossible dream for someone like the Butcher, for someone like Simon with so much blood on his hands.)

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he likes the fucked up beast guy oh no
(this is based on my bloodymary beauty & the beast AU fic hehe im posting it on ao3 & tumblr!)
After death, Simon expects a final judgment; someone awaiting him to measure his sins against his virtues and decide his fate, a descent into the eternal suffering of Hell or even the abyss of nothingness following his death.
(Heaven is an impossible dream for someone like the Butcher, for someone like Simon with so much blood on his hands.)
Simon dies. Or… at least, he thinks he does. The last thing he remembers is blood, pain, impossible light... and despite his wavering faith from years of fatalistic indoctrination, his final thought before the seed and the Light consumes him entirely is half-prayer, half-delirium:
“Hail Mary... full of Grace…”
And then… nothing.
------ °• ☆ •° ------
Something hears him.
Whatever it is—God, Eldritch horror, quantum nonsense, the threads stitching together the fabric of the very universe—has an odd sense of humor, as his final prayer is interpreted quite literally.
Next
Simon dies. Or… at least, he thinks he does. The last thing he remembers is blood, pain, impossible light... and despite his wavering faith from years of fatalistic indoctrination, his final thought before the seed and the Light consumes him entirely is half-prayer, half-delirium:
“Hail Mary... full of Grace…”
And then… nothing.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming