Rowan

instead of saying 'sorry', say, 'this is my design'

instead of saying 'excuse me', say, 'it isn't very smart to piss off a guy who thinks about killing people for a living'

instead of saying 'I don't wish to talk about this', say, 'you won't like me when I'm psychoanalysed'

instead of saying 'please', say, 'I'll say pretty please'

He had a gun with him when Hannibal stabbed him and he didn't even try to fight back, he let himself be held as his bowels were falling out

He foreplayed with his therapist during therapy

He had to be stopped from shooting a guy crawling out of a horse all because he had psychosexual rage towards his therapist and wanted to take it out on the guy he was supposed to catch

Flew to Europe to sneak around Hannibal's old property, called the scar on his stomach a 'smile' and forced Chiyoh to kill the guy she's been keeping a prisoner because he wanted to see what she would do, then turned his corpse into a grotesque art piece with no witnesses to that

He sailed to Europe and told the detective there that 'he doesn't know what he'll do when he sees Hannibal so he should be careful' ?? (brother you're there to catch Hannibal....)

He sat with Hannibal in the gallery saying the most romantic shit ever, failed to stab him and then he just let Hannibal dig the bullet out and drug him??? (you can't convince me he didn't have an ounce of energy to fight back or see that coming mr I tell u the past and future with my autism powers)

He started combing his hair back after Hannibal tried to saw open his brain... ok whore

He got jealous when Hannibal started admiring a serial killer

“During The Sims’s protracted development, the team had debated whether to permit same-sex relationships in the game. If this digital petri dish was to accurately model all aspects of human life, from work to play and love, it was natural that it would facilitate gay relationships. But there was also fear about how such a feature might adversely affect the game. “No other game had facilitated same-sex relationships before—at least, to this extent—and some people figured that maybe we weren’t the ideal ones to be first, as this was a game that E.A. really didn’t want to begin with,” Barret told me. “It felt to me like a fear thing.” After going back and forth for several months, the team finally decided to leave same-sex relationships out of the game code.

When Barrett joined the company, in October, 1998, he was unaware of the decision. A fortnight into his new job, he found himself with nothing to do when his supervisor, the game’s lead programmer, Jamie Doornbos, took a short vacation. Jim Mackraz, Barrett’s boss, needed a task to occupy his new employee, and he handed Barrett a document that outlined how social interactions in the game would work; the underlying rules for the game’s A.I. that would dictate how the characters would dynamically interact with one another. “He didn’t think I could handle it with Jamie off on vacation, but he figured that at least I’d be out of his hair,” Barrett told me. “Neither he nor I realized that he’d given me an old design document to work from.”

That design document predated the decision to exclude gay relationships in the game. Its pages described a web of social interactions, in which every kind of romantic relationship was permitted. That week, Barrett confounded the expectations of his disbelieving boss. He successfully wrote the basic code for social interactions, including same-sex relationships. “In hindsight, I probably should have questioned the design,” Barrett, who is gay, said. “But the design felt right, so I just implemented it. Later, Will Wright stopped by my desk,” Barrett said. “He told me that liked the social interactions, and that he was glad to see that same-sex support was back in the game.” Nobody on the team questioned Barrett’s work. “They just pretty much ignored it,” he said. “After a while, everyone was just used to the design being there. It was widely expected that E.A. would just kill it, anyway.”

In early 1999, before E.A. had a chance to kill the design, Barrett was asked to create a demo of the game to be shown at E3. The demo would consist of three scenes from the game. These were to be so-called on-rails scenes—not a true, live simulation but one that was preplanned, and which would shake out the same way each time it was played, in order to show the game in its best light. One of the scenes was a wedding between two Sims characters. “I had run out of time before E3, and there were so many Sims attending the wedding that I didn’t have time to put them all on rails,” Barrett said.

On the first day of the show, the game’s producers, Kana Ryan and Chris Trottier, watched in disbelief as two of the female Sims attending the virtual wedding leaned in and began to passionately kiss. They had, during the live simulation, fallen in love. Moreover, they had chosen this moment to express their affection, in front of a live audience of assorted press.”