oh my fucking god
THATS MY ART???? MY ZUKKA ART??? What timeline am I living in
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@zukkacore
oh my fucking god
THATS MY ART???? MY ZUKKA ART??? What timeline am I living in

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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âNotes on skirts and pantsâ
Source: miyuli on twitter
I WANT TO WRITE MY STORIES!!!!!!!!!!!! -> continues doing literally Anything Else besides writing
If you're a new writer and you're asking yourself "is this too personal, is this too much, will people think this is weird" that feeling is the exact location of your actual voice. The stuff that makes you want to close the laptop is the stuff nobody else could write. The safe version is always worse. Always. I have never once read something and thought "this would have been better if it was a little less honest." go further. It's always go further.
the thing that bewilders me about a lot of fantasy readers is that they read about settings and plots featuring imperialism, war, and slavery and then call the inclusion of violence, abuse, and sexual exploitation "edgy" and "gratuitous" and it's like what did you think was happening. why were you under the impression that you were going to get a cozy story about fascism or something. far be it from me to criticize anyone for not wanting to read about torture in their spare time, and there are certainly cases where heavy subjects are poorly executed, but is it not equally insulting to sanitize them for a feel-good adventure.. like no one put a gun to your head and forced you to give your fantasy novel an enslaved protagonist. sometimes writing is supposed to make you feel bad

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just saw a pigeon doing the puffed up courtship dance thing to another pigeon, and as he was strutting around he suddenly stopped for a split second to do a very brief preen-peck at his own side, then returned to the strutting around. and i surprised myself by instantly losing respect for the male pigeon in that moment, like come on man i appreciate you had an itch or whatever but how is she supposed to feel special when you're getting distracted by bullshit like that? which on reflection i don't endorse, i mean those are pretty harsh dating norms i'm imposing on these pigeons, from a total outsider perspective, for no reason. probably not all girl pigeons are as uptight about that sort of thing as i would apparently be if i was a girl pigeon, maybe she even found it endearing who knows, i don't know her. it's none of my business really. sorry pigeons.
Clark Kent gaslighting Lois Lane into believing heâs not Superman.
You actually cannot skip to being good at a creative endeavour that you haven't put much practice into. You cannot trick your way out of the 'knows that your work is not what you want it to be but don't know how to improve it' stage by planning or reading or talking about it really really hard. At some point you just have to craft through it until your brain finds it's own unique way back to the 'everything I make slaps' stage and be prepared to start the cycle all over again. You just have to make that project you're excited about slightly less good than you want it to be. (Says this standing in a pool of blood and covered in blood and also coughing up a little blood)
everyone stop reblogging this I hate to be reminded of my own good advice
how dare a work challenge me. you think I can't understand your little metaphors and allegories? fuck you I totally can. give me that book. oh what the fuck this thing is full of words
Having a job is an awesome way to stay hydrated because you get so bored you start drinking water just for a little excitement

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Real thing that changed how i write: I started asking "what does this character think is wrong with them" and separately "what is actually wrong with them." Those two things are almost never the same. She thinks she's too much. She's actually terrified of being too little. He thinks he's bad at commitment. He's actually just never met someone he trusted enough. The gap between their diagnosis of themselves and the real thing, that's your character arc right there. you don't have to explain it. just write both.
what do yâall think happens once you hit age 25. your Doing Things card gets revoked?
Hey here is your friendly reminder to not tell your nice boss stuff.
Iâm at the executive management level for my very small company and I have 4 people who report directly to me. I am a nice boss. Iâm friendly with my employees, I treat them like professional adults, I actively try to create a positive work environment, and I mentor them and make sure theyâre advancing in their careers. I do my best to shield them from the rest of management doing stupid shit. My employees like working for me.
The other day one of my employees came to ask if she could change her hours on Mondays. I said yes immediately because itâs helpful for me to know when sheâs here and when sheâs not, but as long as she gets her work done I donât care when and where she does it. She then proceeded to tell me that it was so she could attend therapy and like ⌠I will never use this information but ⌠as a general rule donât fucking do that.
Do not tell your employer shit about your mental or physical health except for the bare minimum needed to request a reasonable accommodation. Even your nice boss can fire you, even your nice boss can unfairly change your working conditions, and even your nice boss at some point is probably going to face pressure from their superiors.
Iâm not saying donât trust your boss with anything ever. Iâm just saying that anytime you are in the workplace you need to keep your private information private. You can still have a good relationship with your boss. Your workplace can still be pleasant. But if it ever feels like disclosing private information is required in order to have a good relationship with your boss, please see that as a red flag.
This post got a like out of nowhere and I only vaguely remember writing it and Iâm not entirely sure which of my employees inspired it, but it still holds.
Women in Shakespeare
Also like to point out that when her mother says âI was your mother much upon these years that you are now a maid,â (translation: I had you when I was your age) you have to remember her fatherâs words: âearth hath swallowed all my hopes but she,â (translation: all the other children died.)Â The whole plot point of Juliet being an only child is explained by her mother being a Margaret Beaufort type who had her first child too young and it damaged her past the point of being able to bear more children.
Margaret Beaufort died in 1509. She was a major player in the Wars of the Roses, the swirling on-again-off-again civil wars that consumed England from 1455-1487. Romeo and Juliet was written and first performed in the early 1590s. Your average English person of Shakespeareâs day would probably have had at least a vague understanding of who she was and what happened to her, because she was a key figure in recent history and was still getting passed around as a cautionary tale.
There are two great problems with what happened to Margaret (and that her parents are trying to do to Juliet). One is easy for modern people to spot (but was also a common response back in her own day). And thatâs the moral implications of what was done to her. She was too young to be married, and it was horrifying that she was forced into it so young. Every one of the adults around her either acted immorally or failed to protect her. They were wrong. This is what modern people see, and itâs important to remember that people back in her day mostly agreed with it. Youâre supposed to think itâs fucked up! When girls were married that young (and it didnât happen often!) it was a formality 99% of the time. It was for dynastic or financial reasons (the girl has lots of money and/or land and/or a title that her husband wants), but the âcoupleâ donât consummate their marriage for years. And itâs not just that they would have separate bedrooms. They might not even live in the same country until the girl was in her late teens and physically and mentally mature enough to bear and raise kids. Hell, a lot of times they didnât even meet until the girl was older! They had this thing called âproxy marriageâ where you would have two separate ceremonies, in two separate places, with each party saying their vows separately, one in one city and the other in a different one. So, yeah, sure, the girl was technically married at 12, but she didnât actually meet her âhusbandâ in person until she was 17 and they didnât start sleeping together until she was 20. That was a thing they did.
The other problem, the one that modern people donât notice, is dynastic. See, marriage wasnât generally because you loved someone. It was because you had the resources to support a family, and you or your family wanted to pool those resources with someone. Itâs about âour family has these resources, and we want that to continue.â Itâs about continuity across generations. Itâs about making sure that your children and grandchildren have the best possible resources to survive and thrive, whether those resources are land or a trade or a title or money or whatever. In order for this to work, you have to have kids! The family and the familyâs resources depend on the married couple having children. If the couple doesnât have children, the marriage is a failure. And that failure affects not only the couple, but both families. This is a really big problem. And you canât have just one kid to pass on the family name, because half of all kids die in early childhood. If you want to be safe, you need several kids, to be sure at least one will survive to adulthood (when they can marry and pass on the family name and resources.
You know what happens when a girl has her first pregnancy too young? She is very likely to either die in childbirth, or have complications that destroy her future fertility. Just like Margaret Beaufort. Just like Julietâs mother. In other words, the marriage is a failure, not just for her, but also for her family, and her husband (who canât divorce her, itâs not allowed except in extremely rare circumstances), and her husbandâs family. So even the people who didnât have a moral problem with adult men having sex with pubescent girls had a practical problem with girls married too young because you are very likely to destroy the entire purpose of the marriage by doing it. As Shakespeare reminds us in the play through Julietâs mother having been married too young and only having one child.
Shakespeare is telling us âyeah, this is fucked up. but even if youâre the kind of awful person who doesnât think girls marrying too young is morally wrong, itâs also a problem for practical and dynastic reasons, donât forget that by doing this wrong thing you are very likely to destroy what you most want out of it.â
Interesting
It bears repeating:
donât forget that by doing this wrong thing you are very likely to destroy what you most want out of it.â
yes, excellent discussion!
another thing i noticed, the year my local community shakespeare theater did r&j, and i made the costumes so i got to watch the show every night: part of why capulet is telling paris, take your time, get to know each other, no rush, is that he still has his nephew tybalt as his heir. as long as tybalt is in the picture, there is no pressure on juliet to go further with paris, than get acquainted. once tybalt is killed, then suddenly capulet needs an heir, he needs a husband for juliet, now, this week. (the role of capulet is best given to the actor in the company that can do over the top apoplexy, you need to believe his urgency comes at least in part by how clearly he could drop dead any moment from giving himself a stroke)
i feel like this play is often taught in middle schools as if it was somehow relevant to, or about, teen hormone storms. really it's got more to do with the social structures around family and inheritance. leaving that context out makes it confusing, why is capulet suddenly flipping from nice dad to evil dad?
art history matters.
I've been thinking about this play a lot lately. I really wanna highlight that Lord Capulet asks Paris to wait and get to know her, and to woo her, while Tybalt lives. While Tybalt is alive, Juliet has something of a reprieve, and her wellbeing as his only child matters more to Capulet. But once Tybalt has died, the gloves come off. Lord Capulet was worried about his daughter's wellbeing when he felt he had the space to care, but as soon as his dynasty is at stake, as soon as this becomes larger than Juliet's happiness, his consideration for her health and mental wellbeing get thrown away. Which also is due in part to the fact that Capulet's family is implicated in a brawl that has left several dead after the Prince's family EXPLICITLY told the Capulets and Montagues to stop fighting or face dire consequences, AND Capulet is trying to align himself with the Prince's family by marrying Juliet off to County Paris, a relative of the Prince. So to Lord Capulet, it is now less important that Juliet is happy, and more important than he reminds the Prince of his loyalty via this marriage and aligns his family with the Prince's before it's too late. And he believes this must be done, at any cost...until Juliet kills herself. And that's when he realises the devastating cost of treating his family as chess pieces. He realises his wrongdoing far too late.
Seriously Romeo and Juliet is HEAVY on the dynastic politics, and I think you can't fully understand the play without understanding how that all works, especially because the impact of dynastic marriages on women and girls is like. THE POINT of the play
Victor Frankenstein after achieving the impossible and building a fucking person from scraps of the dead: Oh god, ew, ew it's ugly! Yucky! Yucky! Gross! Ew! Ew! Yucky! Yucky! Gross! Ew!

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So you want to make a basket
This will be a somewhat brief introductory post to flat reed basket weaving, these two patterns are provided. Below are SOME websites you can buy supplies at:
Basketweaving.com
Peerlessratten.com
Thecountryseat.com
Explore these websites, as you learn basket weaving there's different materials you can learn to use and replace others and these websites will often provide the tools you will need too. You can use dyes or stain for flat reed, I have more experience with dyeing which basically involves boiling the color and then dunking the reeds in it.
Flat reed is literally that, flat reeds. Many flat reeds used are commercial but some traditional ones will be made of splints from trees such as Ash or White Oak. They are soaked in water and then shaped and woven into the craft desired.
Source
These patterns will tell you how you will need to cut your reeds. You will need a water source, preferably a tub of some kind, an awl, measuring tool, and a flat workspace.
Tips:
Do not let your flat reeds stay wet for too long! Let it dry in an open air space when you are not working on it or when it is complete, FLAT REED CAN MOLD.
If you soak flat reed for too long it can become mushy and unusable, at the very least if you soak it for extended periods be careful with how you bend it.
Flat reed tends to (not always) have a 'rough' and 'smooth' side, you want the rough side to be on the inside of your basket.
If you're a flat reed has started to split trim it as close to the split as you can as quickly as you can or it spreads.
Starting is the most difficult part and no basket will look like the end result in the beginning. Getting overwhelmed is normal, come back to it, these are not projects you do in one sitting.
If I can I'm going to see about getting better scans of these and possibly uploading a step-by-step post. These websites provided also often have more basket weaving patterns and even kits.