Show & Tell
Today's Document
noise dept.
Fai_Ryy
let's talk about Bridgerton tea, my ask is open

Product Placement

romaâ
RMH
Monterey Bay Aquarium
One Nice Bug Per Day

EXPECTATIONS
"I'm Dorothy Gale from Kansas"
I'd rather be in outer space đ¸

Love Begins
NASA

pixel skylines

shark vs the universe

tannertan36
Xuebing Du
seen from TĂźrkiye

seen from Germany

seen from Czechia
seen from United States

seen from United States

seen from Australia

seen from United States

seen from Malaysia
seen from Netherlands

seen from United States
seen from United States

seen from Australia
seen from United States

seen from Germany

seen from Singapore
seen from United States
seen from TĂźrkiye

seen from Indonesia
seen from Malaysia
seen from United States
@youwereallheart

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The Rotten Cherry dress by Dilara Findikoglu s/s (2026)
âAs imperceptibly as Grief...â
by Emily Dickinson
As imperceptibly as Grief The Summer lapsed away â Too imperceptible at last, To seem like Perfidy â A Quietness distilled As Twilight long begun Or Nature spending with herself Sequestered Afternoon â The Dusk drew earlier in â The Morning foreign shone â A courteous, yet harrowing Grace, As Guest, that would be gone â And thus, without a Wing Or service of a Keel Our Summer made her light escape Into the Beautiful.
Aurora Borealis (Frederic Edwin Church, 1865)
Paco Rabanne Fall/Winter 2020 RTW

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the city by C. P. Cavafy
I love you more by Abu Salma / Abd al-Kareem al-Karmi tr. Sharif Elmusa and Naomi Shihab Nye
âSkippingâ. Photographed by Lee Jenkins for Vogue Italia August 1999
work in progress
My love, I was so wrong. Dying is the opposite of leaving. When I left my body, I did not go away. That portal of light was not a portal to elsewhere, but a portal to here. I am more here than I ever was before. I am more with you than I ever could have imagined. So close you look past me when wondering where I am. Itâs Ok. I know that to be human is to be farsighted. But feel me now, walking the chambers of your heart, pressing my palms to the soft walls of your living. Why did no one tell us that to die is to be reincarnated in those we love while they are still alive? Ask me the altitude of heaven, and I will answer, âHow tall are you?â In my back pocket is a love note with every word you wish youâd said. At night I sit ecstatic at the loom weaving forgiveness into our worldly regrets. All day I listen to the radio of your memories. Yes, I know every secret you thought too dark to tell me, and love you more for everything you feared might make me love you less. When you cry I guide your tears toward the garden of kisses I once planted on your cheek, so you know they are all perennials. Forgive me, for not being able to weep with you. One day you will understand. One day you will know why I read the poetry of your grief to those waiting to be born, and they are all the more excited. There is nothing I want for now that we are so close I open the curtain of your eyelids with my own smile every morning. I wish you could see the beauty your spirit is right now making of your pain, your deep seated fears playing musical chairs, laughing about how real they are not. My love, I want to sing it through the rafters of your bones, Dying is the opposite of leaving. I want to echo it through the corridor of your temples, I am more with you than I ever was before. Do you understand? It was me who beckoned the stranger who caught you in her arms when you forgot not to order for two at the coffee shop. It was me who was up all night gathering sunflowers into your chest the last day you feared you would never again wake up feeling lighthearted. I know itâs hard to believe, but I promise itâs the truth. I promise one day you will say it tooâ I canât believe I ever thought I could lose you.
love letter from the afterlife, andrea gibson

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Circe Invidiosa, 1892, John William Waterhouse (1883-1917)
Mstislav Valerianovich Dobuzhinsky - Set design for Tannhäuser - c.1930 - via Sotheby's
62926
Byzantine Necklace, Late 6th - 7th century,
This necklace is part of the "Assiut Treasure" (or Asyut Hoard), a canonical group of early Byzantine jewelry discovered in Upper Egypt.
Such an opulent piece would have belonged to a member of the imperial family or the highest aristocracy, worn during formal occasions to signal wealth and status.
Beyond aesthetics, the arrangement of gems may reflect contemporary beliefs in their protective or talismanic qualities.
Decorated with sapphires, emeralds, amethysts and pearls,
The piece measures approximately 23 cm in diameter.

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Leonora Carrington âMujer con Zorroâ, 2010Â
Taylor Franson-Thiel, from "You Donât Need Another Poem About My Shame"