sculptures for some cool-cats :-)
Lint Roller? I Barely Know Her

@theartofmadeline

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@yg-calroniscanon
sculptures for some cool-cats :-)

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Being told what to do is great because then you know what to do
How did you get so good at writing??? Did you take classes? I feel like you should get paid all the money for this! (I subscribe to your website!)
after i dropped out of high school i found a torrent of like 5GB of OCRd romance novels and i read like 3 romance novels a day for a while
read enough romance novels and you will realize that they live or die entirely on technical skill. if you are new to romance novels then even bad ones can dazzle you with novelty but by the time you are on your 30th historical fake engagement between a bluestocking and a rakish duke you can grade them and you know when they've failed. when two books have what should be the same main characters hitting the same plot beats, but one of those books is delightful and the other fucking sucks, you learn some things. some books are bad and still delightful. other books are good but they just don't hit. you start to see the seams in the bad ones. 'oh, this is a weird out of character moment because she wanted to have the kabedon moment and didn't know how to get there'. 'she didn't want the ust to end but couldn't think of a better reason than this deus ex cockblock.' that kind of thing.
you could probably do this with other genres but i like romance because the plot is two people fall in love. that's it. everything else is set dressing. if you can figure out how to make that work you can carry it over into whatever other genre you feel like. mysteries would give you a different skillset around plotting that i don't have.
anyway after that i wrote a lot.
i said it in my original tags but i want to talk out of my ass and say that one place that a lot of current romantasy falls short for me is that it ends up being written by people who mostly read other romantasy without going back to the original genres of romance and fantasy. it's like a 'learn the rules before you can break them' kind of thing. you have all these magical macguffins to hit the tropes but can you make me believe that these characters have chemistry without that? is there chemistry, or did you tell me they're fated mates and now i'm supposed to assume this fight is sexy? does the fantasy aspect exist for anything aside from the magical macguffins? i'm not going to throw stones from inside my house made of worldbuilding designed to make all my fetishes happen, but the really fun part is when the lore spins out of control and you end up really going in depth on linguistic anthropology things that aren't relevant to the makeouts.
and the other thing is that you can't really sub in fanfic for this. plenty of fanfic takes characters from other genres and plops them into romance, but it's not the same. a good romance novel says, "here are two characters. you may know their archetypes, but you don't know them. you are going to get to know them, and you are going to love them, and you are going to want them to love each other, and when they love each other you are going to be happy for them". i love a rakish duke. when a man who's never had to do his own laundry is slutty as fuck that's my shit. but you still have to make me like him. you can take that archetype and make a guy who fucking sucks. most fanfic will not impart to you any knowledge about how to make a reader like a guy from scratch. you already know that guy. that's the whole point. fanfic with as much character building as an original work is the exception, not the rule.
the whole reason i get catty about fics that just make a different guy is that... you've made a different guy. i don't know who this guy is and i don't like him, and you haven't bothered trying to make me like him, because you slapped another guy's nametag on him like a cheat code. it's cool if you did make me like this new guy, but why is he wearing that other guy's nametag if no other aspect of him is present?
read the genres you want to write, obviously, but there's a reason the shitty comphet romantic subplot is a cliche. it's because romance is its own skillset, and if you try to fit romance in your thriller when you only read thrillers it's probably going to be the weakest part. if you want an ensemble cast then chemistry between characters is important regardless of whether they're going to fuck about it.
#this is also what i call the Star Wars Problem (although: wide category lol)#but i mean specifically the thing where george lucas watched a BUNCH of westerns and samurai films and ww2 flying ace films#and then made a space movie ABOUT high points in those other story forms#because he knew those pulp genres inside out and knew what bits he needed to hit in RAF Dambusters pulp when he added laser swords#or in western saloon showdowns when he added spaceships#but then you fast-forward a few decades and people are making star wars movies ABOUT other star wars movies#and like not many of those scenes are going to hit that way - they just wont have the chance#they’ll be a copy of a copy and the emotion is going to degrade like the worlds crustiest reformatted ocr PDF#or a xerox of a xerox of a xerox#they’ve ceased to be about the feeling generated by the Form and have become simply the Form in isolation (via harrietvane)
“People don’t understand the word ruthless. They think it means ‘mean.’ It’s not about being mean. It’s about seeing the bright, clear line that leads from A to B. The line that goes from motive to means. Beginning to end. It’s about seeing that bright, clear line and not caring about anything but the beautiful fact that you can see the solution. Not caring about anything else but the perfection of it.”
- Marco, Book #30: The Reunion, pg. 71 (by K.A. Applegate)

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i think far too many people have only seen this video as that one sped up gif version of it and that is a crime that needs to be fixed because this video actually changed my life
Ursula K. Le Guin has truly, truly never missed even once
We are our dreams of ourselves, souls by gleams, And each to other dreams of others' dreams.
…
An unknown language speaks in us, which we Are at the words of, fronted from reality.
Fernando Pessoa, 35 Sonnets (1918), Sonnet I
There's really this strong temptation that everyone has which basically says "to have interiority is to be like me; ordinary people are surface everywhere." And this manifests in different ways in different spaces, and becomes really pronounced when you cluster together with similar people. So tumblr users often act like straight people don't have any interiority because it helps you feel the deepening of social bonds with other gay people. This happens professionally too. I think it was Summer or Sharks who was saying that programming people think that intelligence is just being really good at writing code. Not surprising but very strange to me! I am (equally ridiculously) used to thinking that intelligence is being really good at philosophy, having command of a lot of sources that you can use creatively, etc. This reflects a kind of dynamic on tumblr and reddit. On reddit to have interiority is to be a science guy and on tumblr to have interiority is to be a humanities girl (and the dynamic is gendered in exactly this way). And I think there is something dangerous about habitually regarding other people as automatons. It's good to have people outside of your niche to remind you that other people from different walks of life are quite deep and complicated. They are full of love and fine grained attention to things you never thought to care about. And I think a lot of people go through life thinking of themselves as perpetually victimized by basically empty people rather than having genuine confrontations with full, genuine people who are committed to subtle, complex and real values, who have detailed and intricate histories, and who have a bond to you that you might never quite fully understand. But we rarely even try at understanding these things. We just decide that they're stupid and ridiculous and unreasonable.
I fill my journals with so many sentimental things, I keep a love letter between my parents when they first met and my mom was learning Arabic tucked into the back pocket of my 2018 journal. And the 2018 journal was significant because I was in love and in turkey with my ex, writing constantly about Izmir, the locals I met, etc. then in my 2022 journal I have directions my dad scribbled on a napkin for me to a cemetery in vienna where his best friend is buried. I couldn’t even read the directions, I just love his handwriting. I even have a tea wrapper from another ex, it was his favorite tea and he would always nervously make origami out of the wrapper when he was finished drinking the tea.

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Otto Schutlz (attribué à) 1882-1970
An exceptional pear wood, mahogany, brass, glass and mirror bar attributed
to Otto Schultz for Boet – circa 1935
Artcurial
Dolgiye Mountains, Russia by Arseny Kashkarov
George Thomas Georgiadis - Getting Ready (c1980s)
Bonus after-credits scene:
Lorraine Jackson, Hualapai, models the traditional tribal mourning ceremonial gown and cape. Beautifully beaded, the ensemble is now accepted as everyday dress. Scanned from the magazine Arizona Highways; May 1975

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Donna Farrington, Tohono Oʼodham, Arizona, models this two-piece gown with wraparound skirt; a modern adaption of the traditional red cotton gown. Scanned from the magazine Arizona Highways; May 1975
Front and back cover; Navajo sisters, photographed by Esther Henderson & Chuck Abbott. Scanned from the magazine Arizona Highways; July 1955