The Storming of Teocalli by Cortez and His Troops by Emanuel Leutze

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The Storming of Teocalli by Cortez and His Troops by Emanuel Leutze

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Image details: Izaguirre, Leandro, Mexican. Torture of Cuauhtemoc. 1892. Artstor, library.artstor.org/asset/ABARNITZ_10310364483
Capture and Torture
The capture of Cuauhtémoc by the Spanish brought an end to any significant resistance from the Aztecs, who in turn tortured Cuauhtemoc to reveal the location of Aztec gold. However, despite immense torture, he stuck to his silence and till the end did not reveal the location of traditional Aztec wealth stating that he did not know about any hidden treasure. Fearing a rebellion by Cuauhtemoc in the future, the Spanish conquistador, Hernan Cortes, killed him.
Mexican Noblewoman
Montezumaâs Headdress, ca. 1520. 46 inches high, 69 inches diameter. Contains over 400 quetzal feathers. Museum of Ethnology, Vienna.
An Aztec Sculptor, George de Forest Brush, 1887

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Jaguar (by coldkeeper)
Mayan ruin, Copan, Honduras
Column with Hieroglyphs
ARTIST CULTURE: Maya
PERIOD: Late Classic period, 600â909
DATE: 715
MATERIAL: Limestone with pigment
FROM: Chiapas state, México, North and Central America
Provenience unknown, possibly looted
The elaborately carved figures and symbols seen on this column are Maya hieroglyphs, a writing system that mixed pictorial representations with phonetic signs. Most Maya monuments focused extraordinary emphasis on chronological precision as they described detailed political histories of competing city-states. In Maya writing, dots record single units and bars record five. Texts typically begin in the upper left, moving to the right and top to bottom in double columns. Here, the first nine glyphs record the date in an array of different Maya calendars that correspond to a day in April 715. On that day, the ruler of Bonampak commemorated the 13th anniversary of his reign. The text goes on to record his status as the vassal of a Tonina ruler known as Kâinich Bâaaknal Chaak, âGreat-Sun Bone-Place Rain Godâ.
SLAM
ADÂ 600-900
Coyolxauhqui y Coatlicue
:::>
Los mexicas eran grandes observadores del cielo, asà fue como crearon leyendas para los movimientos de los astros. A la luna la llamaron Coy

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Taos Pueblo, New Mexico, circa 1880.
La Malinche by Jesus Helguera
Jesus Helguera.
âWhen a flower doesnât bloom, you fix the environment in which it grows, not the flower.â
â Alexander den Heijer

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JosĂ© MarĂa ObregĂłn [Mexican. 1832â1902] The Discovery of Pulque 1869 ____
A taste for pre-Hispanic topics sprang up in the National Fine Arts School after the restoration of the Republic in 1867 and constituted the way in which the said institution played its part in the changes set in motion by the liberals, who promoted cultural manifestations based on the recounting of history, with stress being placed on certain aspects of the pre-Hispanic civilizations.
In 1869, JosĂ© MarĂa ObregĂłn, one of the students in the schools painting department, decided, under his teachersâ guidance, to depict a legendary scene from Mexican history, in the form of an incident said to have taken place around 900 A.C., when the Toltec culture, centered on what is now the city of Tula, was in its heyday. ObregĂłn peoples his oblong-shaped composition with idealized indigenous figures, dressed in exotic garb, inside a palace-like building with Toltec features.
The story concerns a young woman called XĂłchitl who, led forward by her parents, is offering Tecpancaltzin, the King of Tula, a gourd filled with the drink, called pulque, that she has discovered. Struck by her beauty, the King marries her. In 1880, the historian, Manuel Orozco y Berra, questioned this version, asserting that the account had erroneously arisen from a misreading of a neo-Hispanic documentary source, the drink in question really being a mead-like beverage obtained from honey by decanting it until only a sugary residue is left. The alcoholic drink called pulque (sometimes also referred to as octli) has been known in Mesoamerica for over 2,500 years. This work was shown at the XIVth Exhibition of the National Fine Arts School in 1869.
~ Yaxchilan lintel 17. Date: A.D. 770 Place of origin: Yaxchilån, Chiapas, México Period/culture: Classic Maya; Late Classic