after a moment, he takes a slow sip of his coffee and says, without lifting his gaze from his phone,

“…you need somethin’, sweetheart.” more of a statement than a genuine question really. you freeze, acting clueless.

“huh?”

he hums like he absolutely does not believe you, and finally glances up. there it is—that tiny, knowing half-smirk he does when he's entertained. he's sooo smug.

“c’mere,” he says casually, fingers gesturing you to get up like he’s asking you to pass the salt.

your heart jumps a little and you hesitate for half a second; you don’t want to look desperate. that’s when he raises a brow.

“come on.” he chuckles, rushing you out of your overthinking.

you stand and walk over, trying to move at a normal pace and not like you’ve been internally spiraling for the last ten minutes.

the second you’re within reach, his arm reaches out and his index finger hooks gently around your wrist, a small tug until you end up standing between his knees where he’s leaning against the counter. he sets his mug and phone face-down to the side and rests both hands on your hips like this was the obvious solution all along.

“hey,” he says, satisfied.

your shoulders drop instantly.

“hi.” you reply timidly. you didn’t even realize how tense you were until now, and leon notices that too. his thumbs start moving in slow, lazy circles against your hips.

“you were doin’ that thing again,” he adds.

“…what thing.”

“your little stare.”

you look away immediately and leon laughs softly under his breath.

“i wasn’t staring.”

“i'd say you were maybe one blink away from combusting.”

you make a small offended sound, but you don’t move away. if anything, you lean closer, and he lets you. of course he does.

his hands slide from your hips around to your lower back, pulling you in until your chest brushes his. he doesn’t move too fast, just rests his chin lightly on the top of your head. you sink into him, your arms instantly finding their way around his waist.

“there y'go. all y'had to do was ask.” he murmurs.

your face heats. “i can’t just ask for a hug.”

“why not.”

“that’s—” you flounder. “that’s too much.”

he pulls back just enough to look at you properly, a calm but inquisitive expression painting his face, wrinkles forming between his brows.

“too much for who?”

you don’t answer, and he shakes his head slightly, thumb brushing along your waist.

“fine, don't ask.”

you stay silent, growing confused on where he's going with this.

“if you wanna be held,” he says, he leans down and presses a slow kiss to your forehead, “just come here.”

your hands settle on his shirt, gripping it tightly, and his smirk softens into something quieter.

“okay?” he murmurs.

you mumble something unintelligible, but you nod at the same time.

he pulls you fully into him this time, one arm wrapping securely around your back while the other comes up to cradle the back of your head, and while you melt, he stands there like this is the most natural thing in the world. because to him, it is,

after a minute, he tilts his head slightly so his mouth is near your ear.

“and by the way,” he says, tone lazy, almost playful, “i can't read your mind.”

“i know—”

“right.”

his fingers squeeze gently at your waist.

“just say my name. i'd drop everything for you, you know that.”

“but... it's hard.”

“why?”

“i don't know... i don't wanna ask you for too much.”

your problem really is that simple. you love leon's touch, especially when he's gentle (which he always is with you). but for some reason, there's a little voice in your head whenever you feel like you need a hug or a kiss or something, and it tells you that leon would either “be too busy” or “wouldn't want to hug you right now”.

but leon knows you. he knows the look you get. he knows the tiny degrees of change in your posture when you’re craving touch but don’t want to admit it. and he doesn’t think it’s too much.

if anything, he finds it endearing. leon is hungrier touch than you'd assume, but he's more confident about it. more forward. he knows what he wants and how to get it. as a result, you both want the same thing.

“you’re allowed to ask me for anything you want,” he adds casually, like it’s the most obvious fact in the world. “s'kinda my job.”

you look up at him at that.

“your job?”

“yeah.”

he shrugs faintly.

“if i'm gonna retire, gotta stay useful somehow.”

you can’t help the small laugh that escapes you, and he smiles a little wider at that, satisfied with himself. he pulls you even closer, arms tightening just slightly.

pressing another soft kiss to your temple, he murmurs, “and i like when you need me.”

this time there’s no edge, no cockiness, just, like, of course he’s going to hold you. course he’s not going anywhere.

your fingers curl into the black band at his neck, the material firm beneath your grip. it fits him too well, stark against pale skin, against the sharp lines of his jaw. whether the mask is on or off, the collar remains.

you tug gently.

“…you’re being handsy,” he remarks, voice level, eyes fixed on you through the mask’s hollow gaze.

“you let me,” you reply.

a pause.

“…i did not object.”

good enough.

you lean in and press a kiss to his cheek, right where the mask doesn’t cover. he stiffens for half a second before forcing himself to relax, as though reminding his body that this is permitted. encouraged, you kiss him again. and again.

slowly, you work your way across his face, along his cheekbone, the corner of his jaw, the edge of his mouth. 

“this is inefficient,” he says, but his voice is already betraying him.

you smile against his skin. “you’re right. it is inefficient.”

“what-”

you hum and tug the collar again, bringing him closer as you swiftly use your other hand to take off his mask and set it aside. the proximity lets you feel his breath stutter, barely perceptible, but there.

“you know,” you murmur, brushing your lips against his jaw, “i don’t do this often enough.”

“that would be advisable,” he mutters. “if this becomes habitual=”

you kiss the bridge of his nose.

he freezes.

his face is bare, every reaction written plainly across it. his cheeks are warm under your lips, and when you kiss them again, you feel the colour rise.

“…you’re blushing,” you whisper, delighted.

“i am not.”

“you are absolutely blushing.”

he turns his head away, scowling faintly. “your observational skills are flawed.”

you laugh softly and follow him, kissing the other cheek, then the line of his jaw again. your thumb strokes the edge of the collar as you hold him there, grounding him, keeping him from retreating too far into himself.

“this isn’t fair,” he murmurs.

“why not?”

“you are exploiting a known weakness.”

you pause, lips hovering near his cheek. “am i?”

“yes,” he says without hesitation. “affection bypasses rational resistance.”

you kiss him again, slower this time, letting it linger. “sounds like a design flaw.”

“…it was not intentional.”

you press your forehead to his temple, still holding the collar, thumb brushing his pulse. he exhales, long and quiet, finally letting his weight lean into you.

you kiss his cheek again. then his jaw. then the corner of his mouth, teasing, never quite crossing the line he’s pretending still exists.

“look at you,” you murmur fondly. “letting me do this.”

“i am not letting-”

you kiss his cheek again, firmer this time.

he stops arguing.

instead, his hand comes up, resting lightly on your wrist where it grips the collar. 

“…you are distracting,” he says quietly.

you smile against his skin. “good.”

you press one final kiss to his cheek, then another, then one just beneath his eye. he closes them at that, lashes lowering, breath uneven.

for someone who terrifies nations, he looks remarkably soft like this.

“you may continue,” he says after a moment. “…briefly.”

you grin and kiss him again, already planning not to stop anytime soon.

his gaze rakes over you with open disdain, like he’s already decided you are either useless or complicit, or worse, willingly ignorant. he lounges against the railing of the laboratory balcony, hat tilted just enough to shadow his eyes, arms crossed like he’s daring you to say something wrong.

“…so,” he drawls, “you’re the one.”

you pause mid-step. “i have a name.”

“i’m sure you do,” he replies sweetly. “that’s not what i meant.”

you glance briefly at the sealed doors behind you, the ones that lead deeper into dottore’s labs, then back at him. “if you’re referring to my proximity to the second harbinger, i assure you it’s mutual.”

that earns a sharp laugh.

“oh, i know,” scaramouche says. “that’s what makes it interesting.”

you’ve heard stories. everyone has. about the experiments. you don’t need dottore to confirm what was done; you can see it in the way scaramouche never fully relaxes, never turns his back on anyone.

especially not you.

“you’re calm,” he observes suddenly, pushing himself upright. he steps closer. “most people either flinch or grovel when they realize who i am.”

“should i be doing either?” you ask mildly.

his lips twitch. “depends. are you afraid of him?”

you know who he means.

“no,” you answer honestly.

scaramouche stops in front of you, studying your face like he’s trying to crack something open. “then you’re either very brave,” he says softly, “or very stupid.”

“those aren’t mutually exclusive.”

that makes him grin, just a little unhinged.

“you’re not what i expected,” he admits.

“and you are?”

“exactly what he made,” scaramouche snaps, the humour vanishing instantly. the air tightens. “which is why i don’t trust you.”

you don’t argue.

instead, you step past him and rest your hands on the railing, gazing down at the sterile expanse below. “you don’t have to,” you say. “i’m not here to excuse what was done to you.”

that makes him stiffen.

slowly, he turns his head. “…then what are you here for?”

you meet his gaze, steady. “to acknowledge that it happened. and that it shouldn’t have.”

for a long moment, scaramouche says nothing.

the silence stretches. you can practically feel him deciding whether to lash out or laugh it off.

“…you’re strange,” he finally mutters. “you know that?”

“i’ve been told.”

he scoffs, turning away. “you shouldn’t look at him the way you do.”

you blink. “what way?”

“like he’s-” he cuts himself off, jaw tightening. “like he’s anything other than what he is.”

“and what is that?” you ask gently.

scaramouche’s fingers curl into fists. “a man who takes things apart to see how they work.”

you don’t deny it. “yes.”

“and you don’t care?”

you think of dottore, his precision, his cruelty, his rare moments of quiet vulnerability that no one else sees. “i care,” you say. “that’s why i stay.”

scaramouche laughs again, but this time it’s brittle. “you’re either his greatest mistake, or his most dangerous success.”

“maybe both.”

that makes him pause.

“…huh,” he says. “you really don’t flinch.”

“no,” you agree. “but i won’t pretend you’re wrong to be angry.”

for a second you see something raw flicker across his face. hurt, quickly buried beneath arrogance.

“careful,” scaramouche warns. “sympathy from you might actually piss me off more.”

you smile faintly. “i’ll keep that in mind.”

as you turn to leave, his voice stops you.

“…if he ever hurts you,” scaramouche says quietly, “i won’t forgive him for that.”

you look back, surprised.

he scoffs, already retreating into himself. “don’t read into it. i just hate wasted variables.”

you nod. “of course.”

as you walk away, you feel his eyes on your back, no longer sharp with suspicion, but something closer to begrudging respect.

you stand in front of the mirror, adjusting the final clasp at your throat, trying very hard not to think about the fact that tonight, you are hosting in pantalone’s stead. tonight, you are the point of contact. the negotiator. the reassurance.

the spouse.

behind you, the door opens.

dottore steps in, and your thoughts promptly derail.

he is dressed in black and deep red, tailored so sharply it looks dangerous. high collar, structured shoulders, gloves pristine. it is unmistakably formal, unmistakably him, and yet different enough to make your breath hitch.

you register, dimly, that you are wearing the same colours.

matching.

you turn slowly. he looks at you.

there is a pause.

dottore’s eyes track you with clinical precision through his mask, taking in the cut of the fabric, the way it fits your frame, the way it marks you unmistakably as his without stating it outright. somewhere in his mind, a dozen thoughts begin firing at once.

“you are ready,” he says finally.

you blink. that’s it?

“yes,” you reply, far more calmly than you feel. “so are you.”

another pause.

“good,” he says. “consistency is reassuring.”

you both stand there for half a second longer than necessary, then turn away at the exact same time.

neither of you says what you’re thinking.

dinner is… successful.

painfully so.

the guests, industrial magnates, military advisors, scholars with too much money and too little sense, are attentive. they look to you when they speak. they look to dottore when they hesitate.

you work seamlessly together.

you speak, and he supplements. when negotiations teeter, you steady them; when someone oversteps, dottore corrects them with a single look.

you are acutely aware of him the entire time.

the way his gloved hand rests at the small of your back when you guide guests to their seats. the way he leans close to murmur precise clarifications meant only for you. the way his sleeve brushes yours when you reach for the same glass, and neither of you moves away immediately.

across the table, someone asks a question about joint operations.

you answer smoothly. dottore watches you instead of them.

dangerously attractive, he thinks.

he scolds himself immediately.

that is not relevant.

you, meanwhile, are trying very hard not to stare.

he looks unfair tonight. when he speaks, the room listens. when he goes quiet, the room waits.

and every time he looks at you, you forget your next line for half a heartbeat.

focus, you tell yourself. this is business.

someone compliments the harmony of the evening. the balance. the ‘shared presence’.

“yes,” you say, smiling politely. “we work well together.”

dottore inclines his head. “the arrangement is efficient.”

your knee brushes his beneath the table.

neither of you reacts.

later (finally), the guests depart. doors close. footsteps fade.

the silence afterwards is immense.

you exhale first, shoulders slumping. “well. that went better than expected.”

“objectively,” dottore agrees. then, after a beat, “you performed adequately.”

you snort. “high praise.”

he turns toward you then, really turns, gaze lingering now that there is no audience to observe restraint for.

“you were… effective,” he amends. “your presence reduced resistance by approximately-”

“zandik.”

he stops.

you hesitate, then gesture vaguely between the two of you. “we… matched.”

“yes.”

“you noticed.”

“of course.”

another pause.

neither of you says the obvious thing. neither of you says you looked beautiful or you were impossible to ignore or i nearly lost focus every time you spoke.

instead, dottore reaches out and straightens the edge of your sleeve with careful precision.

“you may remove the formal wear,” he says quietly. “extended exposure appears to impair judgment.”

you laugh, soft and fond. “you too.”

he allows himself the smallest, most dangerous smile.

“next time,” he says, “we will plan accordingly.”

neither of you clarifies what that means.

but later, when you’re curled together again, still warm from the night, you think you feel his fingers tighten just a little, like he’s holding onto something he doesn’t yet have language for.

and for once, neither do you.

your eyes flutter open slowly.

the room is dim, curtains half-drawn to allow in a controlled amount of light. morning, then. the day after. your body still feels heavy with sleep, with the strange, quiet exhaustion that comes from something monumental finally settling into place.

you don’t move.

behind you, dottore breathes evenly. you don’t think you’ve ever heard him asleep before, not like this. he’s usually awake before you, tending to one of his experiments or looking at reports the regrator made for his expenses. you feel just the subtle rise and fall of his chest, the faint brush of his breath against the back of your neck.

married.

the word lands again, solid and unreal.

you shift slightly, testing the reality of it, and immediately, his arm tightens.

“awake,” he murmurs into your hair.

it isn’t a question.

you hum in response, still drowsy, still warm. “did i wake you?”

“no.” a pause. “i was already monitoring.”

you smile despite yourself.

carefully, you turn in his arms to face him. he’s close, closer than you’re used to seeing him without purpose between you. his hair is loose, pale strands falling across his forehead, eyes half-lidded but sharp even now.

he watches you the way he always does, like you’re a phenomenon that refuses to stop surprising him.

“good morning,” you say softly.

he studies your face for a long moment before responding. “you appear unchanged.”

“that’s… good?”

“optimal,” he corrects. his thumb lifts, brushing beneath your eye with almost surgical care. “sleep did not distress you. your pulse is steady. no signs of regret.”

you swallow. “were you checking?”

“of course.” his hand settles at your jaw, anchoring you there. “major life events can produce instability.”

you lean into his touch, cheek pressing against his palm. “and?”

a faint curve ghosts his mouth. not quite a smile, but close enough to be unsettling. “you remain compliant.”

you laugh quietly, the sound muffled between you. “romantic.”

“i am being sincere.”

his arm shifts, drawing you closer until there’s no space left to question. your head rests against his chest, ear over his heartbeat.

for a while, neither of you speaks.

this, you think, is what shocks the world most. not the ceremony, not the vows, not the legality of it all.

this.

dottore allows himself stillness for you.

eventually, his fingers begin to trace absent patterns along your spine, mapping you from memory rather than reference. “you are quieter than usual.”

“i’m just… thinking,” you admit.

“about yesterday.”

“yes.”

his hold tightens a fraction. “do you wish to revise it?”

you tilt your head back to look at him. “do you?”

the question hangs there.

“no,” he says immediately. too quickly to be casual. “the results are satisfactory.”

you reach up, brushing your thumb along the edge of his jaw. “good.”

he stills at the touch, like your affection is something he insists on feeling fully every time. then he exhales and presses his forehead to yours.

“you will remain here today,” he says. “recovery period.”

“i’m not injured.”

“change is taxing.” his gaze sharpens. “and i prefer to observe you under controlled conditions.”

you smile, soft and sleepy. “you mean… cuddling.”

“…if you insist on using that term.”

you shift closer anyway, legs tangling with his, your body fitting against his like this is where you’ve always belonged. he allows it, repositioning you with careful intent until you’re perfectly aligned.

his chin rests atop your head.

outside, the world is still reeling. still whispering. still trying to understand how the doctor, the doctor, ended up married.

inside, dottore closes his eyes and lets himself linger.

you are here.

you are warm.

you did not leave.

he considers this the most promising result yet.

Over and over, the devs hit us players with the idea that Mydei's actual nature is one that abhors needless violence. We see this from his first character story, where Mydei--despite being thrown into the Sea of Souls as an infant, despite fighting every single day of his childhood just to survive--is described as saving drowning fishermen with no reward. Even the author of the legend points out the incongruity of this choice, saying "Why would a Kremnoan ever bother to save others?"

Remember that this is a Mydei who has had literally no human contact. He has no frame of reference for even the concept of generosity. If we take his story seriously, then despite being effectively feral at this point in time, his innate reaction to seeing others in danger was simply to provide aid. Even when his own survival was the only thing he had experience with, he still chose to selflessly save others, with no motivation other than the fact that benevolence appears to be his core nature.

Reinforcing this idea that Mydei is an inherently gentle person, there's the memory in Castrum Kremnos where an unknown someone asks Mydei what his dream is, with the only acceptable options being different combat roles. But Mydei's answers are charmingly abstract instead--young Mydei doesn't want to be a soldier and bring harm to others, he wants to be a wanderer or even a "beam of light."

(Saw some interesting talk linking this "beam of light" with Kephale recently too. I'm very interested to see whether the upcoming patches will tie these connections together or if we're all just reading too much into things lolol.)

3.0's plot hammered this home as well, with Mydei continually disputing Aglaea's mission requests; Aglaea says that sending too many Chrysos Heirs to fight Nikador would be a waste (in case they end up dying), to which Mydei responds that there's no point in needlessly risking people's lives.

Even the 3.0 side quests repeat this message, with one Kremnoan NPC, Aelius, noting that an assassin tried to murder him on his first day in Okhema. Instead of responding with force, as might be justified by the severity of the crime, Mydei--brand-new to Okhema and their ways himself!--still chose diplomacy, and went to the Council of Okhema to legally ensure the Kremnoan people's safety, instead of directly seeking vengeance.

Even a small scene in Kremnos's ruins gives the devs an opportunity to show that Mydei prefers to exhibit aggression only when threatened first: As the Trailblazer and Co. wander through the Soul-Forging Zone, the group meets a half-crazed titankin. Obviously it poses a danger and could become a more serious threat in an instant, but Mydei doesn't offer it any resistance. It isn't violent with him, so he has no reason or motivation to be violent with it... as opposed to Phainon, whose first reaction is immediately to attack.

(If you choose to kill it, by the way, Mydei scolds Phainon and the Trailblazer, effectively calling them bloodthirsty executioners...)

When Krateros attempts to manipulate Mydei using Mydei's mother's wishes, urging him to continue the cycle of domination in Kremnos, Mydei stops him cold by pointing out that (like Mydei who inherited her beliefs) he knows Gorgo was opposed to violence for violence's sake:

Then, of course, there's the entire deal about refusing the crown of Kremnos, breaking his people's endless cycle of violent lives and even more violent deaths and repeatedly refusing Nikador's power because Mydei had no desire to become Strife. Despite revering his people's god for what Nikador was supposed to be--the guardian who sacrificed everything to protect Amphoreus--the game repeatedly tells us that Mydei sees Kremnos's cultural tradition of conquest as a meaningless waste of life, glorifying cruelty for no reason and bringing nothing but harm to the Kremnoans and Amphoreus as a whole.

Mydei fought hard to not become the demigod of Strife. At every turn, he was pressured and manipulated by others against his expressly stated wishes, and ultimately was left with no choice but to accept the destiny forced upon him despite clearly longing for a different, gentler life. Although I'll talk more about this later, the fact that Mydei even went so far as to change his name among the Chrysos Heirs shows us just how intensely he was trying to separate himself from his own past and from Kremnos's bloody history. Mydei wanted to be a person, yet in the end, he was forced back into being a beast, into becoming the symbol of violence, the very thing that took everything good from his life.

(This isn't a shipping post, but Phainon's efforts to take on Nikador's coreflame can be read to at least some extent as a rescue attempt--despite himself believing that Mydei was the better fit for Strife, Phainon saw how sincerely Mydei did not want to take the coreflame trial, and at least in small part, Phainon did take on the trial to spare Mydei from that inevitability. Personally, I think this failure will eventually be one of the linchpins that brings Amphoreus crumbling down, because Phainon was supposed to be everyone's hero, but just like Cyrene, he failed to save Mydei.)

I've seen some people debating this idea that Mydei is not a violent person by pointing out that Phainon calls him "reckless when he gets the urge to kill." In 3.0, Phainon implies that Mydei could even hurt other people with his recklessness in battle. But... we have never seen Mydei ever bring any harm in battle to someone he didn't intend to hurt. No one innocent ever gets injured in-game by Mydei (at least so far...), and we have no indications at any point that Mydei would intentionally endanger others out of recklessness. In fact, even in their first scene, it's Mydei who scolds Phainon for being careless during battle.

For example, Mydei's first reaction to confronting Nikador was to immediately remove Phainon and the Trailblazer from the fight so that they wouldn't come to harm. Even inside the coreflame trial, while the power of Strife was driving Phainon mad, Mydei was still level-headed enough to rally the Trailblazer and Dan Heng and get Phainon out safe. Mydei was still rational enough to even recognize the Okhemans inside the illusion and say "This isn't who these people really are; they're being twisted by Nikador."

Is this really the behavior of a reckless person who loses his sense of reason in battle?

To be honest, players should take most of what Phainon actually says about Mydei with a grain of salt. Phainon, especially during 3.0, doesn't actually know Mydei's whole story (for one, he has a foot in mouth moment in 3.0 where he tells Mydei to make more friends, only to then find out in 3.1 that Mydei had more friends; they just all died), and we know that Phainon often exaggerates Mydei in many ways when talking to others. Mydei may be reckless in battle--but his recklessness almost certainly centers on himself, being willing to risk his own life, rather than others'. This is echoed again in his "Keeping Up With Star Rail" video, where Phainon comments on Mydei's complete lack of self-defense once he enters battle. While Phainon might think Mydei's lack of attention to his own pain is worth calling out, it isn't a sign that Mydei is genuinely a mindless berserker.

I've also seen people debating this point by saying that Mydei appears to go "crazy" in battle and starts grinning when he gets a battle high. But as for Mydei's smiling in battle, we really only see it three times: 1) When Phainon first returns to Okhema, 2) When Mydei finally engages in solo combat with Nikador, and 3) When engaged in solo combat after all his allies in the coreflame trial already "died."

Again, this isn't a shipping post, so write the first smile for Phainon off as you choose--maybe Mydei's just excited to have the opportunity to flex in front of his "rival." The other two smiles are admittedly a bit unhinged, but I'd argue that neither of these moments represents actual enjoyment of battle. Instead, both of these smiles occur only inside the overwhelming pall of Nikador's power, which we're told canonically infects the mind with a desire for bloodshed. More importantly, both of these instances also take place when Mydei is only fighting titankin, not human opponents, and only after Mydei has been left entirely alone, when he is certain that the only person at risk in the fight is himself. When Mydei can confirm that there's no one left to defend (or left for him to lose!), then and only then does he give in to Nikador's violence for violence's sake and engage in battle whole-heartedly.

tl;dr: Mydei was the crowned leader of a culture that glorified cruelty, death, and mindless brutality. He was forced into a life of violence where he had to fight tooth and nail for survival from virtually the moment of his birth. Everyone he ever loved died worshiping a god that used their souls as nothing but fodder for further meaningless destruction. Yet Mydei was doing everything he could to rise above that life, and to help others also rise above that life. Of course he fights when he must, but reveling in it? I don't really see the evidence.

My man did not tear down a dynasty, breaking a thousand years' cycle of pointless strife, to get hit with the "He's a battle junkie" allegations. I swear to god I will bite the next person who says it--

2. His Reputation as Quick-Tempered is a Front

While it's typically not Mydei's fans going around saying Mydei's just another "battle-obsessed manly man," there is a different stereotype I actually do see being perpetrated by self-proclaimed Mydei fans: It seems to be a common trend in fanfics and fanarts to write Mydei with a strong temper, showing him becoming very aggressive when annoyed and suggesting that his first resort in difficult situations is brute force.

To be fair, I think this is influenced by a number of factors, not the least of which is the game itself playing with this idea as a joke. In Mydei's "Keeping Up With Star Rail" video, Phainon playfully reduces Mydei to the quick-tempered brute stereotype, saying things like:

Phainon also brings this up at other points, such as suggesting that Mydei would only need one try to solve the puzzle in Janusopolis because his method of solving it would be... to just punch his way through.

But again, please take the things Phainon says about Mydei with a grain of salt. Roasting your friends for fun is simply a given, and I think that Phainon's comments about Mydei are meant to be understood as playful banter about his "rival," not serious analysis of Mydei's temperament (which really doesn't align with the stereotype of a hot-head at all).

Complicating this whole situation is the English voiceover, where it is clear the voice director encouraged Mydei's English VA to portray Mydei as particularly gruff and worked up in many of his lines. I have nothing against the English VA at all, but the voice direction of the English version clearly missed the mark on Mydei's character and went for a more aggressive vibe than any of the game's other languages. (The whole thing reminds of me Ray Chase not being given proper direction on Neuvillette's character at first and dramatically changing his voice acting over the course of Fontaine's patches.) I don't mean that English Mydei is never gentle, but that many of the lines are delivered with a level of vitriol that is not suited to the scene at all nor present in other languages. (Compare this line delivery in English with the same line in Chinese, for just one example.) The English interpretation of the character is strongly colored by this strange directing decision ("Mydei should be actively angry in many of his scenes"), unfortunately.

Complicating the whole situation even further is fandom's habit of reducing characters to flat caricatures because making funny meme art and exaggerating character traits for comedic effect is so common. (And enjoyable, don't get me wrong lol.) There is a well-loved relationship dynamic of "the grumpy one with the sunshine one," and I think unfortunately Mydei and Phainon are getting this treatment in fandom quite a bit: Phainon is depicted as the exuberant, happy puppy, while Mydei is the angry, bristling cat. It just makes sense when we consider cliches, right? The muscle-bound warrior dude will obviously be a cranky, easily angered hot-head, no? To a certain extent, I understand why fans jump to that conclusion and take that route in their fanworks; it's definitely easier to depict the characters with these kinds of shorthand tropes than to encompass their complicated personalities in every art or fic.

But the problem is... in-game Mydei is really not much like fanon Mydei, at least where tempers are concerned.

Repeatedly, the game tells us that Mydei keeps a level head even in situations of extreme pressure, and that he prefers to use communication, rather than force, to try to resolve the conflicts he encounters. Going back to some examples I've already mentioned: In the ruins of Kremnos, he's the first to suggest communicating with the titankin and the first to suggest that there's no reason to use violence against them. In 3.0, a scene lots of people say shows Mydei's "bloodlust," where he confronts Nikador and claims he has an intent to kill, actually starts with the line: "All that anger and regret I feel right now, I've learned to control them".

In Okhema, when the Kremnoans were facing assassination attempts, Mydei handled the situation legally, within the confines of Okhema's clearly ridiculous bureaucracy, to ensure that the Kremnoan people would be able to live within the city. In 3.1, when Krateros wants to lose the Okheman guards that are trailing them, Mydei defers to Krateros's lead, asking him if they should use force on the guards and only complying when he says yes.

In fanarts, it's common to draw Phainon doing something silly, with a 💢grumpy Mydei💢 barely tolerating it. But... in game, Mydei actually tends to weather Phainon's teasing without that much issue, often playing along readily and teasing back or simply not rising to the bait at all, sometimes giving him a flat response that actually irritates Phainon instead.

Even when Phainon lobbies some of his snappiest jests (the line about Mydei not being able to write comes to mind), Mydei's strongest reaction is usually "Why are you stupid?" and then he moves on. He's not out here roaring like an angry lion or flipping a table every time someone is a bit obnoxious in his general vicinity. Mydei's mostly chill with the silliness, guys. He's sometimes silly back.

And even in the moments where he should be his angriest, such as the day he avenged his mother by killing his father, Mydei tends to respond to pressure and even cruel provocation with level-headed answers, coldly telling Eurypon just how pointless the entire crown of Kremnos was. Krateros insults Mydei specifically for choosing communication as his conflict resolution strategy. Like, how did people decide Mydei would be an easily provoked hot-head when his own mentor insults him for trying to solve Kremnos's problems using words instead of action?

Perhaps one of the only occasions in the game where we actually see Mydei genuinely lash out in anger is the moment with Tribbie, where she tells him not to worry for Phainon. Mydei responds harshly--but then immediately walks his words back, explicitly notes that his single sharp answer was rude, and apologizes.

But what I haven't seen anyone discuss is that fact that Mydei had every right to be angry at Tribbie here. In the prior scene, Aglaea literally belittled and pressured him into taking on the Strife coreflame following Phainon's failure, and Mydei knew in this scene that Tribbie was fully aware of Aglaea's plan to manipulate Mydei using Phainon.

Again, not a shipping post, but Tribbie daring to go "Aw, don't be worried" rightttt after that concern for his friend was weaponized against Mydei to deny him his agency? A direct slap in the face. Aglaea--with Tribbie as her willing accomplice--knowingly put Phainon's very life at risk to entrap Mydei and force him to take on a role he was rejecting with every fiber of his being. After deliberately using Phainon--and Mydei's concern for Phainon!--as a tool, for Tribbie to have the audacity to say "You shouldn't worry about him" was actually pretty vile.

And yet it's Mydei who apologizes. It's Mydei who reins in any hint of frustration and tries to approach the situation politely, as if the person he is talking to hadn't literally just doomed him to an entire future of misery by using the safety of one of his only remaining friends as leverage. The achievement you get just before this moment, "Sing, O Goddess, of His Rage," suggests that Mydei truly is rightfully furious about this situation--but in the end, Mydei still forgives both Tribbie and Aglaea without hesitation, because he knows the importance of the Flame-Chase Journey and of following the prophecy at all cost.

Does this really strike us as someone who flies off the handle at minor annoyances, someone who is brash or easily riled up, someone who resorts to punching his way through all his problems?

Despite appearances, I think it would be more accurate to say that Mydei's temper runs pretty even and that he is actually difficult to provoke to genuine anger. There are times where we see him truly furious (when he confronts Nikador about the honorless scheme to attack Okhema, when he confronts his father, etc.), but in every situation where Mydei is angry, it's because the anger is absolutely justified, because something truly unforgivable is happening to him or those he's sworn to protect.

Mydei's suffered just about every manner of injustice it is possible for a person to suffer, and yet he soldiers on without making his suffering other people's concern. He apologizes for even minor outbursts, despite his feelings of outrage clearly being righteous. In some cases, we might even read him as a little passive aggressive instead--the fact that Phainon's food is nasty whenever he really annoys Mydei and yet he has no idea why the food is bad is a hilarious hint that Mydei's definitely more of a "revenge is a dish best served cold" kind of person than a hot-head.

So what about that moment early on, where Mydei uses the threat of violence to silence Verax Leo?

Well, no Verax Leos were harmed, so? Ha, being serious, I actually think this moment should be better understood as the player's first real insight into Mydei's character, separate from Phainon's colorful commentary.

This moment tells us one thing really clearly about Mydei: He's self-aware. Mydei knows the Verax Leos are literally cowardly lions, and he knows they think he's scary. He's aware of his own reputation as a "beast," and he isn't above utilizing that reputation to achieve a goal if doing so will produce a greater good for others. Without even needing to resort to any actual attack, Mydei is able to silence the Verax Leo's rumor-mongering using just the threat of his capacity for violence.

This suggests to the player that Mydei is actually discerning, straight to the point but intelligent enough to tailor his actions to the level of response that is appropriate for a given situation. He's not a "go in fists blazing right from the start" kind of guy when that's not what's needed. He could easily just punch the lion off the wall--but he doesn't. He lets his words doing the threatening, instead of his fists. (The fact that this particular Verax Leo was apparently helping to slander Kremnoans the week before and still lived to spread rumors about March tells us how disinclined Mydei is to solve his daily problems with actual violence.)

The takeaway is that Mydei's angry reputation among Okhemans, but hell, also among players(!), is largely fueled by stereotypes more than by any real actions on Mydei's part. People expect him to a quick-tempered brute, so that's what they see, even when Mydei's real actions don't lend themselves to that cliche much.

Yet Mydei is also self-aware enough to know that same crude reputation is a powerful tool. It benefits him for certain groups to be very afraid of him, and this leads to an interesting conflict in the character: On the one hand, Mydei wants to distance himself from Kremnos's violence. He renames himself, swears allegiance to Aglaea's cause of hope, and spends his free time in Okhema doing gentle things like taking part in cooking competitions, playing house with kids, and judging drama festivals. More on this in a bit, but I think it's very interesting that not a single one of his marketing or promotional materials--nor any of his scenes in the game itself--show him willingly spending his free time on martial pursuits. (The animation they gave us was Mydei playing with children, not sparring with Phainon or even training with his dedicated warrior brothers-in-arms.) Mydei clearly wants to be seen and relate to others as a person separate from his bloodstained past.

On the other hand, his reputation as a terrifying warrior is one of the only things allowing him to live his current life. It's only as the to-be "blood-crowned" king of Kremnos that the Kremnoans willingly follow him and respect what he has to say. His ability to decide their futures hinges on them continuing to perceive him as Mydeimos, their undying lion of conquest. His only use to Aglaea and the Flame-Chase Journey is as the future manifestation of Strife or as an expendable resource that can be thrown single-handedly at enemies because he's the only one that can take their punishment and keep kicking. His place in Okhema is only secure so long as the Okhemans continue to fear his might, their discrimination kept at bay only by the knowledge that none of them can come close to defeating the Kremnoans if it came to blows. His reputation in Okhema is secure only so long as he can continue to cow the Verax Leos into silence with threats of retaliation.

Mydei doesn't have any attachment to his image as a monster--and yet his situation will not allow him to let it go. As much as he would like to live a different life, the view that others have of him--that he is an angry, savage person who is barely restraining an innate violent nature--is a shield locked in his hand, protecting him and making it possible to keep going--even when all he really wants to do is stop.

So, long story longer: I don't think Mydei has an especially hot temper at all; he's lived an incredibly hard life and had every one of his hopes and dreams systemically stripped away from him. He's under constant and immense pressure and feels entirely alone in bearing his burdens. His frustration occasionally bubbling to the surface--for which he apologizes--is not only justified but honestly still shockingly under-stated. If I was in his situation, a whole lot more heads would have rolled.

And now, a few less important notes to round this post out because I can already tell I'm going to hit tumblr's image limit before I run out of things to say about Mydei, so:

3. He's Not a Dumb Jock or Actually that Fitness Obsessed

This one is kind of annoying because Mydei's marketing materials like to play with the "dumb jock" trope as a joke. As mentioned before, we have Phainon's humorous "If you want wisdom, he's got might" line, Mydei being terrible at math (to the point even the Trailblazer assumes they'd be better at math than Mydei), the implication that Mydei is so straightforward he would miss deceptions from those speaking in ill faith (like during the Verax Leo's riddles), and of course, the overwhelmingly common stereotype of gym bros caring more about their muscles than their brains...

But the game also goes out of its way, repeatedly, to emphasize that just as Mydei doesn't fit the stereotype of the savage warrior, he also doesn't fit the stereotype of brawn over brains, of focusing more on physical prowess than thought.

Mydei being bad at math is played for laughs, sure, but in the same breath we're also told that he's a better student of history than Phainon is (which loops back into ironic when you remember that Phainon loves history and clearly wants to be good at it).

Mydei is one of the game's only confirmed bilingual characters outside of the Genius Society, despite the fact that, if his backstory is to be believed, he would have spent the most formative years of his childhood entirely language-less, and even after leaving the Sea of Souls, would likely not have attended any form of formal schooling until he went to the Grove as an adult. He's capable not only of speaking and reading in multiple languages, but also of translating even archaic variations of his native tongue, enough so that (according to his marketing), being an archaic Kremnoan language mentor is one of his official titles.

He's also one of the characters most strongly associated with reading in the entire game, via the library, his canonically stated ability to interpret poetry, his character stories all being texts... All the other characters associated as strongly with reading as Mydei in the game are regarded as "nerds": Ratio, Dan Heng, Pela... Somehow critical portions of Mydei's character can be oriented around literature and he still gets hit with the dumb jock label???

He's also an accomplished military strategist capable of commanding the respect of seasoned veterans as well as waging effective war campaigns against enemy nations with a marginal, aging army and virtually no resources... He's capable of playing Aglaea's and Okhema's political games, despite having obvious disdain for such things... In fact, in Mydei's goodbye to Aglaea, he speaks to her as one nation's leader to another, remarking on how he's learned valuable lessons in managing his people from her, and specifically highlighting that her trait he most admires--what is missing from his own people's history--is her ability to instill genuine hope in others.

But yeah, Mydei is dumb muscle because it's funny, I guess.

What makes the whole "jock" thing loop around into doubly ironic (and also sad) is that although Mydei's character does involve a strong emphasis on health and fitness, the way it's framed in his marketing versus his actual in-game character is extremely different. Mydei's marketing is all about combat, how he's a "fitness ambassador," and "performance enhancers aren't in the Kremnoan language."

But in game Mydei...?

He doesn't have anything particularly unique to teach Phainon. There isn't any special "extreme Mydei training regimen" above what the other Kremnoan soldiers do, a fact we can confirm with the bath NPC Peleus, who tells us that Mydei has taught him his training regimen, and it's just the "Kremnoan traditional exercises" (the high-altitude shuttle run, firewalking, etc.). This idea that Mydei isn't devoting himself to constantly improving his ~super special combat capability~ is also reiterated in Mydei's marketing when someone tries to scam Okhemans by selling a secret "Mydei combat move" and Mydei is just like "There's no such thing..."

Yes, this is me telling you that the fanon thing where Mydei is all about hitting the arena to beat the crap out of challengers every single day is probably not that lore accurate. Yes, of course Mydei spars and keeps up with his strict exercise routine, but combat training doesn't actually seem to be his favorite hobby. In the game, Phainon is definitely worked up about wanting to spar and practice together, but Mydei's attitude to the idea of training with Phainon seems closer to "Please... be more chill..."

Just as an example, at possibly the most plot relevant time ever to suggest a spirit-raising spar with his "bro," the ideas that instead come to Mydei's mind for working out Phainon's disappointment are...

All gentle socializing.

In fact, although Mydei's marketing hyper-emphasized the "fitness" shtick, we never actually see Mydei sparring or training with anyone in any of his mainstream marketing materials or in game. (I'd say we don't even see him fitness training at all, but hey, they did add one chat sticker where he has a weight lol.)

Although we're informed repeatedly that Mydei's a fitness junkie, what his marketing and in-game free time scenes actually show us are, uhhhh *checks notes* sleeping in, taking long baths, eating pancakes, singing around the campfire with his band of bros, people watching, and babysitting? It's the life he truly deserves.

Again, this isn't to say Mydei doesn't train (obviously you don't look like that without putting in massive effort!), but both promotional materials and the scenes chosen for characters in game are deliberately designed to highlight the most integral aspects of characters' personalities. Mydei surely is exercising hard to keep up his health off-screen--but by de-emphasizing that in what the game actually visually shows us players, the only obvious conclusion is that other things (food, playing with children, spending time with comrades) are much more important to Mydei than just getting swole. Out of the "warrior" type characters we have in Star Rail, Mydei is one of the least pumped up about sparring that we've seen. From what we're actually given in game, Yanqing is infinitely more gung-ho about combat training than Mydei is.

In fact, rather than exercise itself, I'd say more of Mydei's "fitness" focus in game comes from his connection to food, and--perhaps this is me reading into things a bit too much (but that's my job, you know)--I'd argue that Mydei's repeated emphasis on eating healthy is actually a thinly-veiled trauma response to his childhood experiences with starvation.

We're told that, in the Sea of Souls, he fed on the raw flesh and bone of the abyssal monsters he fought--literally eat or be eaten--and could really only hold off the feeling of starving on the rare times that the tides were low and he could catch live shrimp instead. He also closely associates the Kremnoan Detachment, his only refuge, with the notion of comfort food.

And every time food is discussed, he's quick to tell others, even the Trailblazer, exactly what to add in order to make sure they're not only full but also eating a balanced meal that will keep them hale and whole. More than a gym bro, I think Mydei missed his calling as a nutritionist.

Long story longer, Mydei has never had a time where he could go without fighting. For virtually all of his life, at least until he reached Okhema, fighting was all he ever knew. Would he even really need much extra fitness training when his entire existence is a constant stream of battles, of pushing his body to its limits over and over again? He's been "working out" since he was literally an infant, with no down time, and even in relatively peaceful Okhema, a Chrysos Heir's duty to battle never ends.

This is just my personal take on it, but I'm inclined to think that when he finds rare moments of peace, Mydei would probably prefer to do things other than fight, especially if it's something that allows him to provide for himself and others, helping his friends stay well, such as through cooking.

I think the in-game material does a great job of emphasizing that Mydei's definition of "fitness" doesn't necessarily focus foremost on being a gym bro/jock who hits the training field every five minutes--his definition of "health" and "wellness" have a lot to do with nourishing the spirit at the same time.

4. Mydei is Significantly Less Impulsive than Phainon

Okay, I can hear you--if Mydei's not a brute, and he's not a fiery temper, and he's not much of an actual gym bro, what is he?

Well, unfortunately I'm just here to tell you another thing he's not: He's not actually that proactive of a rival either.

Aglaea is quick to call Mydei and Phainon "impulsive youths," putting them on the same level in terms of childishness, but actuallyyy...

Despite the fact that Phainon likes to claim Mydei "taunts him every time they meet", every single actual competition we've ever seen between Mydei and Phainon was initiated 100% by Phainon, with Mydei just sort of getting swept up in Phainon's antics.

In their joint lightcone, it's Phainon who calls for the contest of speed. In Kremnos, it's Phainon who proposes the titankin killing competition. After the coreflame trial, it's Phainon who demands the hot bath challenge (and then lies and blames Mydei lol), and it's even Phainon who turns taking home the other affected bath patrons into a competition too, one in which Mydei flat out claims he wasn't even competing:

We're given several hints, particularly throughout 3.0, that Mydei and Phainon's prior missions were largely characterized by Phainon coming up with ridiculous plans, and Mydei mostly going "Welp, that sounds like it's going to get us killed, but okay I guess."

While Phainon is ready to go "Fuck it, we ball" and fight a titan to the death all by himself, Mydei spends the entire first part of 3.0 going "Hey, so, like, fighting Nikador without an army is a really dumbass decision, and we should probably not be attempting this."

(This moment is kind of less funny in retrospect when you rewatch it with the knowledge that Mydei knew they couldn't handle the fight, but Phainon was like "No, we totally got this, trust me bro!" Spoiler Alert: They did not have it. Literally all of Mydei's deaths in 3.0 happened because of his crippling inability to say no to Phainon. But this is not a shipping post. I promise.)

Anyway, in one of the only examples we have of Mydei possibly being impulsive on his own, the note from the bath manager that reports someone charging into the baths to ask who the strongest warrior in Okhema is, the actual implication is that Mydei had no idea how poorly the Okhemans would take that (nor their obsession with debate which would be sparked), and his faux pas comes less from being immature and more from the cultural discrepancy between Okhema and Kremnos, as the Kremnoan in the note finds Mydei's behavior perfectly normal.

In fact, instead of being an unruly youth, Mydei is criticized by other characters several times in the story specifically for choosing to hold back and think things through before committing himself to a decision. If anything, he's closer to indecisive (or at least slow to decide) than he is to impulsive.

Now, don't get me wrong. The game tells us repeatedly that Mydei does get competitive as hell once Phainon actually manages to convince him to join in on the shenanigans. Of course Mydei likes to win. But the notion that Mydei is Phainon's equally impulsive rival, actively issuing his own challenges, goading his frenemy into new contests, and particularly motivated to keep one-upping Phainon? It's really more of an informed trait and a fandom cliche (red and blue rivals, the people cannot resist) than anything actually shown in the game.

At the risk of perhaps inserting too much of my own interpretation here, I'm inclined to say that Mydei's willingness to engage in Phainon's dumb competitions is less brash rivalry and much closer to "Guy who never had the chance to be an impulsive youth cautiously allowing himself the privilege of feeling carefree for ten minutes or so."

It's not that Mydei is actually that driven to assert his dominance or is particularly impetuous when left to his own devices--it's that he never before had a long enough period of peace where he was safe enough to act childish. If he ever had competitions in his past, they almost certainly would have been like "Who can murder the most enemy soldiers with their bare hands today?" In Okhema, Mydei can participate in sauna-offs.

Mydei isn't as (deliberately performatively) silly as Phainon. He's nowhere near as impulsive as Phainon is. He's not really that fixated on being a rival. But he is a pretty great partner in crime. He does allow himself to be drawn into Phainon's schemes over and over, because well... they're obviously fun for him. He gets into the competitions once they're motion, even if he complains about them at the start. Mydei's life has been criminally devoid of light-hearted joys and normalcy, and being led into trouble that doesn't result in people literally dying on him--harmless trouble--is probably an extreme novelty for Mydei. Basically what I'm saying is, he isn't going to propose the Jackass competition, but he is going to fold like paper the moment said competition is suggested.

Case in point: In 3.0, there's a second where you can actually hear him regretting his life choices, trying so hard to convince himself that he is above Phainon's weird antics, but... in the end, he can't help himself. When Phainon starts LARPing with the Trailblazer during the titankin competition, Mydei's first reaction is essentially "Oh my god, this is so cringe," but just two lines later... look who joins the LARPing.

This nerddddd.

When left alone, Mydei withdraws from the world. Trailblazer typically finds him locked in silent contemplation, rejecting visitors, up on his own private corner of the rooftops. On his own, Mydei is significantly less likely to seek out trouble, cause public disturbances, or become a (usually accidental) nuisance compared to half the other Chrysos Heirs.

But when the company around him makes him feel comfortable, he is willing to engage with life in the childish ways he was never free to before. His "rivalry" with Phainon is better understood not as a macho dude-bro need to assert superiority, but as just one of the most obvious manifestations of Mydei's desire to experience the life he never got to live, to let himself be the kind of person who can just do silly things and cause dumb messes.

Mydei isn't a particularly impulsive person--but sometimes he lets himself try it out. As a treat.

Okay, last note for now:

5. Mind Your Manners

While it might be tempting to see Phainon and Mydei's competitions as the peak of Mydei's comedic contribution in the story, I think the actual funniest aspect of Mydei's character is the game's running gag about his manners.

Yes, Castrum Kremnos is a savage nation that revels in death and is rumored to drink the blood of their enemies--but they still keep it classy, damn it! Sure Mydei might have grown up as a half-feral sea beast and then a homeless, wandering exile subsisting off the land, but sometimes he literally can't help it--the aristocracy just jumps right out of him.

No, I'm not joking. Mydei really does have the prim and proper manners of a blue-blooded royal.

We see this from his first appearance in the game. A character's first scene is generally their establishing moment, the devs' chance to give players a strong starting impression--which makes it so telling that one of the first things out of Mydei's mouth is a insult to Phainon's manners.

This is a direct and pointed critique, suggesting Phainon has neglected his duties as a host by relying on his "guests" as back up in the battle. In the context of Amphoreus's historical inspirations, this is actually a very serious scolding: hospitality was a big, big deal in ancient Greece, and the idea of forcing foreign guests into serving you before affording them proper welcome and rest, let alone actively endangering them, would literally be considered an affront to the gods.

With this one short line, the devs are impressing the extreme difference in social status between Mydei and Phainon: Phainon is effectively a "country bumpkin," a member of a lower class who doesn't know how to (or perhaps just doesn't care to?) properly practice the civil gestures of the upper rungs of Amphorean society. Mydei, on the other hand, not only knows the proper rituals of etiquette but expects those rituals to be upheld by others. He's basically calling Phainon a mannerless peasant in one of his first lines of dialogue, which is why Phainon gets so grumpy for the rest of the conversation lol.

We see Mydei's inclination towards proper decorum in several other places as well. As a prince, he's entitled to respect and deference, and while we might be inclined to say "Mydei isn't the type to enforce his royal status over others," the game itself shows us that... Mydei kind of does expect people to treat him differently.

Just as one small starting example, I know it's somewhat popular to have Mydei deny his royal status in fanfics, such as telling people not to call him by his titles or acting as if he has no connection to the upper class, but this doesn't actually happen in the game. Mydei introduces himself to the Trailblazer from the start as Castrum Kremnos's crown prince, consistently thinks of himself (such as in mission journal text) as a prince, and is largely referred to as "the crown prince" or "your highness" by everyone outside the Chrysos Heirs, including all of the Okhemans:

In fact, I'd go so far as to argue that Mydei takes his role as a prince very seriously and does not remotely deny the responsibility he bears toward his people. It's important to him to fulfill his duty to the Kremnoans, so rather than downplaying his role as their prince, he seems to acknowledge it freely, working to serve as a principled leader as best he can.

In short, Mydei is aware of his status--and he expects everyone else will be aware of it too.

I don't mean this in a bad way at all; he's not rude or pompous about it--rather, I think this is a subconscious aspect of his character. Mydei has spent many of his formative years with his people putting him on a ridiculously tall pedestal. He's spent at least a decade as the leader of a group that basically worships the ground he walks on; the Kremnoans obviously aggressively follow the social protocols of their very traditional culture, which seems to include somewhat blind adoration of their kings. Even if Mydei wanted the Kremnoans to treat him as "just another one of the people," there's almost zero chance they would do so. It would likely go against their nature to even ask that of them. Ergo, Mydei's almost certainly spent his entire adult life as the recipient of his people's extreme respect--and their strict adherence to proper social protocols around their prince.

Because of this, Mydei does have specific (if likely subconscious) expectations for "how people will behave around me," and we players get to see several humorous moments where other characters in the story violate Mydei's understanding of how princes should be treated:

In a particularly infamous memory crystal, we see one of Phainon and Mydei's early interactions, with Phainon inserting himself in Mydei's presence and starting up a conversation Mydei obviously did not expect. This is such a faux pas that only someone like Phainon could have had the audacity to thoughtlessly do it; he basically hop-skip-jumped about twelve rungs on the social ladder to waylay a royal without seeking an audience--and Mydei is clearly taken aback to be approached so casually and without preamble. Although Mydei doesn't actually say it (because doing so would be rude, of course), Phainon himself awkwardly ends up acknowledging that Mydei is trying hard to end their conversation:

It's not because Mydei dislikes Phainon already, but because the act of walking up on a stranger--especially a stranger who is a prince!--and assuming such a degree of familiarity as to comment on his body of all things would be so beyond the pale of appropriate social behavior that even Mydei hardly seems to know how to respond at first.

We see this same completely (or perhaps willfully) oblivious to social protocol behavior from Phainon numerous times throughout the 3.0 and 3.1 quests, and Mydei's affronted reactions are always pretty priceless. You can almost hear him thinking "The audacity!"

The exact same face my conservative grandma makes when I accidentally drop an F bomb in front of her.

Blatantly asking a prince to praise you? Scandalous.

But Phainon isn't the only person who can provoke these offended responses from Mydei while pushing the prince's boundaries with bad manners. Trailblazer hilariously earns themself a few critiques about their lack of courtesy too:

And even Aglaea triggers a haughty response???

(Sure, we could give Mydei the benefit of the doubt here and say he's talking about himself and Phainon, but honestly? I think this English translation lends itself to a different take as well: Bro got so embarrassed over being caught acting a fool that THE ROYAL "WE" just burst straight out of him lmaoooo.)

In another humorous example, in the animation where Mydei plays with children, the "princess" in the play criticizes Mydei for not being very good at princely behaviors like Okheman waltzing, which immediately results in... Mydei seeking dance lessons from Tribbie so he can improve himself. Princes can't be caught slacking!

(But hilariously enough, as a sidenote, Mydei's dance ability seems to be another case of culture gap: One of the other children in Okhema, the one who was taught about Kremnoan traditions by Mydei, is actually quick to inform us that Mydei may not be familiar with Okheman dances--but he does know all about Anastenaria dancing!)

(Mydei might not fit the standards for an Okheman prince, but he's killing it as a Kremnoan one!)

Anyway, being serious again: Although it's quite funny the dev team insists so much that Mydei, despite being prince of a nation of savage warriors, is nonetheless a prince, with all the trappings of prim and proper etiquette, I think it also says a lot about Mydei's character that he does try to follow social protocols so closely. He apologizes for rudeness. He minds how he speaks to others. He is precise and forthright and always honors his word. Hell, he even politely makes prior arrangements if he knows he's going to be late to an event.

Mydei is self-aware enough to know his status. He knows the weight of that status, and he knows what his status means to his people. He takes the responsibility seriously and bears the role to the best of his ability, striving to meet the Kremnoans' expectations of a "crown prince" even as he can't bring himself to truly align with their core beliefs. He is trying his best to carry himself as a leader should, complete with his commitment to honor the traditional expectations and social class systems of both Kremnos and Okhema.

Despite his rough start in life, Mydei has accepted his people's intense respect and adapted himself to become someone worthy of commanding that respect. Social graces may not have come naturally to him after a childhood completely outside of humanity's reach, but Mydei nevertheless has worked hard to become a cultured person who embodies the demeanor and decorum of a sole surviving prince.

Although it's played for laughs, it's also played quite straight throughout Amphoreus's story: Manners matter to Mydei--both in himself and in others.

Anyway, since I still have more notes I jotted down about Mydei's characterization, here is some other stuff:

In 3.1, Mydei speaks about the Kremnoan royal library as if he has personal knowledge of what scrolls/slates are available there. He also calls it "my library" with a possessive but especially fond feeling, as if he's spent a decent amount of time there and loves it.

And, during Trailblazer and Castorice's visit to past Castrum Kremnos, which supposedly takes place before Eurypon's fall, an NPC on the street curses Mydei as a traitor and claims that all the Kremnoans who went with him to Okhema are "deserters."

Castorice and the Trailblazer even have a discussion about whether Mydei's choice to leave Castrum Kremnos was brave or cowardly. This indicates that Mydei's whereabouts were well-known to the people of Castrum Kremnos before the city met its downfall.

However... there's a big problem with all this: None of this actually make sense with the backstory Mydei himself states in 3.1.

According to the flashback we experience in 3.1, Mydei was thrown into the Sea of Souls as an infant.

This correlates with what we know from his leaked voicelines (skip the image below if you want to avoid the leak!)

His earliest memory is in the Sea of Souls. He himself states he has no memory of living in Kremnos before his father threw him into the sea. He lived nine years in the Sea of Souls before returning to land.

Then, he states that he met his five friends directly after returning from the Sea of Souls:

And he states that they lived together "in exile" for ten years.

But... uh... who exiled them?

It literally can't have been Eurypon, given that Eurypon doesn't recognize Mydei at all and explicitly had no idea Mydei was still alive the whole time:

A few lines later, Mydei also states:

"When we left Kremnos."

So Mydei... went back to Kremnos after leaving the Sea of Souls and meeting his friends...? And he lived in the inner city and had access to the royal library, apparently, but nobody loyal to the king ever noticed him? And then he was somehow exiled after that? For... some other crime entirely (since it wouldn't be for being the missing crown prince, given Eurypon didn't know he was back)? Or just decided to self-exile at some point, despite living presumably relatively peacefully in his home nation?

When could this even have fit in the timeline?

We're told that by "the fifth year" of Mydei returning from the Sea of Souls (Mydei would have been 14 years old) three of his five friends were already dead, and he'd already waged war with at least two different countries (Ladon and Aidonia).

We're never remotely given an indication here that there is room in the timeline for Mydei to have returned to Kremnos and just lived there as an undercover citizen. He instead specifically states that he and his friends lived in the wilds of Amphoreus, roaming the land for ten years.

He even notes that all of his friends died before he ever had a chance to bring the detachment to join up with Okhema:

There's also the entire aspect of Mydei's situation being paralleled to the children he meets in Okhema. When he asks them "How can you consider Kremnos your home when you never lived there?" we, as the players, are supposed to recognize that Mydei feels this way too: Castrum Kremnos was not his home--because theoretically the timeline is telling us he never actually lived here.

This is reinforced by the "As I've Written" chapter, where Okhema is once again posited as Mydei's only home:

So... Something is really not adding up here, especially if you think to the NPC in past Castrum Kremnos who describes Mydei word-for-word as both the "crown prince" and a "Chrysos Heir" who has already deserted for Okhema with his army before Eurypon's death.

We also know that Mydei didn't live in Kremnos after killing his father, since he explicitly states:

Why would the people need to be led back into Kremnos... if they hadn't left yet...

Furthermore, some of Hepaestion's dialogue also makes it sound like Mydei already had the Kremnoan people with him at this time, and that the migrant Kremnoans were already waiting for Mydei to lead them back to Kremnos:

Theoretically, Mydei could have been traveling around Amphoreus just picking up random Kremnoan exiles and formed the detachment out of those random Kremnoans he picked up... maybe? I guess?

The only way even part of this works as a single timeline is if the events are:

Mydei is thrown into the Sea of Souls as an infant.

Mydei lives 9 years as a feral siren child in the Sea of Souls.

Mydei finally returns to land, meets his five friends.

Mydei, despite knowing his father is out to kill him, sneaks back into Castrum Kremnos and somehow manages to find a place to live as an undercover citizen (under a fake name too, presumably?!) in the inner city even though he would theoretically be perceived as a penniless, nameless orphan at this point. Maybe he couch surfs at his five bros' houses, I don't know lol.

In some relatively short period of time (less than five years for sure), he manages to build an entire detachment army under his father's nose with no one giving away his identity to anyone loyal to the king (despite the fact that we see many Kremnoan citizens still loyal to Eurypon all the way to the end), then he exiles himself and his entire army from Kremnos, still without the king even noticing?

Mydei and his army pillage randomly for ten years, then Mydei returns and kills his father.

He leads the Kremnoan detachment to Okhema to join Aglaea's cause.

However, this still can't resolve the continuity error of the random people of Castrum Kremnos knowing he's 1) alive, 2) the crown prince, and 3) assisting Okhema all before Eurypon, the literal king, even learned Mydei was still alive...

Even Castrum Kremnos's timeline itself is confusing

There's also the weird stuff going on with Castrum Kremnos's timeline.

We know that Castrum Kremnos's last Kremnos Festival took place at the end of the Chrysos War. In 3.0, Phainon talks about this war and the tales of the Chrysos heirs involved with it as if it is something that took place long enough ago to have become the stuff of legends:

When being exposed to the present Kremnos, Gnaeus implies that a significant amount of time must have passed between Eurypon's death and the Trailblazer and Castorice's mission:

Mydei implies that the people of Castrum Kremnos have been away from their homeland long enough for their traditions to have faded:

Aelius, who is a grown-ish looking NPC from the "Love in the Time of Black Tide" questline, notes that when he came with Mydei to Okhema, he was just a child:

All of this suggested that Castrum Kremnos's downfall actually happened years and years ago, some of it suggesting possibly decades or even centuries of lying in ruin.

The fact that an NPC aged to adulthood or near to it while Mydei didn't change at all definitely had people convinced in 3.0 that Mydei was literally "immortal" in that he did not age, suggesting he could be centuries old.

However, that... also doesn't make sense.

We have Damionis who managed to take a picture at the last Kremnos Festival, suggesting it wasn't very many years ago, given that he's clearly not an older NPC:

And Krateros, who clearly does age, is shown as an already grown man in the flashbacks with Eurypon and Gorgo.

To complicate matters even further, we have two Gorgos--one in the past and one who was Mydei's mother, but both of whom achieved the same feat. The devs even deliberately obfuscate on the original Gorgo's identity through the readables to further link the Gorgo of the past with the Gorgo of the present by refusing to state the gender of the Gorgo of the past:

It's not on accident. They want players to conflate the two Gorgos.

How can we reconcile this?

We could just handwave this and say "Classic Hoyo, not great with keeping track of their own writing." We have evidence they've made mistakes (and retcons) before.

But with timelines being so central to Amphoreus's plot... I'm suspicious, enough so to suggest that there may be enough conflicting information here that this could be on purpose.

In fact, if you separate out the events that don't make sense together, it almost appears as if there could be two completely different timelines, or as if events from two different timelines have become stitched together, trying to create one coherent story and yet, like mismatched puzzle pieces, not quite adding up.

In one timeline, the one that seems most prevalent, Mydei (who ages normally) was tossed into the Sea of Souls as an infant despite his mother's protests, lived (and died) in the sea nine years, then was discovered by a band of five Kremnoan exiles who became his friends, wandered with them for ten years, and eventually returned to Castrum Kremnos to kill his father at around 19 years old. From there, he led any Kremnoans who were willing to follow him to Okhema as refugees and as a detachment army, and they've served in Okhema for no more than a few years--enough that Aglaea still calls him a youth and Mydei hasn't noticeably aged since he killed his father, and enough that Damionis, who visited Castrum Kremnos during the last festival, is still a young man.

In the other timeline, we have a much more ancient Castrum Kremnos, one which had already fallen into ruin long enough ago for its final king to turn to dust and the Chrysos War to become the stuff of legends, according to Phainon. In this timeline, a version of Mydeimos who was much more familiar with the city, one who apparently had access to the royal library and lived in the inner city of Castrum Kremnos (which Phainon says matches him having the status of a prince), suddenly decides to betray his country, possibly due to seeing his father decline into madness. He becomes a "traitor of a crown prince" according to the regular Kremnoans, but manages to assemble an army of his own loyal followers, which becomes the Kremnoan detachment that lays waste to enemy countries for years. At some point, he is recognized as a Chrysos Heir during the Chrysos War era and allies himself with Okhema, and then only after that returns to kill his father.

But maybe... it's like this on purpose.

Is it possible that what we're seeing unfold in Amphoreus isn't the truth? That the stories we're hearing and seeing might not be whole stories just instead scattered pieces? Different timelines stitched together, like someone telling stories about the past but misremembering the details? With memories overlapping, or overwriting each other, or being altered by timelines or time loops collapsing in on themselves? (Something similar happens with Tribios's story, by the way--Tribbie insists that in the ancient timeline, Tribios was completely alone and that we as time travelers with Oronyx's power are in fact only witnessing a memory, and yet Phainon notes several times that it's not possible for Tribios to have made it through without outside assistance, suggesting the two timelines are in fact overlapping, and what Tribbie remembers in her memory isn't actually accurate.)

Is it possible that the events of Mydei's backstory don't quite add up because they're not supposed to?

In 3.1, Mydei speaks about the Kremnoan royal library as if he has personal knowledge of what scrolls/slates are available there. He also calls it "my library" with a possessive but especially fond feeling, as if he's spent a decent amount of time there and loves it.

And, during Trailblazer and Castorice's visit to past Castrum Kremnos, which supposedly takes place before Eurypon's fall, an NPC on the street curses Mydei as a traitor and claims that all the Kremnoans who went with him to Okhema are "deserters."

Castorice and the Trailblazer even have a discussion about whether Mydei's choice to leave Castrum Kremnos was brave or cowardly. This indicates that Mydei's whereabouts were well-known to the people of Castrum Kremnos before the city met its downfall.

However... there's a big problem with all this: None of this actually make sense with the backstory Mydei himself states in 3.1.

According to the flashback we experience in 3.1, Mydei was thrown into the Sea of Souls as an infant.

This correlates with what we know from his leaked voicelines (skip the image below if you want to avoid the leak!)

His earliest memory is in the Sea of Souls. He himself states he has no memory of living in Kremnos before his father threw him into the sea. He lived nine years in the Sea of Souls before returning to land.

Then, he states that he met his five friends directly after returning from the Sea of Souls:

And he states that they lived together "in exile" for ten years.

But... uh... who exiled them?

It literally can't have been Eurypon, given that Eurypon doesn't recognize Mydei at all and explicitly had no idea Mydei was still alive the whole time:

A few lines later, Mydei also states:

"When we left Kremnos."

So Mydei... went back to Kremnos after leaving the Sea of Souls and meeting his friends...? And he lived in the inner city and had access to the royal library, apparently, but nobody loyal to the king ever noticed him? And then he was somehow exiled after that? For... some other crime entirely (since it wouldn't be for being the missing crown prince, given Eurypon didn't know he was back)? Or just decided to self-exile at some point, despite living presumably relatively peacefully in his home nation?

When could this even have fit in the timeline?

We're told that by "the fifth year" of Mydei returning from the Sea of Souls (Mydei would have been 14 years old) three of his five friends were already dead, and he'd already waged war with at least two different countries (Ladon and Aidonia).

We're never remotely given an indication here that there is room in the timeline for Mydei to have returned to Kremnos and just lived there as an undercover citizen. He instead specifically states that he and his friends lived in the wilds of Amphoreus, roaming the land for ten years.

He even notes that all of his friends died before he ever had a chance to bring the detachment to join up with Okhema:

There's also the entire aspect of Mydei's situation being paralleled to the children he meets in Okhema. When he asks them "How can you consider Kremnos your home when you never lived there?" we, as the players, are supposed to recognize that Mydei feels this way too: Castrum Kremnos was not his home--because theoretically the timeline is telling us he never actually lived here.

This is reinforced by the "As I've Written" chapter, where Okhema is once again posited as Mydei's only home:

So... Something is really not adding up here, especially if you think to the NPC in past Castrum Kremnos who describes Mydei word-for-word as both the "crown prince" and a "Chrysos Heir" who has already deserted for Okhema with his army before Eurypon's death.

We also know that Mydei didn't live in Kremnos after killing his father, since he explicitly states:

Why would the people need to be led back into Kremnos... if they hadn't left yet...

Furthermore, some of Hepaestion's dialogue also makes it sound like Mydei already had the Kremnoan people with him at this time, and that the migrant Kremnoans were already waiting for Mydei to lead them back to Kremnos:

Theoretically, Mydei could have been traveling around Amphoreus just picking up random Kremnoan exiles and formed the detachment out of those random Kremnoans he picked up... maybe? I guess?

The only way even part of this works as a single timeline is if the events are:

Mydei is thrown into the Sea of Souls as an infant.

Mydei lives 9 years as a feral siren child in the Sea of Souls.

Mydei finally returns to land, meets his five friends.

Mydei, despite knowing his father is out to kill him, sneaks back into Castrum Kremnos and somehow manages to find a place to live as an undercover citizen (under a fake name too, presumably?!) in the inner city even though he would theoretically be perceived as a penniless, nameless orphan at this point. Maybe he couch surfs at his five bros' houses, I don't know lol.

In some relatively short period of time (less than five years for sure), he manages to build an entire detachment army under his father's nose with no one giving away his identity to anyone loyal to the king (despite the fact that we see many Kremnoan citizens still loyal to Eurypon all the way to the end), then he exiles himself and his entire army from Kremnos, still without the king even noticing?

Mydei and his army pillage randomly for ten years, then Mydei returns and kills his father.

He leads the Kremnoan detachment to Okhema to join Aglaea's cause.

However, this still can't resolve the continuity error of the random people of Castrum Kremnos knowing he's 1) alive, 2) the crown prince, and 3) assisting Okhema all before Eurypon, the literal king, even learned Mydei was still alive...

Even Castrum Kremnos's timeline itself is confusing

There's also the weird stuff going on with Castrum Kremnos's timeline.

We know that Castrum Kremnos's last Kremnos Festival took place at the end of the Chrysos War. In 3.0, Phainon talks about this war and the tales of the Chrysos heirs involved with it as if it is something that took place long enough ago to have become the stuff of legends:

When being exposed to the present Kremnos, Gnaeus implies that a significant amount of time must have passed between Eurypon's death and the Trailblazer and Castorice's mission:

Mydei implies that the people of Castrum Kremnos have been away from their homeland long enough for their traditions to have faded:

Aelius, who is a grown-ish looking NPC from the "Love in the Time of Black Tide" questline, notes that when he came with Mydei to Okhema, he was just a child:

All of this suggested that Castrum Kremnos's downfall actually happened years and years ago, some of it suggesting possibly decades or even centuries of lying in ruin.

The fact that an NPC aged to adulthood or near to it while Mydei didn't change at all definitely had people convinced in 3.0 that Mydei was literally "immortal" in that he did not age, suggesting he could be centuries old.

However, that... also doesn't make sense.

We have Damionis who managed to take a picture at the last Kremnos Festival, suggesting it wasn't very many years ago, given that he's clearly not an older NPC:

And Krateros, who clearly does age, is shown as an already grown man in the flashbacks with Eurypon and Gorgo.

To complicate matters even further, we have two Gorgos--one in the past and one who was Mydei's mother, but both of whom achieved the same feat. The devs even deliberately obfuscate on the original Gorgo's identity through the readables to further link the Gorgo of the past with the Gorgo of the present by refusing to state the gender of the Gorgo of the past:

It's not on accident. They want players to conflate the two Gorgos.

How can we reconcile this?

We could just handwave this and say "Classic Hoyo, not great with keeping track of their own writing." We have evidence they've made mistakes (and retcons) before.

But with timelines being so central to Amphoreus's plot... I'm suspicious, enough so to suggest that there may be enough conflicting information here that this could be on purpose.

In fact, if you separate out the events that don't make sense together, it almost appears as if there could be two completely different timelines, or as if events from two different timelines have become stitched together, trying to create one coherent story and yet, like mismatched puzzle pieces, not quite adding up.

In one timeline, the one that seems most prevalent, Mydei (who ages normally) was tossed into the Sea of Souls as an infant despite his mother's protests, lived (and died) in the sea nine years, then was discovered by a band of five Kremnoan exiles who became his friends, wandered with them for ten years, and eventually returned to Castrum Kremnos to kill his father at around 19 years old. From there, he led any Kremnoans who were willing to follow him to Okhema as refugees and as a detachment army, and they've served in Okhema for no more than a few years--enough that Aglaea still calls him a youth and Mydei hasn't noticeably aged since he killed his father, and enough that Damionis, who visited Castrum Kremnos during the last festival, is still a young man.

In the other timeline, we have a much more ancient Castrum Kremnos, one which had already fallen into ruin long enough ago for its final king to turn to dust and the Chrysos War to become the stuff of legends, according to Phainon. In this timeline, a version of Mydeimos who was much more familiar with the city, one who apparently had access to the royal library and lived in the inner city of Castrum Kremnos (which Phainon says matches him having the status of a prince), suddenly decides to betray his country, possibly due to seeing his father decline into madness. He becomes a "traitor of a crown prince" according to the regular Kremnoans, but manages to assemble an army of his own loyal followers, which becomes the Kremnoan detachment that lays waste to enemy countries for years. At some point, he is recognized as a Chrysos Heir during the Chrysos War era and allies himself with Okhema, and then only after that returns to kill his father.

But maybe... it's like this on purpose.

Is it possible that what we're seeing unfold in Amphoreus isn't the truth? That the stories we're hearing and seeing might not be whole stories just instead scattered pieces? Different timelines stitched together, like someone telling stories about the past but misremembering the details? With memories overlapping, or overwriting each other, or being altered by timelines or time loops collapsing in on themselves? (Something similar happens with Tribios's story, by the way--Tribbie insists that in the ancient timeline, Tribios was completely alone and that we as time travelers with Oronyx's power are in fact only witnessing a memory, and yet Phainon notes several times that it's not possible for Tribios to have made it through without outside assistance, suggesting the two timelines are in fact overlapping, and what Tribbie remembers in her memory isn't actually accurate.)

Is it possible that the events of Mydei's backstory don't quite add up because they're not supposed to?

1. The Feeling's Mutual

There was no heterosexual explanation for this framing.

In Part 1 of this post, I noted that Hoyo has a typical personality pattern they follow when queer-coding their male characters, particularly in using "difficult" personalities to create an artificial sense of distance between the characters. If one character is angry all the time, or tsundere, or using sarcasm to cover for their fear of getting close to others, Hoyo can mobilize that personality gap as a shield to give anti-LGBT+ players plausible deniability. Hell, there are people still out there genuinely convinced that Alhaitham and Kaveh have a toxic relationship. There are people out there saying Ratio despises Aventurine because he was mean to him one (1) time while undercover. That's how effective injecting a little bit of bickering into a queer-coded relationship is.

Hoyoverse is very, very familiar with creating this delicate balance of teasing the ship while feeding anti-LGBT+ players and censors just enough "Look, they don't like each other; they're arguing!" contrary material to avoid setting anyone off.

Which... makes it absolutely bizarre that they made almost no effort to do this with Phainon and Mydei.

Sure, on paper we're told that Phainon and Mydei are rivals. Phainon describes it as "He's both my friend and my foe." And yes, they have their quips (Phainon's "It's exhausting talking to you sometimes" comes to mind).

But animosity--the genuine desire to one-up each other--is completely missing from Mydei and Phainon's "rivalry." They aren't Sasuke and Naruto. They aren't Izuku and Bakugou. They don't actually even want to beat each other--they want to be equals. If you defeat Mydei in the 3.0 competition, Phainon immediately folds and calls the contest off. If you let Mydei win, Mydei immediately folds and declares no contest.

Although Aglaea notes they compete because they're "impulsive youths," what she was actually missing is that Mydei only let himself be goaded into Phainon's hot bath competition because he was worried about Phainon and wanted to take Phainon's mind off the failed trial. Then, immediately after beating Phainon in the hot bath challenge, he lets Phainon win the "take more people home" challenge, to tie up their score again.

In fact, Mydei and Phainon's relationship is so devoid of the actual back-and-forth typical of other Hoyoverse MLM ships that at one point, Phainon even asks for it:

(Though he's equally quick to demand compliments from Mydei too.)

Instead, virtually every line from Phainon and Mydei through both 3.0 and 3.1 reiterates that they care deeply about each other, and are concerned for not only each other's physical well-being but also each other's mental and emotional health. They freely and consistently support each other both on the battlefield and off, confessing their struggles and relying on each other for advice. Whenever they're separated, the game intentionally hammers home how worried they are without the other around.

Over and over and over again, the devs tell you how well Mydei and Phainon know each other and how much effort they're putting in to take care of each other:

The game doesn't let us forget that they are one another's "closest person," and that the respect they have for each other is mutual. Although I wouldn't go so far as to speculate they actually recognize romantic feelings, canon makes it clear that they are aware their emotional connection goes both ways. They don't just value each other's battle prowess, intelligence, or usefulness--they value each other's feelings explicitly, every single time emotions are expressed between them in the game's text.

In fact, Mydei even scolds Phainon for approaching their goodbye with a straight face; he knows that Phainon is hurt by their parting, and he wants Phainon to be honest, as Mydei is being honest in turn:

The rainbows in the background really sold the scene, ngl.

This isn't Renheng, where resentment has taken away any glimmer of joy. This isn't Ratiorine, where even if Aventurine were in a more stable mindset, Ratio's inability to spit out his feelings might keep them from going anywhere. Even with Haikaveh, the Hoyo ship known for Alhaitham's devotion, Kaveh's own struggles and refusal to accept Alhaitham's kindness are an active plot point keeping them from progressing. Maybe you could draw a parallel between Phaidei and Cyno/Tighnari for levels of "mutual," but even then, Cynari interactions are often left off-screen or in the background, for the players to fill in the blanks. On the contrary, Phainon and Mydei's fondness for each other is constantly in our faces.

The devs wanted players to know Phainon and Mydei are invested. We're supposed to see how much they want to be near each other.

More than that, we're supposed to understand just how deeply they trust each other.

Okay, okay, yes, I know this is massive foreshadowing to the inevitable betrayal and tragedy impending (come on, Amphoreus wouldn't qualify as an ancient Greek drama without it!), but I think that a lot of people are missing the key here: By this point in the story, Mydei already knows how he's going to die. He knows someone is going to stab him in the back and finally end his immortal life. When he entrusts Phainon with this secret, he's not trusting Phainon to keep him safe. He's trusting Phainon to do the opposite.

He's telling Phainon: "I want it to be you."

If the prophecy can't be changed and fate is set in stone, then Mydei wants Phainon to be with him in his final moments, to be the one to finally set him free from the "curse" he perceives his own immortality to be. Of course it would be Hoyo who makes "I want to die by yours hands" into a declaration of ultimate trust, but it is an explicit statement of trust, in a way that very few--if any--other modern Hoyoverse MLM ships get to show each other on screen.

Phew, that was a lot!

But I think this is one of the clearest and most defining differences between Phainon and Mydei and other Hoyo MLM ships--the devs took away players' ability to claim they don't get along. You might still be able to call them "just friends" or "brothers in arms," but unlike Alhaitham and Kaveh who fight, Ratiorine who scheme, or Renheng who are actual enemies, Mydei and Phainon explicitly like each other. They trust each other. They seek one another out.

It might seem like a small thing on paper, but this is actually a big thing in practice. Hoyo is pushing the boundary here, reducing the avenues for deniability. It is harder for anti-LGBT+ fans to claim that Phainon and Mydei don't have obvious in-game ship-tease than for virtually any other modern Hoyoverse MLM ship. (By the way, this is why people have resorted to calling Phaidei "industry plant yaoi;" because they can't deny the queer-coding is actually there this time, they instead have to try to de-legitimize the ship in other ways, such as dismissing it as nothing more than bait.)

This also means Hoyo has less of an "out" if people start to really question. It would be harder to explain away Phainon and Mydei's relationship than it would be to explain away even Alhaitham and Kaveh's. Alhaitham and Kaveh have "They're always arguing" and "Their friendship was ruined by their fight" or "They're just roommates," etc. to lean back on. Phainon and Mydei... are really bad at even pretending to be rivals...

All of this to say: Hoyo made a bold and deliberate choice allowing two of their mainstream male characters to be so emotionally close and attentive to each other on screen. They went outside their own current comfort zone for this one, guys.

2. We're Conspicuously Missing a Twink

Moving on from Phaidei's emotional differences, I wanted to talk specifically about Hoyoverse's perspectives on gay men, and how easy it is for companies to slip into not only stereotypes for gay characters, but also extremely heteronormative portrayals of gay relationships. As sad as it is, it is easier to market queer-coded male characters if they fit into the expected pattern for heterosexual relationships: a highly masculine man to "wear the pants" in the relationship, paired with a delicate, effeminate man to obviously be the bottom.

Now, don't get me wrong: Gay relationships come in all varieties; people have different preferences, and categorical groups like "twinks" and "bears" exist so people who have those preferences can find each other. Obviously plenty of hyper-masculine gay men do want more effeminate partners. But "masculine man with feminine man" isn't the only kind of gay relationship around, despite what yaoi ship-tease might suggest.

I don't want to say that Hoyo's track record on this front is bad, because honestly it's not. Their male characters often have surprisingly complex expressions of gender identity, with interesting blends of masculine and feminine traits. But... Hoyo does have a pattern. Plenty of their queer-coded MLM ships fall into this same general (and kind of stereotypical) profile: a masculine man with a more feminine man. Alhaitham is inexplicably ripped and represents calm rationality, while Kaveh is "the spitting image of his mother," has to wring out his wrists when he uses his own weapon, and represents passion and romanticism. Ayato is the head of his clan; Thoma holds housekeeping classes for Inazuma's other housewives. Xingqiu is the "refined" rich boy in ruffles; Chongyun is the down-to-earth working lad. Wriothesley is the most masculine man in Genshin Impact; Neuvillette mothers the entire race of Melusines. Over in Star Rail, Aventurine covets pink diamonds, bathes himself in sparkling perfume, and is so tiny Ratio's hands can encircle his waist. (I don't actually think Aventurine is that feminine, but trying to pretend that he isn't designed to evoke queer tropes is just silly.) Moze is as ripped as Alhaitham, while Jiaoqiu is... very pink. I'm going to talk more about Renheng in a sec, but Renheng is also this way, with the more "delicate"-looking Imbibitor Lunae to Yingxing/Blade's solid frame.

Mydei and Phainon don't fit this pattern at all. Both of them are as tall as Star Rail models come, and while Mydei's build has an impressive degree of bulk, Phainon is no slouch either:

Neither one of them is visually effeminate in any manner, and they're also not effeminate in personality or role in the story. Neither of them is a housekeeper or a home-maker; (again, poor Aventurine catching strays, but:) neither of them is in the business of blinding people into deals with their good-looks or careful facade of helplessness.

Theoretically we could say the devs tried to squish Mydei into a more heteronormative role by giving him traditionally "feminine" traits: he cooks, he plays house with children, he puts milk in his juice and turns it pink, he's paralleled almost exclusively to his own mother... But his role in the plot is such a quintessentially masculine story (son of a self-fulfilling prophecy, father-killer, god-slaying warrior, king to his people, aura-farming champion of the Amphoreus battle cutscenes, etc.) that clearly we are not meant to perceive him as a stereotypically feminine figure. The whole "malewife Mydei" thing comes across as so comedic because he is so masculine.

Conversely, Phainon, despite being the "gentler" of the two characters, the one who is described as having a soft heart and being outgoing and kind, is even less suited to being called feminine. His "Messiah"-esque role in the story, literally being the "prodigal son" of Amphoreus, paints him as the very picture of a classical male hero. Even more so than Mydei, he is a private and closed off person who hides his heart--and his own identity--from those around him, traits more often stereotypically associated with emotionally-closed-off men than female characters.

Up to this point, Hoyoverse had a relatively stable pattern in the MLM ships they baited in their recent games. They primarily played it safe, sticking to queer-coding relationships that both visually and narratively reflect heteronormative relationships.

But Phaidei once again broke the mold.

This time, Hoyo chose to queer-code not the more delicate-looking man (although I guess there's still plenty of time for Anaxa, I shouldn't sell him shorter than he already is lol), but two overtly masculine male characters, who can't be readily projected on to a stereotypical heterosexual relationship. This was a big departure from the norm, and I think this actually deserves a lot more respect than people are giving it. Hoyo didn't have to pick their two muscle-bound warrior male leads and make them close and caring. They didn't have to expose themselves to the obvious question: "Why are two 'manly' characters being so soft on each other?" It is harder to pass off Phainon and Mydei's queer-coding as accidental, or suggest the fans are just reading too much into it, when nothing about them can be mistaken for a "traditional" heteronormative relationship. For a game produced in China, where standards for depicting men and masculinity in media are so high, making the choice to bait two masculine men together (let alone this expansion's "hero," who is an expy of a beloved former character), was a very bold and risky choice on Hoyo's part.

Companies don't make bold and risky choices on accident.

Finally, I wanted to make one more point about why I appreciate Phaidei's emotionally attentive depiction--it's because there's a whole other realm they could have taken the "definitely going to turn into a villain" queer-coded main character. As I mentioned in the first part of this post, queer-coding villains is a trope as old as dirt. When you queer-code a male villain particularly, you add an extra layer to the danger: Now the male villain is not just a physical threat, but a sexual one. Adding queer-coding to the male villain conflates homosexuality with deviance or perversion and suggests sexual violence even if nothing ever truly occurs.

Maybe the real Hoyoverse queer-coding was the red flower petals we threw along the way.

I said I was going to bring up Renheng, and here it is: Unfortunately, Blade and Dan Heng fall into this latter pattern a bit. Although he has his reasons, the game's portrayal of Blade's "pursuit," especially in the early portion of their story, casts Dan Heng into the role of the victim, a young man being hounded by a crazed stalker who refuses to let him go. Their cutscenes, including Dan Heng's nightmares, paint Blade as an overwhelming presence who invades both Dan Heng's physical space but also his mental space, making it impossible for Dan Heng to escape his clutches. This "We must pay the price together" absolutely reads, out of content anyway, as some sort of yandere death pact. Their lightcone is literally called "Nowhere to Run."

Even though Blade is not deliberately engaging in any form of sexual behavior, his obsession with Dan Heng gives some impression of a cliched "depraved homosexual" and the implication that sexual violence could occur is present through their early interactions. I'm not going to lie, part of Renheng's early appeal was how scary and dominating Blade came across as. The subtle sexual implications of pursuit are the point. As things progress, of course, we saw this dynamic dissipate, which I think speaks to the devs reflecting a bit on how they want Blade to come across to audiences.

We know that Phainon is headed for a downfall. It's been so obviously foreshadowed at this point that there's really nothing much more to say than that--however, even though he will likely also descend into villainy like Blade, and even though we know he's very likely going to kill Mydei... I don't think that the devs will use Phainon's queer-coding as part of his Flame Reaver identity. I don't get any sense that the dev team will conflate Phainon's potential homosexuality with depravity, or use it as a motive for his descent into villainy (he might be gay and a villain, but he won't be a villain because he is gay). I definitely don't think we will see the kind of sexually-threatening physicality between Flame Reaver and Mydei that the devs did earlier with Blade and Dan Heng, even if "stabbing someone from behind" does have an inherent sort of sexual symbolism.

I appreciate that even in a story headed for the obvious "stabbed in the back by the villain form of the man I loved," the devs seem like they will avoid any portrayal of gay men as predatory.

3. Leave Room for the Trailblazer

In part 1 of this post, I mentioned that Hoyo uses the placements of characters in scenes to indicate closeness, and I already pointed out that Mydei and Phainon stand really... really... close together, much closer than they stand to other characters.

However, it's not just that their models are literally positioned closer together in cutscenes--it's that their body language explicitly closes other characters out. Plenty of Hoyoverse MLM ships are ship-baited by moving the models of the male characters closer together, but very, very few of them are positioned to so consistently exclude even the player.

For comparison, consider the well-known scene where Alhaitham brings the Traveler and Paimon to his and Kaveh's house, which was framed with both domesticity and intimacy:

Although Alhaitham and Kaveh are also prone to the "stand shoulder-to-shoulder" thing that Hoyo does when they want to imply closeness between characters, the framing of their scenes nevertheless leave enough space for the Traveler and Paimon to be active participants in the conversation, enough space between Alhaitham and Kaveh for Traveler to not look blocked out.

For example, despite standing next to each other in that moment above, the camera deliberately cuts Alhaitham out, so that only Kaveh and the Traveler duo occupy the shot. Later on, Alhaitham bridges the divide between the Traveler and Kaveh, turning away from Kaveh toward the Traveler--once again, the conversation and scene are open to the Traveler, and thus, to the player.

Here's a live demonstration of my earlier point: Alhaitham and Kaveh stand closer together than the player and Candace, indicating their closer connection.

Other scenes play out similarly--although Alhaitham and Kaveh are close, their body language doesn't actively exclude other characters or the player from feeling like part of their conversations.

Over in Star Rail, we see the same general situation. We know that Aventurine rarely stands close to other characters, with Ratio being the one relatively consistent exception, but even so, the camera will usually give them some breathing room, making it feel like there's enough space for the player on the other side of the screen to be part of the moment:

Meanwhile Blade excludes both Dan Heng and the player, putting us on equal footing to Dan Heng and giving the impression that the player and Dan Heng are standing against Blade together. There is still room for "us" in this scene.

However, once again, Phaidei proves the exception. Mydei and Phainon don't just stand close--they don't even want to share air with anyone but each other.

A very normal way to have a group conversation. Definitely.

Consistently when standing side-by-side, they turn inward to face each other, rather than facing other characters in the conversation, literally forming a closed unit despite the fact that they're supposed to be in a group scene:

The thirdest third wheel to ever third wheel.

If it wasn't enough for the devs to just imply that the Trailblazer isn't able to break through Mydei and Phainon's circle, they decided to call it out in the text itself, echoing the player's own thoughts: "What about me?"

As I mentioned in the first part of the post, the devs also consistently use specific camera angles to capture both Mydei and Phainon in the frame together, at the same time, further emphasizing the closed nature of their conversations.

You will never see so many over-the-shoulder shots again in your life. You are the outsider looking in!

Perhaps most telling about the devs' intention to create an intimate air for Phainon and Mydei's conversations is that literally everyone else disappears when they speak to each other. For example, Phainon and Mydei's first goodbye takes place in the Garden of Life, which is actually a pretty bustling plaza with numerous NPCs. But every single NPC was deliberately removed by the dev team for Mydei and Phainon's scene there, to allow them a private moment:

Even in their final farewell, where Mydei was seen off by a literal bustling crowd of NPCs, not a single person is visible during their goodbyes--until the exact moment Mydei reminds Phainon that the whole rest of the world is waiting for him. The whole rest of the world didn't even exist for Phainon until Mydei forced him to remember.

It's not just the Trailblazer (and us, the player) who is third wheeling Mydei and Phainon's relationship. They literally exist in a world of their own when they speak to each other. No other modern Hoyoverse ship is on this level of excluding even the player--excluding even the damn NPCs!--to make a point about their closeness.

I thought I was going crazy the first time I was watching these scenes, thinking "It can't be that the devs actually went that far in framing Mydei and Phainon as a pair." But they did. They actually did.

The envelope has been pushed off a mountain, my guys.

But that still wasn't enough for the devs. They needed to go further.

4. Deploy Shoujo Manga Trope #57

I know I just said that Phainon and Mydei's relationship doesn't map well a typical heteronormative male/female relationship, but that doesn't mean the devs gave up on any and all attempts to apply typical romantic cliches to Phaidei. On the contrary, the dev team's thought process seems to have been "Hey, we're doubling-down on our queer-coding for Phainon and Mydei. How can we make it really, really, really obvious they're a ship?" And then they literally spun a roulette wheel of romantic tropes and threw every single one of them at patch 3.1 at the same time.

We have the "romantic lead beautifully framed by red rose petals blood glitter":

The "You used my love to manipulate me" subplot:

Phainon begs for compliments, and Mydei's reaction is to look away demurely and call him a scoundrel?? Am I seeing things?!

This is where he'd be blushing like a tomato if he was a female character.

The "please look after my dear husband when I'm gone" tragedy trope:

THE RING???

"LET'S MEET AGAIN IN THE NEXT LIFE"?!!

What do I even say about all... this...? Do I even need to say anything at all? Has any MLM ship in a recent Hoyoverse game gotten remotely as many romance flags? Alhaitham, where is Kaveh's ring?!

What I actually want to say isn't a specific breakdown of any of these moments, but what they mean in totality. Remember that Hoyo made every one of these choices with deliberate intent. They knew what the picture would add up to. These are explicitly romantic tropes that are extremely difficult to interpret in other lights.

You are supposed to read "If there's a chance in the next life" as "I want to be reincarnated with you; I want to meet you again; I want to be with you in a softer world."

You're supposed to think of the ring as a wedding ring. For one, Gorgo would only have gotten it through her marriage to Eurypon, but even more so--there was no reason this item needed to be a ring in the first place except to evoke images of wedding rings. We already knew from 3.0 that Castrum Kremnos used crests and seals for identification. Why make it a ring and not just the crest of Castrum Kremnos? Furthermore, why involve Phainon at all? The audience would never have known any different if Chartonus just said "Found this I did, have it you should, Mydei." It's a ring and it's a ring deliberately from Phainon because the devs want you to see it as a wedding ring.

What an incredibly bold move on Hoyo's part, and I don't even really mean just in the context of being a Chinese company, but even in the context of being a global company. Hoyo lives and dies by the revenue of their character banners, and choosing to explicitly and (nearly) exclusively apply romantic tropes to their male lead and deuteragonist in a brand-new patch cycle was a legitimately daring choice. Their deliberate application of romantic staples to an MLM ship, in a way that is difficult even for anti-LGBT+ fans to write off, was a very, very calculated decision. I genuinely hope it pays off for them. I hope Mydei and Phainon's banners both sell well, so the devs' receive a clear message in turn that fans appreciated their boldness and their commitment to creating queer content for these two characters.

I'm just going to end on one final note, about a scene that you may have noticed I conveniently skipped. Yes, the most conspicuous scene of them all:

5. A+ Censor Dodging

By some miracle of obliviousness, some Olympic-level mental gymnastics, or by sheer force of will, I think some people might still have made it to this point thinking that Phaidei was not being deliberately baited by the devs. You could maybe, somehow, convince yourself that the blood glitter rose petals and the shoulder-to-shoulder emotional conversations were just coincidences, that the tsundere "I'm not worried about him" was just dudes being tough guys, that the Trailblazer was a third wheel because Phainon and Mydei are "just good friends."

But then devs said "No, we need to be unmistakable. We need to make ourselves 1000% clear. We are baiting the yaoi fangirls, guys; please stop ignoring our hard work."

If going further than they've ever gone with Mydei and Phainon's body language wasn't enough, if Phainon's being willing to kill a god to save his man wasn't enough, if implying a wedding ring wasn't enough, what else could the devs possibly do to remove all plausible deniability and make it undeniably clear that Mydei and Phainon are queer characters (even if it is only for the benefit of yaoi fangirls)?

They can do something they've never done in their recent games before: Imply actual sex between male characters.

(Side note, Hoyo lesbians have had this implied sexual content pass from the beginning. You will always be famous, Beiguang. It's only the male characters that can't even have implied sex. 😂)

Obviously Phainon and Mydei are not having sex in the game. The dialogue even goes out of its way afterward to remind us that they remained fully clothed in that bath, thank you. But the refusal to show what was actually happening--censorship used as a tool to imply--the cut to the black screen, the narration of one animal pursuing another, the discretionary water droplets between the moaning...

From the player's perspective--and examining this as a choice on the dev team's part--there is no way to read this scene other than "sexually suggestive." You're supposed to think "This sounds incredibly sus." Because it is sus. Because the devs added this scene knowing that it would intentionally make people think about the idea of Phainon and Mydei having sex.

Sure, this scene is really funny in context. You're supposed to come out of it laughing, going "Wow, they're idiots." But you will also, whether you like it or not, come out of this thinking "Damn, Hoyo really went all in on the yaoi bait, didn't they?"

You can't "Devs didn't mean it" out of this one.

Which is brave as hell on Hoyo's part, to be honest! Even if this is nothing but queer-baiting, they saw that sick yaoi fan money and decided to go all in on it.

Say it with me: A dev team from a country with notoriously strict rules against depictions of homosexuality in media, from a company with a huge global fanbase including many conservative and religious countries, and with a majority male target audience, went out of their way to undeniably include sexually suggestive gay content in their game.

Whatever their motivation--be it simply money or from a genuine desire to tell gay stories--this wasn't a casual decision. This took commitment. This decision almost certainly went all the way to the top brass of the team for clearance. Someone probably had to fight to get this added.

But they did it, and not with Kaveh and Alhaitham (the previously undisputed kings of current Hoyoverse queer-coding) but with two brand-new (to Star Rail at least) characters who have extremely important roles in the game's on-going narrative--major characters who can't be overlooked.

Phaidei is literally built different.

But I'm still left with one lingering question:

Is Hoyo queer-coding or just queer-baiting?

Even though I played 3.1 in a sort of stupefied haze because I actually couldn't believe what I was seeing in Phainon and Mydei's scenes, I also ended it with a pretty bittersweet feeling.

How amazing that Hoyo pushed the envelope so far with Phaidei... But at what cost?

Did Mydei really have to leave Okhema never to return? Or is he being banished from the plot because his relationship with Phainon was too intense?

Isn't this just the "bury your gays" trope, in essence?

Lore-wise, there isn't any reason Mydei actually has to leave Okhema forever. Sure, he presumably is going to fight the Black Tide where it manifests across Amphoreus, but what about that requires him to "never return"? Demigods aren't geographically bound to the locations their Titans blessed, or Aglaea and Anaxa wouldn't be able to leave the Grove. There shouldn't be any reason Mydei can't visit Okhema when he wants.

The more you think about it, the worse it looks that the dev team implied Phaidei harder than they've ever implied an MLM ship before, only to immediately turn around and go "And then Mydei left forever." As if the only way it's okay to make characters that gay is if you then get rid of at least one of them. (Speaking humorously, at the rate Phainon and Mydei were going, if the devs didn't get rid of Mydei, he and Phainon probably would have been making out on on-screen by 3.2, but you know what I mean.)

Sure Phaidei can be the MLM Star Rail ship with the most support in canon--but only at the cost of never being seen together again, apparently.

I'm not sure I like this trade off.

However, I am telling myself to remain cautiously optimistic. We know that Mydei's role in the story is not done, and that he and Phainon are destined for at least one more reunion, even if it won't be a happy one. We've been told that Amphoreus's story will be "heart-warming." I choose to believe that the devs will try to scrabble some sort of positive ending out of all this. At the very least, perhaps we'll end with a "in another life montage," and get to see Phainon and Mydei finally meeting in that library.

So is Hoyo queer-coding from a genuine desire to include gay characters or just baiting hard to sell Mydei to fangirls?

I'd say let's wait and see. Amphoreus has barely started cooking.

In the meantime, I think it is worth examining (and appreciating) Hoyo's willingness to mix up their own patterns, break their own trends, and to try something truly new and different with Phaidei. Even if this is all the content we ever get, Hoyoverse did things they haven't done before in any of their recent games, and showed that they're willing to push the limits for queer content in order to tell the stories they really want to tell.

Let me hold off on the political and legal consequences of including gay characters in Chinese media for just a second, and look at the situation from the perspective of Hoyo's target audiences first:

Take this data with a grain of salt though; I'm not sure where they got their numbers.

First, Hoyoverse games are increasingly global and surprisingly popular in conservative/religious countries such as Russia, Malaysia, and the UAE. The western world as a whole is shifting increasingly right on LGBT+ issues. For the games to be marketed well across the globe, they've got to avoid challenging the morals of these highly varied audiences. (Perhaps this is why past Hoyoverse titles seemed more open to LGBT+ content than present Hoyoverse games do; a broader audience actually means more restrictions on content.)

Second, even though conservative heterosexual male players are actually surprisingly fine with MLM ship tease, that only applies so long as it stays at the level of "I can pretend I don't see it." As long as anti-LGBT+ players can write off any MLM content as "just close friends," the dev team can get away with frankly shocking amounts of queer interaction between male characters. (I'm sorry to any straight male fans reading this [could there possibly be any?], but half of y'all could win gold medals if mental gymnastics were a sport. The lengths I have seen some male Genshin players go to try to explain away Haikaveh are honestly awe-inspiring. 😂) However, the boundary must be respected. The moment a male character's queerness exceeds subtext and becomes text, when even mental gymnastics cannot come up with a heterosexual explanation, and the plausible deniability goes out the window, it is no longer acceptable to anti-LGBT+ players, and they will be "turned off" from pulling that male character en masse. In essence, the market is telling the devs: 1) Huge amounts of queer-coding = a-okay, but 2) Actual canon queer content = that's gayyyy, no wayyyy.

And third, the obvious: China's stance on LGBT+ people is weirdly stricter in media than it is in "real" life. It is not illegal to be gay in China but it is illegal to be gay in a video game in China. Restrictions on media portrayals of gayness are significantly more strict than restrictions on actually being gay (which is interesting cognitive dissonance for those from outside the country, but that's an essay for another day). Hoyoverse legally cannot show characters engaged in any explicitly queer behaviors--at least that can't be explained away.

Furthermore, the rules apply very differently for male and female characters. WLW content gets way more of a pass from the censors. Bronya and Seele can blush at each other, but Alhaitham and Kaveh cannot. You would never see "Rondo Across Countless Kalpas" happening with male Hoyoverse characters. The censors literally would not allow it, strictly because Chinese standards for portrayals of men are different--and more strict!--than standards for portraying women. Legally, there are strong and serious limitations on what Hoyo can do with their male characters.

Summing all of this up, in trying to create their male characters and content, Hoyoverse is actually fighting a battle of conflicting pressures: Male characters sell better when they are queer-coded, but their interactions can never rise to the level of being canonically gay.

Everything must exist in the realm of implication.

(Yes, I can hear you: "Can you please get to Phaidei already?" 😂)

All of this foreword was to lay a foundation for the actual point I want to make about Phaidei: Because Hoyoverse can only queer-code and not actually queer their male characters, they have (in their modern games), fallen into a sort of pattern with their MLM ship bait. Certain plots and personalities keeps reappearing again and again. They've developed a sort of short-hand set of traits to give to their male characters--the Hoyoverse "queer-coded MLM starter pack" if you will lol.

While not every popular MLM ship in Hoyo's games has the same traits (obviously not), certain elements seem central to creating the delicate necessary gray area between "They're just baiting fangirls" and "The devs intended these two characters to be canonically gay but just couldn't state that textually."

And yet... And yet...

You're not imagining things: Phaidei is actually different.

To demonstrate just how different though, I wanted to take the time to compare Phaidei with other popular Hoyoverse MLM ships, looking at both the similarities (the patterns that Hoyo relies on to reliably queer-code their characters) and the noticeable differences (where Hoyo pushed their own boundaries in surprising ways).

Unfortunately, in the interest of full transparency, my own Hoyoverse experience is limited, so I can only use examples from Star Rail and Genshin Impact. I just haven't played HI3 or ZZZ, so I don't feel comfortable trying to use examples from those games, although I think there may be many ships that fall into similar patterns in those games as well. (Maybe some people can share in the comments?)

Anyway, let's start with similarities:

1. A Pair of Equals

The number one "rule" for popular Hoyoverse queer-coded MLM ships is that the two characters must be evenly matched. This isn't to say they have to have identical levels of physical strength (although that is also often the case); instead, the audience needs to perceive them as being on equal footing in some way. They must either be intellectual equals (Alhaitham and Kaveh), political equals (Ratio and Aventurine; Neuvillette and Wriothesley), equal in social standing (Tighnari and Cyno), or, yes, actually physically equal their capability for going toe-to-toe against each other (Blade and Dan Heng; possibly Zhongli and Childe; for those who ship it, Diluc and Kaeya).

For modern Hoyo games, queer-coded MLM ships with noticeable discrepancies in power dynamics are particularly rare; possibly the only one that comes to mind is Ayato/Thoma (though this is mitigated by the game deliberately telling us that Ayato treats Thoma like family, rather than like a servant). And I think this actually says a lot about the devs' thought process: They are deliberately avoiding scenarios in which one male character seems capable of "preying" on another, where the queer-coding could accidentally be perceived as sexual perversion due to a discrepancy in power dynamics.

They're intentionally averting the "depraved homosexual" trope by--sometimes literally--spelling out for the players that both male characters in their queer-coded MLM ships perceive each other as, and are interested in each other as, equals.

We see this explicitly with Ratio and Aventurine in Star Rail:

And Alhaitham and Kaveh in Genshin:

Even Blade and Dan Heng are likened to "a pair" of identical objects:

So of course, Phainon and Mydei push this to an extreme. Phainon describes himself and Mydei as "friends and foes," and the game goes out of it way to reiterate over and over that they are perfect equals. Although they compete in everything they do, there is never a clear victor; their score card is constantly balancing out because they match each other's skill and power perfectly.

But there are even hints in the game that this isn't just happening naturally, but also by choice: Even when one of them triumphs over the other, they both backtrack and insist on getting on equal standing again. Whether you win or lose the "competition" in Kremnos in 3.0, the outcome is the same:

Phainon and Mydei perceive each other as perfectly matched (in strength, right, right...) and are actively working to keep it that way.

The game also goes out of its way to insist that Mydei and Phainon aren't just equals in terms of strength but also in social standing. It theoretically should be impossible to match Mydei's place on the social ladder--he's the literal crown prince of an entire nation of world-renowned conquerors. Even Aglaea is not a queen; we see her on screen being forced to contend with Okhema's Council who are fighting her for power. There technically isn't anyone in Amphoreus (at least that we've met so far) who should be able to stand on equal political or administrative footing to Mydei.

Except, of course, for Phainon, who supersedes all others by virtue of being the literal prodigal son, the "Chosen One."

The game insists on putting this in our faces over and over again: Mydei may be a king in the making, but Phainon is the "Deliverer." They are equally matched in terms of authority.

The game even goes out of its way to tell us they're perfect mirrors in personality too:

Hoyo, in the kitchen cooking up another gay ship: LISTEN GUYS, they're equals, do you understand me? A MATCHING SET.

But also...

2. Diametrically Opposed

It isn't enough for the queer-coded men to be each other's perfect equals. They also have to be opposites, typically in terms of their personalities. This is the pattern that repeats itself most consistently across Hoyoverse MLM ships with strong textual support: the two men may be equal, but they're also nothing alike. (At least on the surface.)

Alhaitham and Kaveh's entire plot hinges on their directly opposing personalities and morals, representing the clash between rationality and sensibility. Dan Feng was reserved and cool-tempered, while Yingxing was "arrogant" and brash. Hell, Xingqiu and Chongyun are "refined and clever" versus "forthright and trusting." I actually think Zhongli and Childe, despite being the most popular Hoyoverse ship in the western fandom, have very little canonical support, yet they still fit this pattern, with Zhongli as the refined gentleman to Tartaglia's blood knight tendencies.

We know how Ratio sees himself and Aventurine:

Hoyo really said "Opposites attract" and ran with it for every single MLM ship they ever teased.

And there's a logical reason for this. Making the two male characters dead opposites actually slightly decreases people's ability to argue that they're "just friends"--if they have next to nothing in common, they're not usually bonding over mutual hobbies or basing their connection on shared similarities. It becomes harder to portray two male characters as "bros who just get along great" when they're deliberately written with opposing tastes and personalities. (Real friends can sometimes be dead opposites, obviously, but most friendships are built on mutual interests rather than opposing ones, while romantic relationships hilariously have the "opposites attract" stereotype.)

There's no reason to shove polar opposites together again and again except to watch the sparks fly.

Even Hoyo's male characters' color schemes are often perfectly opposite. Plenty of people have figured out if you palette swap Alhaitham and Kaveh, Dan Heng and Blade, and Ratio and Aventurine, you end up with the same colors. Ayato and Thoma match the pattern here too ("red and blue gays" is a well-known trope).

But once again, the devs pulled out ALL the stops for Phaidei:

They're red versus blue. They're outgoing versus introverted. They're a king and a peasant (if we believe what Phainon's telling us about Aedes Elysiae). They're the "outsider" and the "golden boy." One fights with strength and the other with technique, brains versus brawn (actually they're both kind of idiots though, so take this one lightly lol).

However, what I think is most interesting about Hoyo's pairs of MLM opposites that is that the devs deliberately subvert expectations by assigning the opposing traits to the "unexpected" character. In both Haikaveh and Ratiorine, it's the rational scholar who is more overtly caring and attuned to their partner's feelings. In Renheng, it's the kind-hearted Yingxing who is consumed by anger, while the aloof, expressionless Dan Heng's voice trembles in wonder at the mere mention of Yingxing's name.

For Phainon and Mydei, this inversion of opposite traits occurs with their personalities specifically. People expected Mydei to be a gruff, hot-headed, battle-hungry berserker with a sarcastic or arrogant personality at best.

Instead, Mydei is an extremely thoughtful person, who struggles with his fate not because of what will happen to himself but because of a desire to bring the greatest good to the greatest number of his people. He's a respectful, gentle (when he needs to be), and even sentimental young man who continues to hold on to love for those who have long passed away. He's reserved around strangers but generous and warm to his companions, and struggles to express himself but has a clear desire to be considerate of others.

We also know he's deeply aware of and emotionally affected by the racism his people are experiencing in Okhema; one NPC in Okhema reports how Mydei, despite being new to Okhema himself, stood up to the very council still plaguing Aglaea in order to protect his people:

Despite having difficulties expressing his own thoughts, he even scolds Phainon for approaching their farewell with a nonchalant expression--Mydei doesn't reject emotions or shy away from becoming close with people he cares for.

Instead, it's Phainon who actually struggles to be honest. While he might connect easily with others on the surface, seeming outgoing and kind-hearted, he is actually a much more private person, one who is reluctant to show his true feelings and dismissive of questions about his past and identity. As opposed to Mydei's desire to avoid Nikador's power, Phainon is (despite his doubts) eager to prove himself, spurned on by the pressure of the prophecy telling him he needs to achieve greatness. We're told that he craved the power of strife specifically, while Mydei summarily wishes to reject it.

It's Phainon who frequently has to be reined in by others--he was ready to kill Oronyx for delaying his rescue of Mydei--and Phainon who fails to let go of his hatred and desire for revenge, causing him to fail Nikador's trial, which Mydei easily clears.

By inverting the traits of the characters, creating designs which visually oppose each other while assigning the actual opposing personality traits to the "mismatched" character, the devs hammer home an implicit message: These two characters complete each other. They fill in each other's gaps. What you expected to find in one of these men, you will instead find in the other. What they wish to be, they will be drawn to in each other.

(Frequently bought together, do not separate!)

3. The Distance is Artificial

Okay, so if they're so obviously written as a "pair," being perfect equals and perfect opposites, how are they just "queer-coded" and not explicitly queer? How is Hoyo keeping up the illusion of the characters not being an obvious couple when they're literally written to complete each other?

Hoyo has one major tool in their arsenal to do this: Prickly personalities.

With the exception of Renheng, which I'll get to in a second, Hoyo has a favorite method for enforcing the rule of plausible deniability, the idea that "Nooo, we promise, they're not in love; they don't even like each other, see??"--and that's giving one of the characters an intractable personality.

This can manifest, like Alhaitham and Kaveh, as constant bickering, where the pair's main method of communication is to devolve into petty arguments or sarcastic quips.

Fans who support the ship can view this as an "old married couple" dynamic; but for those who do not support the ship and choose to insist that Hoyo isn't actually queer-coding their male characters, they can lean on these arguments as "proof" that the characters don't actually love each other.

A similar pattern was recently repeated with Sethos/Wanderer, with Wanderer's prickly personality being used to keep Sethos at bay.

By placing the characters at odds with each other through bickering, Hoyo introduces just enough doubt to make the "They're only friends/roommates, we promise" argument hold some water. This allows them to get--quite honestly--a lot of queer content past the censors and past homophobic audiences too.

We see them repeat this trope with Aventurine and Ratio in Star Rail, introducing the two characters as initially "at odds" with each other and trying to pass it off as Ratio despising Aventurine.

Even after revealing that they were plotting together, the game insists on introducing some lingering doubts, suggesting that Aventurine fears Ratio would actually betray him.

This creates the necessary "gray area," the gap that Hoyo can use to hide in--no, Aventurine doesn't trust Ratio at all, see? Maybe they don't even like each other? Who knows! The doubt doesn't exist because the story particularly needs it, but simply so that Hoyo has a shield to hide behind if people begin to question how close the two male characters are.

Even in comedic material, Hoyo intentionally keeps this "necessary distance" in order to allow themselves wiggle room. Is Ratio an enamored tsundere who can't spit his real feelings out, or does he actually think Aventurine is illogical, mediocre, and ridiculous? Was the "Keeping Up With Star Rail" video an example of Hoyo deliberately baiting by making Ratio flustered over Aventurine "on air," or is he being Aventurine's biggest hater in this clip?

It's just questionable enough that those players who hate MLM to interpret it as the latter, and provides just enough doubt to help Hoyo slip queer-coding under the radar. Those who want to see it will see, while it's written just vaguely enough that those who don't want to see it will not see it.

(That's the point Owlbert, that's the point.)

When in doubt, and when stuck with a pair of characters who aren't likely to bicker with words, Hoyo sometimes has to progress to the next level: making them actual enemies.

What's better for creating plausible deniability than one of them trying to kill the other? (They definitely were not fooling around in a past life. We promise.) In an ironic twist with Renheng in particular, the fandom seems to have somehow come to the (mistaken) consensus that Dan Feng and Yingxing were "confirmed canon" (truly, I see this stated everywhere; we love when reading comprehension fails in the right direction for once lol), leaving only Dan Heng/Blade as being of questionable "canonicity." However, this still works as far as Hoyo is concerned, because only Dan Heng and Blade are left on screen.

By insisting on their present inability to reconcile, Blade and Dan Heng are able to introduce just enough doubt into the equation to offset even significant ship tease for Dan Feng/Yingxing.

Enemies to lovers 150k+ slow burn, please look forward to it.

Okay, but back to Phaidei. At first, it seems like Phaidei is going to follow this pattern to a T: When Phainon first introduces Trailblazer to Mydei, the two seem to be at odds, bickering over how Mydei is choosing to confront the enemy. Mydei even calls Phainon out for an unintentionally insensitive statement (when Phainon demands to know why Mydei isn't "protecting the citizens," Mydei asks "Who are you implying is not a citizen here?" i.e., "Are you saying because I'm Kremnoan I don't count as a citizen?" You can see Phainon practically bite his tongue to take back his words.)

Also known as: Mydei experiences a microaggression.

Mydei's very first line directly to the Trailblazer is to insult Phainon's hospitality, and we know they definitely have plenty of silly insults to lob at each other while competing.

But this is actually where we see the first deviation from the pattern for Phaidei. Although there's a few cursory lines throughout their early dialogue, that's all there ever is--just cursory attempts at suggesting the two bicker and don't get along.

Within one scene, the "tension" present in their first meeting entirely devolves into purely playful banter, and it is clear by the time we finish 3.0 that Phainon and Mydei are actually very close and get along well, with virtually none of Haikaveh's biting comments, Blade and Dan Heng's violence, or Aventurine and Ratio's questions of loyalty. Phainon and Mydei took one look at the rest of Hoyoverse's MLM ships and said "How about we skip that will they-won't they?" lol.

But I'm not quite ready to talk about the places where Phaidei departs from the normal pattern yet, so I'll leave this point by just saying that Hoyo did start Phaidei on the same path as a majority of their other MLM ships, making a vague attempt at using their rivalry to suggest they wouldn't get along--thereby allowing for the alternative interpretation to quiet the haters (and the censors).

4. The (Physical) Distance is Non-Existent

Okay, but if Hoyo uses personalities to inject just enough distance into their queer-coded pairings to avoid crossing any boundaries, then what do they do to tantalize the audience, to make it seem like the characters might actually like each other?

They use body language!

First, just to reiterate a basic video game design principle: All animations and character placements have to be programmed by someone, and that means that all animations and the physical locations of characters in scenes are intentional. Nothing happens in cutscenes by accident.

Designers are constantly making a series of choices any time they have to put together a cutscene, and one of the key choices they have to make is how to express each character through their movements and their positions relative to other characters. (I've talked before, for example, about how Aventurine frequently turns his back on people, forcing their eyes to follow him throughout his cutscenes, taking physical control of the reactions of people around him.)

Hoyoverse games have somewhat standardized scene layouts for conversation cutscenes, with characters typically being placed at different distances from each other depending on their relationships. A majority of conversations happen from a generally cordial conversational distance, which means that any time characters cross this gap and close the distance, the dev team is intentionally sending the players a message.

Like, no one mistook what this was about, right?

Heterosexual jumpscare in my queer post; I'm sorry, I was just too tired to find a video with Lumine lol.

Repeating for good measure: Unless it is with a male playable main character (where the presence of the female main character is what lends the deniability), Hoyo legally cannot show their male characters engaging in physical contact that could be construed as romantic. Male characters can't hold hands; they can't even really hug unless it's "caught you as you fell after battle" (props to Dan Heng for being the only male character in Star Rail to get a "hug" with Jing Yuan lol.) There's a boundary that Hoyo male characters do not cross, and that's almost universally the realm of physical touch.

But Hoyo can place their queer-coded male characters into scenarios of physical closeness that they don't typically show among other characters.

Alhaitham and Kaveh's table says hello.

So does Tighnari and Cyno's single tent from this same quest; Cyno's Story 2, truly the quest that kept on giving.

Aventurine, a character who traditionally keeps half a room's distance between himself and the people he's talking to, suddenly doesn't seem to mind closing the distance with Ratio:

And even Renheng, the eternal enemies, are depicted as crossing physical boundaries, explicitly "getting in each other's faces." Yes it's a battle, but also, I've seen yaoi with less domineering poses lol.

You might think these lightcone examples are a stretch, but seriously: Go look at all the lightcones in the game. Does a single heterosexual couple have a lightcone where they are in each other's space in this manner? No, because physical closeness is actually a tool Hoyo is consistently using to queer-code. (Well, there would probably be more heterosexual closeness too if the incels weren't so weird...)

Anyway, when I saw the devs might be heading the direction of baiting Phaidei, I fully expected that we would see them side-by-side more consistently and with less of a gap between them than between other characters. But I wasn't remotely ready for the degree to which Hoyo would take that.

Here is an example of Phaidei exhibiting the "normal" Star Rail conversational distance:

Andddd... here's where they spend the other 90% of their scenes together:

The unnecessarily large distance between them and the Trailblazer gets me every time. Like they are not leaving room for Jesus Kephale.

Even when they aren't standing practically on top of each other, the devs deliberately choose camera angles that frame them both in the cutscene at the same time, which is relatively rare for Star Rail (not unheard of, but usually the camera will just go for the "first person POV" when two people are speaking, allowing for a close up of the speaking character). Instead of back-and-forth close ups, many of Mydei and Phainon's conversations are framed from a "behind-the-shoulder" angle, to catch them both in the frame. This creates the illusion that they're standing closer together than they are, and also reinforces a sense of intimacy in their conversations--the camera (and thus the player) becomes an "outsider" while their bodies turn toward each other.

Again, Hoyoverse is under pressure to avoid showing physical contact between male characters that could be construed romantically. They can't show Mydei and Phainon tangoing like Black Swan and Acheron. When it comes to queer-coding male characters, they have to use the tools available to them, and their primary tool for visually signifying the possibility of romantic closeness is physical closeness.

The camera is telling you that Mydei and Phainon are close.

Anyway, just one more point I wanted to make before moving on to discussing how Phaidei completely crushed the mold for Hoyoverse queer-coding, but...

5. Oh God, We're Turning Into Your Parents

Listen, I'm a reasonable person. I can fully accept that I play games with LGBT+ goggles on at all times. Despite being fantastically aroace myself, I love yaoi. I love yuri. I even like plenty of straight ships. I'm a fangirl first, academic second, so believe me when I say that I understand how skeptics might view some of the points above. "You're just fangirling. Being equals and opposites doesn't automatically imply romance. The devs might have intended close friendship, not a relationship." This counter-argument is valid!

So I want to end with one more point which I think is actually the lynch pin to proving that Hoyoverse isn't "accidentally" making their male characters come across as queer. Hoyo's queer-coding for certain ships is very intentional and even sometimes very overt. In a few cases prior to Phaidei, they were already skirting the upper limits of plausible deniability, and I think the modern ship that previously pushed the boundary the most is Haikaveh.

You can say what you want about other Hoyo MLM ships and their lack of canon textual support (I love you ZhongChi, even if the devs actually hate you lol), but I believe people who unironically say "The devs are not baiting Alhaitham and Kaveh as a ship" are so media illiterate that it's actually embarrassing to share air with them. Whether you think the devs are just doing it to cash in on yaoi fangirls or because they actually want to depict gay characters, it is indisputable at this point that Alhaitham and Kaveh have in-game ship tease. They just do, and one of the most obvious and unmistakable instances of this is when Kaveh's hangout paralleled Kaveh's relationship with Alhaitham to the heterosexual marriage between Kaveh's mother and father.

To draw a direct connection between Kaveh's father and Alhaitham, who is repeatedly described as not being able to understand Kaveh's artistic sensibilities and idealistic world view but nevertheless chooses to stay by Kaveh's side through his many troubles, while simultaneously reinforcing the idea that Kaveh is his mother's spitting image, both physically and emotionally, can really not be interpreted in any other way.

Hoyoverse took a queer relationship and made a one-for-one analogy to a heterosexual relationship--Alhaitham and Kaveh are a direct reflection of Kaveh's very married parents.

This isn't something that can happen on accident. This is deliberate and unmistakable queer-coding.

Which makes it absolutely wild that it happened twice.

I've posted already about the obvious parallels between Mydei's parents and Phaidei, and I'm actually almost out of room for new images here, so I can't post the images again, but I hardly need to at this point: Mydei's parents met when Gorgo challenged Eurypon at the Kremnos Festival. They fought for ten rounds, determined that they were (what do you know) perfect equals, and Eurypon proposed on the spot. Eurypon is explicitly described as a swordmaster, while Gorgo used a spear.

Later, the game repeatedly (and in various separate instances), emphasizes that Mydei and Phainon's first meeting consisted of a duel lasting ten days and ten nights, where neither of them could secure the victory, proving them to also be each other's perfect equals. Phainon's role as Okhema's swordmaster is emphasized, while Mydei wields a spear just like his mother when killing his father and after taking on Nikador's divinity.

Then there's... everything that came after. Eurypon betrayed Gorgo, effectively stabbing her in the back, and took her life. The foreshadowing that Phainon will do this exact same thing to Mydei is unmissable.

Phainon has even expressed an explicit desire to take part in the same competition where Mydei's father crowned the winner his wife:

In the (very limited) Kremnoan dictionary, I'm pretty sure this is how you say "I'm down to fuck."

Just as in the case with Haikaveh, there is no way that this parallel could have occurred by accident. The devs did not go out of their way to give us entire flashbacks of Gorgo and Eurypon's meeting and downfall for no reason. You're supposed to see the one-for-one connection between Mydei's very heterosexual, married parents and Phainon and Mydei's relationship.

Simultaneously, the devs also parallel their MLM ships to heterosexual relations by incorporating shades of domesticity normally reserved for "traditional" male-female relationships into their MLM ships--including levels of domesticity that heterosexual ships in Genshin and Star Rail usually don't rise to. One of Genshin's most popular MLM ships shares a single-family home and has a chore chart. Thoma is Ayato's housekeeper. Tighnari and Cyno are just flat-out joint raising a child. Jiaoqiu cooks and Moze cleans. Yingxing and Dan Feng accidentally(?) made a baby.

And Phainon and Mydei aren't any exception. They live an apocalyptic world that is constantly calling them away to battle, but the devs went out of their way to tell us Mydei is an extremely good cook who prepares everyone's food and deliberately ruins Phainon's when he's annoying, which is definitely old married couple behavior lol. Mydei is framed repeatedly as being good with children, not just in the distant fatherly way but in the "plays house" and follows-along-after-unaccompanied-kids-like-a-mother-hen way. Yet when Mydei has to leave, taking the classic "I'm going off to war" ancient Greek exit, he doesn't depart without leaving Phainon his people--with the camera panning specifically to the little Kremnoans. Phainon got the kids in the divorce. D; The tragic domesticity is already off the charts, and then they hit you the second punch when Mydei's last question (just one or two lines later) confirms that it was Phainon who got the ring for him. Hoyo couldn't actually have given us a more heavy-handed "parting husband and wife" parallel if someone held them at gunpoint. That whole thing was some Odyssey level bullshit. I see you devs, I see you.

You might be tempted to say that is just heteronormativity, which it could be, but I actually think it serves a very specific place in Hoyo's queer-coding repertoire. In comparing gay relationships to heterosexual marriages, the devs effectively "legitimize" their queer characters, suggesting that the relationships between gay male characters are no less real or valid than those between men and women. In demonstrating that male characters can achieve stable and healthy domestic lives with each other, the devs reiterate that players are not supposed to notice a difference between gay and heterosexual relationships.

There isn't any clearer way for Hoyoverse to legally say "We want you to think of these two men as romantic partners" than to say "Wow, isn't it interesting that their relationship is identical to a married couple's." It's on purpose; at this point, you really can't say the queer-coding isn't deliberate without looking like you can't read, and if it was intentional when Haikaveh paralleled Kaveh's parents, then it was doubly so the second time Hoyoverse pulled this trick to parallel Phaidei to Mydei's parents.

PHEW! Okay, I finally made it through the foundational traits for Hoyoverse MLM ship-bait and where Phaidei fits in with those. Thanks for coming to my Ted Talk! 😂

But... the whole reason I started this post was actually because I wanted to talk about differences between Phaidei and other Hoyoverse MLM ships, and particularly how bold Hoyo actually was in 3.1, pushing the envelop to an extreme degree to ship-tease Phainon and Mydei.

So, since the post was way, way too long, I've spit the rest of my point off into a second post.

I've seen a lot of people suggesting Mydei/Castorice, Phainon/Castorice, and even Mydei/Castorice/Phainon, but for all the fandom's shipping (and everyone should feel free to ship what they love; your ship is valid, fam!), I actually kind of think that...

Castorice is a bit of a Mydei/Phainon shipper herself.

Although Castorice is of course just a good person who is doing what she can to help Okhema, she also is quick to assist Phainon specifically to save Mydei, quick to try to keep Phainon calm because that's what will help him get to Mydei quicker, and she just brings Mydei up out of the blue to Phainon several times throughout the story.

It's Castorice who halts Phainon's ascension ceremony to ask where Mydei is, because she expected him to be there for Phainon.

It seems to be a given for Castorice that if Phainon needs him, in Phainon's most important hour, Mydei should obviously be with him. She knew Mydei would come.

Even before that, when Phainon was feeling down, Castorice admits she doesn't know how to comfort Phainon herself, and instead... brings up Mydei to comfort Phainon???

Girl thought Quick, how can I raise Phainon's self-esteem? and Mydei's nickname for Phainon was the first thing that seems to have come to mind. 😂

She really said "You're not lame, Phainon; Mydei thinks you're a hero!"

Okay, being more serious--even putting shipping aside entirely, it's just overall clear that Castorice perceives the close comradeship between Phainon and Mydei (probably moreso than Phainon himself) and understands how important having that close friendship is to Phainon, who seems to have nothing else left outside of the Chrysos Heirs at all.

She seems to be able to tell how much Phainon needs people in his life who believe in and can stand beside him, and seems to have clocked that Mydei is definitely one such person. The game tells us players clearly that Castorice is an incredibly perceptive person who is sensitive to the feelings of others, and part of that includes her continuing to verbally recognize, throughout 3.0, the support Phainon gains from his close connection to Mydei.

I think this is just another cool touch--but also maybe another subtle nod from the devs. Castorice won't even let Phainon have a single scene where Mydei isn't mentioned lol.

And finally, one last crumb based on a pet theory...

"As I've Written"

We don't yet know who is responsible for actually writing the character profiles in the "As I've Written" book--although the rewards section is called "Author's Recompense" and the player get rewards for "composing sagas," alongside the interact button being "Write Story," there's actually an entire achievement teasing the fact that the Trailblazer doesn't know who actually wrote the book:

It's not remotely written in a style the Trailblazer would write in, and it also contains information the Trailblazer (at least currently) has no way of knowing at all, like the details of Castorice's backstory.

At this point, the real author could be anyone. But I feel like there's a few things pointing in favor of the idea that the real author might be Phainon. It could also be Anaxa or Cyrene or even Mem too, but hear me out...

First, the book's design is reminiscent of Phainon: the book features prominent sun/moon symbols, has the same blue-white-gold color palette, and even the design at the bottom of the book resembles the design along the front of Phainon's coat:

The book also seems to be strongly foreshadowing that someone is going to lose their way, step onto a dark path, or end up making a terrible mistake.

In Tribbie's chapter:

In Aglaea's:

And of course in Phainon's chapter, where the foreshadowing is strongest:

If this "one who has lost their direction" and "lost themself," the "flawed hero," are all references to Phainon, then the book over and over again seems to be--for the player--foreshadowing Phainon's downfall. Or, from the other perspective: This is a record written by someone who has witnessed (or experienced) the downfall and knows what is coming.

There's also the fact that while Phainon's chapter is written in third person, the narrator occasionally slips in some hints that they know what's going on in Phainon's mind:

And there's also this moment from Mydei's chapter:

We already know that this is not how Mydei behaves around people he doesn't know. When Mydei isn't familiar with a person, he doesn't banter with them--he doesn't even bother with them. He barely speaks directly to the Trailblazer the entire 3.0 plot, for example! He doesn't remotely seem like the type of person to sit down at a table and drink with someone he doesn't know.

We also know that he's already scolded Phainon several times for trying to act like an expert in Kremnoan legends:

(Thank Streetwise Rhapsody from Youtube for these screencaps because I forgot to screencap it myself lol.)

And the icing on the cake:

The exact phrase "amateur historian" again.

To me, this all but confirms that the "true" author of the "As I've Written" chronicle is probably Phainon, which finally brings me to the actual Phaidei crumb I wanted to discuss all along:

Mydei's story is listed as chapter 10 of the book. Yet for some reason --even though we get the book only after completing nearly the entire 3.0 questline, when the player has definitely met Aglaea, Castorice, and Tribbie already--Mydei's story comes first.

While Castorice, Tribbie, Phainon, and Aglaea all share the same memory crystal, Mydei has his own separate memory crystal, not shared with any other character, and it is given to the player first, before anyone else:

Phainon really said "My man is more important than the rest of us combined."

Tribbie is chapter 1. Phainon is chapter 7. Aglaea is chapter 9. But for some reason, we jumped all three of those characters to present chapter 10 first. Theoretically you could say that it's because we went to Castrum Kremnos and fought Nikador? But, story-wise, was Mydei the most important? The Trailblazer met Phainon and Tribbie first, got to actually play Aglaea for a sequence of this story, and traveled alone with Castorice. Mydei is the character the Trailblazer actually had the least connection to in the whole 3.0 storyline, so it doesn't seem that the story is truly what determined the order characters' chapters were given to us.

At the end of the day, in a book that seems it could be written by Phainon (from the future? the past?), Mydei was given special treatment and came before anyone else.