literally thank god sex isnt real and was just invented by big fiction to emphasize greater social and psychological themes i was getting scared id have to do all that

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@wronging-major
literally thank god sex isnt real and was just invented by big fiction to emphasize greater social and psychological themes i was getting scared id have to do all that

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shirt that says 'i ♡ writing 300 words of the worst prose known to mankind'
it is always narratively correct to make your characters sleep together before they sort through the hundreds of lies and misdirections between them. make things worse make things worse make things worse #i love betrayal #i love lying #i love people feeling bad about themselves
i saw the best perverts of my generation deleted by staff
The BEST trope is when a character tells another “let’s run away together, we can leave all of this behind and start a new life somewhere” and gets rejected. And then the rest of the tragedy unfolds

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(guy who's not getting anything done voice) I need to learn every skill and all information
>book described online as full of perversion and shock
>open book
>stuff that’s understandable or explainable in the context of the narrative
I keep seeing people making fun of using growled, hissed, roared, snarled etc in writing and it’s like.
have you never heard someone speak with the gravel in their voice when they get angry? Because that’s what a growl is.
Have you never heard someone sharply whisper something through the thin space of their teeth? Or when your mother sharply told you to stop it in public as a kid when you were acting up/being too loud? Because that’s what a hiss is.
Have you never heard a man get so blackout angry that their voice BOOMS through the house? Because that’s what a roar is.
Have you never seen someone bare their teeth while talking to accentuate their frustration or anger while speaking with a vicious tone? Because that’s what snarling is.
It’s not meant to be a literal animal noise. For the love of god, not every description is literal. I get some people are genuinely confused, but also some of these people are genuinely unimaginative as fuck.
This for real. Alllllllll of this. All of these sounds are the way different people speak based on their emotions. A snarl is not going GRAWR like a dog. It's so furious their teeth are bared, every syllable sharp and cutting and loud. A growl is lower, the words dangerously rough and hot, a warning.
It's the same with softer sounds. A purr is that low, gravelly mmmmm noise of pleasure, or words warm and smooth as melted chocolate. When someone chirps, it's bright and happy and quick, the syllables a little clipped in excitement. Panting is not tongue lolling like a dog; it's a heaving chest and words that are half-breath.
This is what language, what storytelling IS. It's symbolic, it's imagination, it's metaphor and analogy and simile. Strip that away and all you have is textbook descriptions, which are of course useful when reading actual textbooks, but far less entertaining when reading a goddamn fictional story.
love myself a cockroach of a character. i look at them and go ”how is that fucker not dead? they should be dead. they should be dead ten times over. how are they not?” and 90% of the time the answer is a combo of sheer stubborness and homosexuality
So, You Want To Write Vampires...
Here's a basic list of things to do/consider when approaching this creature.
Source Material
Go back to the origins. Almost every culture around the world has a story or myth containing cannibalism / blood drinking. You may want to base your origin story for vampires on one of these. This can also give you some ideas about what traits and abilities you might want to include that have been written out of modern fiction. It could help you add a unique twist.
2. Vampire Fiction
Vampires have been popping up in fiction for a very long time. Read The Vampyre by John Polidori (thought to be one of the first books written on vampires). Check out Carmilla by Sheridan Le Fanu (the lesbian vampire story that came out before Dracula). Speaking of, Dracula is a classic.
Look at modern fiction. Vampire Academy, Twilight, Vampire Diaries, True Blood, A Dowery of Blood, Crave. Read the good and the bad. Learn what qualities you like and which you will not use.
Make a list of things you like and things you don't.
3. Themes
Writing vampires brings a lot of themes surrounding mortality, immortality, morality, and at what point do we draw the line between what is human and what is other. These themes are integral to a vampire story whether you're writing a gothic horror, a paranormal romance, or a YA. There are a lot of links between cannibalism / blood drinking and love, vampires and LGBTQIA+ characters / coding.
4.Pick your traits
Vampires tend to be unique to the writer. The vampires in Twilight work differently to the vampires in The Vampire Diaries to the vampires in Dracula.
By this point you should have a list of possible traits and abilities you might want to give your vampires. My advice: tailor it to your genre. If you're writing a horror go with the traditional vampire abilities, give them the things that scare you. Think Nosferatu. If you're writing romance, then you might want to soften the traditional vampire traits in the way you find frequently in modern vampire media.
What you choose is up to you.
5. Origins
This is often overlooked in vampire stories but how did your vampires come into being? Who was the first vampire? Is this vampire still alive? How far back do vampires go as a species?
This could affect your vampires in terms of relationships with others of their kind, their powers, their strength.
This might not impact on your plot but, in terms of worldbuilding, if you intend to turn your book into a series then this could be very important going forward.
6. Society
Unless you're writing about the first ever vampire you're probably going to be writing about an established vampire population who will have their own laws, their own history, their own leadership, their own customs. This is an important piece of worldbuilding. It will affect your characters relationships, add conflict to the plot, create established enemies and can be used to raise the stakes.
7. Nocturnal Life
If you're following a traditional burn-in-the-sun vampire and they haven't found a way around this then you need to determine the night life of your setting. What is there for your vampires to do at night?
8. Feeding, Hunting, and Bloodlust
This will affect the level of gore in your story as a lot of the bloody parts in your story will take place through feeding and hunting. This will also determine your vampire population.
You need to decide how much your vampires need to feed, how often they need to do so, and what they can feed on. Do they drink animal blood? Is that possible? Do they drink human blood? Can they drink from blood bags? Do they need the blood fresh? If they need human blood do they need all of it?
The less a vampire feeds, the larger a population you can have in one area as it attracts less attention.
What happens when your vampires are hungry? What does their bloodlust look like? How does it affect a vampire? Is the amount of bloodlust a vampire experiences determined by how old the vampire is?
9. Threats
Unless your vampires are well and truly endless there will be ways to kill them and they will have enemies. Do these enemies take the shape of humans, of other vampires, or another species entirely? How can your vampires be killed? What other species are out there?

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"You look... different. Hair cut?"
"I lost an arm."
"I know. The hair cut thing was a farce. I just didn't want to be rude. But since you brought it up, what the hell happened to you?"
reblog if you’ve read fanfictions that are more professional, better written than some actual novels. I’m trying to see something
When a character is assured enough in their own power that they are completely relaxed in dangerous situations??? When that same character becomes tense and uncomfortable in the mundane because they don't have a framework for peace?????? When they help navigate violence for another character and in return that character helps them navigate softness??????????? That's all, your honour
no officer i have my poetic license
*emerges from the other room covered in blood* you should see the word document
does it look like this
i was picturing this as after a successful writing jaunt but this is so much darker

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suddenly remembered this poem as i was making breakfast this morning & frantically googled “poem remembered to buy eggs?????????” & somehow managed to find it & it utterly knocked the wind out of me just as much as when i first read it