This is called "knowing your audience."
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@wishmachines
This is called "knowing your audience."
Nicole Coenen [ Instagram | TikTok | YouTube ]
Results not guaranteed.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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The Green Knight (2021) | dir. David Lowery
Itâs like thisâŚ
Youâre fourteen and youâre reading Larry Nivenâs âThe Protectorâ because itâs your fatherâs favorite book and you like your father and you think he has good taste and the creature on the cover of the book looks interesting and you want to know what itâs about. And in it the female character does something better than the male character - because sheâs been doing it her whole life and heâs only just learned - and he gets mad that sheâs better at it than him. And you donât understand why he would be mad about that, because, logically, sheâd be better at it than him. Sheâs done it more. And heâs got a picture of a woman painted on the inside of his spacesuit, like a pinup girl, and it bothers you.
But youâre fourteen and you donât know how to put this into words.
And then youâre fifteen and youâre reading âOrphans of the Skyâ because itâs by a famous sci-fi author and itâs about a lost generation ship and how cool is that?!? but the women on the ship arenât given a name until theyâre married and you spend more time wondering what people call those women up until their marriage than you do focusing on the rest of the story. Even though this tidbit of information has nothing to do with the plot line of the story and is only brought up once in passing.
But itâs a random thing to get worked up about in an otherwise all right book.
Then youâre sixteen and you read âDuneâ because your brother gave it to you for Christmas and itâs one of those books you have to read to earn your geek card. You spend an entire afternoon arguing over who is the main character - Paul or Jessica. And the more you contend Jessica, the more he says Paul, and you canât make him see how the real hero is her. And you love Chani cause sheâs tough and good with a knife, but at the end of the day, her killing Paulâs challengers is just a way to degrade them because those weenies lost to a girl.
Then youâre seventeen and you donât want to read âStranger in a Strange Landâ after the first seventy pages because something about it just leaves a bad taste in your mouth. All of this talk of water-brothers. You canât even pin it down.
And then youâre eighteen and youâve given up on classic sci-fi, but that doesnât stop your brother or your father from trying to get you to read more.
Even when you bring them the books and bring them the passages and show them how the authors didnât treat women like people.
Your brother says, âWell, that was because of the time it was written in.â
You get all worked up because these men couldnât imagine a world in which women were equal, in which women were empowered and intelligent and literate and capable.Â
You tell him - this, this is science fiction. This is all about imagining the world that could be and they couldnât stand back long enough and dare to imagine how, not only technology would grow in time, but society would grow.Â
But he blows you off because he canât understand how it feels to be fourteen, fifteen, sixteen, seventeen and desperately wanting to like the books your father likes, because your father has good taste, and being unable to, because most of those books tell you that youâre not a full person in ways that are too subtle to put into words. Itâs all cognitive dissonance: a little like a song played a bit out of tempo - enough that you recognize itâs off, but not enough to pin down what exactly is wrong.
And then one day youâre twenty-two and studying sociology and some kind teacher finally gives you the words to explain all those little feelings that built and penned around inside of you for years.
Itâs like the world clicking into place.Â
And thatâs something your brother never had to struggle with.
This is an excellent post to keep in mind when you see another recent post criticizing the current trend of dystopian sci-fi and going on about how sci-fi used to be about hope and wonder. No. It used to be about men. And now itâs not.
this is literally the first post i ever rebageled on this website, and i donât think iâve seen it since, but itâs still true.
(sidenote: my absolute FAVOURITE trick on panels when someone brings up Heinlein as a YA author (*vomit noises*) is to say âOh, he couldnât imagine a world where women were people, so I donât think he was REALLY writing good sci-fiâ and justâŚwatch.)
He did not lose his temper. He had no temper left to lose. That was his tragedy, and his mark of dignity too.
Michel Faber, The Book of Strange New Things
Some people go through heavy stuff. They fight in wars. Theyâre in jail. They start a business and it gets shut down by gangsters. They end up hustling their ass in a foreign country. Itâs one long list of setbacks and humiliations. But it doesnât touch them, not really. Theyâre having an adventure. Itâs like: Whatâs next? And then thereâs other people who are just trying to live quietly, they stay out of trouble, theyâre maybe ten years old, or fourteen, and one Friday morning at 9.35 something happens to them, something private, something that breaks their heart. For ever.
Michel Faber, The Book of Strange New Things

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Iâm only going to say this once. This experience is not educational. It is not instructive. It is not God moving in mysterious ways, it is not God figuring out exactly what sublime ultimate purpose can be served by me stepping on Joshuaâs leg and everything after. The Saviour I believed in took an interest in what I did and how I behaved. The Saviour I believed in made things happen and stopped things happening. I was deluding myself. I am alone and frightened and married to a missionary whoâs going to tell me that the fool has said in his heart there is no God, and if you donât say it it will just be because youâre being diplomatic, because in your heart youâre convinced I made this happen through my faltering of faith, and that makes me feel even more alone. Because youâre not coming back to me, are you? You like it up there. Because youâre on Planet God. So even if you did come back to me, we still wouldnât be together. Because in your heart youâd still be on Planet God, and Iâd be a trillion miles away from you, alone with you by my side.
Michel Faber, The Book of Strange New Things
The window heâd been using as a mirror became a window again, as lights flared up outside. Two glowing points, like the eyes of some monstrous organism approaching. He stepped closer to the glass and peered through, but the vehicleâs headlights disappeared just as he recognised them for what they were.
Michel Faber, The Book of Strange New Things
But like I said, I donât fantasize about the existence of nations.
Carmen Boullosa, Heavens On Earth (translated by Shelby Vincent)
The people of LâAtlĂ ntide believe that the gardens belong to them, but in reality the gardens are foreign to them; they belong to the other, to the unknown enigma. And we can never approach this unknown mystery without words.
Carmen Boullosa, Heavens On Earth (translated by Shelby Vincent)
We survivors have cultivated some gardens with the seeds or the memory of the remains that we salvaged from the destruction, but I almost never visit them. This is something else that the other survivors donât understandâthey say itâs foolish and unnecessary to dirty my feet among the ruins since weâve created an earthly paradise in an artificial enclosure that replicates the natural world and is âuntouched by the hand of man.â Itâs as if they believe that theyâve succeeded in replicating the garden where still-innocent Eves and Adams stroll because they havenât recreated the serpent.
Carmen Boullosa, Heavens On Earth (translated by Shelby Vincent)

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So why books? I work with books because they survive across time. From the moment a book is written, it begins to interact with the past and the future. Books have always been the memory of other timesâthose that have been, those that will be, those that couldnât be, or canât be, or that should have been.
Carmen Boullosa, Heavens On Earth (translated by Shelby Vincent)
Sometimes when I remember the atmosphere burning, I think I feel what they used to call âmelancholy.â But Iâve had enough of the sad, cadaverous footprints of thingsâdirtying the bottoms of the seas and lakes, the water of the rivers, and the surface of the Earthâdancing a macabre dance in cyclones full of man-made things.
Carmen Boullosa, Heavens On Earth (translated by Shelby Vincent)
I respect the past because I remember. But I donât do so blindly; remembering the men from the time of History doesnât mean singing their praises, lamenting their demise, or exalting ourselves. I remember them by writing for them, even though they donât know it because they destroyed themselves. Remembering doesnât make me a doe-eyed optimist or a slave to the past. I remember in order to stir my imagination and sharpen fantasyâs penetrating point.
Carmen Boullosa, Heavens On Earth (translated by Shelby Vincent)
I wonât be able to maintain this blindness that canât distinguish the wolf from the lamb.
Carmen Boullosa, Heavens On Earth (translated by Shelby Vincent)
One day weâll understand that to remember is to survive. Then language will regain its proper place and the memorious will be the soul of LâAtlĂ ntide.
Carmen Boullosa, Heavens On Earth (translated by Shelby Vincent)

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Most people in LâAtlĂ ntide think we should only be concerned with the present and the future. In fact, they think we have to forget the past completely because it was merely a lesson in errorsâa lesson on how to destroy the Natural World. If itâs true, as they say, that we only need to focus on the present and the futureâand if we erase the past completely like they want us to doâTime, or what we know as such, would dissolve. We would float in an amorphous mass where there isnât a place for Time. The proposed reformâcalling for total oblivionâmeans that we would lose conscious awareness, we would lose everything it means to be human. But what if we didnât lose consciousness? What if consciousness left us instead and closed the doorway to the imagination? What kind of future would we have? Do we have another door to the future? To be able to imagine we have to remember, we have to listen to the voice of memory. Thatâs what I think anyway.
Carmen Boullosa, Heavens On Earth (translated by Shelby Vincent)
Iâm reading a book on Fermiâs paradox and the author points out that even if we detected intelligent life on a planet somewhere, it wouldnât solve the paradoxâgiven the enormous scales of space and time involved, âWhy are there just two planets harbouring intelligent life?â is as great a mystery as âWhy is there just one?â Though, finding one other civilisation might solve the problem if they are more advanced than us (and able to communicate with us)âthey might have a better idea of what the astrobiological landscape is like and just be able to explain to us why life isnât more common or why we canât detect it. The author quickly adds that this would feel like cheating. Being given the explanation rather than figuring it out ourselves. We donât really want that, do we. I just love scientists. Imagine being a member of an older and more advanced alien civilisation thinking youâre doing these âhumanâ creatures a great kindness by finally putting their minds at ease and explaining why they couldnât find more signs of life out thereâand having them react like âOh!!âŚâŚ.. we wanted to find the answer ourselves :( â I would be very charmed.