Daguerreotype of Laura Dewey Bridgman, Deaf-Blind Poetess (1829–1889), taken in Boston ca. 1855.
Photo by Southworth and Hawes (American, active 1843–62)
MFA Boston

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Daguerreotype of Laura Dewey Bridgman, Deaf-Blind Poetess (1829–1889), taken in Boston ca. 1855.
Photo by Southworth and Hawes (American, active 1843–62)
MFA Boston

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Daguerreotype of Grace Greenwood holding a riding crop, Boston, ca. 1845-61.
Photo by Southworth and Hawes (American, active 1843–62)
MFA Boston
Navajo silver and turquoise squash blossom necklaces; dated before 1910 & 1970; Ganado, Arizona; Smithsonian National Museum of the American Indian
Photo of Alice Mary Hawes, Boston, 1853.
Photo by Southworth and Hawes (American, active 1843–62)
MFA Boston
Portrait of a Young Lady, (Detail), (c. 1600), by Federico Barocci (Italian, 1535 – 1612), oil on canvas, 195 mm (47.04 in) x 830 mm (32.67 in), Statens Museum for Kunst, Copenhagen

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Mantle, Peruvian, Paracas-Nasca, South CoastEarly, Intermediate Period, Phase 1AD 1-100, Peru, South Coast.
Design: rows of shaman figures with heads thrown back, worked solidly with wool.
Camelid fiber plain weave embroidered with camelid fiber in stem-stitch, 142 x 241 cm (55 7/8 x 94 7/8 in.)
https://collections.mfa.org/objects/36603
This textile is TWO THOUSAND YEARS OLD.
It looks like it could have been made last year. It is SO bright and whole. I am staggered.
Two nude women gazing into each other's eyes, France, about 1848.
Getty Museum
Portrait of a family taken in Brooklyn, New York City, 1850s.
Getty Museum
Daguerreotype portrait of a young woman with her dog, American, 1840s.
Getty Museum
A Sister of Charity Serving a Patient at the Hospice de Beaune, France, about 1848
Getty Museum

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Imilchil, Morocco. Scanned from the book Haut-Atlas: l'exil de pierres; 1982; photos by Philippe Lafond
Aït Oumdis, Morocco. Scanned from the book Haut-Atlas: l'exil de pierres; 1982; photos by Philippe Lafond
thinking about coptic mummy paintings and weeping
like. i know these people
Medieval scribes writing things like “fuck the abbot” (their boss) and “I am so hung over I feel dead” and “that goddamn cat got in here and pissed on the manuscript” and drawing penis monsters and purposefully unflattering portraits of public figures and animals in the marginalia is funny, yes. But more than that it is so deeply quintessentially human. It reminds you that they were largely just frustrated young adults who did an extremely repetitive and tedious job 6 days a week during daylight hours in poor conditions and felt the same malaise young adults feel now.
I love that these have survived the centuries !
NB those pointing fingers, drawing attention to a pee-stain and an Irritated Clerk Comment about what happened one night in about 1420:
“Hic non defectus est, sed cattus minxit desuper nocte quadam. Confundatur pessimus cattus qui minxit super librum istum in nocte Daventrie, et consimiliter omnes alii propter illum. Et cavendum valde ne permittantur libri aperti per noctem ubi cattie venire possunt.” "This is not an error, but the place where a cat peed from above one night. Confusion to that worst of cats who peed upon this book in the night at Deventer (city in the Netherlands) and because of him, all others likewise. And take care not to let books be open by night where cats are able to get at them."
We once had to bury a book in baking soda for about a week because of a similar incident. 600 years difference, and no difference; cats will do what they do... :->
Ye knowe eek, that in forme of speche is chaunge With-inne a thousand yeer, and wordes tho That hadden prys, now wonder nyce and straunge Us thinketh hem; and yet they spake hem so, And spedde as wel in love as men now do.
chaucer, Troilus and Criseyde c. 1380
glossary: eek also and even tho at the time prys great value wonder a cause for astonishment nyce stupid spedde succeeded
You know the form of language, too, can change. Within a thousand years, even the words that were most precious then, seem strange and foolish to us; yet they spoke them so and did no worse in love than we now do.

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I found this really cool digital archive of letters written by 4th~13thc women!
Epistolae is a collection of letters to and from women in the Middle Ages, from the 4th to the 13th century. The letters, written in Latin,
Stater of Kingdom of Syria with laureate head of Zeus (obverse) and elephant with spear above (reverse), struck under Seleukos I Nikator
Greek (minted at Susa), Early Hellenistic Period, c. 298-280 B.C.
silver
Museum of Fine Arts, Boston