HYPNOSΒ (2026)Β dev.Β RedlockΒ Studio The gods... They lied to us....

Discoholic πͺ©
I'd rather be in outer space πΈ

izzy's playlists!

tannertan36

β£ Chile in a Photography β£
todays bird

Product Placement

#extradirty
Claire Keane

ellievsbear
almost home
d e v o n

Love Begins

@theartofmadeline
Xuebing Du
let's talk about Bridgerton tea, my ask is open
occasionally subtle
Not today Justin
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@voidcreature
HYPNOSΒ (2026)Β dev.Β RedlockΒ Studio The gods... They lied to us....

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The Royal Conservatory DISHONORED: DEATH OF THE OUTSIDER 2017γ»dev. Arkane Studios
Control is so good bc it's like: what if there was a big fucked up building? And I'm already on board, but then they're like what if the fucked up building was full of fucked up objects? And I'm like holy shit baby I'm already sold. And then they're like wait. You didn't even let me tell you about the people in it. And by this point I'm already deliriously horny but I say okay go on and then the game is like yeah so the people? Fucked up too. And then they flash typography at you that's so fucking stylish you get lightheaded and swoon. That's what Control is like. And it owns
Wait for the master.
The amount of confidence oozing from this dude
i re-watched it several times, looking for what he does differently. finally i spotted it. look at the line of motion in his strike. itβs not especially fast, he doesnβt wind up more than the others, and itβs not a matter of strength β the guy who knocked over the stand probably put more muscle into it. but thereβs a unity of movement he has that the others lack. his body and sword are all one curve. everything moves at once along the same line.
from a physics perspective, that means all the force heβs applying is concentrated at the point of contact between his swordβs edge and the target, and it moves at just the speed that breakage propogates through the material. too slow and it wouldnβt have enough force; too fast and heβd get ahead of the break, shoving the target over instead of cutting it.
from a writing perspective, that means that i should focus on describing a master swordsmanβs smoothness more than their strength or speed, and can also have witnesses be confused at the effectiveness of strikes that donβt actually seem all that fast.
Martial arts are all about physics, my karate sensei is has a mechanic/physics diploma and he loves to explain the biomechanics of human body and how this was turned into fight via martial arts. Itβs a very good way to teach. The sword master has a larger stance of the feet, much more than the others, allowing his barycenter to lower and thus giving more stability. This, united with the movement of the sword that follows the angle of his body increases the power of the blow without actually using too much muscle strength. Pretty sure heβs also just tending (not contracting) the muscles under the armpits, near the rib cage, the serratus anterior. That makes a huge difference.
Above: The science of moving like a master of martial arts.
What was most interesting to me is size has no correlation to success for any of the people.

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puttin raiden in some situations again
Grace, can you lock the fuck in???
otaconnnnn its like one of his japanese animeeees

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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finished this page that was in my drafts for checks timestamp a year and a half
The Addams Family (1991)
Nosferatu doodle/sketches from 2024 for an illustration.
Oh wow, I think I've been away for like 3 years. Finally posting some art again, and this time it's Alto Clef! :3

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Blood and ashes
i think i need to draw more grace being a freak and rocky and simon being freaked out