Pedro Américo (Brazilian, 1843-1905) - Tiradentes Esquartejado (Tiradentes Dismembered), 1893. Oil on Canvas.

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Pedro Américo (Brazilian, 1843-1905) - Tiradentes Esquartejado (Tiradentes Dismembered), 1893. Oil on Canvas.

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Princess in Medieval Attire (1902)
by Lucien-Victor Guirand de Scévola)
Inspiration (1893) by Gustave Moreau
A French Art Nouveau 'Pivoines' table lamp by Émile Gallé. The lamp features a vibrant detailed decoration of crimson red peonies wrapped around the base and shade, surrounded by foliage of plum-colored leaves. The patinated bronze mounts replicate the foliage theme and have scarab beetle terminals.
Franz Ludwig Catel - "Carthusian Monks in Certosa di San Giacomo on Capri (detail)" (1823)

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𝔞 𝔯𝔢𝔞𝔡𝔢𝔯’𝔰 𝔭𝔞𝔯𝔞𝔡𝔦𝔰𝔢
Rowena Drake's Venetian Palazzo | A Haunting In Venice (2023)
Photos: Rob Youngson
Claudia Cardinale at her first audition at the "Centro Sperimentale di Cinematografia SNC" school in Italy. Shortly after, she began her acting career, which led her to work with directors such as Luchino Visconti, Federico Fellini and Mario Monicelli.
"I was very shy, it was the first time I traveled to Italy and my mother accompanied me to do the first audition and I didn't know a single word in Italian, so they decided to dub my voice because of my strong French accent".
-Claudia Cardinale in Porta a Porta, 2017.
And here is the video of CC's audition at her 19 years old in 1957:
And with this post I start 2025!
"My first encounter with cinema…"
... No longer as a spectator, but as a protagonist, it took place in Tunis, when I was fourteen years old.
The Tunisian Minister of Culture subsidized films and documentaries. I was then chosen by a very famous French documentary filmmaker, René Vautier, and I was to appear in the film shot in Monastir.
We all participated: Blanche, me, our classmates, and our friends. We wore the veil because we had to introduce ourselves to a group of Arab women.
The leader on stage decided that I would be the only one with my face uncovered by a gust of wind. That's how I got the only close-up in the film.
It was, I remember, an oriental fable, which spoke of sinful women. In the final scene, in the last shot, we saw them greeting their husbands from atop a rock as they left.
My First Time was a first time that was crowned with success, because the film was sent to Berlin, where it won first prize in the documentary section."
- Claudia Cardinale in her book "Io Claudia, Tu Claudia", 1995.
Claudia Cardinale making her first screen appearance in the short documentary film "Les Anneaux D’Or" from 1956 by René Vautier, winner of the "Youth Film Award" at the Berlin International Film Festival, 1959.

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"The Next Goddess of Love" by Alberto Moravia:
▪ This is a dialogue made by Alberto Moravia to Claudia Cardinale in 1961.
▪ Originally the interview was published in "Esquire" magazine on May 1, 1961 and was later turned into a book for collectors with exclusive photos taken by great Italian photographers: Chiara Samugheo, Carlo Cisventi, Franco Pinna and Tazio Secchiaroli.
▪ The first book was published in 1965:
And the second one in 2003:
Photos during Moravia's interview with Cardinale:
~/And so as not to go on too long, I'm going to publish the interview with photos of Claudia Cardinale this week, so stay tuned !😊💖/~
You have never been heavy to carry, it's life without you that would be an exhausting burden. You are my light, my flame, burning or sweet, of course, but my rest in this world.
Albert Camus to Maria Casarès, Correspondance, April 11, 1950 [#276]
ナリズ Nhaliz

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Anne Truitt, from a diary entry featured in Daybook: The Journal of an Artist
Carroll Borland as Luna the Bat Woman in Mark of the Vampire | 1935 | dir. Tod Browning