NOBODY EXISTS ON PURPOSE. Nobody belongs anywhere. We're all going to die. Come watch TV?
VITALPHENOMENA. by lye, 26, they/them. EST. 2011.
ā rules&roster. roster wheel. prompts. open posts. credits. ā
TRIGGERS APPLY. 20+ only.
For OOC info, content warnings, and rules, see below.
lye, 26, they/them. EST. @/vitalphen on discord.
CONTENT WARNINGS
I do not tag triggers in threads, only in visual media. If your triggers are not indicated on your blog, I will probably end up asking. If you follow this blog, I assume you are comfortable with potentially being exposed to, but not necessarily writing, the following:
a scientific institute that tortures and experiments on human beings, primarily children. Child abuse will be addressed but hopefully with a careful hand.
domestic abuse - explicit abuse will not always be tagged, but it will be under a read more.
cultism
spree/serial murder
arson/fire/pyromania
drug use/drug trafficking/addictive disorders
age gap relationships
sex work in the form of stripping and camming
RULES
Mutuals only. Godmodding should only be of the plotted variety (so not even godmodding). I donāt even know what the other basics are. Just be cool. Donāt be all, like, uncool.
I love shipping - chemistry-based, experimental, pre-established, anything goes. Explicit smut gets tagged as #usfw and is not always under a read more. Respect sexualities and gender identities. Burns is asexual. Romantic/sexual/inappropriate content with minors will not be tolerated. Various characters are polyamorous or in open relationships.Ā
Length-wise, I prefer one-liners or short multi-para prose threads. I generally match length. Iām always down to plot ā shoot me a message or some memes whenever. I post starter calls frequently as well. Always feel free to send memes!
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NEVER JUDGE A BOOK BY ITS COVER. When verses fail him, Jud will go for the other familiar saying. But it's hard -- anything in life one chose to do well could be considered so, but in the life and career he has been called to do, at its core, the service was of to the people. And this current man he was conversing with? ... hard not to judge with everything he already knows.
" -- and is humanity what we're calling it when you are straying that far out and leading others to serve not God, but yourself?"
Whatever Jud knows or thinks he knows about Kieran is rooted in dominant societal expectations or the exaggeration inherent to gossip. Kieran isn't worried. Whatever he's done wrong, he can defend. Or conceal.
Now, though, Kieran's confused. He plays it upāeyebrows furrowing, damn near pouting.
"Straying that far out from what, exactly? From the good Lord's flock? I don't think that's true. I don't think I'm part of that flock at all. These duties and obligationsāaren't they meant to be yours?"
Distance stretches in a way that makes no sense. Trees feel farther apart, the path behind him thinner, like it might vanish if he turned. Kinlochāits walls, its guards, its certaintyāpulls away into something unreal.
Not possible. And yet...
His jaw tightens, grip firming on the bow as if tension alone can anchor him to something solid. This is a man playing tricks. It has to be. There are no mores in the world, not beyond stories told to frighten childrenā
Jaw sets, stubbornness rising to meet the unease before it can root too deep.
"Still enough to be asking the questions. Old enough to know that men who skulk in forests and speak in riddles rarely have anything worth saying," comes the reply, sharper now, less playful. The bow doesn't lower, but his eyes narrow.
"You'll forgive me if I'm not impressed by vague declarations."
THERE IS NOTHING ABOUT THIS ENTIRE KINGDOM THAT CANNOT BE SUBJECTED TO HIM.
In some waysāmost ways, in factāthis will be subtle. Has been for decades. He has little interest in an outright coup. Sitting on a throne, making meaningless decisions about the welfare of people whom he hatesānothing appealing about any of it.
Phil smiles like his nephew amuses him. He exhales through his nostrils, feels the air brush against his face. In fact, the most amusing thing about Alasdair thus far is his strongly-held belief that he and his weapon present any sort of threat.
Maybe he needs to have that particular illusion shattered.
The bow's limbs and grip shake in the boy prince's hands until the trembling takes over Alasdair's entire body. In a second or two, the wood will shatter.
Phil, who has always been patient, who appreciates a drawn out suffering more than the satisfaction of debilitating and incapacitating bodily harm:
It makes no goddamn sense to him that Stella is the way she is: that she cares so much about the terrible man that is their father, even now; that she feels simultaneously more like a real, well adjusted person than he does, and like someone incredibly stunted and flat and naive beyond belief.
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@vitalphenomena as fernanda said: i donāt know how many times iāve started this puzzle, then i lose interest and put it away.
marvin & tige.
his eyes are sharp and implacably ageless on fernanda's face when he looks her over. his jaw winches a notch tighter when he doesn't entirely like or trust what he sees in it.
mutt wishes cain would come back. he never thought he'd think that.
WELL, FERNANDA'S NOT THINKING IT. She could be closer with Cain. Should be, arguably. But with Mutt's presence comes Cain assuming a familiarity and a camaraderie that Fernanda's decided doesn't apply to her and Cain. He was rude for making the imposition (the imposition being Mutt himself).
"Fifteen hundred. I've never counted to fifteen hundred on my own. I get bored. Distracted. Do you think you have ADD?"
Okay, that stings a little - Billie's big enough to admit it, even though she knows she'd never do anything. She's not done anything before now, has she? But obviously, Lila still needs a little bit. And that's fine. That's so fine.
"Sure. My place."
She stands from the seat that she's taken, gesturing for Lila to fall into step with her. Billie had driven them here, and so Billie will drive them back - as long as Lila's not weird about being in an enclosed space with her now.
It's getting well into the night now anyway. Better for them to go back to Billie's place now, than for Billie to try and make excuses to get home before the sun rises.
Well, she doesn't have to do that now, does she?
She starts the car and the bubblegum pop they were listening to before blares out of the speakers. It's so normal it makes her laugh.
WHETHER BILLIE HAD BEEN TRUTHFUL ABOUT HER VAMPIRIC IDENTITY FROM THE BEGINNING OF THIS FRIENDSHIP IS IRRELEVANT TO LILA DECIDING THAT BILLIE CAN'T EVER SEE LILA'S FAMILY'S HOME IN POUGHKEEPSIE. The thing isānobody deserves that. The thing isāLila is ashamed.
The car's speakers rattle the entire vehicle and make Lila feel like her body's humming. She sees Billie jostle from the force of her own laughter, and she turns just in time to read Billie's lips.
Her eyebrows crinkle.
<<Why? I don't want you to be sorry anymore. You don't need to say that.>>
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It's not Rex's job to care about the state of the floor in a community institution, it's the custodians! Who are, frankly, the real heroes! Rex is just some guy in a costume who showed up after the fact and got yelled at!
"That's the point of me," says Rex, spreading his arms, momentarily the entire orange forecast of the city. Wiggles his stupid eyebrows. He does not remember what he's supposed to have done. He is having a great time.
"Okay, I'm gonna need you to like, significantly lower the temperature hereā" a beat, "āno offense," and then he's already moving, "ābecause apparently there's a guy with a tail on the loose and that is, genuinely, more interesting than this."
As much as Burns believes in heroes, anyway. That's an idealistic optimism that implies too many held beliefs Burns is incapable of getting behind. Like, people deserve to be saved. Like, people deserve to be celebrated. People with superpowers are better than other peopleāoh. Okay. He does like that one. It'd be so crazy if he didn't, right? Like he hated himself for something he can't control.
Burns scowls. He hates this guy. His eyebrows especially. The eyebrows are so infuriating that Rex's awesome powers, whatever they may be, do not endear Burns one bit.
Burns drops his arms. He's not being given attention anymore, which means he doesn't need to perform. It also means he feelsāempty. Almost sad. Almost.
"WAIT!"
Burns stumbles forward, collects himself, and speed-walks in an upright manner until he's in line with Rex.
"Are you gonna look for him? Are you gonna catch him? Arrest him? What are you gonna do with him? Can you arrest people? Seriously, SERIOUSLY? 'Cause legally, you gawta tell me."
lila's passionate reaction causes june to blink and lean back a little. it does not occur to her to reflect on why her friend might be so eager to know what home is like. june, for all her righteous angst, has never known anything but her family and their homey homes.
"whaāi mean, why does anyone like home? same as everyone else, i guess."
it was called the emergency room for two reasons: everything had to happen very quickly; and, when it didnāt and somebody died, the soul emerged from its shell. once free, it stayed upstairsāeven when the body was brought to the morgue.
but samira looked haunted. she looked possessed. so maybe one had followed her down after all.
' itās just ghosts. ' one of the panel lights flickered off. klaus shrugged, spinning another idle circle in his chair. ' gloria canāt do anything about them. i asked. apparently ghost busters arenāt in the budget? '
the light came back on with a keening hum. the shadows under samiraās eyes grew darkerāa phenomenon that could not be replicated in klaus, who was wearing sunglasses.
SAMIRA'S MOTHER IS A PRACTICING HINDU. To this day, to this hour, to this second. Years ago, Samira wondered if there was any faith or explanation of life-after-death that could possibly bring her peaceāand, yes, she tells herself she's found this peace on her own, that she is no longer the angry teenage girl who watched her father die with only a failing national healthcare system to blame.
She's too tired to be angry. She can't even be angry with Bugs Bunny in fully human form wearing sunglasses.
"So I guess you're feeling the lack of resources as much as the rest of us."
Is she trying to be funny? Basement morticians: they're just like us!
In the scale of violence Hara's familiar with ... between a brother biological dating a fraternity brother, Margot's act surpasses it all. The act itself, the aftermath, and even whatever chain of events that predated Nate's murder. Because Margot had to have thought about it, right? Who on-the-spot thinks of framing something like that as a suicide.
She didn't love him, yet ... she never got the chance (if she did, Hara couldn't be friends with Margot again ... and this would have ended with one of them in jail or in a shared-grave).
ā You did it so easily, Margot ... and I don't understand how you could. It didn't seem to affect you after either. ā
She's having difficulty asking what she really needs to.
TO BE SUCCESSFUL IN WHAT MARGOT DOES (as in, to avoid being turned in by witnesses (which should be scant) or tracked by any sort of law enforcement), PRE-MEDITATION AND CALCULATION ARE IMPERATIVE. Fortunately, she's been thinking ahead for almost her entire life in order to compete. Hindsight is 20-20 is a concept that will never come to be used against her or drag her into despair.
Margot knew she needed to kill Nate. Hara being present wasn't her first plan, surely, but it is how things happened to ensure Hara's safety.
"I was affected, Hara."
But perhaps not in the ways Hara would anticipate or even require of a friend. The limitations on Margot's compassion seem to be jarring.
Margot felt good. Margot felt a manic rush. Then, the satisfactionāas if a lingering itch had finally been scratched. She knew then that the itch would return again, but for a time, she'd handled things.
"Something needed to happen. Something that I couldn't ever ask you to imagine doing or helping me do."
If it looked easy, thoughāthat's because it was.
"I'm who I always was to you," she offers, gentleāseeming to curl further into herself.
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Remi gives her a nasty little smile. There's an element of vindication, as if he's been waiting for Isla to snap the whole time. He's tired of her self-righteous, cool girl actāthe one that makes him feel like a failure every time he talks to her. She's his little sister. Not the other way round.
He'll feel better about losing his shit if she loses hers too.
"Tell me how you really feel, why don't you? Go on, admit it. You do think you're better than me."
REMI, DESPITE HIS GAMBLING ADDICTION (or, in fact, because of it) DOESN'T GET TO WIN OFTEN. She thinks about this as she tries to look down on himāwhich is becoming increasingly difficult the angrier and pettier this conversation makes her.
Anyway, maybe it'd be nice to give Remi his one win for the week. You got me, big guy! I'm as miserable and immature as you are.
It's hard to know that and immediately say what he wants her to say. So, instead:
"Is this doing anything for you? Did you have money on pissing me off today?"