So different, yet kindred all the same.
I’ve loved their dynamic ever since they first met, and the last couple of episodes have only made me love them more 😮💨

#extradirty
Peter Solarz
Sade Olutola

blake kathryn
Alisa U Zemlji Chuda
i don't do bad sauce passes

Andulka

Origami Around
🪼
we're not kids anymore.

Product Placement
art blog(derogatory)
PUT YOUR BEARD IN MY MOUTH
"I'm Dorothy Gale from Kansas"

Kaledo Art

❣ Chile in a Photography ❣
will byers stan first human second

Kiana Khansmith

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@vexing-imogen
So different, yet kindred all the same.
I’ve loved their dynamic ever since they first met, and the last couple of episodes have only made me love them more 😮💨

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he took it personally
Don't need to worry about the hunter anymore...
City Council of Darkness episode 9
universal rules of campaign 4:
everything is birds
everyone is 5’11
only teor is teor
you can’t prove there’s allegory in this
I'm almost inevitably going to fumble trying to articulate this, and I've tried to talk about it a little in tags with mixed success, but the play and Vokjan's awe at his people dressed in nice clothes with flowers all around has really made me want to come back to it.
Hal's choice not to fight in the Falconer's Rebellion was a personal choice about prioritizing his own family (and whether he could even leave his two older children with Elodie to go off and fight is not totally certain). But it was, of course, not a choice made in isolation. He argues that even their father decided to hang up his blade at some point, but our understanding of the lot of orcs before the Shaper's War is that that wasn't a choice their father could have made 60 years prior. That under Azgra, Hal would almost certainly have been forced to march to war, never mind his three young children at home. There were clearly orcs who weren't on the front lines, orcs who built the cities and smithed the weapons and provided whatever food the community had, but by and large orcs were made as weapons and used as such. Thjazi's letter referenced turning swords into plowshares. In some ways, Hal's whole life between the War of Axe and Vine and now has been a version of that. The Falconer's Rebellion was a just cause, and it's probable that if more people had been willing to join it, Araman wouldn't be in the mess it's currently in. But Hal's choice to abstain is a very different choice from Aranessa's choice to abstain. The politics of an orc saying "I will not fight" even when the cause is just are far more nuanced. Because isn't this part of the freedom Vokjan Murzat fought and died for? Orcs in nice clothes, with flowers all around, and time to go see beautiful art made by their own people? Orcs who raise children and start businesses and hang up their swords? A life free from war? Finally. We don't know whether Hal was thinking about those politics when he made his choice. I suspect he was "I choose the Rungjani" indicates that to me, but you can easily read the scene another way. Whatever your take on his thought process, the politics of the choice are undeniable. A healthy orc in his early 30s refusing a call to arms barely 50 years after Azgra's death means something for the Rungjani.
I like this aspect of Hal's background because I think it's fascinating and one of the many ways in which his character feels deeply nuanced. But also, I think Hal feeling like he has no choice but to step into the fray and take up his sword once again throws into sharp relief that one of the violences of injustice is that it requires action. In real life, even the most non-violent methods and most incremental approaches to upending oppressive systems require deep sacrifices of time and emotional well-being. The fight is relentless and draining. To have to fight injustice is in itself unjust, in large part because of the necessity of the work. Someone has to step up and make the sacrifices, often those already suffering under the weight of what needs to be fought off. And for Hal to be called to take up his sword again does contain a sort of innate hopelessness. In his words to Vokjan, Hal has made some version of peace with this. "[Freedom] is never a given. But now, we always have a chance." But also, his son is off fighting some unknown battle, unreachable to his parents, his older daughter is on stage risking the wrath of one of the most powerful people in the world, and his younger daughter took notes for a secret meeting planning treason. Things are better. They are all adults, not actual children being sent onto the battlefield. But still, the lament that started the Shaper's War, "why can't I keep my family safe?," has only gone half-answered despite the apparent completeness of the orcs' victory. And all those orcs in nice clothes, with flowers all around, and the free time to come see a show celebrating their history, will only remain free if Hal allows himself to once again be a weapon

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CRITICAL ROLE 4.29 Opening Night
CRITICAL ROLE 4X29: Opening Night
Is your Dungeons and Dragons character too happy? Are they too settled into their life and thusly require some kind of personal tragedy to motivate them to leave it and take up a life of adventuring? Try Primus Tachonis!
Primus Tachonis is an all-purpose personal tragedy creator sure to spur your character to adventure specifically so they can get his ass. Whether you need an old money asshole muscling in on an institution beloved to your PC or an evil sorcerer to slaughter their entire family Primus Tachonis has the magic and the social station to create whatever tragedy is required to serve your backstory.
Primus Tachonis is so versatile as a backstory tool he has professional D&D players raving:
Primus Tachonis killed my character's best friend and now she has to figure out who she is without him! -Laura Bailey I wrote a light backstory because I was still feeling out the setting and my dungeon master used Primus Tachonis to turn my brother into a statue! -Travis Willingham Primus Tachonis is trying to take over my character's magic school and endangering her students, and she will not have that! -Marisha Rey I had intended my character to have a tense but ultimately repairable relationship with his father, but then my DM used Primus Tachonis to rip his skull from his head. Now my character is on a quest to kill every member of Primus' noble house! -Matthew Mercer My character was a happy and established local playwright until Primus Tachonis had his little brother executed. Now he's taken up the sword again in his brother's stead! -Liam O'Brian I needed someone to murder my character's wife and daughter and my dungeon master suggested Primus Tachonis, and I couldn't be happier with the result! -Robbie Daymond Even works on members of his own family! -Alexander Ward
So don't miss out on the one-man solution to forcing your character to feel the call to adventure, try Primus Tachonis today!
they're adopting him
I just want to make a quick note about this before people get too silly about the situation. It's very important to remember that Robbie is Native American, and is putting a lot of work into making sure that Kattigan has indigenous cultural touchstones as part of his characterization. And that is the appropriate lens through which we should view his missing and murdered wife and daughter, I think.
I would be reluctant to use fridging in this exact context, because this isn't some imaginary scenario to generate manpain for a white hero, this is a much more common experience of Native American and First Nation people, having their wives and daughters and sisters (in particular, but not exclusively) go missing. And never getting answers, never learning what happened, and not being believed that there's a problem in the first place.
This is like how being rescued from a tower by a prince is not particularly empowering or affirming to cis physically able straight thin perisex white women and girls, but can be for basically anybody else. Particularly black girls and women, who do not get a lot of cultural messages that treat them as people who are so valuable and precious, who may not have the strength to save themselves, or may wish that they didn't fucking have to save themselves (and everyone else) all the time.
White men have this story so often happen that we have a trope name specific to one specific and particularly egregious version of this, but you don't often see men who look like Robbie dealing with this type of story in fictional settings, even though it happens for men like Robbie in real life with horrifying frequency.
Sometimes stories that are old can be new again in different hands, from different point of views, so just... mind how you step here.
#this is INCREDIBLY well said #kattigan’s alcoholism and his missing and murdered wife and daughter are parts of him deeply rooted in native american experience #robbie is a guy who LOVES his wife and daughters #he wouldn’t just give his character a dead wife and daughter for fun to generate angst #there’s more going on there#< previous tags#yes exactly this #the context of robbie being indigenous and kattigan being indigenous-coded #changes the nature and messaging behind kattigan's backstory and the loss of his wife and daughter #especially with their kidnapper/murderer being a member of an untouchable privileged class (tags via @navpike and @cassafrasscr)

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Episode 68: Cloak and Dagger || Vex’ahlia + Percy’s Death
Me scrolling the CR tag in November 2025:
CRITICAL ROLE 4X29: Opening Night
have you ever seen a cow in real life
i see cows every day
i see cows very often
i only see cows occasionally, but often enough that it isnt unusual
i have only seen cows a few times
i have seen cows once
i have seen cows but only at a Place To See Animals
i have never seen a cow
if you used to see cows consistently but you dont anymore, answer according to how often you did at cow time!
good news guys, they made it through the foyer :D

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great, now I'm flustered
CR Cooldown: