“en gallop”

It should be recalled that for Bataille, a specter or ghost is not the equivalent of the fully decomposed corpse, but is conceived in the register of decay. In other words, the specter is the uncanny embodiment of fleshly corruption, [...] an irrepressible memento mori. And if Weil is Bataille’s spectral friend, it is only as she returns, like a daimonic intercessor, as the reality of bodily decay and death, and thus the nullification of illusion.

“Each mark, each trace, each scar left on the body is like an artificial invagination, like the scarifications of savages, which are always a vehement response to the absence of the body. Only the wounded body exists symbolically - for itself and for others - “sexual desire” is never anything but the possiblity bodies have of combining and exchanging their signs. […] The savages knew how to use the whole body to this end, in tattooing, torture, initiation - sexuality was only one of the possible metaphors of symbolic exchange, neither the most significant, nor the most prestigious, as it has become for us in its obsessional and realistic reference, thanks to its organic and functional character (including in orgasm).”