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One like nitpick thing that drives me crazy is when people call Blue Whales the largest whales or the largest living mammals or some shit like that
Because yes that is true. But when you frame it like that you are completely disregarding the absolutely batshit reality that Blue Whales are the largest animals that have ever existed on earth through the entire history of the planet and they are alive right now today
thank you platform decay for giving me what I never knew I needed in several pages of murderbot becoming increasingly unhinged trying to navigate an airport
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Watching these bloopers from the 1940s is surreal. Like I guess logically I had to know on some level that they made mistakes? But seeing it is something else 😂
Once when I was in undergrad, someone described something as “problematic” in class and our professor was like, “That’s cool, but ‘problematic’ doesn’t really mean anything. It means that the thing you’re describing has a problem, and in and of itself that’s not bad. Art, especially, should always have problems, or else it’s not interesting and not art, either. It sounds like you’re trying to say that this is bad, but you don’t want to say ‘bad.’ Is that right?”
So from then on whenever one of us called something problematic, he would make us talk it out until we could name the “bad” thing we were hinting at. In this particular class, 7/10 it was some type of oppression, and the remainder was like, “I’m uncomfortable because this is very new/confusing/pushing boundaries that made me feel safe.”
Once we stopped calling things “problematic” and stopping at that, class got way more interesting and... we all had to say, like, “that’s racist” or “that’s misogynistic” or “ew capitalism gross” out loud, which a lot of us had never done in a classroom before. Or we had to be like, “Uhhh... I’m not sure what’s so bad?” and confront our own beliefs and that was maybe even more useful.
Anyway. Whenever I see the word problematic, I can’t help but think of this professor being like, “Good starting point, now let’s get specific.” I think when we have to commit to saying “that’s ___” it requires a lot more careful thought about the truth and impact and complexities of whatever we’re claiming. Sometimes there really is some bullshit afoot, and also sometimes it’s art, and it should be full of problems, because that’s what art is.
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Cod became an archaeologist to chase the ghost of her hero, Aleya Ana-Ulai. History may have written Aleya off as a myth, but Cod is determined to prove she existed, even if it means sifting through relics for the rest of her life.
Then a message arrives summoning her home. Cod's former teacher has found something monumental: the ruins of an enchanted city, slumbering beneath the soil.
This could be the breakthrough they've always dreamed of. But with war brewing, rival powers circling, and ancient magics stirring underfoot, their discovery soon becomes far more trouble than it's worth. Even Cod starts to wonder if some things are better left buried . . .
Review:
Thank you to NetGalley for an ARC!
I absolutely adored Idolfire, so Heaven's Graveyard was a highly anticipated read, and it didn't disappoint!
This takes place a few thousand years after the events of Idolfire, which has, in time, become relegated to myth and legend. Where Idolfire was a large-scale epic journey, Heaven's Graveyard is a lower stakes murder mystery/archeological expedition. Ironically, even though Idolfire had higher stakes, I found Heaven's Graveyard more emotionally intense and dramatic.
I absolutely adore the protagonist, Cod. She's obsessive when it comes to her research, and she's awful at understanding people, while people also struggle to understand her. As we learn more about her past, it becomes clear why she pushes people away, although it's clear that she's always been inherently a little awkward. I love her character arc of learning to open up to people, even though it's hard and she sucks at it.
The plot was also super entertaining! There are two mysteries Cod has to solve: a murder mystery and the mystery of Aleya's existence. I didn't expect the murder mystery to play such a large part of the plot, but I found it rather intriguing; Cod isn't the best at detective work as she struggles to interrogate suspects, but she's observant and good at putting things together. Maybe it's because I'm not familiar with murder mysteries, but the reveal of the murderer legit took me by surprise, I didn't see it coming at all!
Or perhaps it's because I got swept up in Cod's mission to rediscover Idolfire. Cod gets a little sidetracked from murder solving by the possibility of discovering magic, and I can't blame her. For readers of Idolfire, we already know how the magic works, but it's still lots of fun watching Cod not just figure it out, but also innovate on it. (No spoilers!)
I don't think it's necessary to read Idolfire first. Although it might give the reader some advance insight into what Cod discovers, I think it would be an interesting experience to read Heaven's Graveyard first before reading Idolfire.
my pet gives too much of a fuck, we have to manage it
my pet *really* gives a fuck, but it's not really a problem
my pet is chill about it, my pet says sup like a roommate
my pet does not give a care!
nuance button
no pets
Voting ended onMay 19
u simply must pick one pet to answer for and elaborate in reblogs if u wish. my cats both care way more than audrey when im back lol she wags her tail and might want to get kinda silly but sometimes doesn't even bother leaving her (open) crate to say hey
So like. I have reptiles (two geckos and a python). They dont really have a concept of companionship or giving a fuck about other creatures to the extent of missing their presence as a source of comfort.
But they know I exist, they perceive me moving around the apartment outside of their enclosures and talking to them, and that my voice often precedes the appearance of delicious food, or rain (misting with a spray bottle) or a new interesting thing in their habitat to explore.
So on rare occasions I leave my apartment for more than a few hours, when I come back I often find them all coming out to the front glass of their terrariums to stare at me. They dont need to see me to know im there, so why would they come out of their hides and in the open, making themselves visible and vulnerable? What am I in their little brains that are made to perceive Food, Threat or Mate and not much else? I will never know. But it's nice to think that they accepted this gigantic, incomprehensible being as a part of their little world, and after its gone for a while they come out to confirm that Yes, Everything Is Again As It Should Be, Safe And Good.
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