@s0ggy0r3os for inspiring me
wallacepolsom
Peter Solarz

Sweet Seals For You, Always
KIROKAZE
he wasn't even looking at me and he found me

❣ Chile in a Photography ❣
trying on a metaphor
Not today Justin

pixel skylines

roma★

blake kathryn
Game of Thrones Daily
let's talk about Bridgerton tea, my ask is open

Product Placement
Three Goblin Art
we're not kids anymore.

@theartofmadeline

Love Begins
seen from Argentina

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@vampire-connoisseur
@s0ggy0r3os for inspiring me

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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i have to butt mog some zoomers
lo and the spirit compelled me to suffer the zoomers with mine own splendid ass, and to mog the children of men, that they might know the greatness of my hinderparts and thus may know fear🙏🏻
“BACK WHEN TIME DIDN’T MATTER” — AN OIL PAINTING BY RIONA
I work with kids and sometimes we have to do safety lessons with them about like, not telling strangers on the internet your home address or something. And sometimes the kids wont understand why, so you have to impart upon them that, well, some adults want to hurt children. And thats kind of difficult to do, because you have to beat around the bush, both because you dont want to scare them (while still making them understand how serious it is) and because you might lose your job if you explain it too straight forward.
Luckily, for some reason, the villain of one of the most popular franchises with children for the last 10 years happens to be a serial child murderer. So when a kid asks why they shouldnt trust strangers, instead of hand wringing and humhawing my answer out, I can just say "we dont always know when a strange adult has good intentions with children, or when they are William Afton."

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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For those of you that are wondering, please have one of the fiest pieces of radio comedy ever:
the first time i watched this i laughed so hard i nearly puked
THIRD BASE
Since I was 8 and found out about this for the first time my family has always followed up on someone saying “I don’t know,” with shouting “THIRD BASE”
Oh my gosh this is my first time seeing hearing the original! It’s even better than I thought it would be!
idk i would personally rather give up access to certain products seasonally or locally than have people enslaved to give me the ability to have any product any place any time. i think i can go without tomatoes in january.
i truly do think that most people if confronted with it and pressed on it would agree. but it's comfortable to gain privileges from someone else's suffering, especially if you don't have to see that suffering directly.
living with unmedicated ADHD is basically like if Zeno's paradox were real
the task
no you dont masaru
if you spoke to lestat or louis about your pain, they would say, "your pain? what about MY pain?" but if you spoke about your pain to armand he would say "let me lobotomize you and you will never feel pain again." he has a solution-based mindset and we could all learn from him.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
do you ever feel yourself fail a charisma check in real time
I had a lot of/still have some vestigial arrogance about quantitative methods over qualitative ones, probably in a combination of scientific misogyny + STEMlord superiority. But doing regression analysis and quant-heavy data analysis makes me realise more and more that you can justify basically any claim with numbers, and that you can construct your research in such a way as to output the numbers you want. which does not mean that all data are made up or that quantitative knowledge is all false. I think stories about scientists straight up inventing numbers or fudging experiments on purpose prove that there is a real difference between fraudulent and non-fraudulent research. but those data must always be narrativised & are always already narrativised. The act of presenting numbers itself is doing some of that narration because you’re already arguing that these numbers are worth presenting
People in the notes are rightfully pointing out common issues with data manipulation and pre-loaded conclusions in scientific research (i.e., the academic version of asking "so, how often do you beat your wife?" and so on), but I should have clarified that I'm not really talking about that. I'm talking about completely legitimate, above-board scientific research.
For example, I've had students ask me (in good faith) how it was possible for international medical bodies to report different counts of COVID-19 cases during the early years of the pandemic. And one of the answers is that you need to first define what you mean by a "COVID-19 case." Do you include self-reported incidences? Waste water data? Geo-fenced social media posts about people complaining about their coronavirus symptoms? Federal estimates? Hospital data? How do you compare countries/territories/substate entities with mandatory reporting mechanisms vs countries/territories/substate entities that rely only on voluntary self-reported cases? And what combination of these do you use? How you construct what you mean by "case" is going to impact the outcomes you report. These different counts of COVID-19 cases can all be true simultaneously, not because numbers are made up, but because they all come out of different methodologies that can be equally valid.
And this is true across all science, not just social science. Bill Clinton said it best lol: "it depends on what your definition of the word 'is' is." This feels obvious when you look at scientific research that uses "skull measurements" as their object of analysis - the concept itself is white supremacist, regardless of how "sound" the research is. But even something as apparently self-evident as a COVID-19 case still requires a definition, and how you define your variables is necessarily going to impact how the research goes and what conclusions are drawn.
These definitions are always embedded in political & social assumptions. And again, this does not mean that science is all made up or nonsense or whatever. There is a widespread fetishism of "objective knowledge" that is itself ideological - the idea that knowledge can be divorced from all historical and political contexts, that you can scrub bias from research and simply report the facts. Valuable, well-supported, well-constructed scientific research is always embedded in these contexts. Not just as a result of researcher assumptions, but of the material context it exists in - what research resources are available, how & what research gets funded, the academy's relationship to the state & non-government bodies that both provide data and use that research to inform policy, the historical relationships universities often have with settler-colonialism and imperialism that give them access to "foreign" research subjects, etc etc etc.
So my overall point (which I didn't communicate well) is that data can always say what you want to some extent, for good and for ill. And research results (at least in my experience) tend to surprise you in ways that require explanations, which themselves can be fully justified, but again, exist within many different contexts that influence how you interpret them - and not just the results themselves, but your own surprise at your results
one time I went over to a friend's house and their housemate was making paper in the living room, and we saw this big tub full of water they were using to dissolve old scrap paper into a slurry, and everyone was immediately like "oh, you need scrap paper?" and started turning out their jacket pockets and producing expired coupons and bus tickets and crumpled receipts and old shopping lists and whatever else they'd been carrying round with them for no good reason, and passing it all to the paper-making housemate to make sure it was suitable before it got torn up and dropped into the tub, while people took turns stirring the slurry with a big wooden stick. it was strangely ritualistic, like presenting an offering to some kind of temple elder for inspection before placing it in a watery shrine to be devoured and reformed. pulp for the pulp god.
i got assigned a grey alien pen pal and all I send him are polaroids of me grabbing my nuts &flipping the bird

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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I came across this wall tent for sale on facebook for $75 and while it looks somewhat battered, that's an absolute steal for a canvas tent. I went to go buy it, and the guy selling it said that he'd camped in it as a child--and he was currently 92 years old. So. Yeah. It's an old tent.
It's actually in decent shape, though, so I'm going to see about getting it into usable form as a backup/storage tent for historical and fantasy camping. And I've been wanting to experiment with dyeing a tent, but haven't wanted to risk ruining an expensive one--so this is perfect as a test.
I used a clean trash can, 30 gallons of water, and half a gallon of flat interior acrylic paint to get this robin's egg blue. It's still drying--I wanted a pale color to use as a base, with the intention of either painting darker stripes or contrasting patterns as an accent. I dunked the whole tent into the trash can of paint water, and spread it out to dry. It is a bit splotchy, but it's probably close to 80 lbs dry, so with the added weight of water saturation, and a 12x14 normal footprint, it gets pretty hard to maneuver by myself. I am going to have to reapply waterproofing to this tent, due to its age, but for now it works to my advantage while dyeing it. I will update as this process continues, but for now it seems like a good way to get non-manufacturer color onto a natural fiber tent.
It's morning and color is holding as the canvas dries!
From my artbook